Cool Cats & Diamond Dolls

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Beyond the Sea
Bobby Darin2:54
2Music to Watch Girls By
producer:
Nick de Caro
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Music to Watch Girls By (on 1967-02-21)
writer:
Sid Ramin and Tony Velona
publisher:
Sidray Enterprises Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.652:31
3Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:26
4What’s New Pussycat?
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965)
recording of:
What’s New Pussycat? (in 1965)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
part of:
The 38th Academy Award for Best Original Song (number: 2)
Tom Jones3.52:04
5Put Your Head on My Shoulder
recorded in:
New York, New York, United States
producer:
Joe Sherman
vocals:
Paul Anka (Canadian singer, songwriter and actor) (in 1958-08)
conductor:
Joe Sherman (in 1958-08)
arranger:
Joe Sherman
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1962)
produced for:
Camy Productions, Inc.
recording of:
Put Your Head on My Shoulder (in 1958-08)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (ended), Chrysalis Standards Inc. and Epa Publishing
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka52:34
6Move Over Darling
recording of:
Move Over Darling
writer:
Hal Kanner (director), Joe Lubin and Terry Melcher
publisher:
Daywin Music Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Day2:39
7When I Fall in Love
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole3:09
8That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:07
9Jackie
vocals:
Scott Walker (singer‐songwriter, musician and producer) (in 1967)
recording of:
Jackie (La Chanson de Jacky) (English lyrics) (in 1967)
lyricist and composer:
Jacques Brel
translator:
Mort Shuman (US singer, pianist & songwriter)
translated version of:
Jacky (La Chanson de Jacky)
Scott Walker23:20
10The Good Life
piano:
John Bunch (jazz pianist) and Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
The Good Life
lyricist:
Jack Reardon (American songwriter)
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
Tony Bennett42:15
11Diamonds Are a Girl’s Best Friend
cover recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Leo Robin (US composer, lyricist & songwriter) and Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Leo Robin (US composer, lyricist & songwriter) and Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:35
12Trains and Boats and Planes
cover recording of:
Trains and Boats and Planes
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Dionne Warwick2:47
13Alfie
recording of:
Alfie (in 1965)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
Cilla Black2:38
14A Little Love and Understanding
vocals:
Gilbert Bécaud
recording of:
A Little Love and Understanding
writer:
Louis Amade, Gilbert Bécaud and Marcel Stellman
publisher:
Dawnbreaker Music
Gilbert Bécaud3:23
15Love Is Blue
phonographic copyright (℗) by:
Mercury (France) (“un label PolyGram” ; “un label Universal Music”) (in 1968)
instrumental cover recording of:
L’amour est bleu (in 1967)
lyricist:
Pierre Cour
composer:
André Popp
publisher:
Frégate Music, Radio-Tele-Music GmbH and Warner Chappell Music France
Paul Mauriat42:32
16Raindrops Keep Fallin’ on My Head
vocals:
B.J. Thomas
conductor:
Burt Bacharach
phonographic copyright (℗) by:
Scepter (a/k/a Scepter Records) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 4) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 345)
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1969 winner)
B.J. Thomas43:02
17Just Walkin’ in the Rain
vocals:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (on 1956-06-29)
orchestra:
Ray Conniff, His Orchestra & Chorus (on 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (on 1956-06-29)
writer:
Johnny Bragg, Buddy Killen and Robert Riley
Johnnie Ray42:38
18On the Street Where You Live
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1956)
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Vic Damone42:44
19December, 1963 (Oh, What a Night)
recording engineer:
Steve Maslow
producer:
Bob Gaudio
mixer:
Val Garay
bass:
Don Ciccone
drums (drum set):
Gerry Polci
guitar:
John Paiva
keyboard:
Bob Gaudio and Lee Shapiro
piano:
Bob Gaudio
vocals:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci and John Paiva
brass [horns] arranger and strings arranger:
Lee Shapiro
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 64)
recording of:
December, 1963 (Oh, What a Night)
lyricist:
Bob Gaudio and Judy Parker
composer:
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. and Seasons Music Co.
