Los mejores duetos de la historia

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Easy LoverPhilip Bailey & Phil Collins4:40
2Don’t Let the Sun Go Down on Me
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1991) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1991)
aufgenommen bei:
OVO Arena Wembley in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (am 1991-03-23)
live recording of:
Don’t Let the Sun Go Down on Me (am 1991-03-23)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Big Pig Music Ltd. (publisher) (in 1991)
George Michael & Elton John2.55:47
3Delicate
Techniker(in):
Craig Porteils (producer, engineer)
Gitarre:
Terence Trent D’Arby (now known as Sananda Maitreya) und Aaron McClain
Keyboard, Perkussion, Schlagzeug und Hintergrundgesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Gast Sologesang:
Des’ree
recording of:
Delicate (Terence Trent D’Arby)
Verfasser(in):
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby & Des’ree4:16
4Senza una donna
recording of:
Senza una donna (Without a Woman)
Verfasser(in):
Frank Musker und Zucchero
publisher:
Gruppo Intersong S.R.L. (publisher; do NOT use as release label) und Warner Chappell Music Italiana S.r.l.
Zucchero & Paul Young34:27
5Je t'aime, moi non plus
Produzent(in):
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) und Serge Gainsbourg (in 1968-11)
Orchester:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
Texter und Komponist(in):
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. und Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:21
6Sisters Are Doing It For Themselves
recording of:
Sisters Are Doin’ It for Themselves
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin5:54
7I Wanna Be the Only One
Produzent(in):
Nigel Lowis
Gast vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
Texter:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
Komponist(in):
Rhett Lawrence und BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. und Rhettrhyme Music
Eternal & BeBe Winans34:16
8Can't We Try
Produzent(in):
John Capek und Hank Medress
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1987)
recording of:
Can't We Try
Texter und Komponist(in):
Beverly Chapin-Hill und Dan Hill (Canadian singer/songwriter)
publisher:
A Question of Material Music, EMI April Music Inc., If Dreams Had Wings Music Ltd. und Scoop Music Ltd.
Dan Hill & Vonda Shepard23:54
9Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:51
10I Will Always Love You
Interpret(in):
Dolly Parton
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton & Vince Gill3.53:17
11Wherever Would I Be
Dusty Springfield & Daryl Hall3:52
12You Are Everything
cover recording of:
You Are Everything
Verfasser(in):
Linda Creed und Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye3:02
17 Seconds
Youssou N’Dour & Neneh Cherry5:06
2Ebony And Ivory
Assistent recording engineer:
Mike Stavrou (producer/engineer) (von 1981-02-28 bis 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1981-02-28 bis 1981-10)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistierende(r) Mix:
Jon Jacobs (UK producer/engineer) (am 1982-01-19)
Mix:
Geoff Emerick (British recording engineer) (am 1982-01-19)
E-Bass, Gitarre, Klavier und Vocoder:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10)
Hybrid-Piano und Schlagzeug:
Stevie Wonder (von 1981-02-28 bis 1981-10)
Perkussion, Synthesizer und Hintergrundgesang und Sologesang:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10) und Stevie Wonder (von 1981-02-28 bis 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1981-03-30) und Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1982-01-19)
recording of:
Ebony and Ivory (von 1981-02-28 bis 1981-10)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Parodieversion von:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:42
3Almost Paradise
recording of:
Almost Paradise
Texter:
Dean Pitchford
Komponist(in):
Eric Carmen
publisher:
Ensign Music Corporation
Mike Reno & Ann Wilson3:50
4To All The Girls I've Loved BeforeWillie Nelson & Julio Iglesias3:31
5What Have I Done to Deserve ThisPet Shop Boys & Dusty Springfield4:20
6Something's Gotten Hold Of My Heart
Marc Almond & Gene Pitney4:35
7Tonight I Celebrate My Love For You
recording of:
Tonight, I Celebrate My Love
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3:21
8How Come, How Long
recording of:
How Come, How Long
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Stevie Wonder
Babyface & Stevie Wonder5:15
9Boy You Knock Me Out
recording of:
Boy You Knock Me Out
Verfasser(in):
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), Alfons Kettner, Nick Nice und Kelly Price
Tatyana Ali & Will Smith4:00
10Too Much, Too Little, Too Late
Produzent(in):
Jack Gold
Interpret(in):
Johnny Mathis (US pop/soul singer) und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
Verfasser(in):
Nat Kipner (Australian producer, songwriter, label owner & publisher) und John McIntyre Vallins
publisher:
Homewood House Music und MCA Music Ltd.
Johnny Mathis & Deniece Williams42:59
11A Whole New World
Programmierung und Produzent(in):
Walter Afanasieff
Synclavier-Programmierung:
Gary Cirimelli und Ren Klyce
zusätzliche Programmierung:
Dan Shea
Techniker(in):
Dana Jon Chappelle
leitende(r) Produzent(in):
Brenda Dash und Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
Mix:
Bruce Botnick
Editing:
Kathleen Fogarty-Bennett
Bass-Synthesizer, Keyboard und Synclavier [synclavier acoustic guitar]:
Walter Afanasieff
Gitarre:
Michael Landau
Synthesizer [Akai]:
Ren Klyce
vocals:
Regina Belle und Peabo Bryson
arranger:
Walter Afanasieff
zusätzlich arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992) und Walt Disney Records (in 1992)
recording of:
A Whole New World (Aladdin)
Texter:
Tim Rice
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1992 winner)
Teil von:
Aladdin (1992 film soundtrack)
Teil von:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle4.24:03
12Private Emotion
recording engineer und Mix:
Charles Dye
zusätzlich recording engineer:
Jules Gondar, Craig Lozowick, Nathan Malki und Rik Pekkonen
assistierende(r) Techniker(in):
Craig Lozowick, Nathan Malki, Germán Ortiz und Robert Valdez
Koproduzent(in):
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
Produzent(in):
Desmond Child
Bass:
Hugh McDonald (bassist)
Bratsche / Viola:
Denyse Buffum und John Scanlon
Cello:
Larry Corbett und Suzie Katayama
Geige / Violine:
Joel Derouin, Michelle Richard (Violinist) und Eve Sprecher
Gitarre und Mandoline:
Eric Bazilian
membranophone:
Lee Levin
Orgel:
Rob Hyman
Perkussion:
Luis Enrique (Luis Enrique Mejía López, Nicaraguan singer and composer)
Gast vocals:
Meja
Hintergrundgesang:
Gyan (Gyan Evans, Australian musician)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Interpret(in):
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
Private Emotion (von 1998-10 bis 1999-03)
Verfasser(in):
Eric Bazilian und Rob Hyman
publisher:
Dub Notes Music (publisher) (vom 1999 bis heute), Human Boy Music (vom 1999 bis heute) und WB Music Corp. (1929–2019) (vom 1999 bis heute)
Ricky Martin & Meja44:01