| # | Title | Artist | Rating | Length |
|---|
| 1 | Good Vibrations | The Beach Boys | 4.6 | 3:36 |
| 2 | The Passenger | Iggy Pop | 4.6 | 4:39 |
| 3 | Don’t Stop- assistant engineer:
- Chris Morris
- engineer:
- Ken Caillat and Richard Dashut
- additional producer:
- Ken Caillat and Richard Dashut
- producer:
- Ken Caillat, Richard Dashut and Fleetwood Mac
- bass guitar:
- John McVie
- drums (drum set) and percussion:
- Mick Fleetwood
- guitar:
- Lindsey Buckingham
- keyboard and synthesizer:
- Christine McVie
- vocals:
- Lindsey Buckingham , Christine McVie and Stevie Nicks
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1977), WEA International Inc. (in 1977) and Warner Bros. (in 2004)
- mixed at:
- Producer’s Workshop in Hollywood, Los Angeles, California, United States
- recording of:
- Don’t Stop
- lyricist and composer:
- Christine McVie
- publisher:
- BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music , Universal Music Publishing and Gentoo Music, Inc. (in 1977)
| Fleetwood Mac | 4.2 | 3:11 |
| 4 | Make Me Smile (Come Up and See Me) | Steve Harley & Cockney Rebel | 4 | 3:56 |
| 5 | Blauw | The Scene | | 4:36 |
| 6 | Blue Monday | New Order | | 6:16 |
| 7 | Suspicious Minds- engineer:
- Al Pachucki
- producer:
- Felton Jarvis and Chips Moman
- bass:
- Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
- drums (drum set):
- Gene Chrisman (on 1969-01-23)
- guitar:
- Elvis Presley (on 1969-01-23) and Reggie Young (on 1969-01-23)
- organ:
- Bobby Emmons (on 1969-01-23)
- piano:
- Bobby Wood (on 1969-01-23)
- steel guitar:
- John Hughey (on 1969-01-23)
- lead vocals:
- Elvis Presley (on 1969-01-22)
- vocals:
- J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
- arranger:
- Mike Leech and Glen Spreen
- phonographic copyright (℗) by:
- BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (in 1969), RCA Records (in 1973) and Sony BMG Music Entertainment (in 2002)
- recorded at:
- American Sound Studio in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios in Las Vegas, Nevada, United States (on 1969-08-07)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 91) and Billboard: The 500 Best Pop Songs (number: 363)
- cover recording of:
- Suspicious Minds (from 1969-01-23 until 1969-08-07)
- lyricist and composer:
- Mark James
- publisher:
- Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
| Elvis Presley | 4.1 | 4:30 |
| 8 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 3.7 | 3:14 |
| 9 | Gloria | Patti Smith | 3.4 | 5:50 |
| 10 | Sweet Jane | The Velvet Underground | 5 | 4:04 |
| 11 | O La La La | T.C. Matic | | 3:16 |
| 12 | The House of the Rising Sun | The Animals | 4.15 | 4:28 |
| 13 | Nothing Compares 2 U | Sinéad O’Connor | 3.65 | 4:38 |
| 14 | Locomotive Breath- engineer:
- John Burns
- executive producer:
- Terry Ellis
- producer:
- Ian Anderson and Terry Ellis
- acoustic guitar and flute and lead vocals:
- Ian Anderson (on 1971-02-12)
- bass guitar and treble recorder / alto recorder:
- Jeffrey Hammond Hammond (on 1971-02-12)
- drums (drum set) and percussion:
- Clive Bunker (on 1971-02-12)
- electric guitar and soprano recorder:
- Martin Barre (on 1971-02-12)
- Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano:
- John Evan (on 1971-02-12)
- conductor:
- Dee Palmer (on 1971-02-12)
- remixer:
- Robin Black
- orchestrator:
- Dee Palmer
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. (in 1971)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (on 1971-02-12)
- remixed at:
- Morgan Studios in Willesden, Brent , London , England, United Kingdom
- recording of:
- Locomotive Breath (on 1971-02-12)
- lyricist and composer:
- Ian Anderson
| Jethro Tull | 4.3 | 4:21 |
| 15 | The Killing Moon | Echo & the Bunnymen | 4.25 | 5:44 |
| 16 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:00 |
| 17 | Into My Arms- assistant recording engineer:
- Paul Hicks and Paul Wright
- recording engineer:
- Paul Corkett
- producer:
- Nick Cave & the Bad Seeds and Flood
- assistant mixer:
- Chris Scard
- mixer:
- Flood
- bass:
- Martyn P. Casey
- piano:
- Nick Cave
- vocals:
- Nick Cave
- phonographic copyright (℗) by:
- Mute Records Ltd. (in 1997)
- additionally recorded at:
- Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1996-07)
- mixed at:
- The Church Studios in London , England, United Kingdom (in 1996-09)
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 44)
- recording of:
- Into My Arms
- lyricist and composer:
- Nick Cave
- publisher:
- Mushroom Music Pty. Ltd., Mute Song and Mute Song Ltd.
| Nick Cave & the Bad Seeds | 4.15 | 4:12 |
| 18 | Mia | Gorki | | 5:32 |
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