The Best Smooth Jazz …Ever! Vol. 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:37
2Let There Be Love
batteria :
Shelly Manne (US jazz drummer) (il 1961-12-20)
chitarra :
Al Hendrickson (il 1961-12-20)
contrabbasso :
Al McKibbon (double bassist) (il 1961-12-20)
contrabbasso [arco bass] :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (il 1961-12-20)
pianoforte :
George Shearing (British jazz pianist) (il 1961-12-20)
vibrafono :
Emil Richards (il 1961-12-20)
viola :
Joseph DiFiore (il 1961-12-20), Alvin Dinkin (il 1961-12-20), Allan Harshman (violist) (il 1961-12-20) e Paul Robyn (il 1961-12-20)
violino :
Victor Arno (il 1961-12-20), Emil Briano (Violinist) (il 1961-12-20), Jacques Gasselin (il 1961-12-20), James Getzoff (American concertmaster and violinist) (il 1961-12-20), Joseph Livoti (violinist) (il 1961-12-20), Dan Lube (il 1961-12-20), Erno Neufeld (il 1961-12-20), Isadore Roman (violin) (il 1961-12-20), Mischa Russell (violinist) (il 1961-12-20), Felix Slatkin (il 1961-12-20), Joseph Stepansky (il 1961-12-20) e Gerald Vinci (American violinist and strings conductor) (il 1961-12-20)
violoncello :
Hyman Gold (cellist) (il 1961-12-20), Armand Kaproff (il 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (il 1961-12-20) e William Vandenburg (Session Musician/Cello) (il 1961-12-20)
voce:
Nat King Cole (il 1961-12-20)
direttore d'orchestra:
Ralph Carmichael (il 1961-12-20)
arrangiatore:
Ralph Carmichael
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1962)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1961-12-20)
registrazione cover di:
Let There Be Love (il 1961-12-20)
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole1.22:45
3Love Story (Where Do I Begin)
produttore:
Johnny Harris (Scottish composer, conductor)
voce:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
Johnny Harris (Scottish composer, conductor)
arrangiatore:
Johnny Harris (Scottish composer, conductor)
registrazione di:
(Where Do I Begin?) Love Story (Love Story)
paroliere:
Carl Sigman
compositore:
Francis Lai (French composer)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony e Sony/ATV Music Publishing LLC (1995–2020)
sub-editore:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
versione di:
Theme From Love Story (Instrumental)
Shirley Bassey3:14
4Fragile
assistente tecnico:
Kent Bruce (engineer) e Peter Doris
tecnico:
Sean Macke (dal 2002-12 al 2003-03)
produttore:
Fabrizio Sotti e Cassandra Wilson
tecnico di missaggio:
Eric Butler
basso :
Reginald Veal (dal 2002-12 al 2003-03)
batteria :
Terri Lyne Carrington (dal 2002-12 al 2003-03)
chitarra :
Fabrizio Sotti (dal 2002-12 al 2003-03)
percussione :
Jeffrey Haynes (US hip hop artist Jeffrey Haynes) (dal 2002-12 al 2003-03)
voce:
Cassandra Wilson (dal 2002-12 al 2003-03)
mixata presso:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 2003-04)
registrazione cover di:
Fragile (dal 2002-12 al 2003-03)
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc. e Magnetic Publishing Ltd.
Cassandra Wilson34:37
5Dream a Little Dream of Me
produttore:
Lou Adler
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1968)
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Cass Elliot3.353:12
6What the World Needs Now Is Love
registrazione di:
What the World Needs Now Is Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (nel 1965), Songs of Fujimusic (nel 1965, nel 1993) e BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1993)
Jackie DeShannon3.63:14
7Don’t It Make My Brown Eyes Blue
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1976) e Capitol Nashville (nel 1977, nel 1979)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 71)
registrazione cover di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle4.42:32
8I’ll Never Fall in Love Again
registrazione cover di:
I’ll Never Fall in Love Again (Promises, Promises)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Rondor, Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Bobbie Gentry2:53
9Girl From Ipanema
Eliane Elias3:52
10Go Slow
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Russ Garcia & His Orchestra
direttore d'orchestra:
Russell Garcia
arrangiatore:
Russell Garcia
registrazione di:
Go Slow
paroliere:
Ned Kronk
compositore:
Russell Garcia
Julie London42:15
11Call Me Irresponsible
registrazione cover di:
Call Me Irresponsible
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Paramount Music Corporation
parte di:
The 36th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1963 winner)
Dinah Washington2:18
12Somebody Loves Me
Alma Cogan3:03
13Ain’t No Sunshine
registrazione cover di:
Ain’t No Sunshine
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Rodney Jones4:22
14The Look of Love
registrazione cover di:
The Look of Love (il 1967-01-29)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
registrazione di:
The Look of Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Dusty Springfield53:31
15Bellissimo
Ilya3:46
2▼CD
#TitoloArtistaValutazioneDurata
1Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.23:21
2Walk On By
voce:
Dionne Warwick
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 129)
registrazione di:
Walk On By
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:58
3Sway
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1952)
orchestra:
Dick Stabile and His Orchestra (nel 1952)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1952)
registrazione cover di:
Sway (il 1954-04-22)
paroliere:
Norman Gimbel
compositore:
Pablo Beltrán Ruiz
editore:
Latin-American Music Publishing Co. Ltd.
