L'anima del filosofo ossia Orfeo ed Euridice

~ Release by Haydn; Bartoli, Heilmann, Ildebrando d’Arcangelo, The Academy of Ancient Music Orchestra, The Academy of Ancient Music Chorus, Hogwood (see all versions of this release, 1 available)

Annotation

Cast is:
Euridice: Cecilia Bartoli
Orfeo: Uwe Heilmann
Genio: Cecilia Bartoli
Creonte: Ildebrando D'Arcangelo
Pluto: Andrea Silvestrelli
Corista I: Roberto Scaltriti
Corista II: Jose Fardilha
Corista IV: Colin Campbell
Corista V: James Oxley
Baccante: Angela Kazimierczuk

Annotation last modified on 2026-04-13 12:51 UTC.

Tracklist

| |

1▼CD
#	Title	Artist	Rating	Length
1	Orfeo ed Euridice: Ouverture art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Nr. 1 Ouvertüre composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		4:20
2	Orfeo ed Euridice: Atto Primo : Sventurata, che fo? (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 2a Recitativo accompagnato: “Sventura, que fo?” (Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:48
3	Orfeo ed Euridice: Atto Primo : Ferma, ferma il piede, o principessa! art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 2b. Coro con solo: “Ferma il piede, o principessa” (Euricide, Tenori, Bassi) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:18
4	Orfeo ed Euridice: Atto Primo : Che chiedete da me? (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 3a. Recitativo accompagnato: “Che chiedete da me?” (Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:04
5	Orfeo ed Euridice: Atto Primo : Filomena abbandonata (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 3b. Aria: “Filomena abbandonata” (Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		5:35
6	Orfeo ed Euridice: Atto Primo : Cieli! Soccorso! Aita! art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 4. Recitativo: “Cieli! Soccorso! Aita” (Coristi, Orfeo, Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:54
7	Orfeo ed Euridice: Atto Primo : Rendete a questo seno (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 5a. Recitativo accompagnato: “Rendete a questo seno” … Nr. 5b. Aria: “Cara speme! Alme di scoglio” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:56
8	Orfeo ed Euridice: Atto Primo : Cara speme! Alme di scoglio! (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 5a. Recitativo accompagnato: “Rendete a questo seno” … Nr. 5b. Aria: “Cara speme! Alme di scoglio” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		6:29
9	Orfeo ed Euridice: Atto Primo : Oh prodigio, oh stupor art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) baritone vocals [Corista I]: Roberto Scaltriti (baritone) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 6. Recitativo: “O prodigio, o stupor” (Corista I, Euridice, Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:17
10	Orfeo ed Euridice: Atto Primo : O poter dell'armonia! art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 7. Coro: “O poter dell’armonia!” (Tenori, Bassi) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:45
11	Orfeo ed Euridice: Atto Primo : Ah, chi sa dirmi (Creonte) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 8. Recitativo: “Ah! Chi sa dirmi” (Creonte, Coristi) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:52
12	Orfeo ed Euridice: Atto Primo : Il pensier sta negli oggetti (Creonte) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 9. Aria: “Il pensier sta negli oggetti” (Creonte) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:07
13	Orfeo ed Euridice: Atto Primo : Grazie agli dei (Orfeo art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 10. Recitativo: “Grazie agli Dei” (Orfeo, Euridice, Creonte) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:15
14	Orfeo ed Euridice: Atto Primo : Come il foco allo splendore (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 11. Duetto: “Come il foco allo splendore” (Orfeo, Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		8:41
15	Orfeo ed Euridice: Atto Secondo : Finché circola il vigore art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 12. Coro: “Finché circola il vigore” (Amorini, Euridice, Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:09
16	Orfeo ed Euridice: Atto Secondo : Adorata consorte (Orfeo, Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 13. Recitativo: “Adorata consorte, or lo conosco” (Orfeo, Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:55
17	Orfeo ed Euridice: Atto Secondo : Finché circola il vigore art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 12. Coro: “Finché circola il vigore” (Amorini, Euridice, Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:26
18	Orfeo ed Euridice: Atto Secondo : Numi, che ascolto! (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 14b. Recitativo accompagnato: “Numi, che ascolto!” (Euridice, Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:07
19	Orfeo ed Euridice: Atto Secondo : Ecco, signor, la principessa è sola art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) baritone vocals [Corista IV]: Colin Campbell (baritone) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 15. Recitativo: “Ecco, signor, la principessa” (Corista IV, Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:12
20	Orfeo ed Euridice: Atto Secondo : Dov'è, dovè l'amato bene? (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 16a. Recitativo accompagnato: “Dov’è l’amato bene” (Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:03
21	Orfeo ed Euridice: Atto Secondo : Del mio core il voto estremo (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 16b. Cavatina: “Del mio core il voto estremo” (Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:46
22	Orfeo ed Euridice: Atto Secondo : Con Euridice estinte son le gelose cure art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Genio]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Corista V]: James Oxley (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 17. Recitativo: “Con Euridice estinte” (Corista V) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:38
23	Orfeo ed Euridice: Atto Secondo : Dov'è quell'alma audace (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 18a. Recitativo accompagnato: “Dov’è quell’alma audace” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		4:25
24	Orfeo ed Euridice: Atto Secondo : In un mar d'acerbe pene (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 18b. Aria: “In un mar d’acerbe pene” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		4:10
25	Orfeo ed Euridice: Atto Secondo : Euridice, signor art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) tenor vocals [Corista V]: James Oxley (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 19. Recitativo: “Euridice, signor” (Corista V, Creonte) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:17
26	Orfeo ed Euridice: Atto Secondo : Mai non sia inulto (Creonte) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 20. Aria: “Mai non sia inulto” (Creonte) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:02

