Het beste uit radio1 classics 100, volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Smoke on the Water
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
phonographic copyright (℗) by:
EMI Records (EMI Records, or EMI Music only if there is no other imprint) (from 1972 to present)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
Smoke on the Water (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple5:17
2Ashes to Ashes
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
mixer:
Tony Visconti
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-02) and Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Ashes to Ashes (from 1980-02 until 1980-04)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie43:35
3Like a Rolling Stone
recorded in:
New York, New York, United States (on 1965-06-15)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (from 1965-07-15 until 1965-07-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 4) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 16)
recording of:
Like a Rolling Stone (on 1965-06-15)
lyricist and composer:
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
adaptations:
Olet yksin taas
Bob Dylan4.456:07
4Piano Man
producer:
Phil Ramone and Michael Stewart (US producer/guitarist from California, 1945–2002)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recording of:
Piano Man
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) and Joelsongs (in 1973)
Billy Joel4:33
5Perfect Day
producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Music (in 1972) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 334)
recording of:
Perfect Day (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
Lou Reed4.33:42
6Man on the Moon
additional engineer:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
assistant mixer:
Tod Lemkuhl
mixer:
Scott Litt (producer and engineer) and Clif Norrell
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States
recorded at:
Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Man on the Moon
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.055:10
7Instant Street
engineer:
Ben Findley (US engineer)
producer and mixer:
David Bottrill (producer / mixer)
guest percussion:
Piet Jorens
guest strings:
Browndog (string quartet)
strings arranger:
Klaas Janzoons (Belgian musician)
recording of:
Instant Street
lyricist:
Tom Barman (Belgian musician) and Craig Ward (Scottish musician, former dEUS guitarist)
composer:
Tom Barman (Belgian musician), Danny Mommens (Belgian bass player) and Craig Ward (Scottish musician, former dEUS guitarist)
dEUS46:12
8Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:51
9Once in a Lifetime
live recording of:
Once in a Lifetime
lyricist:
David Byrne (Talking Heads)
composer:
David Byrne (Talking Heads), Brian Eno, Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
publisher:
Bleu Disque Music Co. (publisher), Careers–BMG Music Publishing, Inc., E.G. Music Ltd. (publisher) and Index Music
Talking Heads5:25
10Paranoid Android
recorded in:
United Kingdom (from 1996-07 until 1997-03)
recording engineer and producer:
Nigel Godrich (English record producer) and Radiohead
programming:
Thom Yorke
assistant engineer:
Jon Bailey (engineer), Gerard Navarro (engineer) and Chris Scard
mixer and editor:
Nigel Godrich (English record producer)
bass guitar and bass synthesizer:
Colin Greenwood (English bassist in Radiohead) (from 1996-07 until 1997-03)
drums (drum set):
Philip Selway (drummer in Radiohead) (from 1996-07 until 1997-03)
effects and background vocals:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03)
glockenspiel, keyboard, mellotron and organ:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03)
guitar:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
percussion:
Colin Greenwood (English bassist in Radiohead) (from 1996-07 until 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03) and Philip Selway (drummer in Radiohead) (from 1996-07 until 1997-03)
piano:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
vocals:
Thom Yorke (from 1996-07 until 1997-03)
conductor:
Nick Ingman (from 1996-07 until 1997-03)
strings arranger:
Radiohead
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2017)
music videos:
Paranoid Android by Radiohead
part of:
Triple J’s Hottest 100: Twenty Years (2013) (number: 13), Indie 88: Top 500 Indie Rock Songs (number: 20), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 38), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 64) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 256)
recording of:
Paranoid Android (from 1996-07 until 1997-03)
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
Radiohead4.356:22
11Alone Again Or
engineer:
Bruce Botnick
producer:
Bruce Botnick and Arthur Lee
acoustic guitar and lead vocals:
Bryan MacLean (on 1967-09-10)
drums (drum set):
Michael Stuart-Ware (US drummer for Love) (on 1967-09-10)
electric bass guitar:
Ken Forssi (on 1967-09-10)
additional lead vocals:
Arthur Lee (in 1967-09)
horn arranger and strings arranger:
David Angel (composer and arranger) (on 1967-09-10)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1967-09-10)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 436)
recording of:
Alone Again Or (on 1967-09-10)
lyricist and composer:
Bryan MacLean
Love4.23:12
12Sweet Home Alabama
recording of:
Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4:37
13Cocaine
recording of:
Cocaine
lyricist and composer:
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale2:44
14Tin Soldier
recording of:
Tin Soldier
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
United Artists and EMI United Partnership Ltd. (in 1967)
version of:
Anything
Small Faces3:21
15The Scientist
additional recording engineer and additional producer:
Mark Phythian
recording engineer and engineer:
Ken Nelson (UK record producer)
additional engineer:
Rik Simpson
producer:
Coldplay and Ken Nelson (UK record producer)
mixer:
Coldplay, Ken Nelson (UK record producer) and Mark Phythian
acoustic guitar:
Jonny Buckland and Chris Martin (lead singer of Coldplay)
drums (drum set), percussion and background vocals:
Will Champion
electric bass guitar:
Guy Berryman
electric guitar:
Jonny Buckland
piano and lead vocals:
Chris Martin (lead singer of Coldplay)
phonographic copyright (℗) by:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2002)
music videos:
The Scientist by Coldplay
part of:
Indie 88: Top 500 Indie Rock Songs (number: 172)
recording of:
The Scientist
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay4.255:06
16I Hope That I Don’t Fall in Love With You
recorded in:
Hollywood, Los Angeles, California, United States (in 1972)
engineer and mixer:
Richie Moore (engineer)
producer:
Jerry Yester
cello:
Jesse Ehrlich (in 1972)
drums (drum set):
John Seiter (in 1972)
guitar:
Shep Cooke (in 1972)
piano:
Tom Waits (in 1972)
trumpet:
Delbert Bennett (in 1972)
vocals:
Tom Waits (in 1972)
recorded at:
Sunset Hills Studio in Hollywood, Los Angeles, California, United States (in 1972)
mixed at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
I Hope That I Don’t Fall in Love With You (in 1972)
lyricist and composer:
Tom Waits
publisher:
Jalma Music
Tom Waits3.653:54
17Formidable
producer:
Stromae
mixer:
Lionel Capouillez
lead vocals:
Stromae
arranger:
Lionel Capouillez and Stromae
mixed at:
Studio Air (Brussels) in Brussels (Brussels-Capital Region), Belgium
part of:
MIA Award: Song of the Year (number: 2013)
recording of:
Formidable
lyricist and composer:
Stromae
part of:
Prix Rolf Marbot de la chanson de l’année (number: 2013)
Stromae43:32
18Hallelujah
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994, in 2008) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley54:16
2CD
#TitleArtistRatingLength
1Good Vibrations
producer:
Brian Wilson (Beach Boys co‐founder)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.63:36
2The Passenger
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
cowbell, drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18), Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977) and Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (in 1990)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 179)
recording of:
The Passenger (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
Ricky Gardiner
publisher:
Ricky Gardiner Songs and Virgin Music (Publishers) Ltd.