The Four Seasons3.853:18
20Oh, Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.33:00
2▼CD
#TitleArtistRatingLength
1Diamonds Are Forever
producer:
John Barry (English score composer)
mixer:
John Richards (engineer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1971)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Diamonds Are Forever (main title theme)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:41
2Thunderball
producer:
John Barry (English score composer)
lead vocals:
Tom Jones (Welsh pop singer)
orchestra:
Roland Shaw & His Orchestra
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Main Title: Thunderball
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Thunderball (film score)
Tom Jones2:52
3From Russia With Love
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
lyricist and composer:
Lionel Bart
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:33
4Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:49
5James Bond Theme
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
James Bond Theme (on 1962-07-23)
composer:
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) and EMI United Partnership
part of:
James Bond themes
is based on:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
The John Barry Seven and Orchestra1:58
6Cast Your Fate to the Wind
instrumental cover recording of:
Cast Your Fate to the Wind
lyricist:
Carel Werber
composer:
Vince Guaraldi (pianist)
publisher:
Atzal Music, Inc. and Unichappell Music, Inc.
Sounds Orchestral3:13
7Classical Gas
Mason Williams52:36
8I Left My Heart in San Francisco
producer:
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-01-23)
conductor:
Marty Manning
arranger:
Marty Manning
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 485)
cover recording of:
I Left My Heart in San Francisco (on 1962-01-23)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett32:52
9For the Good Times
cover recording of:
For the Good Times
lyricist and composer:
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. and Universal Music Careers (in 1968)
Perry Como3:38
10Do You Know the Way to San Jose
recording of:
Do You Know the Way to San Jose
lyricist:
Hal David (in 1968)
composer:
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. and JAC Music Co., Inc.
Dionne Warwick2:56
11Spanish Eyes
recording of:
Spanish Eyes (Moon Over Naples)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Moon Over Naples
Al Martino4:01
12The Girl From Ipanema
recording of:
Garota de Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim and Vinicius de Moraes (O poetinha)
publisher:
Universal Duchess Music Corp.
Stan Getz & João Gilberto with Astrud Gilberto2:47
13My Eyes Adored You
recording of:
My Eyes Adored You
writer:
Bob Crewe and Kenny Nolan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Sound of Nolan Music, Stone Diamond Music Corporation and TannyBoy Music
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Frankie Valli3:32
14Why
cover recording of:
Why (1959 song)
lyricist:
Robert P. Marcucci
composer:
Peter de Angelis
publisher:
Debmar Publishing Co., Inc.
Anthony Newley2:27
15Chanson d’amour
producer:
Richard Perry (producer)
accordion:
Steve Paietta
bass:
Andy Muson (in 1975)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (in 1975)
guitar:
Ben Benay (in 1975) and Ira Newborn (in 1975)
piano:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (in 1975)
solo tenor saxophone:
Jay Migliori (in 1975)
remixer:
Howard Steele (US producer, sound engineer)
arranger:
Ira Newborn
vocals arranger:
Tim Hauser (in 1975) and Janis Siegel (in 1975)
cover recording of:
Chanson d’amour (1958 song) (in 1975)
lyricist and composer:
Wayne Shanklin
publisher:
Carlin Music and Intersong (publisher) (in 1982)
The Manhattan Transfer2:55
16Feelings
phonographic copyright (℗) by:
Som Indústria E Comércio S.A. (Brazilian record company) (in 1974)
part of:
The Downloader’s Music Source Book (number: 322)
recording of:
Feelings
lyricist:
Morris Albert
composer:
Louis Gasté
publisher:
Bucks Music Ltd, Fermata International Melodies, Inc., Peter Maurice Music Co. Ltd. and United Artists (publisher)
version of:
Pour toi
Morris Albert33:43
17Spooky
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1970)
cover recording of:
Spooky
lyricist:
Buddy Buie and J. R. Cobb
composer:
Harry Middlebrooks and Mike Shapiro (saxophonist, composer of Spooky)
publisher:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
is based on:
Spooky (instrumental)
Dusty Springfield4.652:40
18Joanna
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1968)
recording of:
Joanna
writer:
Tony Hatch and Jackie Trent (English singer‐songwriter and actress)
publisher:
ATV Music Ltd.
