Cool Cats & Diamond Dolls

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Diamonds Are Forever
producer:
John Barry (English score composer)
mixer:
John Richards (engineer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1971)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Diamonds Are Forever (main title theme)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:41
2Thunderball
producer:
John Barry (English score composer)
lead vocals:
Tom Jones (Welsh pop singer)
orchestra:
Roland Shaw & His Orchestra
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Main Title: Thunderball
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Thunderball (film score)
Tom Jones2:52
3From Russia With Love
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
lyricist and composer:
Lionel Bart
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:33
4Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:49
5James Bond Theme
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
James Bond Theme (on 1962-07-23)
composer:
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) and EMI United Partnership
part of:
James Bond themes
is based on:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
The John Barry Seven and Orchestra1:58
6Cast Your Fate to the Wind
instrumental cover recording of:
Cast Your Fate to the Wind
lyricist:
Carel Werber
composer:
Vince Guaraldi (pianist)
publisher:
Atzal Music, Inc. and Unichappell Music, Inc.
Sounds Orchestral3:13
7Classical Gas
Mason Williams52:36
8I Left My Heart in San Francisco
producer:
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-01-23)
conductor:
Marty Manning
arranger:
Marty Manning
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 485)
cover recording of:
I Left My Heart in San Francisco (on 1962-01-23)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett32:52
9For the Good TimesPerry Como3:38
10Do You Know the Way to San Jose
recording of:
Do You Know the Way to San Jose
lyricist:
Hal David (in 1968)
composer:
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. and JAC Music Co., Inc.
Dionne Warwick2:56
11Spanish Eyes
recording of:
Spanish Eyes (Moon Over Naples)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Moon Over Naples
Al Martino4:01
12The Girl From Ipanema
recording of:
Garota de Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim and Vinicius de Moraes (O poetinha)
publisher:
Universal Duchess Music Corp.
Stan Getz & João Gilberto with Astrud Gilberto2:47
13My Eyes Adored You
recording of:
My Eyes Adored You
writer:
Bob Crewe and Kenny Nolan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Sound of Nolan Music, Stone Diamond Music Corporation and TannyBoy Music
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Frankie Valli3:32
14Why
cover recording of:
Why (1959 song)
lyricist:
Robert P. Marcucci
composer:
Peter de Angelis
publisher:
Debmar Publishing Co., Inc.
Anthony Newley2:27
15Chanson d’amour
producer:
Richard Perry (producer)
accordion:
Steve Paietta
bass:
Andy Muson (in 1975)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (in 1975)
guitar:
Ben Benay (in 1975) and Ira Newborn (in 1975)
piano:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (in 1975)
solo tenor saxophone:
Jay Migliori (in 1975)
remixer:
Howard Steele (US producer, sound engineer)
arranger:
Ira Newborn
vocals arranger:
Tim Hauser (in 1975) and Janis Siegel (in 1975)
cover recording of:
Chanson d’amour (1958 song) (in 1975)
lyricist and composer:
Wayne Shanklin
publisher:
Carlin Music and Intersong (publisher) (in 1982)
The Manhattan Transfer2:55
16Feelings
phonographic copyright (℗) by:
Som Indústria E Comércio S.A. (Brazilian record company) (in 1974)
part of:
The Downloader’s Music Source Book (number: 322)
recording of:
Feelings
lyricist:
Morris Albert
composer:
Louis Gasté
publisher:
Bucks Music Ltd, Fermata International Melodies, Inc., Peter Maurice Music Co. Ltd. and United Artists (publisher)
version of:
Pour toi
Morris Albert33:43
17Spooky
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1970)
cover recording of:
Spooky
lyricist:
Buddy Buie and J. R. Cobb
composer:
Harry Middlebrooks and Mike Shapiro (saxophonist, composer of Spooky)
publisher:
Bike Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
is based on:
Spooky (instrumental)
Dusty Springfield4.652:40
18Joanna
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1968)
recording of:
Joanna
writer:
Tony Hatch and Jackie Trent (English singer‐songwriter and actress)
publisher:
ATV Music Ltd.
Scott Walker33:49
19Whatever Will Be, Will Be (Que Sera, Sera)
Doris Day2:04
20Las Vegas
recording of:
Las Vegas
writer:
Peter Callander and Mitch Murray
Tony Christie3:23
3CD