versione di:
¿Quién será?
Dean Martin42:44
4I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:31
5I Cry by Night
Kay Starr2:51
6Come Away With Me
assistente tecnico:
Dick Kondas
tecnico:
Jay Newland (producer, engineer and mixer)
produttore:
Arif Mardin
tecnico di missaggio:
Arif Mardin e Jay Newland (producer, engineer and mixer)
batteria :
Dan Rieser
chitarra acustica :
Jesse Harris
chitarra basso :
Lee Alexander (US bassist, songwriter & producer)
chitarra elettrica :
Adam Levy (jazz guitarist)
pianoforte e voce principale:
Norah Jones
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrata presso:
Allaire Studios in Bearsville, New York, Stati Uniti e Sorcerer Sound in New York, New York, Stati Uniti
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione di:
Come Away With Me
paroliere e compositore:
Norah Jones
Norah Jones3.753:18
7The Chokin’ Kind
diritti fonografici (℗) detenuti da:
EMI Music North America (not for release label use!) (nel 2003)
registrazione cover di:
The Chokin’ Kind
paroliere e compositore:
Harlan Howard
editore:
Sony/ATV Songs (SOCAN) e Wilderness Music Publishing Co.
Joss Stone3.53:36
8Bidin’ My Time
registrazione di:
Bidin’ My Time (from Girl Crazy)
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
New World Music Co. (nel 1930)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Nat King Cole2:28
9The Nearness of You
registrazione cover di:
The Nearness of You
paroliere:
Ned Washington (nel 1938)
compositore:
Hoagy Carmichael (nel 1938)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK e Sony/ATV Music Publishing LLC (1995–2020)
Nancy Wilson2:58
10Unchained Melody
registrazione di:
Unchained Melody (nel 1955)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Les Baxter42:33
11My Baby Just Cares for Me
registrazione di:
My Baby Just Cares for Me
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
George Michael21:43
12I Came Aching
Angela McCluskey2:19
13Rainy Night in Georgia
registrazione cover di:
Rainy Night in Georgia
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Randy Crawford4:23
14Falling in Love Again
assistente tecnico:
Steve Pelluet
tecnico:
Mark Tucker (engineer)
tecnico aggiunto:
Chris Dibble (engineer) e Sven Taits
produttore:
Rhett Davis (English record producer and engineer.) e Bryan Ferry
armonium e pianoforte :
Colin Good
arpa :
Hugh Webb (harpist)
basso :
Chris Laurence (double bassist)
viola :
Philip Dukes (classical viola soloist)
violino :
Dave Woodcock (violinist) e Gavyn Wright (UK violinist, conductor)
violoncello :
Anthony Pleeth (cellist)
voce:
Bryan Ferry
arrangiatore:
Bryan Ferry e Colin Good
diritti fonografici (℗) detenuti da:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (nel 1999)
registrata presso e mixata presso:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Regno Unito
registrazione cover di:
Falling in Love Again (Can’t Help It)
paroliere e compositore:
Friedrich Hollaender
traduttore:
Reginald Connelly e Sammy Lerner
editore:
Campbell Connelly, BMG Songs, Inc. (nel 1930) e Samuel M. Lerner Publications (nel 1930)
versione tradotta di:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
Bryan Ferry2:28
15In a Sentimental Mood
Dianne Reeves5:18
3▼CD
#TitoloArtistaValutazioneDurata
1What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.952:18
2When I Fall in Love
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione cover di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Julie London53:21
3Tupelo Honey
tecnico di registrazione:
Jamie Staub
