Movie Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

℗ & © «2019 UMG Recordings, Inc.»
© «2020»
℗ «2020 FP»

Countries where available (Spotify + Deezer)

(As of 2020-02-29).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇭🇷 Croatia (hr) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇧🇾 Belarus (by) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotazione modificata l'ultima volta il 2020-02-29 10:52 UTC.

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:25
2Now We Are Free (from “Gladiator” soundtrack)
tecnico di registrazione e tecnico di missaggio:
Alan Meyerson
assistente tecnico:
Jake Jackson (recording engineer) e Nick Wollage
produttore:
Klaus Badelt (German score composer) e Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
direttore d'orchestra:
Gavin Greenaway
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 2000), Dreamworks Productions LLC (nel 2000) e Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (nel 2000)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Now We Are Free (Gladiator)
paroliere:
Lisa Gerrard
compositore:
Klaus Badelt (German score composer), Lisa Gerrard e Hans Zimmer (German score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs e Universal‐MCA Music Publishing (US)
parte di:
Gladiator
medley che comprende una registrazione cover di:
Now We Are Free (Gladiator)
paroliere:
Niloofar Rafiei
si basa su:
Now We Are Free (Gladiator)
medley di:
Now We Are Free (Gladiator)
Lisa Gerrard44:17
3Flashdance… What a Feeling (from “Flashdance”)
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:54
4Don’t You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
5Never Tear Us Apart (from “Fifty Shades Freed (Original Motion Picture Soundtrack)”)
co-produttore:
Mark Jackson (ex-member of Dorothy) e Ian Scott (Pop/rock writer/producer)
produttore e tecnico di missaggio:
Hybrid (progressive breakbeat group from Swansea, South Wales)
registrazione cover di:
Never Tear Us Apart (nel 2018)
paroliere e compositore:
Andrew Farriss (in band INXS) e Michael Hutchence
editore:
MCA Music Ltd., Stuffed Monkey e Warner/Chappell (Warner/Chappell Music, Inc.)
Bishop Briggs3:15
6That’s Life
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1966-10-18)
produttore:
Jimmy Bowen (producer, rockabilly musician and songwriter)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1966-10-18)
direttore d'orchestra:
Ernie Freeman (il 1966-10-18)
arrangiatore:
Ernie Freeman
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1966)
registrazione cover di:
That’s Life (il 1966-10-18)
paroliere:
Kelly Gordon e Dean Kay
compositore:
Dean Kay
editore:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.353:07
7Whatta Man
tecnico di registrazione:
Al "Taz" Machera e Andre DeBourg
produttore:
Herby "Luvbug" Azor
produttore esecutivo:
Herby "Luvbug" Azor
tecnico di missaggio:
Al "Taz" Machera, Andre DeBourg e Herby "Luvbug" Azor
voce:
En Vogue
voce di accompagnamento:
3 feet e En Vogue
arrangiatore voci:
Khadejia Bass e Kimiko Whittaker
diritti fonografici (℗) detenuti da:
London Records USA (not for release label use - for copyrights only) (nel 1993)
registrata presso e mixata presso:
Sound Trek Studios in Kansas City, Missouri, Stati Uniti
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 6)
registrazione di:
Whatta Man
autore:
Hurby Azor, Cheryl James (Member of Salt-n-Pepa) e Dave Crawford (US soul songwriter, keyboard player, singer & producer)
versione di:
What a Man
Salt‐N‐Pepa55:10
8Guardians Inferno (from “Guardians of the Galaxy, Vol. 2”)
produttore:
Tyler Bates (American musician and score composer)
tecnico di missaggio:
Gustavo Borner
registrazione di:
Guardians Inferno
autore:
Tyler Bates (American musician and score composer) e James Gunn (United States filmmaker/actor)
The Sneepers3.453:17
9Celebrity Skin
produttore:
Michael Beinhorn
produttore aggiunto:
Eric Erlandson
tecnico di missaggio:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
