Movie Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2019 UMG Recordings, Inc.»
© «2020»
℗ «2020 FP»

Countries where available (Spotify + Deezer)

(As of 2020-02-29).

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Anmerkung zuletzt geändert am 2020-02-29 10:52 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:25
2Now We Are Free (from “Gladiator” soundtrack)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) und Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
Texter:
Niloofar Rafiei
basiert auf:
Now We Are Free (Gladiator)
Medley von:
Now We Are Free (Gladiator)
Lisa Gerrard44:17
3Flashdance… What a Feeling (from “Flashdance”)
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:54
4Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
5Never Tear Us Apart (from “Fifty Shades Freed (Original Motion Picture Soundtrack)”)
Koproduzent(in):
Mark Jackson (ex-member of Dorothy) und Ian Scott (Pop/rock writer/producer)
Produzent(in) und Mix:
Hybrid (progressive breakbeat group from Swansea, South Wales)
cover recording of:
Never Tear Us Apart (in 2018)
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey und Warner/Chappell (Warner/Chappell Music, Inc.)
Bishop Briggs3:15
6That’s Life
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-10-18)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-10-18)
conductor:
Ernie Freeman (am 1966-10-18)
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
That’s Life (am 1966-10-18)
Texter:
Kelly Gordon und Dean Kay
Komponist(in):
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.353:07
7Whatta Man
recording engineer:
Al "Taz" Machera und Andre DeBourg
leitende(r) Produzent(in):
Herby "Luvbug" Azor
Produzent(in):
Herby "Luvbug" Azor
Mix:
Al "Taz" Machera, Andre DeBourg und Herby "Luvbug" Azor
Hintergrundgesang:
3 feet und En Vogue
vocals:
En Vogue
vocals arranger:
Khadejia Bass und Kimiko Whittaker
phonographisches Urheberrecht (℗) von:
London Records USA (not for release label use - for copyrights only) (in 1993)
aufgenommen bei und mixed at:
Sound Trek Studios in Kansas City, Missouri, Vereinigte Staaten
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 6)
recording of:
Whatta Man
Verfasser(in):
Hurby Azor, Cheryl James (Member of Salt-n-Pepa) und Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Version von:
What a Man
Salt‐N‐Pepa55:10
8Guardians Inferno (from “Guardians of the Galaxy, Vol. 2”)
Produzent(in):
Tyler Bates (American musician and score composer)
Mix:
Gustavo Borner
recording of:
Guardians Inferno
Verfasser(in):
Tyler Bates (American musician and score composer) und James Gunn (United States filmmaker/actor)
The Sneepers3.453:17
9Celebrity Skin
Produzent(in):
Michael Beinhorn
zusätzliche(r) Produzent(in):
Eric Erlandson
Mix:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 16)
recording of:
Celebrity Skin
Verfasser(in):
Billy Corgan, Eric Erlandson und Courtney Love (US rock vocalist, widow to Kurt Cobain)
publisher:
Echo Echo Tunes, Mother May I Music (Publisher associated with the band Hole (2)), Songs of Kobalt Music Publishing, Strictly Confidential und Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole4.452:42
10Man on the Moon
Techniker(in):
Clif Norrell
zusätzliche(r) Techniker(in):
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia und Andrew Roshberg
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
assistierende(r) Mix:
Tod Lemkuhl
Mix:
Scott Litt (producer and engineer) und Clif Norrell
zusätzliche(r) Mix:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
vocals:
Michael Stipe
phonographisches Urheberrecht (℗) von:
R.E.M./Athens, Ltd. (in 1992) und R.E.M./Athens L.L.C. (in 2017)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten und Criteria Studios in Miami, Florida, Vereinigte Staaten
zusätzlich aufgenommen bei:
Bosstown Recording Studios in Atlanta, Georgia, Vereinigte Staaten, John Keane Studios in Athens, Georgia, Vereinigte Staaten und Kingsway Studios (New Orleans) in New Orleans, Louisiana, Vereinigte Staaten
mixed at:
Bad Animals Studio in Seattle, Washington, Vereinigte Staaten
recording of:
Man on the Moon
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music
R.E.M.4.055:13
11Just a Girl
recording engineer:
Phil Kaffel und George Landress
Produzent(in):
Matthew Wilder
Mix:
Holman und Paul Palmer (engineer)
Bassgitarre:
Tony Kanal
Gitarre:
