A Bronx Tale

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1The Streets of the Bronx
registrazione di:
The Streets of the Bronx
Cool Change42:58
2I Wonder Why
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 24)
registrazione di:
I Wonder Why
autore:
Melvin Anderson e Ricardo Weeks
editore:
Schwartz Music
Dion & The Belmonts4.52:19
3Little Girl of Mine
registrazione di:
Little Girl of Mine
autore:
Herbie Cox e Morris Levy
editore:
EMI Longitude Music
The Cleftones43:14
4Don’t You Know
registrazione di:
Don't You Know
autore:
Bobby Worth (American songwriter)
Della Reese42:33
5For Your Precious Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 3) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 327)
registrazione di:
For Your Precious Love
autore:
Arthur Brooks (Soul singer (ex-Impressions), sibling to Harrison and Richard), Richard Brooks (Soul singer/songwriter (“For Your Precious Love”)) e Jerry Butler (soul singer)
editore:
Sunflower Music Inc (publisher) e Gladstone Music (dal 1958 al ????)
Jerry Butler42:45
6Ain’t That a Kick in the Head
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor)
registrazione di:
Ain’t That a Kick in the Head (il 1960-05-10)
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Maraville Music Corp.
Dean Martin4.52:31
7Father and Son
registrazione di:
Father and Son
Cool Change30:49
8A Beautiful Morning
produttore:
The Rascals (US soul & rock group, formerly known as The Young Rascals)
voce di accompagnamento:
David Brigati
arrangiatore:
Arif Mardin
registrazione di:
A Beautiful Morning
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Eddie Brigati Publishing, EMI April Music Inc. e EMI Jemaxal Music Inc.
The Rascals4.52:33
9Tell It Like It Is
produttore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Alvin “Red” Tyler (American jazz saxophonist)
registrata presso:
Jazz City Studios in New Orleans, Louisiana, Stati Uniti (nel 1966)
registrazione di:
Tell It Like It Is (nel 1966)
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville4.352:40
10Bustalk
registrazione di:
Bustalk
Bobby Watson41:31
11I Only Have Eyes for You
registrazione strumentale cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. e Warner Bros. Inc. (not for release label use!)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
The Gerry Niewood Quartet32:41
12Ninety Nine and a Half (Won’t Do)
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-12-20)
basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-12-20)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-12-20)
chitarra :
Steve Cropper (il 1965-12-20)
pianoforte :
Isaac Hayes (il 1965-12-20)
sassofono baritono :
Floyd Newman (il 1965-12-20)
sassofono tenore :
Charles “Packy” Axton (il 1965-12-20) e Andrew Love (il 1965-12-20)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-12-20)
voce:
Wilson Pickett (il 1965-12-20)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione di:
Ninety‐Nine and a Half (Won’t Do) (il 1965-12-20)
autore:
Steve Cropper, Eddie Floyd e Wilson Pickett
editore:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Wilson Pickett42:42
13Ten Commandments of Love
voce principale:
Harvey Fuqua
registrazione cover di:
Ten Commandments of Love (Commandments of Love) (nel 1958-08)
paroliere e compositore:
Marshall Paul
editore:
Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Tristan Music Ltd. e ロックンロール ミュージック (Rock ’n’ Roll Music)
The Moonglows44:04
14I Only Have Eyes for You (feat. The Complexions)
esecutore:
The Complexions
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. e Warner Bros. Inc. (not for release label use!)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
The Flamingos43:51
15Nights in White Satin
produttore:
Tony Clark (engineer, Abbey Road)
produttore esecutivo:
Hugh Mendl
diritti fonografici (℗) detenuti da:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.44:27
16Baby I Need Your Loving
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 32) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 390)
registrazione di:
Baby I Need Your Loving
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Australia, Jobete Music Co., Inc., Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops4.52:45
17Regrets
Butch Barbella20:50
18All Along the Watchtower
tecnico:
Eddie Kramer (engineer) (dal 1968-01-21 al 1968-05)
produttore:
Jimi Hendrix
basso elettrico , chitarra acustica , chitarra elettrica e voce principale:
Jimi Hendrix (dal 1968-01-21 al 1968-05)
batteria :
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (dal 1968-01-21 al 1968-05)
chitarra a 12 corde :
Dave Mason (co‐founder of Traffic) (dal 1968-01-21 al 1968-05)
percussione :
Brian Jones (Rolling Stones member) e Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (dal 1968-01-21 al 1968-05)
voce di accompagnamento:
Dave Mason (co‐founder of Traffic)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1968) e Experience Hendrix, L.L.C. (nel 1999)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1968-01-21) e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1968-04, nel 1968-05)
prodotta presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1968-01-21)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 11), New York Post: 100 Greatest Covers (2007) (numero: 24), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 40), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 47) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 48)
registrazione cover di:
All Along the Watchtower (dal 1968-01-21 al 1968-05)
paroliere e compositore:
Bob Dylan (dal 1967-10 al 1967-11)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), Sony Music Publishing (worldwide except Japan, ended 1995) e Dwarf Music (dal 1968 a oggi)
The Jimi Hendrix Experience4.54:00
19I’m So Proud
registrazione di:
I’m So Proud
paroliere e compositore:
Curtis Mayfield
autore:
Momiji Tsukada (songwriter and producer; aka. Qrion)
editore:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Curtom Publishing Co Inc (dal 1964 al ????)
The Impressions42:49
20It’s a Man’s Man’s Man’s World
registrata a:
New York, New York, Stati Uniti (il 1966-02-16)
tecnico:
Ron Lenhoff
produttore:
James Brown (The Godfather of Soul)
batteria :
Bernard “Pretty” Purdie (il 1966-02-16)
chitarra :
Billy Butler (jazz guitarist) (il 1966-02-16)
sassofono baritono :
Haywood Henry (US jazz saxophonist) (il 1966-02-16)
tromba :
Dud Bascomb (Sr., jazz trumpeter) (il 1966-02-16), Waymon Reed (il 1966-02-16) e Lammar Wright (il 1966-02-16)
voce principale:
James Brown (The Godfather of Soul) (il 1966-02-16)
registrata presso:
Talent Masters Studios in New York, New York, Stati Uniti (il 1966-02-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 123)
registrazione di:
It’s a Man’s Man’s Man’s World (il 1966-02-16)
autore:
James Brown (The Godfather of Soul) e Betty Jean Newsome
James Brown4.42:49
21Cristo Redentor
basso :
Butch Warren (il 1963-01-12)
batteria :
Lex Humphries (il 1963-01-12)
chitarra :
Kenny Burrell (il 1963-01-12)
pianoforte :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (il 1963-01-12)
sassofono tenore :
Hank Mobley (US jazz tenor saxophonist) (il 1963-01-12)
tromba :
Donald Byrd (American jazz trumpeter) (il 1963-01-12)
vibrafono :
Donald Best (il 1963-01-12)
maestro del coro:
Coleridge-Taylor Perkinson (il 1963-01-12)
arrangiatore:
Duke Pearson
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1963-01-12)
registrazione di:
Cristo Redentor (il 1963-01-12)
compositore:
Duke Pearson
editore:
Blackbyrd Productions, Inc. e Gailantcy Music Co.
Donald Byrd45:40
22Streets of the Bronx
Bells and String Orchestra24:51

Accreditamenti

Pubblicazione

ASIN:US: B0000029DU [info]

Gruppo di pubblicazioni

IMDb:https://www.imdb.com/title/tt0106489/ [info]