Geffen Records, Inc. (company credits only; do NOT use as release label) (nel 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 16)
registrazione di:
Celebrity Skin
autore:
Billy Corgan, Eric Erlandson e Courtney Love (US rock vocalist, widow to Kurt Cobain)
editore:
Echo Echo Tunes, Mother May I Music (Publisher associated with the band Hole (2)), Songs of Kobalt Music Publishing, Strictly Confidential e Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole4.452:42
10Man on the Moon
tecnico:
Clif Norrell
tecnico aggiunto:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia e Andrew Roshberg
produttore:
Scott Litt (producer and engineer) e R.E.M. (American rock band)
assistente tecnico di missaggio:
Tod Lemkuhl
tecnico di missaggio:
Scott Litt (producer and engineer) e Clif Norrell
tecnico di missaggio aggiunto:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
voce:
Michael Stipe
diritti fonografici (℗) detenuti da:
R.E.M./Athens, Ltd. (nel 1992) e R.E.M./Athens L.L.C. (nel 2017)
registrata in aggiunta presso:
Bosstown Recording Studios in Atlanta, Georgia, Stati Uniti, John Keane Studios in Athens, Georgia, Stati Uniti e Kingsway Studios (New Orleans) in New Orleans, Louisiana, Stati Uniti
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti e Criteria Studios in Miami, Florida, Stati Uniti
mixata presso:
Bad Animals Studio in Seattle, Washington, Stati Uniti
registrazione di:
Man on the Moon
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music
R.E.M.4.055:13
11Just a Girl
tecnico di registrazione:
Phil Kaffel e George Landress
produttore:
Matthew Wilder
tecnico di missaggio:
Holman e Paul Palmer (engineer)
batteria e percussione :
Adrian Young (drummer for No Doubt)
chitarra :
Tom Dumont
chitarra basso :
Tony Kanal
pianoforte e tastiera :
Eric Stefani
tastiera aggiunto:
Matthew Wilder
tromba :
Phil Jordan (trumpet player)
trombone :
Gabrial McNair
voce principale:
Gwen Stefani
esecutore:
No Doubt (American rock band)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1995)
mixata presso:
Cactus Studios in California, Stati Uniti
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 133) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 192)
registrazione di:
Just a Girl
autore:
Gwen Stefani e Thomas Dumont
editore:
Knock Yourself Out Music e Universal‐MCA Music Publishing (US)
No Doubt4.33:31
12Still Falling for You (from “Bridget Jones’s Baby”)
voce e esecutore:
Ellie Goulding
registrazione di:
Still Falling For You
autore:
Rickard Göransson, Ellie Goulding, ILYA (Swedish/Iranian songwriter, producer, and singer), Shellback e Tove Lo
Ellie Goulding4.54:01
13Spider‐Man (From “Marvel’s Spider‐Man"/score)
registrazione di:
Spider-Man
compositore:
John Paesano
John Paesano3:27
14Father and Son
produttore:
Paul Samwell-Smith
batteria :
Harvey Burns (nel 1970-07)
chitarra e tastiera :
Cat Stevens (now known as Yusuf Islam) (nel 1970-07)
chitarra [2nd] :
Alun Davies (nel 1970-07)
chitarra basso :
John Ryan (producer a/k/a “The Chicago Kid”) (nel 1970-07)
violino solista :
John Rostein (nel 1970-07)
voce:
Cat Stevens (now known as Yusuf Islam) (nel 1970-07)
arrangiatore archi :
Del Newman (British conductor, orchestrator, arranger)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970) e Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 1970)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1970-07)
versione strumentale di:
Father and Son di Giacomo Bucci
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 408)
registrazione di:
Father and Son (Cat Stevens) (nel 1970-07)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (dal 1970 a oggi) e Irving Music, Inc. (dal 1970 a oggi)
Yusuf / Cat Stevens4.253:41
15City of Stars (from “La La Land” soundtrack)
produttore:
Marius de Vries e Justin Hurwitz (American score composer)
voce:
Ryan Gosling e Emma Stone
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 2016)
edit di:
City of Stars / May Finally Come True di Justin Hurwitz (American score composer) featuring Ryan Gosling, Emma Stone