2▼CD
#	Title	Artist	Rating	Length
1	Orfeo ed Euridice: Atto Terzo : Ah, sposo infelice! art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 23. Coro: “Ah, sposo infelice!” (Vergini) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		5:10
2	Orfeo ed Euridice: Atto Terzo : Al cielo te ne voli (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 22. Recitativo: “Al cielo te ne voli?” (Orfeo, Creonte) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:43
3	Orfeo ed Euridice: Atto Terzo : Ah, sposo infelice! art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 23. Coro: “Ah, sposo infelice!” (Vergini) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:41
4	Orfeo ed Euridice: Atto Terzo : Che sarà mai d'Orfeo? (Creonte) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) tenor vocals [Corista V]: James Oxley (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 24. Recitativo: “Che sarà ai d’Orfeo” (Creonte, Corista V) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:29
5	Orfeo ed Euridice: Atto Terzo : Chi spira e non spera (Creonte) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 25. Aria: “Chi spira e non spera” (Creonte) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:48
6	Orfeo ed Euridice: Atto Terzo : Venerata Sibilla (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Genio]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 26. Recitativo: “Venerata sibilla” (Orfeo, Genio) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:59
7	Orfeo ed Euridice: Atto Terzo : Al tuo seno fortunato art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Genio]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 27. Aria: “Al tuo seno fortunato” (Genio) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		6:05
8	Orfeo ed Euridice: Atto Terzo : Costanza a me si chiede? (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 28. Recitativo: “Costanza a me si chiede” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:58
9	Orfeo ed Euridice: Atto Terzo : La giustizia in cor regina art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto III. Nr. 29. Coro: “La giustizia in cor regina” (Coro) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:33
10	Orfeo ed Euridice: Atto Quarto : Infelici ombre dolenti art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 31. Coro: “Infelice ombre dolenti” (Coro) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:43
11	Orfeo ed Euridice: Atto Quarto : Che ascolto, oh numi! (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Genio]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 32. Recitativo: “Che ascolto, oh numi!” (Orfeo, Genio) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:33
12	Orfeo ed Euridice: Atto Quarto : Urli orrendi, disperati art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 33. Coro di furie: “Urli orrendi, disperati” (Coro) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:25
13	Orfeo ed Euridice: Atto Quarto : O signor, che all'ombre imperi (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 34. Recitativo: “O signor, che all’ombre imperi” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:22
14	Orfeo ed Euridice: Atto Quarto : Trionfi oggi pietà art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 35. Coro: “Trionfi oggi pietà” (Tenori, Bassi) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:51
15	Orfeo ed Euridice: Atto Quarto : O della reggia mia art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Pluto]: Andrea Silvestrelli (operatic bass) mezzo-soprano vocals [Genio]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 36. Recitativo: “O della reggia mia” (Pluto, Orfeo, Genio) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:12
16	Orfeo ed Euridice: Atto Quarto : Intermezzo art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 37. Intermezzo composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:50
17	Orfeo ed Euridice: Atto Quarto : Quai dolci e care note ascolto! (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Genio]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 38. Recitativo: “Quai dolci e care note” (Orfeo, Genio) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:35
18	Orfeo ed Euridice: Atto Quarto : Son finite le tue pene art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 39. Coro: “Son finite le tue pene” (Coro) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:38
19	Orfeo ed Euridice: Atto Quarto : Sovvengati la legge art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice] and mezzo-soprano vocals [Genio]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 40. Recitativo: “Sovvengati la legge” (Genio, Euricide, Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:25
20	Orfeo ed Euridice: Atto Quarto : Perduto un'altra volta (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 41a. Recitativo accompagnato: “Perduto un’altra volta” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:33
21	Orfeo ed Euridice: Atto Quarto : Mi sento languire (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 41b. Aria: “Mi sento languire” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:51
22	Orfeo ed Euridice: Atto Quarto : Barbaro, infido amore (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 42. Recitativo: “Barbaro infido amore” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:16
23	Orfeo ed Euridice: Atto Quarto : Vieni, vieni, amato Orfeo art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 43. Coro di baccanti: “Vieni, vieni, amato Orfeo” (Baccanti) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:19
24	Orfeo ed Euridice: Atto Quarto : Perfide, non turbate di più (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) soprano vocals [Baccante]: Angela Kazimierczuk (Classical soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 44. Recitativo: “Perfide, non turbate di più” (Orfeo, Baccante) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:30
25	Orfeo ed Euridice: Atto Quarto : Bevi, bevi in questa tazza art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 45a. Coro con recitativo accompagnato: “Bevi, bevi in questa tazza” (Orfeo, Baccanti) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:19
26	Orfeo ed Euridice: Atto Quarto : Andiamo, amiche, andiamo art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 45b. “Andiamo, amiche, andiamo” (Coro) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:48
27	Orfeo ed Euridice: Atto Quarto : Oh, che orrore! art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto IV. Nr. 45c. Coro: “Oh, che orrore!” (Baccanti) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:39

Credits

Release

Discogs:	https://www.discogs.com/release/7530148 [info]
ASIN:	FR: B000004CYW [info]

L'anima del filosofo ossia Orfeo ed Euridice

Annotation

Tracklist

Credits

Release

Release information

Additional details

Labels

Release events

Release group rating

Release group reviews

Tags

Genres

Other tags

External links

Editing

Collections