Classic Soul Ballads: Nite and Day

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Classic Soul Ballads: Nite and Day
#TitleArtistRatingLength
1I've Been Loving You Too Long (To Stop Now)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding2:58
2Oh Girl
recording of:
Oh Girl
lyricist and composer:
Eugene Record
publisher:
Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites53:31
3Something He Can Feel
recording engineer and engineer:
Roger Anfinsen
producer:
Curtis Mayfield
arranger:
Curtis Mayfield and Richard Tufo
orchestrator:
Richard Tufo
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 9)
recording of:
Something He Can Feel (from 1975-04-15 until 1976-04)
lyricist and composer:
Curtis Mayfield
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
Aretha Franklin46:20
4I Keep Forgettin' (Every Time You're Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald43:42
5Through the Fire
recording of:
Through the Fire (in 1984)
writer:
David Foster (Canadian music producer, arranger and composer), Tom Keane (keyboards, of The Keane Brothers) and Cynthia Weil
publisher:
Bravo and Encore Music, Dyad Music Ltd., Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), TomJon Music Publishing Company, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Chaka Khan4:48
6Miss You Like Crazy
producer:
Michael Masser
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1991)
recording of:
Miss You Like Crazy
writer:
Preston Glass, Gerry Goffin and Michael Masser
publisher:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) and Prince Street Music (Also known as "Prince St. Music")
Natalie Cole33:55
7Let's Do It Again
engineer:
Roger Anfinsen and Fred Breitberg
producer:
Curtis Mayfield
arranger:
Gil Askey and Richard Tufo
recorded at:
Curtom Studios in Chicago, Illinois, United States
edit of:
Let’s Do It Again (long version) by The Staple Singers
recording of:
Let’s Do It Again
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
The Staple Singers53:30
8Always
edit of:
Always by Atlantic Starr
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr34:03
9What You Won't Do For Love
producer:
Ann Holloway (producer/songwriter)
analog synthesizer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
bass guitar:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), George "Chocolate" Perry (bassist aka "Chocolate") and Richie Valesquez (bassist)
drums (drum set):
Joe Galdo (US drummer & percussionist) and Ed Greene (drummer)
guitar:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) and Alfons Kettner
keyboard:
Benny Latimore (US blues/R&B singer, songwriter and pianist) and Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
vocals:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
brass [horns] arranger and strings arranger:
Mike Lewis (US composer, arranger and producer)
phonographic copyright (℗) by:
Sin‐Drome Records, Ltd. (holding company - file NO releases here!) (in 1978)
recording of:
What You Won’t Do for Love
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) and Alfons Kettner
publisher:
EMI Longitude Music, Lindseyanne Music, Sherlyn Publishing Co., Inc., The Music Force, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Bobby Caldwell3.44:48
10Giving You the Best that I Got
additional engineer:
Milton Chan (Recording Engineer)
assistant engineer:
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) and Tim Purvis
engineer:
Barney Perkins
executive producer:
Anita Baker
producer:
Michael J. Powell
bass:
Nathan East (in 1988)
drums (drum set):
Omar Hakim (in 1988)
keyboard:
Vernon Fails (in 1988)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1988)
piano:
Dean Gant (in 1988)
background vocals:
Alex Brown (US soul vocalist, member of Raelets) (in 1988), Carl Carwell (in 1988), Angel Edwards (in 1988) and Valerie Pinkston (in 1988)
lead vocals:
Anita Baker (in 1988)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Giving You the Best That I Got (in 1988)
lyricist and composer:
Anita Baker, Randy Holland (songwriter/engineer) and Skip Scarborough
publisher:
Alexscar Music, All Baker's Music, BMG Music Publishing Ltd., Eyedot Music and Fresh Air Music Ltd.