Tom Dumont
Keyboard und Klavier:
Eric Stefani
Perkussion und Schlagzeug:
Adrian Young (drummer for No Doubt)
Posaune:
Gabrial McNair
Trompete:
Phil Jordan (trumpet player)
zusätzlich Keyboard:
Matthew Wilder
Sologesang:
Gwen Stefani
Interpret(in):
No Doubt (American rock band)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1995)
mixed at:
Cactus Studios in California (Kalifornien), Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 133) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 192)
recording of:
Just a Girl
Verfasser(in):
Gwen Stefani und Thomas Dumont
publisher:
Knock Yourself Out Music und Universal‐MCA Music Publishing (US)
No Doubt4.33:31
12Still Falling for You (from “Bridget Jones’s Baby”)
vocals und Interpret(in):
Ellie Goulding
recording of:
Still Falling For You
Verfasser(in):
Rickard Göransson, Ellie Goulding, ILYA (Swedish/Iranian songwriter, producer, and singer), Shellback und Tove Lo
Ellie Goulding4.54:01
13Spider‐Man (From “Marvel’s Spider‐Man"/score)
recording of:
Spider-Man
Komponist(in):
John Paesano
John Paesano3:27
14Father and Son
Produzent(in):
Paul Samwell-Smith
Bassgitarre:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
Gitarre und Keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Gitarre [2nd]:
Alun Davies (in 1970-07)
Schlagzeug:
Harvey Burns (in 1970-07)
Solo-Geige / Violine:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1970-07)
instrumental version of:
Father and Son von Giacomo Bucci
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Yusuf / Cat Stevens4.253:41
15City of Stars (from “La La Land” soundtrack)
Produzent(in):
Marius de Vries und Justin Hurwitz (American score composer)
vocals:
Ryan Gosling und Emma Stone
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2016)
Bearbeitung von:
City of Stars / May Finally Come True von Justin Hurwitz (American score composer) featuring Ryan Gosling, Emma Stone
recording of:
City of Stars
Orchestrator(in) und Komponist(in):
Justin Hurwitz (American score composer)
Texter:
Benj Pasek und Justin Paul
publisher:
B Lion Music (vom 2016 bis heute), Justin Hurwitz Music (vom 2016 bis heute) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 2016 bis heute)
Teil von:
The 89th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 2016 winner)
Teil von:
La La Land (2016 musical film score and soundtrack)
Ryan Gosling2:30
16(Everything I Do) I Do It for You (2017 Ultimate edit)
Techniker(in):
Nigel Green (engineer)
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1991)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 23)
recording of:
(Everything I Do) I Do It for You
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (am 1991-04-10), Michael Kamen (American score composer) (am 1991-04-10) und Robert John “Mutt” Lange (Robert John Lange) (am 1991-04-10)
publisher:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1991)
Teil von:
The 64th Academy Award for Best Original Song (Nummer: 2)
Bryan Adams44:10
17Black Panther (Ludwig Göransson remix)
remixer:
Ludwig Göransson (Swedish score composer)
Ludwig Göransson1:17
18Lost Stars
recording of:
Lost Stars
Verfasser(in):
Gregg Alexander, Danielle Brisebois, Nick Lashley und Nick Southwood
Teil von:
The 87th Academy Award for Best Original Song (Nummer: 2)
Adam Levine3.654:28
19My Sanctuary (from “Mary Shelley”)
Amelia Warner3:01
20Life on the Road
Produzent(in):
Ricky Gervais (UK actor and comedian)
recording of:
Life on the Road
Texter und Komponist(in):
Ricky Gervais (UK actor and comedian)
David Brent2:10
21The Wolf (from “fFfty Shades Freed (Original Motion Picture Soundtrack)”)
Assistent recording engineer:
Jonathan Sterling (engineer)
drum machine-Programmierung:
Joe Pringle
Techniker(in):
Daniel Glashauser (engineer) und Eric Valentine (Eric Dodd, producer and instrumentalist)
Koproduzent(in):
Eric Valentine (Eric Dodd, producer and instrumentalist)
Produzent(in):
Spencer Lee (The Spencer Lee Band), Joe Pringle und Freddy Wexler
Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Bassgitarre [bass]:
Dwayne Moore (US bassist)
E-Gitarre:
Spencer Lee (The Spencer Lee Band)
Keyboard [keys]:
Joe Pringle
Posaune:
Ryan Dragon (American trombonist)
Saxophon:
Peter Slocombe (saxophonist)
Schlagzeug [drums]:
Juval Lion
Trompete:
Mike Rocha (trumpeter)
engineered at:
Barefoot Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Brain Music in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
The Wolf
Verfasser(in):
Spencer Lee (The Spencer Lee Band), Eric Valentine (Eric Dodd, producer and instrumentalist) und Freddy Wexler
The Spencer Lee Band2:55
22Cups (movie version)
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 21)
recording of:
Cups (You're Gonna Miss Me) (version with cup as percussion, made popular by Landshades and Anna Kendrick)
Verfasser(in):
A.P. Carter
arranger:
Luisa Gerstein (Landshapes) und Heloise Tunstall‐Behrens
Version von:
When I'm Gone (original 1931 version)
Anna Kendrick51:16
23Everybody Wants to Rule the World (from “The Hunger Games: Catching Fire” soundtrack)
cover recording of:
Everybody Wants to Rule the World (in 2013)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Lorde32:36
24Flashlight (from “Pitch Perfect 2” soundtrack)
recording of:
Flashlight (in 2015)
Verfasser(in):
Christian Guzman, Jason Moore (producer), Sia Furler (Sia, Australian singer‐songwriter) und Sam Smith (English singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (vom 2015 bis heute), EMI Music Publishing Ltd. (PRS‐affiliated) (vom 2015 bis heute), Naughty Words Limited (vom 2015 bis heute), Sony/ATV Songs LLC (vom 2015 bis heute), Stellar Songs Limited (BMI-affiliated) (vom 2015 bis heute), Universal Pictures Music (vom 2015 bis heute) und UPG Music Publishing (vom 2015 bis heute)
Jessie J23:30
25Give It All
recording of:
Give It All
Verfasser(in):
Antoinette Colandero, Benito Benites, John Garrett III, David Taylor (House producer), Vincent Staples und Santi White
basiert auf:
The Power
With You.3:14
26Back to Life (from “Bumblebee”)
Hailee Steinfeld23:55
27The Avengers (from “Avengers: Infinity War"/score)
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) und Adam Olmsted (engineer)
Programmierung:
Jonathan Bartz
assistierende(r) Techniker(in):
Toby Hulbert und Matt Jones (engineer, Abbey Road)
Mix:
Dennis Sands (American sound engineer)
assistierendes Editing:
Anele Onyekwere
Editing:
Kirsty Whalley (engineer and keyboardist)
conductor:
Mark Graham (conductor)
Orchestrator(in):
Mark Graham (conductor)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
mixed at:
Sound Waves SB in Santa Barbara, California (Kalifornien), Vereinigte Staaten
recording of:
The Avengers
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri30:26
28Soul Bossa Nova
recording engineer:
Phil Ramone (am 1962-09-13)
Produzent(in):
Quincy Jones
flute:
Rahsaan Roland Kirk (am 1962-09-13)
Klavier:
Lalo Schifrin (pianist & composer) (am 1962-09-13)
Kontrabass:
Chris White (jazz bassist) (am 1962-09-13)
Schlagzeug:
Rudy Collins (drums) (am 1962-09-13)
Tenorsaxophon:
Paul Gonsalves (am 1962-09-13)
Trompete:
Clark Terry (American swing trumpeter) (am 1962-09-13)
conductor:
Quincy Jones (am 1962-09-13)
instruments arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (am 1962-09-13)
Komponist(in):
Quincy Jones
Quincy Jones42:45
29Theme From “Shaft”
Produzent(in):
Isaac Hayes
Bassgitarre:
James Alexander (US soul bassist, singer and songwriter)
Bongos und Conga:
Gary Jones (percussionist)
Gitarre:
Charles Pitts und Michael Toles
Hybrid-Piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
Hybrid-Piano, Orgel, Klavier und Vibraphon und Sologesang:
Isaac Hayes
membranophone und Tamburin:
Willie "Too Big" Hall
phonographisches Urheberrecht (℗) von:
Stax Records (not for release) (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 303)
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.654:36
30The Heat Is On (from “Beverly Hills Cop” soundtrack)
Produzent(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
Bass und Keyboard:
Harold Faltermeyer
Gitarre:
Rick Vito
Schlagzeug und Hintergrundgesang:
Keith Forsey (drummer, producer and songwriter)
Solo-Gitarre und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1984) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
recording of:
The Heat Is On
Texter, Verfasser(in) und Komponist(in):
Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3.53:47
31We Go Together (from “Grease”)
Produzent(in):
Louis St. Louis (American songwriter, music arranger and singer)
Mix:
David J. Holman
Saxophon:
Ray Pizzi
Sologesang:
Olivia Newton‐John (British‐Australian singer, actress and activist) und John Travolta (American actor and singer)