Scott Walker33:49
19Whatever Will Be, Will Be (Que Sera, Sera)
Doris Day2:04
20Las Vegas
recording of:
Las Vegas
writer:
Peter Callander and Mitch Murray
Tony Christie3:23
3▼CD
#TitleArtistRatingLength
1Have Yourself a Merry Little Christmas
recording of:
Have Yourself a Merry Little Christmas
lyricist:
Ralph Blane (in 1943)
composer:
Hugh Martin (in 1943)
publisher:
EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing (do not use as a release label!), EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) and Leo Feist, Inc. (in 1971, in 1972)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
Frank Sinatra2:34
2Let It Snow! Let It Snow! Let It Snow!
vocals:
Dean Martin (American singer/actor)
cover recording of:
Let It Snow! Let It Snow! Let It Snow!
lyricist:
Sammy Cahn (in 1945-07)
composer:
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and WB Music Corp. (1929–2019)
Dean Martin1:55
3It’s the Most Wonderful Time of the Year
lead vocals:
Andy Williams (US pop/jazz vocalist) (in 1972)
vocals:
Andy Williams (US pop/jazz vocalist) (in 1972)
arranger:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1963) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1963)
part of:
Billboard Hot 100: 2025-12-27 (number: 9), Billboard Hot 100: 2026-01-03 (number: 9), Billboard Hot 100: 2025-12-13 (number: 10), Billboard Hot 100: 2025-12-20 (number: 10), Billboard Hot 100: 2025-12-06 (number: 17), Billboard Hot 100: 2025-11-29 (number: 30) and BILLIONS CLUB
recording of:
It’s the Most Wonderful Time of the Year (in 1972)
writer:
Eddie Pola and George Wyle
publisher:
Barnaby Music Corp., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., IQ Music Ltd. and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Andy Williams42:31
4It’s Beginning to Look a Lot Like Christmas
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1963)
part of:
Billboard Hot 100: 2026-01-03 (number: 18), Billboard Hot 100: 2025-12-20 (number: 22), Billboard Hot 100: 2025-12-27 (number: 23), Billboard Hot 100: 2025-12-13 (number: 24) and Billboard Hot 100: 2025-12-06 (number: 38)
recording of:
It’s Beginning to Look a Lot Like Christmas (on 1951-09-10)
lyricist and composer:
Meredith Willson (in 1951)
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, Meredith Willson Music LLC, MPL Communications Australia and MPL Music Publishing
Perry Como & The Fontane Sisters with Mitchell Ayres and His Orchestra32:36
5Blue Christmas
engineer:
Thorne Nogar
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-05)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-05)
drums (drum set):
D.J. Fontana (on 1957-09-05)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-05)
piano:
Dudley Brooks (on 1957-09-05)
background vocals:
The Jordanaires (southern gospel group) (on 1957-09-05) and Millie Kirkham (on 1957-09-05)
phonographic copyright (℗) by:
RCA Victor (in 1957), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-05)
part of:
Billboard Hot 100: 2026-01-03 (number: 21), Billboard Hot 100: 2025-12-27 (number: 27), Billboard Hot 100: 2025-12-20 (number: 29), Billboard Hot 100: 2025-12-13 (number: 31) and Billboard Hot 100: 2025-12-06 (number: 50)
cover recording of:
Blue Christmas (on 1957-09-05)
writer:
Bill Hayes (songwriter) and Jay Johnson (songwriter of “Blue Christmas”)
publisher:
Anglo-Pic Music Co. Ltd., Bibo Music Publishing, Inc., J. Albert & Son Pty. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal Polygram International, Inc.