Anita Baker34:17
11If Ever You're In My Arms Again
recording of:
If Ever You're in My Arms Again
writer:
Michael Masser, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
Peabo Bryson44:12
12I'll Be Around
recording of:
I’ll Be Around
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:13
13Sideshow
engineer:
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) and Joe Tarsia (engineer)
producer:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1973)
vocals:
Blue Magic (US R&B/soul vocal quintet) (in 1973)
conductor:
Don Renaldo (in 1973: brass [horns], strings)
brass [horns] arranger and strings arranger:
Don Renaldo
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Sideshow (in 1973)
writer:
Bobby Eli and Gwendolyn Hines Woolfolk
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zella Music
Blue Magic54:14
14Nite and Day
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Nite and Day
writer:
Al B. Sure! and Kyle West (Soul and R&B songwriter, musician, producer)
Al B. Sure!44:00
15Love Won't Let Me Wait
recorded in:
Philadelphia, Pennsylvania, United States (in 1974)
producer:
Bobby Eli
bass guitar [bass]:
Ronnie Baker (in 1974)
brass [horns] and strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1974)
drums (drum set) [drums]:
Earl Young (in 1974)
guitar:
Bobby Eli (in 1974)
keyboard:
Ron Kersey (in 1974)
vibraphone [vibes]:
Vince Montana (in 1974)
vocals:
Major Harris (in 1974)
brass [horns] arranger and strings arranger:
Don Renaldo
arranger:
Bobby Eli
recording of:
Love Won’t Let Me Wait (in 1974)
writer:
Vinnie Barrett and Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Winot Music
Major Harris5:33
2▼CD
#TitleArtistRatingLength
1Close the Door
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
recording of:
Close the Door
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass5:29
2Just the Two of Us
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
synthesizer:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
vocals and performer:
Bill Withers (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter (songwriter, bassist, producer) and Bill Withers
publisher:
Antisia Music Inc. and Bleunig Music
Bill Withers & Grover Washington, Jr.4.857:25
3Rainy Night in Georgia
producer:
Arif Mardin
bass:
Harold Cowart (on 1969-09-11)
drums (drum set):
Ron Ziegler (drummer) (on 1969-09-11)
guitar:
Cornell Dupree (in 1969) and Jim O’Rourke (US musician & producer, b. 1969) (on 1969-09-11)
harmonica:
Toots Thielemans (in 1969)
instruments:
Cold Grits (in 1969)
organ:
Billy Carter (organ, jazz) (on 1969-09-11)
piano:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (on 1969-09-11)
background vocals:
The Sweet Inspirations (on 1969-09-11)
arranger:
Arif Mardin
recorded at:
Criteria Studios in Miami, Florida, United States (on 1969-09-11)
later releases:
Rainy Night in Georgia by Brook Benton
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 498)
cover recording of:
Rainy Night in Georgia (on 1969-09-11)
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Songs Limited
Brook Benton43:52
4Sweet Love
engineer:
Barney Perkins
executive producer:
Anita Baker
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:25
5One in a Million
recording of:
One in a Million You
lyricist and composer:
Sam Dees
Larry Graham4:11
6Until You Come Back to Me (That's What I'm Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Aretha Franklin4.353:27
7Thin Line Between Love and Hate
The Persuaders3:25
8Baby, I'm Yours
producer:
Bert Berns and Ollie McLaughlin
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1965-01-08)
double bass [bass]:
Jimmy Lewis (jazz bassist) (on 1965-01-08)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1965-01-08)
guitar:
Bill Suyker (on 1965-01-08)
piano:
Paul Griffin (American pianist, session musician) (on 1965-01-08)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1965-01-08)
tenor saxophone:
Charlie Brown (saxophonist) (on 1965-01-08)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1965-01-08) and Tony Studd (on 1965-01-08)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1965-01-08) and Clark Terry (American swing trumpeter) (on 1965-01-08)
background vocals:
vocal group ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1965-01-08)
vocals:
Barbara Lewis (on 1965-01-08)
conductor:
Teacho Wiltshire (on 1965-01-08)
arranger:
Teacho Wiltshire
remaster of:
Baby, I’m Yours by Barbara Lewis
samples from:
Hello Stranger: The Best of Barbara Lewis by Barbara Lewis
recording of:
Baby, I’m Yours (on 1965-01-08)
lyricist and composer:
Van McCoy
publisher:
EMI Blackwood Music Inc. and Van McCoy Music
Barbara Lewis2:32
9(If Loving Is Wrong) I Don't Want to Be Right
recording of:
(If Loving You Is Wrong) I Don’t Want to Be Right
writer:
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) and Raymond Jackson (songwriter, guitarist and producer)
publisher:
East/Memphis Music, Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Luther Ingram43:35
10Love on a Two-Way Street
The Moments53:46
11Pillow Talk
recording of:
Pillow Talk
writer:
Michael Burton (American songwriter and producer) and Sylvia Robinson
Sylvia4:07
12Hypnotized
recording of:
Hypnotized
writer:
Richard Poindexter and Gloria Spolan
Linda Jones2:38
13Baby, Come to Me
guest vocals:
Patti Austin
recording of:
Baby, Come to Me
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) and Rondor Music (London) Ltd.
Patti Austin & James Ingram3:38
14Natural High
recorded in:
London (Greater London), England, United Kingdom
recording of:
Natural High
lyricist and composer:
Charles McCormick
publisher:
IQ Music Ltd.
Bloodstone4:08
15When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:51