registrazione di:
City of Stars
orchestratore e compositore:
Justin Hurwitz (American score composer)
paroliere:
Benj Pasek e Justin Paul
editore:
B Lion Music (dal 2016 a oggi), Justin Hurwitz Music (dal 2016 a oggi) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 2016 a oggi)
parte di:
The 89th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 2016 winner)
parte di:
La La Land (2016 musical film score and soundtrack)
Ryan Gosling2:30
16(Everything I Do) I Do It for You (2017 Ultimate edit)
tecnico:
Nigel Green (engineer)
produttore:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1991)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 23)
registrazione di:
(Everything I Do) I Do It for You
autore:
Bryan Adams (Canadian singer/songwriter) (il 1991-04-10), Michael Kamen (American score composer) (il 1991-04-10) e Robert John “Mutt” Lange (Robert John Lange) (il 1991-04-10)
editore:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (nel 1991), Miracle Creek Music, Inc. (nel 1991), Zachary Creek Music Inc. (nel 1991) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (nel 1991)
parte di:
The 64th Academy Award for Best Original Song (numero: 2)
Bryan Adams44:10
17Black Panther (Ludwig Göransson remix)
remixer:
Ludwig Göransson (Swedish score composer)
Ludwig Göransson1:17
18Lost Stars
registrazione di:
Lost Stars
autore:
Gregg Alexander, Danielle Brisebois, Nick Lashley e Nick Southwood
parte di:
The 87th Academy Award for Best Original Song (numero: 2)
Adam Levine3.654:28
19My Sanctuary (from “Mary Shelley”)
Amelia Warner3:01
20Life on the Road
produttore:
Ricky Gervais (UK actor and comedian)
registrazione di:
Life on the Road
paroliere e compositore:
Ricky Gervais (UK actor and comedian)
David Brent2:10
21The Wolf (from “fFfty Shades Freed (Original Motion Picture Soundtrack)”)
assistente tecnico di registrazione:
Jonathan Sterling (engineer)
programmazione degli strumenti:
Joe Pringle
tecnico:
Daniel Glashauser (engineer) e Eric Valentine (Eric Dodd, producer and instrumentalist)
co-produttore:
Eric Valentine (Eric Dodd, producer and instrumentalist)
produttore:
Spencer Lee (The Spencer Lee Band), Joe Pringle e Freddy Wexler
tecnico di missaggio:
Eric Valentine (Eric Dodd, producer and instrumentalist)
batteria [drums] :
Juval Lion
chitarra basso [bass] :
Dwayne Moore (US bassist)
chitarra elettrica :
Spencer Lee (The Spencer Lee Band)
sassofono :
Peter Slocombe (saxophonist)
tastiera [keys] :
Joe Pringle
tromba :
Mike Rocha (trumpeter)
trombone :
Ryan Dragon (American trombonist)
lavorazione tecnica effettuata presso:
Barefoot Recording in Hollywood, Los Angeles, California, Stati Uniti e The Brain Music in West Hollywood, California, Stati Uniti
registrazione di:
The Wolf
autore:
Spencer Lee (The Spencer Lee Band), Eric Valentine (Eric Dodd, producer and instrumentalist) e Freddy Wexler
The Spencer Lee Band2:55
22Cups (movie version)
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 21)
registrazione di:
Cups (You're Gonna Miss Me) (version with cup as percussion, made popular by Landshades and Anna Kendrick)
autore:
A.P. Carter
arrangiatore:
Luisa Gerstein (Landshapes) e Heloise Tunstall‐Behrens
versione di:
When I'm Gone (original 1931 version)
Anna Kendrick51:16
23Everybody Wants to Rule the World (from “The Hunger Games: Catching Fire” soundtrack)
registrazione cover di:
Everybody Wants to Rule the World (nel 2013)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Lorde32:36
24Flashlight (from “Pitch Perfect 2” soundtrack)
registrazione di:
Flashlight (nel 2015)
autore:
Christian Guzman, Jason Moore (producer), Sia Furler (Sia, Australian singer‐songwriter) e Sam Smith (English singer‐songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (dal 2015 a oggi), EMI Music Publishing Ltd. (PRS‐affiliated) (dal 2015 a oggi), Naughty Words Limited (dal 2015 a oggi), Sony/ATV Songs LLC (dal 2015 a oggi), Stellar Songs Limited (BMI-affiliated) (dal 2015 a oggi), Universal Pictures Music (dal 2015 a oggi) e UPG Music Publishing (dal 2015 a oggi)
