Basic Recordings for The Enjoyment of Music, Sixth Edition, and The Norton Scores, Fifth Edition, Album II: Romantic to Contemporary

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

To do: Add Performers and Works for disc 4 from back cover art

Annotation last modified on 2024-02-17 21:25 UTC.

Tracklist

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1▼CD
#	Title	Artist	Rating	Length
1	Erlkönig D. 328 piano: Gerald Moore (pianist) baritone vocals: Dietrich Fischer‐Dieskau (baritone) recording of: Erlkönig, D. 328 lyricist: Johann Wolfgang von Goethe (in 1782) composer: Franz Schubert (composer) (in 1815) publisher: Cappi & Diabelli (in 1821) premiered at: Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1821-03-07) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 328) is based on: Erlkönig (Goethe’s poem)	Franz Schubert		4:17
2	Symphonie fantastique: IV. March to the Scaffold: Allegretto non troppo part 1 orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Sir Colin Davis (English conductor) partial recording of: Symphonie fantastique, op. 14: IV. Marche au supplice composer: Hector Berlioz (French composer) (in 1830) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		1:37
3	Symphonie fantastique: IV. March to the Scaffold: Allegretto non troppo part 2 orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Sir Colin Davis (English conductor) partial recording of: Symphonie fantastique, op. 14: IV. Marche au supplice composer: Hector Berlioz (French composer) (in 1830) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		2:26
4	Symphonie fantastique: IV. March to the Scaffold: Allegretto non troppo part 3 orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Sir Colin Davis (English conductor) partial recording of: Symphonie fantastique, op. 14: IV. Marche au supplice composer: Hector Berlioz (French composer) (in 1830) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		1:11
5	Symphonie fantastique: IV. March to the Scaffold: Allegretto non troppo part 4 orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Sir Colin Davis (English conductor) partial recording of: Symphonie fantastique, op. 14: IV. Marche au supplice composer: Hector Berlioz (French composer) (in 1830) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		1:05
6	Symphonie fantastique: IV. March to the Scaffold: Allegretto non troppo part 5 orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Sir Colin Davis (English conductor) partial recording of: Symphonie fantastique, op. 14: IV. Marche au supplice composer: Hector Berlioz (French composer) (in 1830) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		0:33
7	Symphonie fantastique: V. Dream of a Witches’ Sabbath: Larghetto‐Allegro part 1 orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Sir Colin Davis (English conductor) partial recording of: Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat composer: Hector Berlioz (French composer) (in 1830) quotes music from: Missa pro defunctis: Sequentia “Dies irae” (plainchant) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		1:28
8	Symphonie fantastique: V. Dream of a Witches’ Sabbath: Larghetto‐Allegro part 2 orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Sir Colin Davis (English conductor) partial recording of: Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat composer: Hector Berlioz (French composer) (in 1830) quotes music from: Missa pro defunctis: Sequentia “Dies irae” (plainchant) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		1:59
9	Symphonie fantastique: V. Dream of a Witches’ Sabbath: Larghetto‐Allegro part 3 orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Sir Colin Davis (English conductor) partial recording of: Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat composer: Hector Berlioz (French composer) (in 1830) quotes music from: Missa pro defunctis: Sequentia “Dies irae” (plainchant) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		1:55
10	Symphonie fantastique: V. Dream of a Witches’ Sabbath: Larghetto‐Allegro part 4 orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Sir Colin Davis (English conductor) partial recording of: Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat composer: Hector Berlioz (French composer) (in 1830) quotes music from: Missa pro defunctis: Sequentia “Dies irae” (plainchant) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		2:46
11	Symphonie fantastique: V. Dream of a Witches’ Sabbath: Larghetto‐Allegro part 5 orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Sir Colin Davis (English conductor) partial recording of: Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat composer: Hector Berlioz (French composer) (in 1830) quotes music from: Missa pro defunctis: Sequentia “Dies irae” (plainchant) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		1:49
12	A Midsummer Night’s Dream, Overture, part 1 orchestra: Chicago Symphony Orchestra conductor: James Levine (US conductor and pianist) partial recording of: Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre composer: Felix Mendelssohn (composer) (in 1826) part of: Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		2:11
