A Bronx Tale

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Streets of the Bronx
recording of:
The Streets of the Bronx
Cool Change42:58
2I Wonder Why
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 24)
recording of:
I Wonder Why
Verfasser(in):
Melvin Anderson und Ricardo Weeks
publisher:
Schwartz Music
Dion & The Belmonts4.52:19
3Little Girl of Mine
recording of:
Little Girl of Mine
Verfasser(in):
Herbie Cox und Morris Levy
publisher:
EMI Longitude Music
The Cleftones43:14
4Don’t You Know
recording of:
Don't You Know
Verfasser(in):
Bobby Worth (American songwriter)
Della Reese42:33
5For Your Precious Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 3) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 327)
recording of:
For Your Precious Love
Verfasser(in):
Arthur Brooks (Soul singer (ex-Impressions), sibling to Harrison and Richard), Richard Brooks (Soul singer/songwriter (“For Your Precious Love”)) und Jerry Butler (soul singer)
publisher:
Sunflower Music Inc (publisher) und Gladstone Music (vom 1958 bis ????)
Jerry Butler42:45
6Ain’t That a Kick in the Head
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor)
recording of:
Ain’t That a Kick in the Head (am 1960-05-10)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Dean Martin4.52:31
7Father and Son
recording of:
Father and Son
Cool Change30:49
8A Beautiful Morning
Produzent(in):
The Rascals (US soul & rock group, formerly known as The Young Rascals)
Hintergrundgesang:
David Brigati
arranger:
Arif Mardin
recording of:
A Beautiful Morning
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Eddie Brigati Publishing, EMI April Music Inc. und EMI Jemaxal Music Inc.
The Rascals4.52:33
9Tell It Like It Is
Produzent(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Alvin “Red” Tyler (American jazz saxophonist)
aufgenommen bei:
Jazz City Studios in New Orleans, Louisiana, Vereinigte Staaten (in 1966)
recording of:
Tell It Like It Is (in 1966)
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Aaron Neville4.352:40
10Bustalk
recording of:
Bustalk
Bobby Watson41:31
11I Only Have Eyes for You
instrumental cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
The Gerry Niewood Quartet32:41
12Ninety Nine and a Half (Won’t Do)
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-12-20)
baritone saxophone:
Floyd Newman (am 1965-12-20)
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-12-20)
Gitarre:
Steve Cropper (am 1965-12-20)
Klavier:
Isaac Hayes (am 1965-12-20)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-12-20)
Tenorsaxophon:
Charles “Packy” Axton (am 1965-12-20) und Andrew Love (am 1965-12-20)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-12-20)
vocals:
Wilson Pickett (am 1965-12-20)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
Ninety‐Nine and a Half (Won’t Do) (am 1965-12-20)
Verfasser(in):
Steve Cropper, Eddie Floyd und Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Wilson Pickett42:42
13Ten Commandments of Love
Sologesang:
Harvey Fuqua
cover recording of:
Ten Commandments of Love (Commandments of Love) (in 1958-08)
Texter und Komponist(in):
Marshall Paul
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Tristan Music Ltd. und ロックンロール ミュージック (Rock ’n’ Roll Music)
The Moonglows44:04
14I Only Have Eyes for You (feat. The Complexions)
Interpret(in):
The Complexions
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
The Flamingos43:51
15Nights in White Satin
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4.44:27
16Baby I Need Your Loving
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 32) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 390)
recording of:
Baby I Need Your Loving
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia, Jobete Music Co., Inc., Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Four Tops4.52:45
17Regrets
Butch Barbella20:50
18All Along the Watchtower
Techniker(in):
Eddie Kramer (engineer) (von 1968-01-21 bis 1968-05)
Produzent(in):
Jimi Hendrix
Akustikgitarre, E-Bass, E-Gitarre und Sologesang:
Jimi Hendrix (von 1968-01-21 bis 1968-05)
Perkussion:
Brian Jones (Rolling Stones member) und Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (von 1968-01-21 bis 1968-05)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (von 1968-01-21 bis 1968-05)
zwölfsaitige Gitarre:
Dave Mason (co‐founder of Traffic) (von 1968-01-21 bis 1968-05)
Hintergrundgesang:
Dave Mason (co‐founder of Traffic)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968) und Experience Hendrix, L.L.C. (in 1999)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1968-01-21) und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1968-04, in 1968-05)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1968-01-21)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 11), New York Post: 100 Greatest Covers (2007) (Nummer: 24), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 40), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 47) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 48)
cover recording of:
All Along the Watchtower (von 1968-01-21 bis 1968-05)
Texter und Komponist(in):
Bob Dylan (von 1967-10 bis 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), Sony Music Publishing (worldwide except Japan, ended 1995) und Dwarf Music (vom 1968 bis heute)
The Jimi Hendrix Experience4.54:00
19I’m So Proud
recording of:
I’m So Proud
Texter und Komponist(in):
Curtis Mayfield
Verfasser(in):
Momiji Tsukada (songwriter and producer; aka. Qrion)
publisher:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Curtom Publishing Co Inc (vom 1964 bis ????)
The Impressions42:49
20It’s a Man’s Man’s Man’s World
recorded in:
New York, New York, Vereinigte Staaten (am 1966-02-16)
Techniker(in):
Ron Lenhoff
Produzent(in):
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1966-02-16)
Gitarre:
Billy Butler (jazz guitarist) (am 1966-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1966-02-16)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1966-02-16), Waymon Reed (am 1966-02-16) und Lammar Wright (am 1966-02-16)
Sologesang:
James Brown (The Godfather of Soul) (am 1966-02-16)
aufgenommen bei:
Talent Masters Studios in New York, New York, Vereinigte Staaten (am 1966-02-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 123)
recording of:
It’s a Man’s Man’s Man’s World (am 1966-02-16)
Verfasser(in):
James Brown (The Godfather of Soul) und Betty Jean Newsome
James Brown4.42:49
21Cristo Redentor
Bass:
Butch Warren (am 1963-01-12)
Gitarre:
Kenny Burrell (am 1963-01-12)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1963-01-12)
Schlagzeug:
Lex Humphries (am 1963-01-12)
Tenorsaxophon:
Hank Mobley (US jazz tenor saxophonist) (am 1963-01-12)
Trompete:
Donald Byrd (American jazz trumpeter) (am 1963-01-12)
Vibraphon:
Donald Best (am 1963-01-12)
chorus master:
Coleridge-Taylor Perkinson (am 1963-01-12)
arranger:
Duke Pearson
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1963-01-12)
recording of:
Cristo Redentor (am 1963-01-12)
Komponist(in):
Duke Pearson
publisher:
Blackbyrd Productions, Inc. und Gailantcy Music Co.
Donald Byrd45:40
22Streets of the Bronx
Bells and String Orchestra24:51

Nennungen

Veröffentlichung

ASIN:US: B0000029DU [Info]

Veröffentlichungsgruppe

IMDb:https://www.imdb.com/title/tt0106489/ [Info]