assistente tecnico:
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian e Julio Peralta
produttore:
Craig Street
tecnico di missaggio:
Danny Kopelson
editor:
Fred Kevorkian
chitarra :
Brandon Ross (dal 1993-03 al 1993-07)
contrabbasso :
Lonnie Plaxico (dal 1993-03 al 1993-07)
mandoloncello e violino :
Charles Burnham (violinist) (dal 1993-03 al 1993-07)
percussione :
Kevin Johnson (jazz drummer) (dal 1993-03 al 1993-07)
tamburo rullante :
Lance Carter (dal 1993-03 al 1993-07)
voce principale:
Cassandra Wilson (dal 1993-03 al 1993-07)
arrangiatore:
Brandon Ross
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
registrata presso:
Greene St. Recording in SoHo, New York, New York, Stati Uniti (dal 1993-03 al 1993-07)
editing effettuato presso:
Sear Sound in New York, New York, Stati Uniti
registrazione cover di:
Tupelo Honey (dal 1993-03 al 1993-07)
paroliere e compositore:
Van Morrison
editore:
Caledonia Soul Music, Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America
Cassandra Wilson5:39
4You’re Getting to Be a Habit With Me
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
registrazione cover di:
You’re Getting to Be a Habit With Me (il 1958-05-19)
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
Peggy Lee2:41
5The Man I Love
registrazione di:
The Man I Love
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
Dinah Shore3:18
6It’s a Perfect Day
BeHey4:33
7Let It Flow
tecnico di registrazione e produttore:
Tab Two (The Tab Two)
tecnico di missaggio:
Jan Krause (German producer, bass player & engineer)
arrangiatore:
Tab Two (The Tab Two)
diritti fonografici (℗) detenuti da:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.)
registrata presso:
Toontown Studio in Ulm, Baden-Württemberg, Germania
mixata presso:
JK's Mastermix in München (Munich), Bayern (Baviera), Germania
prodotta presso:
Toontown Studio in Ulm, Baden-Württemberg, Germania
Tab Two4:01
8Mambo Italiano
registrazione di:
Mambo Italiano (italian)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
traduttore:
Gaspare Gabriele Abbate (SIAE songwriter) e Gian Carlo Testoni
versione tradotta di:
Mambo Italiano (original english version)
Flabby3:23
9Doo Uap, Doo Uap, Doo Uap
sassofono contralto ospite :
Stefano Di Battista
registrazione di:
Doo Uap, Doo Uap, Doo Uap
paroliere:
Irving Mills
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
versione di:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Gabin feat. Stefano Di Battista3:54
10Sea and Sand
Nicola Conte3:54
11I Fall in Love Too Easily
pianoforte :
Eliane Elias (nel 1999)
registrazione strumentale di:
I Fall in Love Too Easily (nel 1999)
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. e Leo Feist, Inc.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
Eliane Elias3:51
12All or Nothing
produttore:
Teddy Reig
basso e contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
chitarra :
Barney Kessel (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
All or Nothing at All (dal 1962-08-07 al 1962-08-08)
paroliere:
Jack Lawrence (US songwriter)
compositore:
Arthur Altman e Jack Lawrence (US songwriter)
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. e Universal‐MCA Music Publishing (US)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sarah Vaughan3:15
13In Love in Vain
registrazione cover di:
In Love in Vain
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Jerome Kern
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e PolyGram International Music B.V. (not for release label use!)