13	A Midsummer Night’s Dream, Overture, part 2 orchestra: Chicago Symphony Orchestra conductor: James Levine (US conductor and pianist) partial recording of: Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre composer: Felix Mendelssohn (composer) (in 1826) part of: Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		1:36
14	A Midsummer Night’s Dream, Overture, part 3 orchestra: Chicago Symphony Orchestra conductor: James Levine (US conductor and pianist) partial recording of: Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre composer: Felix Mendelssohn (composer) (in 1826) part of: Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		2:35
15	A Midsummer Night’s Dream, Overture, part 4 orchestra: Chicago Symphony Orchestra conductor: James Levine (US conductor and pianist) partial recording of: Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre composer: Felix Mendelssohn (composer) (in 1826) part of: Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		3:00
16	A Midsummer Night’s Dream, Overture, part 5 orchestra: Chicago Symphony Orchestra conductor: James Levine (US conductor and pianist) partial recording of: Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre composer: Felix Mendelssohn (composer) (in 1826) part of: Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		2:28
17	Symphony no. 4 in A major: I. Allegro vivace part 1 piano: Martha Argerich (Argentine pianist) orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian” part of: Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)	Felix Mendelssohn		1:31
18	Symphony no. 4 in A major: I. Allegro vivace part 2 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian” part of: Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)	Felix Mendelssohn		4:01
19	Symphony no. 4 in A major: I. Allegro vivace part 3 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian” part of: Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)	Felix Mendelssohn		2:12
20	Symphony no. 4 in A major: I. Allegro vivace part 4 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian” part of: Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)	Felix Mendelssohn		0:30
21	Symphony no. 4 in A major: I. Allegro vivace part 5 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian” part of: Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)	Felix Mendelssohn		2:42
22	Symphony no. 4 in A major: II. Andante con moto part 1 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		2:54
23	Symphony no. 4 in A major: II. Andante con moto part 2 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		0:48
24	Symphony no. 4 in A major: II. Andante con moto part 3 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		3:08
25	Symphony no. 4 in A major: III. Con moto moderato part 1 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		2:31
26	Symphony no. 4 in A major: III. Con moto moderato part 2 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		1:40
27	Symphony no. 4 in A major: III. Con moto moderato part 3 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		2:41
28	Symphony no. 4 in A major: IV. Saltarello: Presto part 1 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		2:36
29	Symphony no. 4 in A major: IV. Saltarello: Presto part 2 orchestra: Boston Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		3:13
30	Polonaise in A‐flat major, Op. 53 (1) piano: Martha Argerich (Argentine pianist) partial recording of: Polonaise in A‐flat major, op. 53 “Heroique” composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1842) dedicated to: Auguste Léo part of: List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16), Works of Fryderyk Chopin by opus number (number: op. 53), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 155) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 147)	Fryderyk Chopin		0:32
31	Polonaise in A‐flat major, Op. 53 (2) piano: Martha Argerich (Argentine pianist) partial recording of: Polonaise in A‐flat major, op. 53 “Heroique” composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1842) dedicated to: Auguste Léo part of: List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16), Works of Fryderyk Chopin by opus number (number: op. 53), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 155) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 147)	Fryderyk Chopin		2:30
32	Polonaise in A‐flat major, Op. 53 (3) piano: Martha Argerich (Argentine pianist) partial recording of: Polonaise in A‐flat major, op. 53 “Heroique” composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1842) dedicated to: Auguste Léo part of: List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16), Works of Fryderyk Chopin by opus number (number: op. 53), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 155) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 147)	Fryderyk Chopin		2:18
33	Polonaise in A‐flat major, Op. 53 (4) piano: Martha Argerich (Argentine pianist) partial recording of: Polonaise in A‐flat major, op. 53 “Heroique” composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1842) dedicated to: Auguste Léo part of: List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16), Works of Fryderyk Chopin by opus number (number: op. 53), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 155) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 147)	Fryderyk Chopin		0:57

