Cool Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1As Long as I Live
producer:
Jim West (canadian producer, Justin Time Records)
double bass [bass]:
John Clayton (US jazz and classical double bassist) (in 1992-10)
drums (drum set):
Jeff Hamilton (jazz drummer) (in 1992-10)
piano:
Diana Krall (in 1992-10)
vocals:
Diana Krall (in 1992-10)
cover recording of:
As Long as I Live (in 1992-10)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
Diana Krall4:40
2Too Close for ComfortJamie Cullum3:24
3Subterranean Homesick Blues
recording engineer:
Joel Theux (Engineer) (from 2009-06-01 until 2009-06-04) and Leo Sidran (American musician, composer and producer) (from 2009-06-01 until 2009-06-04)
producer:
Leo Sidran (American musician, composer and producer)
mixer:
Hector Coulon
bass:
Marcello Giuliani (from 2009-06-01 until 2009-06-04)
drums (drum set) and percussion:
Alberto Malo (from 2009-06-01 until 2009-06-04)
flugelhorn and trumpet:
Michael Leonhart (from 2009-06-01 until 2009-06-04)
flute and tenor saxophone:
Bob Malach (US jazz saxophonist) (from 2009-06-01 until 2009-06-04)
guitar:
Rodolphe Burger (from 2009-06-01 until 2009-06-04)
piano:
Ben Sidran (from 2009-06-01 until 2009-06-04)
vocals:
Ben Sidran (from 2009-06-01 until 2009-06-04)
recorded at:
Klein Leberau Studio in Sainte-Marie-aux-Mines, Haut-Rhin, Grand Est (Great East), France (from 2009-06-01 until 2009-06-04)
Ben Sidran3:40
4Remembering
recording engineer and mixer:
Bernie Kirsh (from 2004-04-14 until 2004-04-20)
producer:
Avishai Cohen (Israeli jazz bassist)
bass [acoustic bass]:
Avishai Cohen (Israeli jazz bassist) (from 2004-04-14 until 2004-04-20)
piano:
Sam Barsh (from 2004-04-14 until 2004-04-20)
recorded at and mixed at:
BearTracks Studios in New York, United States (from 2004-04-14 until 2004-04-20)
recording of:
Remembering (from 2004-04-14 until 2004-04-20)
composer:
Avishai Cohen (Israeli jazz bassist)
Avishai Cohen5:15
5What's the Use
programming:
Jamie Lidell
additional engineer:
Daniel Raymond Gahn
assistant engineer:
Thomas Moulin
producer:
Jamie Lidell and Mocky
mixer:
Renaud Letang
bass, guitar, organ, Rhodes piano [Rhodes], synthesizer [Jupiter 6 steel drum] and tambourine:
Mocky
drums (drum set) [live drums]:
Tony Buck (Australian drummer) and Daniel Raymond Gahn
Rhodes piano [wah Rhodes], vibraphone [vibes], background vocals and lead vocals:
Jamie Lidell
trumpet:
Jordan McLean
mixed at:
Studios Ferber in Paris, Île-de-France, France
Jamie Lidell34:26
6Let Me Go
recording engineer:
Benoît Corboz (Swiss keyboardist and engineer) (from 2010-06 until 2010-08) and Greg Dubuis (engineer) (from 2010-06 until 2010-08)
mixer:
Benoît Corboz (Swiss keyboardist and engineer) (in 2010-08)
bass:
Marcello Giuliani (from 2010-06 until 2010-08)
keyboard [keyboards]:
Benoît Corboz (Swiss keyboardist and engineer) (from 2010-06 until 2010-08)
percussion:
Marc Erbetta (from 2010-06 until 2010-08)
trumpet:
Erik Truffaz (from 2010-06 until 2010-08)
guest vocals:
Sophie Hunger (from 2010-06 until 2010-08)
phonographic copyright (℗) by:
Foufino Productions (in 2010)
recorded at:
Studio du Flon in Lausanne, Vaud (Canton of Vaud), Switzerland (from 2010-06 until 2010-08)
mixed at:
Studio du Flon in Lausanne, Vaud (Canton of Vaud), Switzerland (in 2010-08)
recording of:
Let Me Go! (from 2010-06 until 2010-08)
lyricist:
Sophie Hunger
composer:
Benoît Corboz (Swiss keyboardist and engineer), Marc Erbetta, Marcello Giuliani and Erik Truffaz
Erik Truffaz Quartet & Sophie Hunger2.63:09
7Indigo Blues
recording of:
Indigo Blues
composer:
Nicole Graham
Llorca3:55
8I Wish I Knew How it Would Feel to Be Free
cover recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Élisabeth Kontomanou4:06
9Save Your Love From MeAnne Ducros3:46
10Nobody Knows When You're Down and Out
assistant engineer:
Olga FitzRoy
engineer:
Luke Batt and Haydn Bendall (producer and engineer)
producer:
Mike Batt
bass:
Tim Harries
guitar:
Steve Donnelly, John Parricelli and Luke Potashnick (British guitarist)
membranophone:
Henry Spinetti
lead vocals:
Katie Melua
orchestra:
The Secret Symphony Orchestra
conductor:
Mike Batt
arranger:
Mike Batt
cover recording of:
Nobody Knows You When You’re Down and Out
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Katie Melua54:34
11Isn't She Lovely
assistant engineer:
Renaud Van Welden (French sound engineer)
engineer:
Philippe Gaillot (multi-instrumentalist, arranger, producer and sound engineer)
producer:
Christian Pégand
cover recording of:
Isn’t She Lovely
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) and Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
Biréli Lagrène & Sylvain Luc4:03
12Tomorrow Is My Turn
cover recording of:
Tomorrow Is My Turn
lyricist:
Yves Stéphane
composer:
Charles Aznavour
translator:
Marcel Stellman
translated version of:
L’amour c’est comme un jour
Kellylee Evans4:04
13Café CalypsoKyle Eastwood4:55
14No Cars Go
recording engineer:
Julien Bassères
piano:
Maxence Cyrin
piano arranger:
Maxence Cyrin
recorded at:
Studio de Meudon in Meudon, Hauts-de-Seine, Île-de-France, France
instrumental cover recording of:
No Cars Go
orchestrator:
Régine Chassagne and Owen Pallett (Canadian composer, violinist, keyboardist & vocalist)
lyricist and composer:
Arcade Fire
Maxence Cyrin4:01
15Weather
recording engineer and mixer:
Ryan Freeland
producer:
Joe Henry (US singer-songwriter, guitarist & producer)
drums (drum set):
Deantoni Parks (US drummer & composer, aka Technoself)
guitar:
Chris Bruce
piano:
Keefus Ciancia (American score composer)
phonographic copyright (℗) by:
naïve (French independent label) (in 2011)
recording of:
Weather
lyricist:
Benji Hughes
composer:
Meshell Ndegeocello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
Meshell Ndegeocello32:33
16Tennessee Waltz
cover recording of:
Tennessee Waltz
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
recording of:
Tennessee Waltz
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Norah Jones & Joel Harrison4:23
17In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) and Chappell & Co., Inc. (USA)
Stacey Kent5:04
18Deep in It
recording of:
Deep in It
composer:
Ludovic Navarre
publisher:
Basic Groove Publishing
St Germain3:33
19Uncertain Weather
assistant engineer:
Michael Dahlvid
executive producer:
Jae Jin In
producer:
Lars Danielsson (Swedish jazz bassist, composer and producer) and Axel Matignon
mixer:
Lars Nilsson (engineer) (from 2010-05-03 until 2010-05-05)
lead vocals:
나윤선 (Youn Sun Nah) (from 2010-04-07 until 2010-04-09)
arranger:
나윤선 (Youn Sun Nah)
phonographic copyright (℗) by:
ACT Music + Vision GmbH + Co. KG (in 2010) and HUB MUSIC (in 2010)
recorded at:
Nilento Studio in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (from 2010-04-07 until 2010-04-09)
recording of:
Uncertain Weather
lyricist and composer:
나윤선 (Youn Sun Nah)
Youn Sun Nah33:20
20No Surprises
sound engineer:
Åke Linton (from 2010-06-10 until 2010-06-12)
assistant engineer:
Renaud Van Welden (French sound engineer) (from 2010-08-02 until 2010-08-06)
producer:
Christophe Deghelt and Yaron Herman (pianist)
mixer:
Philippe Gaillot (multi-instrumentalist, arranger, producer and sound engineer) (from 2010-08-02 until 2010-08-06)
recorded at:
FWL Studios Leipzig in Leipzig, Sachsen (Saxony), Germany (from 2010-06-10 until 2010-06-12)
mixed at:
Recall Studio in Pompignan, Gard, Occitanie (Occitania), France (from 2010-08-02 until 2010-08-06)
Yaron Herman Trio2:53
2CD
#TitleArtistRatingLength
1Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, volume I)
Dave Brubeck4.355:24
2Love Me or Leave Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Nina Simone4.753:23
3I've Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Frank Sinatra43:43
4Cry Me a River
cover recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Dinah Washington42:51
5Stompin' at The Savoy
alto saxophone:
Gene Quill (on 1958-06-30) and Phil Woods (US jazz woodwind player) (on 1958-06-30)
baritone saxophone:
Teo Macero (American jazz saxophonist and composer) (on 1958-06-30)
double bass:
Milt Hinton (on 1958-06-30)
drums (drum set):
Osie Johnson (on 1958-06-30)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1958-06-30)
piano:
Nat Pierce (on 1958-06-30)
tenor saxophone:
Seldon Powell (on 1958-06-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1958-06-30) and Frank Rehak (US jazz trombonist) (on 1958-06-30)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1958-06-30), Art Farmer (on 1958-06-30), Ernie Royal (on 1958-06-30) and Joe Wilder (on 1958-06-30)
vibraphone:
Don Elliott (on 1958-06-30)
conductor:
Michel Legrand (on 1958-06-30)
arranger:
Michel Legrand
instrumental recording of:
Stompin’ at the Savoy (on 1958-06-30)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Michel Legrand3:47
