L'anima del filosofo ossia Orfeo ed Euridice

~ Release by Haydn; Bartoli, Heilmann, Ildebrando d’Arcangelo, The Academy of Ancient Music Orchestra, The Academy of Ancient Music Chorus, Hogwood (see all versions of this release, 1 available)

Annotation

Cast is:
Euridice: Cecilia Bartoli
Orfeo: Uwe Heilmann
Genio: Cecilia Bartoli
Creonte: Ildebrando D'Arcangelo
Pluto: Andrea Silvestrelli
Corista I: Roberto Scaltriti
Corista II: Jose Fardilha
Corista IV: Colin Campbell
Corista V: James Oxley
Baccante: Angela Kazimierczuk

Annotation last modified on 2026-04-13 12:51 UTC.

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Orfeo ed Euridice: Ouverture art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Nr. 1 Ouvertüre composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		4:20
2	Orfeo ed Euridice: Atto Primo : Sventurata, che fo? (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 2a Recitativo accompagnato: “Sventura, que fo?” (Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:48
3	Orfeo ed Euridice: Atto Primo : Ferma, ferma il piede, o principessa! art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 2b. Coro con solo: “Ferma il piede, o principessa” (Euricide, Tenori, Bassi) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:18
4	Orfeo ed Euridice: Atto Primo : Che chiedete da me? (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 3a. Recitativo accompagnato: “Che chiedete da me?” (Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:04
5	Orfeo ed Euridice: Atto Primo : Filomena abbandonata (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 3b. Aria: “Filomena abbandonata” (Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		5:35
6	Orfeo ed Euridice: Atto Primo : Cieli! Soccorso! Aita! art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 4. Recitativo: “Cieli! Soccorso! Aita” (Coristi, Orfeo, Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:54
7	Orfeo ed Euridice: Atto Primo : Rendete a questo seno (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 5a. Recitativo accompagnato: “Rendete a questo seno” … Nr. 5b. Aria: “Cara speme! Alme di scoglio” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:56
8	Orfeo ed Euridice: Atto Primo : Cara speme! Alme di scoglio! (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 5a. Recitativo accompagnato: “Rendete a questo seno” … Nr. 5b. Aria: “Cara speme! Alme di scoglio” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		6:29
9	Orfeo ed Euridice: Atto Primo : Oh prodigio, oh stupor art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) baritone vocals [Corista I]: Roberto Scaltriti (baritone) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 6. Recitativo: “O prodigio, o stupor” (Corista I, Euridice, Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:17
10	Orfeo ed Euridice: Atto Primo : O poter dell'armonia! art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 7. Coro: “O poter dell’armonia!” (Tenori, Bassi) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:45
11	Orfeo ed Euridice: Atto Primo : Ah, chi sa dirmi (Creonte) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) choir vocals: Academy of Ancient Music Chorus orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 8. Recitativo: “Ah! Chi sa dirmi” (Creonte, Coristi) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:52
12	Orfeo ed Euridice: Atto Primo : Il pensier sta negli oggetti (Creonte) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 9. Aria: “Il pensier sta negli oggetti” (Creonte) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:07
13	Orfeo ed Euridice: Atto Primo : Grazie agli dei (Orfeo art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto I. Nr. 10. Recitativo: “Grazie agli Dei” (Orfeo, Euridice, Creonte) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:15
14	Orfeo ed Euridice: Atto Primo : Come il foco allo splendore (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 11. Duetto: “Come il foco allo splendore” (Orfeo, Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		8:41
15	Orfeo ed Euridice: Atto Secondo : Finché circola il vigore art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 12. Coro: “Finché circola il vigore” (Amorini, Euridice, Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:09
16	Orfeo ed Euridice: Atto Secondo : Adorata consorte (Orfeo, Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 13. Recitativo: “Adorata consorte, or lo conosco” (Orfeo, Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:55
17	Orfeo ed Euridice: Atto Secondo : Finché circola il vigore art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) choir vocals: Academy of Ancient Music Chorus mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 12. Coro: “Finché circola il vigore” (Amorini, Euridice, Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:26
18	Orfeo ed Euridice: Atto Secondo : Numi, che ascolto! (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 14b. Recitativo accompagnato: “Numi, che ascolto!” (Euridice, Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:07
19	Orfeo ed Euridice: Atto Secondo : Ecco, signor, la principessa è sola art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) baritone vocals [Corista IV]: Colin Campbell (baritone) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 15. Recitativo: “Ecco, signor, la principessa” (Corista IV, Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:12
20	Orfeo ed Euridice: Atto Secondo : Dov'è, dovè l'amato bene? (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 16a. Recitativo accompagnato: “Dov’è l’amato bene” (Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:03
21	Orfeo ed Euridice: Atto Secondo : Del mio core il voto estremo (Euridice) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Euridice]: Cecilia Bartoli (mezzo‐soprano) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 16b. Cavatina: “Del mio core il voto estremo” (Euridice) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		3:46
22	Orfeo ed Euridice: Atto Secondo : Con Euridice estinte son le gelose cure art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) mezzo-soprano vocals [Genio]: Cecilia Bartoli (mezzo‐soprano) tenor vocals [Corista V]: James Oxley (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 17. Recitativo: “Con Euridice estinte” (Corista V) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		0:38
23	Orfeo ed Euridice: Atto Secondo : Dov'è quell'alma audace (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 18a. Recitativo accompagnato: “Dov’è quell’alma audace” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		4:25
24	Orfeo ed Euridice: Atto Secondo : In un mar d'acerbe pene (Orfeo) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) tenor vocals [Orfeo]: Uwe Heilmann (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 18b. Aria: “In un mar d’acerbe pene” (Orfeo) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		4:10
25	Orfeo ed Euridice: Atto Secondo : Euridice, signor art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) tenor vocals [Corista V]: James Oxley (tenor) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 19. Recitativo: “Euridice, signor” (Corista V, Creonte) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		1:17
26	Orfeo ed Euridice: Atto Secondo : Mai non sia inulto (Creonte) art direction: David Smart (classical music graphic designer/art director) engineer: Timothy Bull executive producer: Chris Sayers (producer) producer: Christopher Raeburn (producer) bass vocals [Creonte]: Ildebrando d’Arcangelo (operatic bass) orchestra: Academy of Ancient Music (from 1995-12 until 1996-04) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1995-12 until 1996-04) balance engineer: Neil Hutchinson (sound engineer) and James Lock (James Locke, engineer) recorded at: Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-12 until 1996-04) recording of: L’anima del filosofo, Hob. XXVIII:13: Atto II. Nr. 20. Aria: “Mai non sia inulto” (Creonte) composer: Joseph Haydn (composer) part of: L’anima del filosofo (Orfeo ed Euridice), Hob. XXVIII:13	Joseph Haydn		2:02

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Discogs:	https://www.discogs.com/release/7530148 [info]
ASIN:	FR: B000004CYW [info]

L'anima del filosofo ossia Orfeo ed Euridice

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