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
We Go Together
Verfasser(in):
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks), Warren Casey, Gerry Goffin, Jim Jacobs und Barry Mann
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
John Travolta4.653:00
32Theme From Jurassic Park (from “Jurassic Park” soundtrack)
assistierende(r) Techniker(in):
Sue McLean
Produzent(in):
John Williams (American score composer and conductor)
Mix:
Shawn Murphy (producer/engineer)
Editing:
Ramiro Belgart (editor)
Orchester:
Hollywood Studio Symphony (in 1993)
conductor:
John Williams (American score composer and conductor) (in 1993)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
recording of:
Theme From Jurassic Park (Jurassic Park) (in 1993)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
Teil von:
Jurassic Park (1993 film score)
John Williams43:25
33Born to Be Wild (Easy Rider version)
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:37
34Unchained Melody (single version)
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:37
35Take Me to the River
Hintergrundgesang:
Angeline Ball, Maria Doyle Kennedy und Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
cover recording of:
Take Me to the River
Verfasser(in):
Al Green (US soul singer, songwriter, pastor and record producer) und Mabon Hodges (“Teenie”, soul guitarist)
publisher:
Al Green Music Inc. (BMI-affiliated), Burlington Music, Irving Music, Inc. und JEC Publishing
The Commitments23:38
36I Am a Man of Constant Sorrow (radio edit)
Produzent(in):
T‐Bone Burnett (musician, songwriter and producer)
Gitarre und Sologesang:
Dan Tyminski
Hintergrundgesang [harmony vocals]:
Harley Allen und Pat Enright
arranger:
Carter Stanley
recording of:
Man of Constant Sorrow (traditional, arranger neutral)
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Southern Music Publishing Co. (publishing company)
The Soggy Bottom Boys43:12
37I Don’t Wanna Live Forever (Fifty Shades Darker) (from “Fifty Shades Darker (Original Motion Picture Soundtrack)”)
recording engineer:
Jack Antonoff, Laura Sisk und Daniel Zaidenstadt (engineer, producer)
zusätzliche(r) Techniker(in):
Saltwives
Produzent(in):
Jack Antonoff
Mix:
Serban Ghenea
Instrumente:
Jack Antonoff
Hintergrundgesang:
Sam Dew
vocals:
Taylor Swift und Zayn Malik (ZAYN, British singer)
phonographisches Urheberrecht (℗) von:
Universal Studios (plain “Universal” globe logo, currently underlined by “A Comcast Company”) (in 2016) und Big Machine Label Group, LLC (not for release label use) (in 2018)
aufgenommen bei:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Rough Customer Studio in Brooklyn Heights, New York, New York, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
additionally engineered at:
Nightbird in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 26) und BILLIONS CLUB
recording of:
I Don’t Wanna Live Forever
Verfasser(in):
Jack Antonoff, Sam Dew und Taylor Swift
Premiere bei:
Super Saturday Night (2017-02-04)
ZAYN3.24:06
38Johnny B. Goode (from “Back to the Future” soundtrack)
Produzent(in):
Bones Howe
Solo-Gitarre:
Tim May (session/jazz guitarist)
vocals:
Mark Campbell (Marty McFly)
cover recording of:
Johnny B. Goode
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Marty McFly3:08
39Escape (The Piña Colada Song)
Techniker(in):
Alex Kercheval und Tyler Watkins
Produzent(in):
Zach Gill, Jack Johnson (singer‐songwriter from Hawaii), Merlo Podlewski und Adam Topol
zusätzliche(r) Produzent(in):
Mario Caldato Jr.
Akustikgitarre und Sologesang:
Jack Johnson (singer‐songwriter from Hawaii)
Bongos und Cajón:
Scott Seiver
E-Gitarre:
Merlo Podlewski
melodica und Hintergrundgesang [harmony vocals]:
Zach Gill
Perkussion:
Adam Topol
engineered at:
The Lodge in Indianapolis, Indiana, Vereinigte Staaten
cover recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jack Johnson4:02
40Faith (from “Sing” original motion picture soundtrack)
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2016) und Universal Studios, Inc. (formerly known as MCA Inc.) (in 2016)
recording of:
Faith (Stevie Wonder song) (in 2016)
Verfasser(in):
benny blanco (producer Benjamin Levin), Francis Starlite und Ryan Tedder (American singer, songwriter, and producer)
publisher:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) und Universal Studios, Inc. (formerly known as MCA Inc.)
Stevie Wonder2:43