The Best Smooth Jazz …Ever! Vol. 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.952:18
2When I Fall in Love
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione cover di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Julie London53:21
3Tupelo Honey
tecnico di registrazione:
Jamie Staub
assistente tecnico:
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian e Julio Peralta
produttore:
Craig Street
tecnico di missaggio:
Danny Kopelson
editor:
Fred Kevorkian
chitarra :
Brandon Ross (dal 1993-03 al 1993-07)
contrabbasso :
Lonnie Plaxico (dal 1993-03 al 1993-07)
mandoloncello e violino :
Charles Burnham (violinist) (dal 1993-03 al 1993-07)
percussione :
Kevin Johnson (jazz drummer) (dal 1993-03 al 1993-07)
tamburo rullante :
Lance Carter (dal 1993-03 al 1993-07)
voce principale:
Cassandra Wilson (dal 1993-03 al 1993-07)
arrangiatore:
Brandon Ross
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
registrata presso:
Greene St. Recording in SoHo, New York, New York, Stati Uniti (dal 1993-03 al 1993-07)
editing effettuato presso:
Sear Sound in New York, New York, Stati Uniti
registrazione cover di:
Tupelo Honey (dal 1993-03 al 1993-07)
paroliere e compositore:
Van Morrison
editore:
Caledonia Soul Music, Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America
Cassandra Wilson5:39
4You’re Getting to Be a Habit With Me
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
registrazione cover di:
You’re Getting to Be a Habit With Me (il 1958-05-19)
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
Peggy Lee2:41
5The Man I Love
registrazione di:
The Man I Love
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
Dinah Shore3:18
6It’s a Perfect Day
BeHey4:33
7Let It Flow
tecnico di registrazione e produttore:
Tab Two (The Tab Two)
tecnico di missaggio:
Jan Krause (German producer, bass player & engineer)
arrangiatore:
Tab Two (The Tab Two)
diritti fonografici (℗) detenuti da:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.)
registrata presso:
Toontown Studio in Ulm, Baden-Württemberg, Germania
mixata presso:
JK's Mastermix in München (Munich), Bayern (Baviera), Germania
prodotta presso:
Toontown Studio in Ulm, Baden-Württemberg, Germania
Tab Two4:01
8Mambo Italiano
registrazione di:
Mambo Italiano (italian)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
traduttore:
Gaspare Gabriele Abbate (SIAE songwriter) e Gian Carlo Testoni
versione tradotta di:
Mambo Italiano (original english version)
Flabby3:23
9Doo Uap, Doo Uap, Doo Uap
sassofono contralto ospite :
Stefano Di Battista
registrazione di:
Doo Uap, Doo Uap, Doo Uap
paroliere:
Irving Mills
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
versione di:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Gabin feat. Stefano Di Battista3:54
10Sea and Sand
Nicola Conte3:54
11I Fall in Love Too Easily
pianoforte :
Eliane Elias (nel 1999)
registrazione strumentale di:
I Fall in Love Too Easily (nel 1999)
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. e Leo Feist, Inc.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
Eliane Elias3:51
12All or Nothing
produttore:
Teddy Reig
basso e contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
chitarra :
Barney Kessel (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
All or Nothing at All (dal 1962-08-07 al 1962-08-08)
paroliere:
Jack Lawrence (US songwriter)
compositore:
Arthur Altman e Jack Lawrence (US songwriter)
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. e Universal‐MCA Music Publishing (US)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sarah Vaughan3:15
13In Love in Vain
registrazione cover di:
In Love in Vain
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Jerome Kern
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e PolyGram International Music B.V. (not for release label use!)
Lena Horne, Ray Ellis & Orchestra2:30
14Let Me Down Easy
registrazione di:
Let Me Down Easy
autore:
Wrecia Holloway e James McDougal (songwriter)
Bettye LaVette3:08
15What’s Forever
Laima Vaikule4:51
4CD

Accreditamenti

Gruppo di pubblicazioni

parte di:The Best …Ever! (ordine: 2)
Discogs:https://www.discogs.com/master/1883454 [info]
Allmusic:https://www.allmusic.com/album/mw0001020559 [info]
Wikidata:Q7716812 [info]