Classic Soul Ballads: Nite and Day

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD: Classic Soul Ballads: Nite and Day
#TitleArtistRatingLength
1I've Been Loving You Too Long (To Stop Now)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding2:58
2Oh Girl
recording of:
Oh Girl
lyricist and composer:
Eugene Record
publisher:
Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites53:31
3Something He Can Feel
recording engineer and engineer:
Roger Anfinsen
producer:
Curtis Mayfield
arranger:
Curtis Mayfield and Richard Tufo
orchestrator:
Richard Tufo
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 9)
recording of:
Something He Can Feel (from 1975-04-15 until 1976-04)
lyricist and composer:
Curtis Mayfield
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
Aretha Franklin46:20
4I Keep Forgettin' (Every Time You're Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald43:42
5Through the Fire
recording of:
Through the Fire (in 1984)
writer:
David Foster (Canadian music producer, arranger and composer), Tom Keane (keyboards, of The Keane Brothers) and Cynthia Weil
publisher:
Bravo and Encore Music, Dyad Music Ltd., Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), TomJon Music Publishing Company, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Chaka Khan4:48
6Miss You Like Crazy
producer:
Michael Masser
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1991)
recording of:
Miss You Like Crazy
writer:
Preston Glass, Gerry Goffin and Michael Masser
publisher:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) and Prince Street Music (Also known as "Prince St. Music")
Natalie Cole33:55
7Let's Do It Again
engineer:
Roger Anfinsen and Fred Breitberg
producer:
Curtis Mayfield
arranger:
Gil Askey and Richard Tufo
recorded at:
Curtom Studios in Chicago, Illinois, United States
edit of:
Let’s Do It Again (long version) by The Staple Singers
recording of:
Let’s Do It Again
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
The Staple Singers53:30
8Always
edit of:
Always by Atlantic Starr
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr34:03
9What You Won't Do For Love
producer:
Ann Holloway (producer/songwriter)
analog synthesizer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
bass guitar:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), George "Chocolate" Perry (bassist aka "Chocolate") and Richie Valesquez (bassist)
drums (drum set):
Joe Galdo (US drummer & percussionist) and Ed Greene (drummer)
guitar:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) and Alfons Kettner
keyboard:
Benny Latimore (US blues/R&B singer, songwriter and pianist) and Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
vocals:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
brass [horns] arranger and strings arranger:
Mike Lewis (US composer, arranger and producer)
phonographic copyright (℗) by:
Sin‐Drome Records, Ltd. (holding company - file NO releases here!) (in 1978)
recording of:
What You Won’t Do for Love
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) and Alfons Kettner
publisher:
EMI Longitude Music, Lindseyanne Music, Sherlyn Publishing Co., Inc., The Music Force, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Bobby Caldwell3.44:48
10Giving You the Best that I Got
additional engineer:
Milton Chan (Recording Engineer)
assistant engineer:
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) and Tim Purvis
engineer:
Barney Perkins
executive producer:
Anita Baker
producer:
Michael J. Powell
bass:
Nathan East (in 1988)
drums (drum set):
Omar Hakim (in 1988)
keyboard:
Vernon Fails (in 1988)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1988)
piano:
Dean Gant (in 1988)
background vocals:
Alex Brown (US soul vocalist, member of Raelets) (in 1988), Carl Carwell (in 1988), Angel Edwards (in 1988) and Valerie Pinkston (in 1988)
lead vocals:
Anita Baker (in 1988)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Giving You the Best That I Got (in 1988)
lyricist and composer:
Anita Baker, Randy Holland (songwriter/engineer) and Skip Scarborough
publisher:
Alexscar Music, All Baker's Music, BMG Music Publishing Ltd., Eyedot Music and Fresh Air Music Ltd.
Anita Baker34:17
11If Ever You're In My Arms Again
recording of:
If Ever You're in My Arms Again
writer:
Michael Masser, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
Peabo Bryson44:12
12I'll Be Around
recording of:
I’ll Be Around
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:13
13Sideshow
engineer:
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) and Joe Tarsia (engineer)
producer:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1973)
vocals:
Blue Magic (US R&B/soul vocal quintet) (in 1973)
conductor:
Don Renaldo (in 1973: brass [horns], strings)
brass [horns] arranger and strings arranger:
Don Renaldo
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Sideshow (in 1973)
writer:
Bobby Eli and Gwendolyn Hines Woolfolk
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zella Music
Blue Magic54:14
14Nite and Day
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Nite and Day
writer:
Al B. Sure! and Kyle West (Soul and R&B songwriter, musician, producer)
Al B. Sure!44:00
15Love Won't Let Me Wait
recorded in:
Philadelphia, Pennsylvania, United States (in 1974)
producer:
Bobby Eli
bass guitar [bass]:
Ronnie Baker (in 1974)
brass [horns] and strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1974)
drums (drum set) [drums]:
Earl Young (in 1974)
guitar:
Bobby Eli (in 1974)
keyboard:
Ron Kersey (in 1974)
vibraphone [vibes]:
Vince Montana (in 1974)
vocals:
Major Harris (in 1974)
brass [horns] arranger and strings arranger:
Don Renaldo
arranger:
Bobby Eli
recording of:
Love Won’t Let Me Wait (in 1974)
writer:
Vinnie Barrett and Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Winot Music
Major Harris5:33
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