Iggy Pop4.64:39
3Don’t Stop
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:11
4Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:56
5Blauw
engineer:
Hans Bedeker
producer:
Rick de Leeuw (Dutch singer, songwriter, author)
mixer:
Frank Reinke (Germany based engineer)
performer:
The Scene (Dutch rock band)
phonographic copyright (℗) by:
Phonogram B.V. (in 1990)
mixed at:
Peerstudio in Hamburg, Germany
engineered at:
Studio 88 in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Blauw
lyricist and composer:
M.J. Lau
publisher:
Peermusic Holland B.V., Tenyor Music and Warner Basart Publ. Group
The Scene4:36
6Blue MondayNew Order6:16
7Suspicious Minds
engineer:
Al Pachucki
producer:
Felton Jarvis and Chips Moman
bass:
Tommy Cogbill (on 1969-01-23) and Mike Leech (Nashville session musician and arranger) (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
arranger:
Mike Leech (Nashville session musician and arranger) and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 363)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Elvis Presley4.14:30
8I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:14
9Gloria
assistant engineer:
Frank D'Augusta
engineer:
Bernie Kirsh
producer:
John Cale (The Velvet Underground founder)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975, in 1988)
recorded at, mixed at and engineered at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 32) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 97)
recording of:
Gloria: In excelsis Deo
lyricist and composer:
Van Morrison and Patti Smith
additional writer:
Patti Smith
additional composer:
Van Morrison
Patti Smith3.45:50
10Sweet Jane
producer:
Geoffrey Haslam, Shel Kagan and The Velvet Underground (Lou Reed’s seminal rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 335)
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:04
11O La La La
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1981)
recording of:
Oh la la la!
lyricist:
Arno Hintjens (Belgian rock vocalist Arno Hintjens)
writer:
A. Hintjens (Belgian rock vocalist Arno Hintjens), F. Baelen and R. Cloet (Belgian drummer)
composer:
Ferre Baelen and Rudy Cloet (Belgian drummer)
publisher:
EMI Music Belgium
T.C. Matic3:16
12The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.154:28
13Nothing Compares 2 U
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1990)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor3.654:38
14Locomotive Breath
engineer:
John Burns (engineer/producer for Genesis)
executive producer:
Terry Ellis (UK producer & band manager)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute and lead vocals:
Ian Anderson (of Jethro Tull) (on 1971-02-12)
bass guitar and treble recorder / alto recorder:
Jeffrey Hammond Hammond (on 1971-02-12)
drums (drum set) and percussion:
Clive Bunker (on 1971-02-12)
electric guitar and soprano recorder:
Martin Barre (on 1971-02-12)
Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano:
John Evan (on 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (on 1971-02-12)
remixer:
Robin Black (engineer)
orchestrator:
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Locomotive Breath (on 1971-02-12)
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:21
15The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.255:44
16A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:00
17Into My Arms
assistant recording engineer:
Paul Hicks and Paul Wright (UK recording engineer)
recording engineer:
Paul Corkett
producer:
Nick Cave & the Bad Seeds and Flood (British producer Mark Ellis)
assistant mixer:
Chris Scard
mixer:
Flood (British producer Mark Ellis)
bass:
Martyn P. Casey
piano:
Nick Cave (Australian singer‐songwriter, musician and score composer)
vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer)
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1997)
additionally recorded at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
mixed at:
The Church Studios in London (Greater London), England, United Kingdom (in 1996-09)
part of:
triple j’s Hottest 100 of Australian Songs (number: 44)
recording of:
Into My Arms
lyricist and composer:
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mushroom Music Pty. Ltd., Mute Song (international) and Mute Song Ltd.
Nick Cave & the Bad Seeds4.154:12
18Mia
producer:
Wouter Van Belle (Belgian producer & musician)
phonographic copyright (℗) by:
Virgin Belgium NV (in 1998)
recording of:
Mia
writer:
Geert Bonne (Belgian drummer), Wout De Schutter (Belgian bass player) and Luc De Vos (Singer & songwriter of Belgian band Gorki/Gorky)
publisher:
Lipstick Notes
Gorki5:32