Los mejores duetos de la historia

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Easy LoverPhilip Bailey & Phil Collins4:40
2Don’t Let the Sun Go Down on Me
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
arranger:
George Michael
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1991) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1991)
recorded at:
OVO Arena Wembley in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1991-03-23)
live recording of:
Don’t Let the Sun Go Down on Me (on 1991-03-23)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Big Pig Music Ltd. (publisher) (in 1991)
George Michael & Elton John2.55:47
3Delicate
engineer:
Craig Porteils (producer, engineer)
drums (drum set), keyboard, percussion and background vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
guitar:
Terence Trent D’Arby (now known as Sananda Maitreya) and Aaron McClain
guest lead vocals:
Des’ree
recording of:
Delicate (Terence Trent D’Arby)
writer:
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby & Des’ree4:16
4Senza una donna
recording of:
Senza una donna (Without a Woman)
writer:
Frank Musker and Zucchero
publisher:
Gruppo Intersong S.R.L. (publisher; do NOT use as release label) and Warner Chappell Music Italiana S.r.l.
Zucchero & Paul Young34:27
5Je t'aime, moi non plus
producer:
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) and Serge Gainsbourg (in 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
lyricist and composer:
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. and Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:21
6Sisters Are Doing It For Themselves
recording of:
Sisters Are Doin’ It for Themselves
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin5:54
7I Wanna Be the Only One
producer:
Nigel Lowis
guest vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
lyricist:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
composer:
Rhett Lawrence and BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. and Rhettrhyme Music
Eternal & BeBe Winans34:16
8Can't We Try
producer:
John Capek and Hank Medress
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1987)
recording of:
Can't We Try
lyricist and composer:
Beverly Chapin-Hill and Dan Hill (Canadian singer/songwriter)
publisher:
A Question of Material Music, EMI April Music Inc., If Dreams Had Wings Music Ltd. and Scoop Music Ltd.
Dan Hill & Vonda Shepard23:54
9Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1982) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:51
10I Will Always Love You
performer:
Dolly Parton
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton & Vince Gill3.53:17
11Wherever Would I Be
Dusty Springfield & Daryl Hall3:52
12You Are Everything
cover recording of:
You Are Everything
writer:
Linda Creed and Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye3:02
17 Seconds
Youssou N’Dour & Neneh Cherry5:06
2Ebony And Ivory
assistant recording engineer:
Mike Stavrou (producer/engineer) (from 1981-02-28 until 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1981-02-28 until 1981-10)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistant mixer:
Jon Jacobs (UK producer/engineer) (on 1982-01-19)
mixer:
Geoff Emerick (British recording engineer) (on 1982-01-19)
drums (drum set) and electric piano:
Stevie Wonder (from 1981-02-28 until 1981-10)
electric bass guitar, guitar, piano and vocoder:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10)
percussion, synthesizer and background vocals and lead vocals:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10) and Stevie Wonder (from 1981-02-28 until 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1981-03-30) and Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1982-01-19)
recording of:
Ebony and Ivory (from 1981-02-28 until 1981-10)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
parody version of:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:42
3Almost ParadiseMike Reno & Ann Wilson3:50
4To All The Girls I've Loved BeforeWillie Nelson & Julio Iglesias3:31
5What Have I Done to Deserve ThisPet Shop Boys & Dusty Springfield4:20
6Something's Gotten Hold Of My Heart
Marc Almond & Gene Pitney4:35
7Tonight I Celebrate My Love For You
recording of:
Tonight, I Celebrate My Love
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3:21
8How Come, How Long
recording of:
How Come, How Long
writer:
Babyface (R&B musician Kenny Edmonds) and Stevie Wonder
Babyface & Stevie Wonder5:15
9Boy You Knock Me Out
recording of:
Boy You Knock Me Out
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), Alfons Kettner, Nick Nice and Kelly Price
Tatyana Ali & Will Smith4:00
10Too Much, Too Little, Too Late
producer:
Jack Gold
performer:
Johnny Mathis (US pop/soul singer) and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
writer:
Nat Kipner (Australian producer, songwriter, label owner & publisher) and John McIntyre Vallins
publisher:
Homewood House Music and MCA Music Ltd.
Johnny Mathis & Deniece Williams42:59
11A Whole New World
additional programming:
Dan Shea
programming and producer:
Walter Afanasieff
synclavier programming:
Gary Cirimelli and Ren Klyce
engineer:
Dana Jon Chappelle
executive producer:
Brenda Dash and Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
mixer:
Bruce Botnick
editor:
Kathleen Fogarty-Bennett
bass synthesizer, keyboard and synclavier [synclavier acoustic guitar]:
Walter Afanasieff
guitar:
Michael Landau
synthesizer [Akai]:
Ren Klyce
vocals:
Regina Belle and Peabo Bryson
additional arranger:
Robbie Buchanan (Canadian producer)
arranger:
Walter Afanasieff
phonographic copyright (℗) by:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992) and Walt Disney Records (in 1992)
recording of:
A Whole New World (Aladdin)
lyricist:
Tim Rice
composer:
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
part of:
The 65th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1992 winner)
part of:
Aladdin (1992 film soundtrack)
part of:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle4.24:03
12Private Emotion
additional recording engineer:
Jules Gondar, Craig Lozowick, Nathan Malki and Rik Pekkonen
recording engineer and mixer:
Charles Dye
assistant engineer:
Craig Lozowick, Nathan Malki, Germán Ortiz and Robert Valdez
co-producer:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
producer:
Desmond Child
bass:
Hugh McDonald (bassist)
cello:
Larry Corbett and Suzie Katayama
guitar and mandolin:
Eric Bazilian
membranophone:
Lee Levin
organ:
Rob Hyman
percussion:
Luis Enrique (Luis Enrique Mejía López, Nicaraguan singer and composer)
viola:
Denyse Buffum and John Scanlon
violin:
Joel Derouin, Michelle Richard (Violinist) and Eve Sprecher
background vocals:
Gyan (Gyan Evans, Australian musician)
guest vocals:
Meja
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
performer:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
Private Emotion (from 1998-10 until 1999-03)
writer:
Eric Bazilian and Rob Hyman
publisher:
Dub Notes Music (publisher) (from 1999 to present), Human Boy Music (from 1999 to present) and WB Music Corp. (1929–2019) (from 1999 to present)
Ricky Martin & Meja44:01