6Summertime
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Louis Armstrong (on 1957-08-18) and Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (American jazz singer) (on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Louis Armstrong & Ella Fitzgerald2.854:58
7Desafinado
recording of:
Desafinado
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz & Charlie Byrd2:03
8I'm a Fool to Want You
bass:
Milt Hinton (on 1958-02-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-20)
cello:
Maurice Brown (jazz cellist) (on 1958-02-20) and David Soyer (on 1958-02-20)
drums (drum set):
Osie Johnson (on 1958-02-20)
flute:
Danny Bank (reeds) (on 1958-02-20), Phil Bodner (Woodwind player) (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
guitar:
Barry Galbraith (on 1958-02-20)
harp:
Janet Putnam (harpist) (on 1958-02-20)
piano:
Mal Waldron (American jazz pianist) (on 1958-02-20)
solo trombone:
Urbie Green (on 1958-02-20)
trombone:
Jack Green (on 1958-02-20) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-20)
trumpet:
Billy Butterfield (on 1958-02-20), Mel Davis (US jazz trumpeter) (on 1958-02-20) and Bernie Glow (on 1958-02-20)
viola:
Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
violin:
Emmanual Green (on 1958-02-20), Harry Hoffman (violinist) (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (violinist) (on 1958-02-20)
background vocals:
Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
lead vocals:
Billie Holiday (on 1958-02-20)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-20)
cover recording of:
I’m a Fool to Want You (on 1958-02-20)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billie Holiday43:26
9Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:09
10Will You Still Be Mine?
recording engineer:
Rudy van Gelder (on 1955-06-07)
producer:
Bob Weinstock (task: supervised by)
double bass:
Oscar Pettiford (on 1955-06-07)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-06-07)
piano:
Red Garland (on 1955-06-07)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-06-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1955-06-07)
instrumental recording of:
Will You Still Be Mine? (on 1955-06-07)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
Miles Davis6:27
11At Last
producer:
Leonard Chess, Phil Chess and Leonard and Phil Chess (legendary US production duo)
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographic copyright (℗) by:
Windswept Pacific Music Ltd.
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 115) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 356)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.53:02
12Black Trombone
producer:
Jacques Plait
vocals:
Serge Gainsbourg (from 1962-03-14 until 1962-04-16)
orchestra:
Alain Goraguer et son orchestre (from 1962-03-14 until 1962-04-16)
conductor:
Alain Goraguer (from 1962-03-14 until 1962-04-16)
arranger:
Alain Goraguer
recorded at:
Studio Blanqui (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 1962-03-14 until 1962-04-16)
recording of:
Black Trombone (from 1962-03-14 until 1962-04-16)
lyricist and composer:
Serge Gainsbourg
Serge Gainsbourg4.852:32
13Born to Lose
cover recording of:
Born to Lose
lyricist and composer:
Frankie Brown
publisher:
Peer International Corporation (BMI) (on 1943-05-29)
Ray Charles3:09
14Chega de Saudade
recording of:
Chega de saudade
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
publisher:
Bendig Music and Hollis Music, Inc.
Dizzy Gillespie10:15
15Soul Bossa Nova
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
Quincy Jones42:47
16Maria
recording of:
West Side Story: Maria (Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
Sarah Vaughan3:15
17Fly Me to the MoonNat King Cole3:29
18Blues March
cover recording of:
Blues March
composer:
Benny Golson (American jazz saxophonist and composer)
Art Blakey & The Jazz Messengers5:58
19Petite Fleur
recording of:
Petite Fleur (original instrumental) (on 1952-01-31)
composer:
Sidney Bechet
Sidney Bechet3:19
20My Funny Valentine
producer:
Richard Bock (record producer)
double bass:
Carson Smith (on 1954-02-15)
drums (drum set):
Bob Neel (on 1954-02-15)
piano:
Russ Freeman (pianist) (on 1954-02-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) and Blue Note (in 1989)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker22:18