La clemenza di Tito

~ Release by Mozart; Berganza, Krenn, Popp, Casula, Fassbaender, Wiener Staatsopernorchester, István Kertész (see all versions of this release, 2 available)

Annotation

Recorded Sofiensaal, Vienna, May/June 1967

Annotation last modified on 2012-07-23 22:15 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1La clemenza di Tito, K. 621: Overture
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Georg Fischer (keyboardist and conductor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Ouverture (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart4:47
2La clemenza di Tito, K. 621: Act I. "Come ti piace imponi"
producer:
Erik Smith (British producer, pianist and harpsichordist)
harpsichord:
Georg Fischer (keyboardist and conductor)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:18
3La clemenza di Tito, K. 621: Act I. "Amico, il passo affretta"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:17
4La clemenza di Tito, K. 621: Act I. "Deh se piacer mi vuol"
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia) / "Chi ciecamente crede" (Vitellia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart5:43
5La clemenza di Tito, K. 621: Act I. "Amico, ecco il momento"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene III. Recitativo "Amico, ecco il momento" (Annio, Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:27
6La clemenza di Tito, K. 621: Act I. Marcia
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:10
7La clemenza di Tito, K. 621: Act I. "Serbate, oh Dei custodi"
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Wiener Staatsoper Choir
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:41
8La clemenza di Tito, K. 621: Act I. "Basta, basta, o miei fidi"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
recording of:
La clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:01
9La clemenza di Tito, K. 621: Act I. "Del più sublime soglio"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Del più sublime soglio" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:31
10La clemenza di Tito, K. 621: Act I. "Non ci pentiam"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:42
11La clemenza di Tito, K. 621: Act I. "Ah perdona al primo affetto"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:03
12La clemenza di Tito, K. 621: Act I. "Che mi rechi in quel foglio?...Servilia! Augusta!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
soprano vocals [Servilia]:
Lucia Popp (soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Che mi rechi in quel foglio?" (Tito, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:14
13La clemenza di Tito, K. 621: Act I. "Ah, se fosse intorno al trono"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:03
14La clemenza di Tito, K. 621: Act I. "Felice me!" / "Ancora mi schernisce?"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativi "Felice me! ...Ancora mi schernisce?" (Servilia, Vitellia, Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:44
15La clemenza di Tito, K. 621: Act I. "Parto, ma tu ben mio" / "Guardami e tutto oblio"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart5:54
16La clemenza di Tito, K. 621: Act I. "Vedrai, Tito, vedrai che alfin"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:19
17La clemenza di Tito, K. 621: Act I. "Oh Dei, che smania è questa"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:45
18La clemenza di Tito, K. 621: Act I. "Deh conservate, oh Dei" / "Sesto!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
choir vocals:
Wiener Staatsoper Choir
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) / Recitativo "Sesto!" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:20
2▼CD
#TitleArtistRatingLength
1La clemenza di Tito, K. 621: Act II. "Amico, m'ha perduto un istante. Addio!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart0:51
2La clemenza di Tito, K. 621: Act II. "Torna di Tito a lato"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 13 Aria "Torna di Tito a lato" (Annio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:03
3La clemenza di Tito, K. 621: Act II. "Partir deggio, o restar?" / "Sesto!" / "Che chiedi?"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 13 Recitativi "Partir deggio, o restar? ... Sesto! - Che chiedi?" (Sesto, Vitellia, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:38
4La clemenza di Tito, K. 621: Act II. "Se al volto mai ti senti"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:27
5La clemenza di Tito, K. 621: Act II. "Ah grazie si rendano"
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Wiener Staatsoper Choir
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 15 Coro "Ah grazie si rendano" (Coro, Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:31
6La clemenza di Tito, K. 621: Act II. "Andremo, Publio, fra poco"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart1:29
7La clemenza di Tito, K. 621: Act II. "Tardi s'avvede"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 16 Aria "Tardi s'avvede" (Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:31
8La clemenza di Tito, K. 621: Act II. "No, così scellerato"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 16 Recitativo "No, così scellerato" (Tito, Annio, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:30
9La clemenza di Tito, K. 621: Act II. "Tu fosti tradito"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:01
10La clemenza di Tito, K. 621: Act II. "Che orror! che tradimento!" / "Ingrato!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito) / Recitativi "Ingrato!" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:30
11La clemenza di Tito, K. 621: Act II. "Quello di Tito è il volto!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:59
12La clemenza di Tito, K. 621: Act II. "Odimi, oh Sesto; siam soli"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 18 Recitativo "Odimi, oh Sesto; siam soli" (Tito, Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:48
13La clemenza di Tito, K. 621: Act II. "Deh per questo istante solo" / "Disperato vado a morte"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart6:30
14La clemenza di Tito, K. 621: Act II. "Publio! andiam al popolo...Se all'impero"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
recording of:
La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart5:22
15La clemenza di Tito, K. 621: Act II. "Ah, Vitellia!...Ah, principessa!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart2:16
16La clemenza di Tito, K. 621: Act II. "S'altro che lagrime"
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Servilia]:
Lucia Popp (soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:06
17La clemenza di Tito, K. 621: Act II. "Ecco il punto, oh Vitellia" / "Non più di fiori"
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart9:39
18La clemenza di Tito, K. 621: Act II. "Che del ciel, che degli Dei"
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Wiener Staatsoper Choir
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:19
19La clemenza di Tito, K. 621: Act II. "Sesto, de'tuoi delitti...Ma che giorno è mai questo?"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 24 Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Servilia, Sesto, Annio, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:40
20La clemenza di Tito, K. 621: Act II. "Tu, è ver, m'assolvi, Augusto"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
choir vocals:
Wiener Staatsoper Choir
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:56