Elvis Presley3.52:08
6When a Child Is Born
executive producer:
Michael Berniker and Jerry Shulman
producer:
Jack Gold
vocals:
Johnny Mathis (US pop/soul singer)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1976), Sony BMG Music Entertainment Inc. (in 1976) and Jon Mat Records Ltd. (in 1984)
recording of:
When a Child Is Born
lyricist:
Fred Jay
composer:
Zacar
arranger:
Dave Arch (pianist, conductor, arranger and composer)
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., Beechwood Music Corp., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Mathis43:40
7Rockin’ Around the Christmas Tree
producer:
Owen Bradley
vocals:
Brenda Lee (1960s American singer) (on 1958-10-19)
part of:
Billboard Hot 100: 2025-12-20 (number: 2), Billboard Hot 100: 2026-01-03 (number: 2), Billboard Hot 100: 2025-12-13 (number: 3), Billboard Hot 100: 2025-12-27 (number: 3), Billboard Hot 100: 2025-12-06 (number: 7), Billboard Hot 100: 2025-11-29 (number: 13), Billboard Hot 100: 2025-11-22 (number: 19), Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 33), Billboard Year-End Hot 100 singles of 2024 (number: 59), Billboard Year-End Hot 100 singles of 2023 (number: 60), Billboard Year-End Hot 100 singles of 2025 (number: 67), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 70), Billboard Year-End Hot 100 singles of 2022 (number: 80), Billboard Year-End Hot 100 singles of 2021 (number: 92) and BILLIONS CLUB
recording of:
Rockin’ Around the Christmas Tree (on 1958-10-19)
lyricist and composer:
Johnny Marks (American songwriter)
publisher:
Chappell, D. Davis & Co. Pty Ltd, EMI Davis Music Australia Pty Limited and St. Nicholas Music
Brenda Lee42:05
8Jingle Bell Rock
cover recording of:
Jingle Bell Rock
writer:
Joe Beal and Jim Boothe
publisher:
Anne Rachel Music Corp, Carlin, Chappell & Co., Inc. (USA) and Essex Music of Australia Pty. Ltd.
Bobby Rydell & Chubby Checker2:32
9Santa Baby
vocals:
Eartha Kitt (on 1953-10-05)
orchestra:
Henri René & His Orchestra (on 1953-10-05)
phonographic copyright (℗) by:
RCA Victor (in 1953), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1953) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1953)
part of:
Billboard Hot 100: 2026-01-03 (number: 19), Billboard Hot 100: 2025-12-27 (number: 24), Billboard Hot 100: 2025-12-20 (number: 27), Billboard Hot 100: 2025-12-13 (number: 30) and Billboard Hot 100: 2025-12-06 (number: 49)
recording of:
Santa Baby (on 1953-10-05)
writer:
Joan Javits, Anthony Springer (Tony Springer) and Philip Springer
publisher:
Carlin Music Corporation, Hello Mr. Wilson, Tamir Music, TM Music Ltd., Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Eartha Kitt3.53:25
10Pretty Paper
recorded in:
London (Greater London), England, United Kingdom (on 1963-09-11)
producer:
Fred Foster
vocals:
Roy Orbison (on 1963-09-11)
orchestra:
The Barry Booth Orchestra (on 1963-09-11)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1967)
cover recording of:
Pretty Paper (on 1963-09-11)
lyricist and composer:
Willie Nelson
publisher:
Sony ATV Music Publishing (1995–2020) and Tree Publishing Inc.
Roy Orbison42:47
11The Christmas Song
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire)
lyricist:
Robert Wells (songwriter) (in 1945-07) and Mel Tormé (“The Velvet Fog”) (in 1945-07)
composer:
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
Nat King Cole3:10
12Silver Bells
cover recording of:
Silver Bells (Christmas song)
lyricist and composer:
Ray Evans (American songwriter) and Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Jay Livingston Music Inc., Paramount Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Harmony (in 1950)
sub-publisher:
Sony/ATV Harmony Canada and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Jim Reeves32:56
13Santa Bring My Baby Back (To Me)
engineer:
Thorne Nogar
acoustic guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-07)
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-09-07)
drums (drum set):
D.J. Fontana (on 1957-09-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-09-07)
piano:
Dudley Brooks (on 1957-09-07)
background vocals:
The Jordanaires (southern gospel group) (on 1957-09-07) and Millie Kirkham (on 1957-09-07)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-09-07)
recording of:
Santa Bring My Baby Back (to Me) (on 1957-09-07)
writer:
Claude Demetrius and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Cherry Lane Music Co., Gladys Music, Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
Elvis Presley31:53
14Lonely Pup (In a Christmas Shop)
performer:
Adam Faith
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Lonely Pup (In a Christmas Shop)
lyricist and composer:
Arthur Alexander (country soul singer)
publisher:
EMI Music Publishing (do not use as a release label!)