Jessie J23:30
25Give It All
registrazione di:
Give It All
autore:
Antoinette Colandero, Benito Benites, John Garrett III, David Taylor (House producer), Vincent Staples e Santi White
si basa su:
The Power
With You.3:14
26Back to Life (from “Bumblebee”)
Hailee Steinfeld23:55
27The Avengers (from “Avengers: Infinity War"/score)
tecnico di registrazione:
Peter Cobbin (recording engineer at Abbey Road Studios) e Adam Olmsted (engineer)
programmazione:
Jonathan Bartz
assistente tecnico:
Toby Hulbert e Matt Jones (engineer, Abbey Road)
tecnico di missaggio:
Dennis Sands (American sound engineer)
assistente editor:
Anele Onyekwere
editor:
Kirsty Whalley (engineer and keyboardist)
direttore d'orchestra:
Mark Graham (conductor)
orchestratore:
Mark Graham (conductor)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
mixata presso:
Sound Waves SB in Santa Barbara, California, Stati Uniti
registrazione di:
The Avengers
compositore:
Alan Silvestri (US score composer)
Alan Silvestri30:26
28Soul Bossa Nova
tecnico di registrazione:
Phil Ramone (il 1962-09-13)
produttore:
Quincy Jones
batteria :
Rudy Collins (drums) (il 1962-09-13)
contrabbasso :
Chris White (jazz bassist) (il 1962-09-13)
flauto :
Rahsaan Roland Kirk (il 1962-09-13)
pianoforte :
Lalo Schifrin (pianist & composer) (il 1962-09-13)
sassofono tenore :
Paul Gonsalves (il 1962-09-13)
tromba :
Clark Terry (American swing trumpeter) (il 1962-09-13)
direttore d'orchestra:
Quincy Jones (il 1962-09-13)
arrangiatore strumenti:
Quincy Jones
diritti fonografici (℗) detenuti da:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (nel 2013)
registrazione di:
Soul Bossa Nova (il 1962-09-13)
compositore:
Quincy Jones
Quincy Jones42:45
29Theme From “Shaft”
produttore:
Isaac Hayes
bonghi e congas :
Gary Jones (percussionist)
chitarra :
Charles Pitts e Michael Toles
chitarra basso :
James Alexander (US soul bassist, singer and songwriter)
membranofono e tamburello :
Willie "Too Big" Hall
pianoforte elettrico :
Lester Snell (Pianist/keyboardist, songwriter and producer)
pianoforte elettrico, organo, pianoforte e vibrafono e voce principale:
Isaac Hayes
diritti fonografici (℗) detenuti da:
Stax Records (not for release) (nel 1971)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 303)
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1971 winner)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes3.654:36
30The Heat Is On (from “Beverly Hills Cop” soundtrack)
produttore:
Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
basso e tastiera :
Harold Faltermeyer
batteria e voce di accompagnamento:
Keith Forsey (drummer, producer and songwriter)
chitarra :
Rick Vito
chitarra solista e voce principale:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1984) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1984)
registrazione di:
The Heat Is On
paroliere, autore e compositore:
Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Famous Chappell
Glenn Frey3.53:47
31We Go Together (from “Grease”)
produttore:
Louis St. Louis (American songwriter, music arranger and singer)
tecnico di missaggio:
David J. Holman
sassofono :
Ray Pizzi
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
registrazione di:
We Go Together
autore:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks), Warren Casey, Gerry Goffin, Jim Jacobs e Barry Mann
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
John Travolta4.653:00
32Theme From Jurassic Park (from “Jurassic Park” soundtrack)
assistente tecnico:
Sue McLean
produttore:
John Williams (American score composer and conductor)
tecnico di missaggio:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgart (editor)
orchestra:
Hollywood Studio Symphony (nel 1993)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 1993)
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
registrata presso:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, Stati Uniti
