La clemenza di Tito

~ Release by Mozart; Berganza, Krenn, Popp, Casula, Fassbaender, Wiener Staatsopernorchester, István Kertész (see all versions of this release, 2 available)

Annotation

Recorded Sofiensaal, Vienna, May/June 1967

Annotation last modified on 2012-07-23 22:15 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1La clemenza di Tito, K. 621: Act II. "Amico, m'ha perduto un istante. Addio!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart0:51
2La clemenza di Tito, K. 621: Act II. "Torna di Tito a lato"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 13 Aria "Torna di Tito a lato" (Annio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:03
3La clemenza di Tito, K. 621: Act II. "Partir deggio, o restar?" / "Sesto!" / "Che chiedi?"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 13 Recitativi "Partir deggio, o restar? ... Sesto! - Che chiedi?" (Sesto, Vitellia, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:38
4La clemenza di Tito, K. 621: Act II. "Se al volto mai ti senti"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:27
5La clemenza di Tito, K. 621: Act II. "Ah grazie si rendano"
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Wiener Staatsoper Choir
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 15 Coro "Ah grazie si rendano" (Coro, Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:31
6La clemenza di Tito, K. 621: Act II. "Andremo, Publio, fra poco"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart1:29
7La clemenza di Tito, K. 621: Act II. "Tardi s'avvede"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 16 Aria "Tardi s'avvede" (Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:31
8La clemenza di Tito, K. 621: Act II. "No, così scellerato"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 16 Recitativo "No, così scellerato" (Tito, Annio, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:30
9La clemenza di Tito, K. 621: Act II. "Tu fosti tradito"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:01
10La clemenza di Tito, K. 621: Act II. "Che orror! che tradimento!" / "Ingrato!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito) / Recitativi "Ingrato!" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:30
11La clemenza di Tito, K. 621: Act II. "Quello di Tito è il volto!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:59
12La clemenza di Tito, K. 621: Act II. "Odimi, oh Sesto; siam soli"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 18 Recitativo "Odimi, oh Sesto; siam soli" (Tito, Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:48
13La clemenza di Tito, K. 621: Act II. "Deh per questo istante solo" / "Disperato vado a morte"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart6:30
14La clemenza di Tito, K. 621: Act II. "Publio! andiam al popolo...Se all'impero"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
recording of:
La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart5:22
15La clemenza di Tito, K. 621: Act II. "Ah, Vitellia!...Ah, principessa!"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
partial recording of:
La clemenza di Tito, K. 621: Act II (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart2:16
16La clemenza di Tito, K. 621: Act II. "S'altro che lagrime"
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Servilia]:
Lucia Popp (soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:06
17La clemenza di Tito, K. 621: Act II. "Ecco il punto, oh Vitellia" / "Non più di fiori"
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart9:39
18La clemenza di Tito, K. 621: Act II. "Che del ciel, che degli Dei"
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Wiener Staatsoper Choir
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:19
19La clemenza di Tito, K. 621: Act II. "Sesto, de'tuoi delitti...Ma che giorno è mai questo?"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
bass vocals [Publio]:
Tugomir Franc (operatic bass)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, No. 24 Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Servilia, Sesto, Annio, Publio) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:40
20La clemenza di Tito, K. 621: Act II. "Tu, è ver, m'assolvi, Augusto"
producer:
Erik Smith (British producer, pianist and harpsichordist)
alto vocals [Annio]:
Brigitte Fassbaender (mezzo-soprano)
choir vocals:
Wiener Staatsoper Choir
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano)
soprano vocals [Servilia]:
Lucia Popp (soprano)
soprano vocals [Vitellia]:
Maria Casula (soprano and mezzo-soprano)
tenor vocals [Tito]:
Werner Krenn (tenor)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:56