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Copyright: © 2005 Naxos
℗ 2005 Naxos

Annotation last modified on 2025-04-15 20:57 UTC.

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1Digital Media
#TitleArtistRatingLength
1Fidelio, op. 72: Overture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:37
2Fidelio, op. 72, Act I: Jetzt, Schätzchen, jetzt sind wir allein
soprano vocals:
Sena Jurinac (soprano)
tenor vocals:
Rudolf Schock (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:12
3Fidelio, op. 72, Act I: O wär ich schon mit dir vereint
soprano vocals:
Sena Jurinac (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:41
4Fidelio, op. 72, Act I: Mir ist so wunderbar
bass vocals:
Gottlob Frick (operatic bass)
soprano vocals:
Sena Jurinac (soprano) and Martha Mödl (German soprano)
tenor vocals:
Rudolf Schock (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:46
5Fidelio, op. 72, Act I: Hat man nicht auch Gold beineben
bass vocals:
Gottlob Frick (operatic bass)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:58
6Fidelio, op. 72, Act I: Gut, Söhnchen, gu, hab immer Mut
bass vocals:
Gottlob Frick (operatic bass)
soprano vocals:
Sena Jurinac (soprano) and Martha Mödl (German soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:22
7Fidelio, op. 72, Act I: Marsch
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:16
8Fidelio, op. 72, Act I: Ha, welch ein Augenblick!
baritone vocals:
Otto Edelmann (austrian bass-baritone)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:24
9Fidelio, op. 72, Act I: Jetzt, Alter, jetzt hat es Eile!
baritone vocals:
Otto Edelmann (austrian bass-baritone)
bass vocals:
Gottlob Frick (operatic bass)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:00
10Fidelio, op. 72, Act I: Abscheulicher! Wo eilst du hin?
soprano vocals:
Martha Mödl (German soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:59
11Fidelio, op. 72, Act I: O welche Lust!
bass vocals:
Franz Bierbach (operatic bass)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
tenor vocals:
Alwin Hendricks
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:28
12Fidelio, op. 72, Act I: Nun sprecht, wie ging's?
bass vocals:
Gottlob Frick (operatic bass)
soprano vocals:
Martha Mödl (German soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:01
13Fidelio, op. 72, Act I: Ach! Vater, eilt!
baritone vocals:
Otto Edelmann (austrian bass-baritone)
bass vocals:
Gottlob Frick (operatic bass)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
soprano vocals:
Sena Jurinac (soprano) and Martha Mödl (German soprano)
tenor vocals:
Rudolf Schock (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:34
2Digital Media
#TitleArtistRatingLength
1Fidelio, op. 72, Act II: Introduction
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:06
2Fidelio, op. 72, Act II: Gott! Welch Dunkel hier!Ludwig van Beethoven7:33
3Fidelio, op. 72, Act II: Wie kalt ist es in diesem unterirdischen Gewölbe!
bass vocals:
Gottlob Frick (operatic bass)
soprano vocals:
Martha Mödl (German soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:17
4Fidelio, op. 72, Act II: Nur hurtig fort, nur frisch gegraben
bass vocals:
Gottlob Frick (operatic bass)
soprano vocals:
Martha Mödl (German soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:37
5Fidelio, op. 72, Act II: Euch werde Lohn in bessern Welten
bass vocals:
Gottlob Frick (operatic bass)
soprano vocals:
Martha Mödl (German soprano)
tenor vocals:
Wolfgang Windgassen (German heldentenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:43
6Fidelio, op. 72, Act II: Er sterbe! Doch er soll erst wissen
baritone vocals:
Otto Edelmann (austrian bass-baritone)
bass vocals:
Gottlob Frick (operatic bass)
soprano vocals:
Martha Mödl (German soprano)
tenor vocals:
Wolfgang Windgassen (German heldentenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:52
7Fidelio, op. 72, Act II: Vater Rocco!
baritone vocals:
Otto Edelmann (austrian bass-baritone)
bass vocals:
Gottlob Frick (operatic bass)
soprano vocals:
Martha Mödl (German soprano)
tenor vocals:
Rudolf Schock (tenor) and Wolfgang Windgassen (German heldentenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:33
8Fidelio, op. 72, Act II: O namenlose Freude!
soprano vocals:
Martha Mödl (German soprano)
tenor vocals:
Wolfgang Windgassen (German heldentenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:49
9Fidelio, op. 72, Act II: Overture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven15:26
10Fidelio, op. 72, Act II: Heil! Heil sei dem Tag!
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven2:00
11Fidelio, op. 72, Act II: Des besten Königs Wink und WilleLudwig van Beethoven3:54
12Fidelio, op. 72, Act II: Du schlossest auf des Edlen GrabLudwig van Beethoven3:54
13Fidelio, op. 72, Act II: Wer ein holdes Weib errungen
baritone vocals:
Alfred Poell (baritone)
bass vocals:
Gottlob Frick (operatic bass)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
soprano vocals:
Sena Jurinac (soprano) and Martha Mödl (German soprano)
tenor vocals:
Rudolf Schock (tenor) and Wolfgang Windgassen (German heldentenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Musikvereinsaal, Vienna in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-17)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven4:04