registrazione di:
Theme From Jurassic Park (Jurassic Park) (nel 1993)
compositore:
John Williams (American score composer and conductor) (nel 1993)
parte di:
Jurassic Park (1993 film score)
John Williams43:25
33Born to Be Wild (Easy Rider version)
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:37
34Unchained Melody (single version)
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:37
35Take Me to the River
voce:
Andrew Strong (Irish singer)
voce di accompagnamento:
Angeline Ball, Maria Doyle Kennedy e Bronagh Gallagher (Irish singer and actress)
registrazione cover di:
Take Me to the River
autore:
Al Green (US soul singer, songwriter, pastor and record producer) e Mabon Hodges (“Teenie”, soul guitarist)
editore:
Al Green Music Inc. (BMI-affiliated), Burlington Music, Irving Music, Inc. e JEC Publishing
The Commitments23:38
36I Am a Man of Constant Sorrow (radio edit)
produttore:
T‐Bone Burnett (musician, songwriter and producer)
chitarra e voce principale:
Dan Tyminski
voce di accompagnamento [harmony vocals]:
Harley Allen e Pat Enright
arrangiatore:
Carter Stanley
registrazione di:
Man of Constant Sorrow (traditional, arranger neutral)
autore:
[traditional] (special purpose artist)
editore:
Southern Music Publishing Co. (publishing company)
The Soggy Bottom Boys43:12
37I Don’t Wanna Live Forever (Fifty Shades Darker) (from “Fifty Shades Darker (Original Motion Picture Soundtrack)”)
tecnico di registrazione:
Jack Antonoff, Laura Sisk e Daniel Zaidenstadt (engineer, producer)
tecnico aggiunto:
Saltwives
produttore:
Jack Antonoff
tecnico di missaggio:
Serban Ghenea
strumenti:
Jack Antonoff
voce:
Taylor Swift e Zayn Malik (ZAYN, British singer)
voce di accompagnamento:
Sam Dew
diritti fonografici (℗) detenuti da:
Universal Studios (plain “Universal” globe logo, currently underlined by “A Comcast Company”) (nel 2016) e Big Machine Label Group, LLC (not for release label use) (nel 2018)
registrata presso:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti e Rough Customer Studio in Brooklyn Heights, New York, New York, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
lavorazione tecnica effettuata in aggiunta presso:
Nightbird in West Hollywood, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2017 (numero: 26) e BILLIONS CLUB
registrazione di:
I Don’t Wanna Live Forever
autore:
Jack Antonoff, Sam Dew e Taylor Swift
eseguita per la prima volta presso:
Super Saturday Night (2017-02-04)
ZAYN3.24:06
38Johnny B. Goode (from “Back to the Future” soundtrack)
produttore:
Bones Howe
chitarra solista :
Tim May (session/jazz guitarist)
voce:
Mark Campbell (Marty McFly)
registrazione cover di:
Johnny B. Goode
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Marty McFly3:08
39Escape (The Piña Colada Song)
tecnico:
Alex Kercheval e Tyler Watkins
produttore:
Zach Gill, Jack Johnson (singer‐songwriter from Hawaii), Merlo Podlewski e Adam Topol
produttore aggiunto:
Mario Caldato Jr.
bonghi e cajón :
Scott Seiver
chitarra acustica e voce principale:
Jack Johnson (singer‐songwriter from Hawaii)
chitarra elettrica :
Merlo Podlewski
melodica e voce di accompagnamento [harmony vocals]:
Zach Gill
percussione :
Adam Topol
lavorazione tecnica effettuata presso:
The Lodge in Indianapolis, Indiana, Stati Uniti
registrazione cover di:
Escape (The Piña Colada Song)
paroliere e compositore:
Rupert Holmes
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jack Johnson4:02
40Faith (from “Sing” original motion picture soundtrack)
diritti fonografici (℗) detenuti da:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (nel 2016) e Universal Studios, Inc. (formerly known as MCA Inc.) (nel 2016)
registrazione di:
Faith (Stevie Wonder song) (nel 2016)
autore:
benny blanco (producer Benjamin Levin), Francis Starlite e Ryan Tedder (American singer, songwriter, and producer)
editore:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) e Universal Studios, Inc. (formerly known as MCA Inc.)
Stevie Wonder2:43