Adam Faith1:47
15Winter Wonderland
vocals:
Johnny Mathis (US pop/soul singer)
orchestra:
Percy Faith and His Orchestra (Faith’s orchestra before his death in 1976)
conductor:
Percy Faith
recording of:
Winter Wonderland
lyricist:
Richard B. Smith (wrote lyrics to “Winter Wonderland”)
composer:
Felix Bernard
publisher:
Bregman, Vocco & Conn, Inc., EMI Music (do not use as release label! this is a music publisher), Francis, Day & Hunter, Redwood Music Ltd. (Carlin), Warner Chappell Music Inc., Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Johnny Mathis3:17
16Little Donkey
recording of:
Little Donkey
lyricist and composer:
Eric Boswell
publisher:
Chappell Music Ltd.
Nina & Frederik3:14
17The Little Drummer Boy
choir vocals:
The Harry Simeone Chorale
recording of:
Carol of the Drum (aka “The Little Drummer Boy”)
lyricist and composer:
Katherine K. Davis (Katherine Kennicott Davis) (in 1941)
additional composer:
Henry Onorati (in 1958) and Harry Simeone (in 1958)
publisher:
EMI Mills Music (ASCAP-affiliated), International Korwin Corp., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Belwin-Mills Publishing Corp. (in 1955) and Mills Music, Inc. (in 1964)
is based on:
Trad. (traditional Czech carol, became “Carol of the Drums”)
The Harry Simeone Chorale3:20
18Mary’s Boy Child
producer:
Dennis Farnon and Henri René (producer, composer, conductor and arranger)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1956-07-20)
bass clarinet:
Antonio Villa (on 1956-07-20)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-07-20)
congas:
Wally Fernez (on 1956-07-20)
French horn:
Attilo DePalma (on 1956-07-20)
guitar:
Frantz Casséus (on 1956-07-20)
guitar family:
Millard Thomas (on 1956-07-20)
harp:
Marjorie Call (on 1956-07-20)
percussion:
Arnold Manchester (on 1956-07-20) and Louis Singer (percussionist) (on 1956-07-20)
piano:
Hal Hidey (on 1956-07-20)
saxophone:
Victor Garber (50s US saxophonist) (on 1956-07-20), Jules Jacob (US jazz woodwind player) (on 1956-07-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-07-20) and Wilbur Schwartz (on 1956-07-20)
viola:
Joseph Reilich (on 1956-07-20)
violin:
Israel Baker (American violinist) (on 1956-07-20), Jerome G. Kasin (on 1956-07-20), Robert Levine (violist, violinist) (on 1956-07-20), Gustave Rosseels (on 1956-07-20), Myron Sandler (on 1956-07-20) and Marshall Sosson (on 1956-07-20)
vocals:
Harry Belafonte (on 1956-07-20)
conductor:
Will Lorin (on 1956-07-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-07-20)
recording of:
Mary’s Boy Child (on 1956-07-20)
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd. and J. Albert & Son Pty. Ltd.
Harry Belafonte32:58
19Silent Night
recording of:
Silent Night (Christmas carol, English translation)
lyricist:
Josef Mohr (composer/author) (in 1816)
composer:
Franz Xaver Gruber (composer/author) (in 1818)
translator:
John Freeman Young (in 1859)
part of:
Roud Folk Song Index (number: 27088)
translated version of:
Stille Nacht, heilige Nacht
Bing Crosby2:41
20White Christmas
Pat Boone2:56