I'd Love to Turn You On: Classical and Avant-Garde Music That Inspired the Counter-Culture

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Brandenburg Concerto No. 2, BWV1047 - Allegro assai
flute:
Jean‐Pierre Rampal (flautist) (in 1959)
oboe:
Pierre Pierlot (oboist) (in 1959)
piccolo trumpet:
Maurice André (French trumpeter) (in 1959)
violin:
Gérard Jarry (violinist) (in 1959)
conductor:
Jean‐François Paillard (French conductor) (in 1959)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (in 1959)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:54
2Lute Suite No. 1 in E minor, BWV966: Bourrée
lute:
Julian Bream (in 1956-05)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (in 1956-05)
recording of:
Suite in E minor, BWV 996: V. Bourrée (in 1956-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite in E minor, BWV 996 (original for lute, lute harpsichord)
Johann Sebastian Bach1:35
3Piano Sonata 14 in C sharp minor "Moonlight" Op. 27 No. 2: Adagio sostenuto
piano:
Claudio Arrau (pianist) (on 1950-11-01)
recorded at:
Studio No. 3, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1950-11-01)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (on 1950-11-01)
composer:
Ludwig van Beethoven (German composer) (in 1801)
included in:
end of starchild (video game soundtrack)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:48
4Metastasis (excerpt)
orchestra:
Southwest German Radio Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) (in 1955-10)
conductor:
Hans Rosbaud (conductor) (in 1955-10)
partial recording of:
Metastaseis B (published version)
composer:
Ιάννης Ξενάκης (Iannis Xenakis, Greek-French composer) (from 1953 until 1954)
dedicated to:
Maurice Le Roux
part of:
Anastenaria
revision of:
Metastaseis A (original version)
Iannis Xenakis2:30
5Gesang der Jünglinge
recorded at:
Studio for Electronic Music of West German Radio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1956)
recording of:
Gesang der Jünglinge, Nr. 8 (in 1956)
composer:
Karlheinz Stockhausen (composer) (from 1955 until 1956)
dedicated to:
Doris Stockhausen-Andreae
publisher:
Stockhausen‐Verlag
part of:
Works of Karlheinz Stockhausen by Werk Nr. (number: Nr. 8)
Karlheinz Stockhausen13:02
6Thema (Omaggio a Joyce)
vocals:
Cathy Berberian (mezzo‐soprano)
recorded at:
Studio di Fonologia of the RAI, Milan in Milano (Milan), Milano, Lombardia, Italy (in 1958)
recording of:
Thema (Omaggio a Joyce)
lyricist:
James Joyce (Irish writer)
composer:
Luciano Berio (Italian composer) (in 1958)
Luciano Berio6:15
7Williams Mix
sound engineer:
Robert E. Blake (engineer)
engineer:
Colonel Richard Ranger and Louis A. Stevenson, Jr.
producer:
George Avakian (US 1940–90s record producer)
performer:
Earle Brown (American composer, engineer), John Cage (American composer) and David Tudor (American musician and composer)
recorded at:
Town Hall in Theater District, New York, New York, United States (on 1958-05-15)
recording of:
Williams Mix (on 1958-05-15)
composer:
John Cage (American composer) (in 1952)
publisher:
Peters Edition Ltd.