Lena Horne, Ray Ellis & Orchestra2:30
14Let Me Down Easy
registrazione di:
Let Me Down Easy
autore:
Wrecia Holloway e James McDougal (songwriter)
Bettye LaVette3:08
15What’s Forever
Laima Vaikule4:51
4▼CD
#TitoloArtistaValutazioneDurata
1La Maison
produttore e tecnico di missaggio:
Max Bottini e Filippo Clary
arrangiatore:
Max Bottini e Filippo Clary
registrazione di:
La Maison
compositore:
Max Bottini e Filippo Clary
Gabin5:58
2If You Leave Me Now
Ive Mendes3:57
3Game
Beady Belle4:26
4Come On Everybody (Get Down)
assistente tecnico:
Mark Aubrey e Graham Hogg
tecnico:
J.C. Concato
produttore:
Jim Hawkins e Geoff Wilkinson
pianoforte :
Gareth Williams (UK jazz pianist and composer, b. 1968)
tromba :
Alexander Pope Norris
altra voce [rap]:
KCB (Rapper)
mixata presso:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Regno Unito
Us35:49
5Jazz 4 Two
Flabby4:23
6I Just Wanna Make Love to You
produttore:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) e Phil Chess
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
registrazione cover di:
I Just Wanna Make Love to You (nel 1960-05)
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Etta James33:06
7At Last
Dianne Reeves & Lou Rawls3:38
8All Night Long
registrazione cover di:
All Night Long
autore:
Curtis Reginald Lewis (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!), Six Continents Music Publishing e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Nancy Wilson3:07
9Make It Go Away
basso :
David Piltch
batteria :
Mark Kelso (drums)
chitarra :
Kevin Breit
chitarra pedal steel ospite :
Greg Leisz
organo Hammond :
Aaron Davis
pianoforte elettrico ospite :
Jim Cox (US keyboard player, composer)
mixata presso:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
registrazione di:
Make It Go Away
compositore:
Aaron Davis e Laura Harding
parte di:
East Coast Music Association Song of the Year Nominees (numero: 2001)
Holly Cole43:59
10I Can’t Make You Love Me
tecnico di registrazione e tecnico di missaggio:
Ed Cherney
assistente tecnico:
Bryant Arnett, Ray Blair, Dan Bosworth (engineer) e Christina Paakkari
produttore:
Bonnie Raitt e Don Was
batteria :
Tony Braunagel (nel 1991)
chitarra basso :
James "Hutch" Hutchinson (nel 1991)
organo Hammond [C3] :
Benmont Tench (nel 1991)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1991)
pianoforte e tastiera aggiunto:
Bruce Hornsby (nel 1991)
voce:
Bonnie (nel 1991)
voce di accompagnamento:
Bonnie (nel 1991), David Lasley (nel 1991) e Arnold McCuller (nel 1991)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1991, nel 2005)
mixata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1991)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 372)
registrazione di:
I Can’t Make You Love Me (nel 1991)
autore:
Mike Reid (US country artist & former football player) e Allen Shamblin
editore:
Universal Music–MGB Songs, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1991), Brio Blues Music (nel 1991) e Hayes Street Music, Inc. (nel 1991)
sub-editore:
環球音樂出版股份有限公司 (Universal Music Publishing Co., Ltd.)
Bonnie Raitt55:34
11Drinkin’ Again
registrazione cover di:
Drinking Again
paroliere:
Johnny Mercer (nel 1962)
compositore:
Doris Tauber (nel 1962)
editore:
M. Witmark & Sons, The Johnny Mercer Foundation, Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dinah Washington3:32
12Wild Is the Wind
produttore:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") e Jack Gold
basso :
Jimmy Bond (nel 1959-10)
batteria :
Albert “Tootie” Heath (nel 1959-10)
pianoforte e voce principale:
Nina Simone (nel 1959-10)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1959)
registrazione cover di:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (nel 1959-10)
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
editore:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (nel 1957, nel 1985), Catharine Hinen Music (nel 1957, nel 1985), Chappell & Co., Inc. (USA) (nel 1957), Largo Music Inc. (nel 1957, nel 1985) e Patti Washington Music (nel 1957, nel 1985)
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Nina Simone3:27
13As Time Goes By
sassofono contralto :
Benny Carter (il 1961-06-22)
voce:
Peggy Lee (jazz vocalist) (il 1961-06-22)
arrangiatore:
Quincy Jones (il 1961-06-22)
registrazione cover di:
As Time Goes By (the song from “Casablanca”) (il 1961-06-22)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
Peggy Lee2:52
14The Thrill Is Gone
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London
orchestra:
The Jimmy Rowles Orchestra
registrata presso:
Julie London’s living room
registrazione cover di:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931)
paroliere:
Lew Brown
compositore:
Ray Henderson
editore:
DeSylva, Brown and Henderson, Inc. e Redwood Music Ltd. (Carlin)
Julie London3:20
15Summertime
registrazione strumentale di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1957-02-12)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
registrazione di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Jimmy Smith4:31

Accreditamenti

Gruppo di pubblicazioni

parte di:The Best …Ever! (ordine: 2)
Discogs:https://www.discogs.com/master/1883454 [info]
Allmusic:https://www.allmusic.com/album/mw0001020559 [info]
Wikidata:Q7716812 [info]