John Cage5:41
8The Murder from "Psycho"
conductor:
Bernard Herrmann (composer) (in 1960)
recorded at:
Paramount Studios in Hollywood, Los Angeles, California, United States (in 1960)
recording of:
The Murder (in 1960)
composer:
Bernard Herrmann (composer)
part of:
Psycho
Bernard Herrmann1:02
9King Lear (Act IV, Scene 6) lines 249-262
spoken vocals [Edgar]:
Philip Guard (actor) (on 1967-09-29)
spoken vocals [Gloucester]:
Mark Dignam (English actor) (on 1967-09-29)
spoken vocals [Oswald]:
John Bryning (actor) (on 1967-09-29)
partial recording of:
King Lear (on 1967-09-29)
writer:
William Shakespeare (English poet and playwright)
William Shakespeare0:45
10Symphony No. 7 in C major Op. 105 (excerpt): Vivace - Presto - Adagio
orchestra:
Royal Philharmonic Orchestra (on 1955-11-25)
conductor:
Sir Thomas Beecham (conductor) (on 1955-11-25)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1955-11-25)
partial recording of:
Sinfonia nro 7 C-duuri, op. 105 (Symphony no. 7 in C major, op. 105) (on 1955-11-25)
composer:
Jean Sibelius (Finnish composer) (from 1914 until 1924-03-02)
premiered at:
[concert] (1924-03-24)
publisher:
Edition Wilhelm Hansen
composed at:
Ainola in Järvenpää, Uusimaa, Finland (from 1914 until 1924-03-02)
part of:
Works of Jean Sibelius by opus number (number: op. 105)
Jean Sibelius4:32
11Improvisation on the theme music from Pather Panchali
producer:
Richard Bock (record producer)
flute:
Bud Shank (in 1962)
sitar:
Ravi Shankar (in 1962)
tabla:
Kanai Dulla (in 1962)
tanpura [tamboura]:
Nodu C. Mullick (in 1962)
recorded at:
World Pacific Studios in Hollywood, Los Angeles, California, United States (in 1962)
Ravi Shankar7:06
12Daphnis & Chloe: Lever du jour - Scène
choir vocals:
Chorus of the Royal Opera House, Covent Garden (on 1959-04-28)
orchestra:
London Symphony Orchestra (on 1959-04-28)
conductor:
Pierre Monteux (conductor) (on 1959-04-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1959-04-28)
recording of:
Daphnis et Chloé: Tableau III. No. 10. Lever du jour (on 1959-04-28)
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel5:15
13Prélude à l'après-midi d'une faune
recorded in:
Paris, Île-de-France, France (on 1958-05-03)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1958-05-03)
conductor:
Constantin Silvestri (Romanian conductor and composer) (on 1958-05-03)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1958-05-03)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:03
14Estampes for Piano: no. 2, La soirée dans Grenade
piano:
Rudolf Firkusny (pianist) (in 1956-05)
recorded at:
Capitol 46th St. Studios in New York, New York, United States (in 1956-05)
recording of:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera
composer:
Claude Debussy (French composer) (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy5:15
15Neptune, the Mystic (Andante) from The Planets, Op. 32
choir vocals:
BBC Women's Chorus (subgroup of BBC Singers (1935-1961), and of BBC Chorus (1961-1972)) (in 1957-09)
orchestra:
BBC Symphony Orchestra (in 1957-09)
conductor:
Sir Malcolm Sargent (conductor) (in 1957-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1957-09)
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (in 1957-09)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:08
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#TitleArtistRatingLength
1La Marseillaise
orchestra:
London Symphony Orchestra (in 1962-06)
conductor:
Pierre Monteux (conductor) (in 1962-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1962-06)
recording of:
La Marseillaise (national anthem of France) (in 1962-06)
anthem of:
France (from 1795-07-14 to present)
lyricist and composer:
Claude Joseph Rouget de Lisle (composer) (in 1792)
Claude‐Joseph Rouget de l’Isle1:27
2Fantasia on Greensleeves
recorded in:
London (Greater London), England, United Kingdom (in 1953)
orchestra:
Royal Philharmonic Orchestra (in 1953)
conductor:
Sir Adrian Boult (conductor) (in 1953)
recording of:
Fantasia on “Greensleeves” (in 1953)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:52
3Two-Part Invention No. 8 in F Major BMV 772-786
recorded in:
Lakeville, Connecticut, United States
harpsichord:
Wanda Landowska (harpsichordist)
recording of:
Inventio Nr. 8 F-Dur, BWV 779
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 8) and Bach-Werke-Verzeichnis (number: BWV 779)
Johann Sebastian Bach1:01
4Air on a G String from Orchestral No. 3 in D major, BWV1068
piano:
Vladimir Sokoloff (pianist) (in 1959)
violin:
Jaime Laredo (violinist & conductor) (in 1959)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (in 1959)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach3:48
5The Autumn Leaves
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
recording of:
Autumn Leaves (jazz standard, English lyrics) (on 1959-12-28)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Bill Evans Trio6:02
6Interstellar Low Ways
recorded in:
Chicago, Illinois, United States (on 1959-03-06)
double bass [bass]:
Ronnie Boykins (on 1959-03-06)
drums (drum set) [drums]:
William Cochran (drummer) (on 1959-03-06)
flute:
Marshall Allen (American free jazz saxophonist) (on 1959-03-06) and James Spaulding (jazz) (on 1959-03-06)
gong and piano:
Sun Ra (on 1959-03-06)
percussion:
Hobart Dotson (on 1959-03-06), John Gilmore (US saxophonist, played with Sun Ra) (on 1959-03-06) and Pat Patrick (American jazz musician) (on 1959-03-06)
tenor saxophone:
John Gilmore (US saxophonist, played with Sun Ra) (on 1959-03-06)
recording of:
Interstellar Low Ways (on 1959-03-06)
composer and arranger:
Sun Ra
Sun Ra & His Arkestra8:27
7Hallelujah Chorus from the Messiah HWV56
choir vocals:
Royal Philharmonic Chorus (in 1959)
guest vocals:
Giorgio Tozzi (operatic bass) (in 1959)
vocals:
Monica Sinclair (contralto) (in 1959), Jon Vickers (tenor) (in 1959) and Jennifer Vyvyan (soprano) (in 1959)
orchestra:
Royal Philharmonic Orchestra (in 1959)
conductor:
Sir Thomas Beecham (conductor) (in 1959)
arranger:
Sir Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:37
8Angi
guitar:
Davy Graham (British folk guitarist) (in 1962)
recording of:
Angi (in 1962)
composer:
Davey Graham (British folk guitarist)
Davey Graham2:28
9Raga Simhendra Madhyamam
recorded in:
London (Greater London), England, United Kingdom (in 1956)
sitar:
Ravi Shankar (in 1956)
tabla:
Chatur Lal (in 1956)
tanpura [tamboura]:
Pradjot Sen (in 1956)
Ravi Shankar10:55
10Tunji
recording engineer:
Rudy van Gelder (on 1962-06-29)
producer:
Bob Thiele (producer & songwriter)
double bass:
Jimmy Garrison (on 1962-06-29)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-06-29)
piano:
McCoy Tyner (jazz pianist) (on 1962-06-29)
tenor saxophone:
John Coltrane (on 1962-06-29)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-06-29)
recording of:
Tunji (on 1962-06-29)
composer:
John Coltrane
dedicated to:
Babatunde Olatunji
publisher:
Jowcol Music
John Coltrane6:36
11Love Theme from "Spartacus"
double bass [bass]:
Ernie Farrow (on 1961-09-05)
drums (drum set) [drums]:
Lex Humphries (on 1961-09-05)
oboe:
Yusef Lateef (on 1961-09-05)
piano:
Barry Harris (Jazz pianist) (on 1961-09-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-09-05)
recording of:
Love Theme (Spartacus) (on 1961-09-05)
lyricist:
Terry Callier and Alex North (US composer)
composer:
Alex North (US composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Cristal Publishing, Northern Music (song publisher), Northern Music Corp., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and USI A Music Publishing
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ジ・インプレッションズ, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yusef Lateef4:14
12Pannonica
recording engineer:
Reice Hamel (on 1959-10-21)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-21)
recording of:
Pannonica (on 1959-10-21)
writer and composer:
Thelonious Monk
Thelonious Monk3:54
13Yardbird Suite (Take 4)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1946-03-28)
double bass:
Vic McMillan (on 1946-03-28)
drums (drum set):
Roy Porter (on 1946-03-28)
guitar:
Arvin Garrison (on 1946-03-28)
piano:
Dodo Marmarosa (on 1946-03-28)
tenor saxophone:
Lucky Thompson (on 1946-03-28)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-03-28)
orchestra:
Charlie Parker Septet (on 1946-03-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-28)
recording of:
Yardbird Suite (instrumental version) (on 1946-03-28)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1946)
Charlie Parker Septet2:58
14The Rite of Spring, Part I: Adoration of the Earth - Introduction
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:30
15The Rite of Spring, Part I: Adoration of the Earth - The Augurs of Spring
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:18
16The Rite of Spring, Part I: Adoration of the Earth - Mock Abduction
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:17
17The Rite of Spring, Part I: Adoration of the Earth - Spring Round Dances
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:42
18The Rite of Spring, Part I: Adoration of the Earth - Games of the Rival Tribes
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:51
19The Rite of Spring, Part I: Adoration of the Earth - Procession of the Wise Elder
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:40
20The Rite of Spring, Part I: Adoration of the Earth - Adoration of the Earth
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:23
21The Rite of Spring, Part I: Adoration of the Earth - Dance of the Earth
orchestra:
New York Philharmonic (on 1958-01-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1958-01-20)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (on 1958-01-20)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:11
22Hyperprism
producer:
Thomas Frost (classical music producer) and John McClure (recording engineer and record producer)
conductor:
Robert Craft (conductor) (in 1959)
recording of:
Hyperprism (in 1959)
composer:
Edgard Varèse (composer) (from 1922 until 1923)
Edgard Varèse3:52
3▼CD
#TitleArtistRatingLength
1Six Dukes Went a-Fishing
piano:
Benjamin Britten (English composer, conductor, and pianist) (in 1947)
tenor vocals:
Peter Pears (tenor) (in 1947)
recording of:
British Folk-Music Settings: Six Dukes Went Afishin' (in 1947)
lyricist:
[traditional] (special purpose artist)
composer:
Percy Grainger (Australian composer 1882–1961) (in 1905)
Benjamin Britten and Peter Pears3:08
2Symphony No. 2 in D minor, Op. 43: Allegretto
recording engineer:
Kenneth Wilkinson (engineer) (in 1962)
producer:
Charles Gerhardt (conductor, producer, arranger)
orchestra:
Royal Philharmonic Orchestra (in 1962)
conductor:
Sir John Barbirolli (conductor and cellist) (in 1962)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1962)
recording of:
Sinfonia nro 2 D-duuri, op. 43: I. Allegretto (Symphony no. 2 in D major, op. 43: I. Allegretto) (in 1962)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius10:11
3A Song of the High Hills: Tranquillo
orchestra:
Royal Philharmonic Orchestra (on 1944-11-22)
conductor:
Sir Thomas Beecham (conductor) (on 1944-11-22)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1944-11-22)
recording of:
The Song of the High Hills: I. With quiet easy movement-Tranquillo (on 1944-11-22)
composer:
Frederick Delius (English composer) (in 1911)
part of:
A Song of the High Hills, RT ii/6
Frederick Delius8:37
4Ne me quitte pas
ondes Martenot:
Sylvette Allart (French ondist (official ondist for Jacques Brel)) (on 1959-09-11)
piano:
Gérard Jouannest (French musician & songwriter) (on 1959-09-11)
vocals:
Jacques Brel (on 1959-09-11)
orchestra:
François Rauber and his orchestra (on 1959-09-11)
conductor:
François Rauber (on 1959-09-11)
recording of:
Ne me quitte pas (original French version) (on 1959-09-11)
lyricist and composer:
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales and Warner Chappell Music France
Jacques Brel53:53
5Valse Triste, Op. 44 No. 1
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (on 1957-06-07)
conductor:
Eduard van Beinum (conductor) (on 1957-06-07)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1957-06-07)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (on 1957-06-07)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius4:49
6Fantasia on a Theme of Thomas Tallis
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (on 1962-05-17)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-17)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (on 1962-05-17)
recording of:
Fantasia on a Theme by Thomas Tallis (on 1962-05-17)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams16:13
7Jeux d'eau
piano:
Vlado Perlemuter (pianist) (in 1956)
recording of:
Jeux d’eau (in 1956)
composer:
Maurice Ravel (French composer) (in 1901)
premiered at:
Salle Pleyel (1839-1927) in Paris, Île-de-France, France (on 1902-04-05)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 30)
Maurice Ravel5:20
8Nuages from Nocturnes
orchestra:
Boston Symphony Orchestra (on 1962-03-13)
conductor:
Charles Munch (conductor and violinist) (on 1962-03-13)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1962-03-13)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (on 1962-03-13)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy7:24
9Étude for Guitar No. 5
guitar:
Laurindo Almeida (in 1956)
recording of:
12 estudos, W235, nº 5: Andantino (in 1956)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1929)
part of:
12 estudos, W235
Heitor Villa‐Lobos4:03
10Vocalise, Op. 34 No. 14
violin:
Nathan Milstein (violinist) (in 1958)
conductor:
Robert Irving (ballet conductor) (in 1958)
recording of:
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements) (in 1958)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Vasilyevich Rachmaninoff5:38
11Prelude 4 in E minor Op. 28
recorded in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1954-11-10)
piano:
Sviatoslav Richter (pianist) (on 1954-11-10)
live recording of:
Prélude no. 4 in E minor, op. 28: Largo (on 1954-11-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 123) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 169)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:36
12Estrada do sol
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1960)
accordion:
Chiquinho (in 1960)
guitar:
Baden Powell (in 1960)
vocals:
Lúcio Alves (in 1960)
recording of:
Estrada do Sol (in 1960)
composer:
Dolores Duran and Antônio Carlos Jobim
Lúcio Alves2:13
13Estate (Summer)
vocals:
Bruno Martino (in 1960)
conductor:
Ib Glindemann (in 1960)
recording of:
Estate (Odio l’estate) (in 1960)
lyricist:
Bruno Brighetti
composer:
Bruno Martino
Bruno Martino3:52
14Alma brasileira
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (in 1961)
guitar:
Aníbal Augusto Sardinha (Aníbal Augusto Sardinha) (in 1961)
Garoto1:34