2▼CD
#	Title	Artist	Rating	Length
1	Dichterliebe, Op. 48, "Ich grolle nicht" piano: Hubert Giesen (pianist) tenor vocals: Fritz Wunderlich (operatic tenor) recording of: Dichterliebe, op. 48: VII. Ich grolle nicht lyricist: Heinrich Heine (German poet) composer: Robert Schumann (German classical composer) (in 1840) part of: Dichterliebe, op. 48	Robert Schumann		1:24
2	Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso - Part 1 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54 revision of: Phantasie in A minor	Robert Schumann		0:24
3	Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso - Part 2 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54 revision of: Phantasie in A minor	Robert Schumann		1:36
4	Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso - Part 3 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54 revision of: Phantasie in A minor	Robert Schumann		2:21
5	Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso - Part 4 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54 revision of: Phantasie in A minor	Robert Schumann		2:56
6	Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso - Part 5 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54 revision of: Phantasie in A minor	Robert Schumann		1:55
7	Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso - Part 6 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54 revision of: Phantasie in A minor	Robert Schumann		2:09
8	Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso - Part 7 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54 revision of: Phantasie in A minor	Robert Schumann		1:45
9	Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso - Part 8 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54 revision of: Phantasie in A minor	Robert Schumann		1:00
10	Piano Concerto in A minor, Op. 54 - II. Intermezzo: Andantino grazioso - Part 1 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54	Robert Schumann		1:22
11	Piano Concerto in A minor, Op. 54 - II. Intermezzo: Andantino grazioso - Part 2 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54	Robert Schumann		1:43
12	Piano Concerto in A minor, Op. 54 - II. Intermezzo: Andantino grazioso - Part 3 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54	Robert Schumann		2:00
13	Piano Concerto in A minor, Op. 54 - III. Allegro vivace - Part 1 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54	Robert Schumann		0:56
14	Piano Concerto in A minor, Op. 54 - III. Allegro vivace - Part 2 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54	Robert Schumann		0:30
15	Piano Concerto in A minor, Op. 54 - III. Allegro vivace - Part 3 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54	Robert Schumann		3:07
16	Piano Concerto in A minor, Op. 54 - III. Allegro vivace - Part 4 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54	Robert Schumann		0:50
17	Piano Concerto in A minor, Op. 54 - III. Allegro vivace - Part 5 orchestra: Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) conductor: Witold Rowicki partial recording of: Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace composer: Robert Schumann (German classical composer) (in 1845) part of: Concerto for Piano and Orchestra in A minor, op. 54	Robert Schumann		4:44
18	Transcendental Etude No. 8, Wilde Jagd - Part 1 piano: Claudio Arrau (pianist) partial recording of: Études d’exécution transcendante, S. 139, R. 2b: VIII. “Wilde Jagd” in C minor. Presto furioso composer: Franz Liszt (Hungarian composer, pianist and conductor) (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)	Franz Liszt		1:14
19	Transcendental Etude No. 8, Wilde Jagd - Part 2 piano: Claudio Arrau (pianist) partial recording of: Études d’exécution transcendante, S. 139, R. 2b: VIII. “Wilde Jagd” in C minor. Presto furioso composer: Franz Liszt (Hungarian composer, pianist and conductor) (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)	Franz Liszt		1:47
20	Transcendental Etude No. 8, Wilde Jagd - Part 3 piano: Claudio Arrau (pianist) partial recording of: Études d’exécution transcendante, S. 139, R. 2b: VIII. “Wilde Jagd” in C minor. Presto furioso composer: Franz Liszt (Hungarian composer, pianist and conductor) (in 1851) part of: Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)	Franz Liszt		2:06
21	Die Walkure, Act III, Scene 3 - Part 1 bass vocals [Wotan]: James Morris (operatic bass-baritone) orchestra: Metropolitan Opera Orchestra conductor: James Levine (US conductor and pianist) partial recording of: Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" composer: Richard Wagner (composer) (from 1854-06-28 until 1856-03-23) librettist: Richard Wagner (composer) part of: Die Walküre, WWV 86B: Akt III	Richard Wagner		4:35
22	Die Walkure, Act III, Scene 3 - Part 2 bass vocals [Wotan]: James Morris (operatic bass-baritone) orchestra: Metropolitan Opera Orchestra conductor: James Levine (US conductor and pianist) partial recording of: Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" composer: Richard Wagner (composer) (from 1854-06-28 until 1856-03-23) librettist: Richard Wagner (composer) part of: Die Walküre, WWV 86B: Akt III	Richard Wagner		3:36
23	Die Walkure, Act III, Scene 3 - Part 3 bass vocals [Wotan]: James Morris (operatic bass-baritone) orchestra: Metropolitan Opera Orchestra conductor: James Levine (US conductor and pianist) partial recording of: Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" composer: Richard Wagner (composer) (from 1854-06-28 until 1856-03-23) librettist: Richard Wagner (composer) part of: Die Walküre, WWV 86B: Akt III	Richard Wagner		1:04
24	Die Walkure, Act III, Scene 3 - Part 4 bass vocals [Wotan]: James Morris (operatic bass-baritone) orchestra: Metropolitan Opera Orchestra conductor: James Levine (US conductor and pianist) partial recording of: Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" composer: Richard Wagner (composer) (from 1854-06-28 until 1856-03-23) librettist: Richard Wagner (composer) part of: Die Walküre, WWV 86B: Akt III	Richard Wagner		0:59
25	Die Walkure, Act III, Scene 3 - Part 5 bass vocals [Wotan]: James Morris (operatic bass-baritone) orchestra: Metropolitan Opera Orchestra conductor: James Levine (US conductor and pianist) partial recording of: Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" composer: Richard Wagner (composer) (from 1854-06-28 until 1856-03-23) librettist: Richard Wagner (composer) part of: Die Walküre, WWV 86B: Akt III	Richard Wagner		2:43
26	La traviata, Finale of Act II - Part 1 piano: Hélène Boschi (pianist) soprano vocals: Joan Sutherland (soprano) tenor vocals [Alfredo]: Carlo Bergonzi (tenor) orchestra: Orchestra del Maggio Musicale Fiorentino conductor: Sir John Pritchard (conductor) partial recording of: La traviata: Atto II (La traviata: Act II) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La traviata	Giuseppe Verdi		2:35
27	La traviata, Finale of Act II - Part 2 soprano vocals: Joan Sutherland (soprano) tenor vocals [Alfredo]: Carlo Bergonzi (tenor) orchestra: Orchestra del Maggio Musicale Fiorentino conductor: Sir John Pritchard (conductor) partial recording of: La traviata: Atto II (La traviata: Act II) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La traviata	Giuseppe Verdi		1:32
28	La traviata, Finale of Act II - Part 3 soprano vocals: Joan Sutherland (soprano) tenor vocals [Alfredo]: Carlo Bergonzi (tenor) orchestra: Orchestra del Maggio Musicale Fiorentino conductor: Sir John Pritchard (conductor) partial recording of: La traviata: Atto II (La traviata: Act II) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La traviata	Giuseppe Verdi		2:02
29	La traviata, Finale of Act II - Part 4 soprano vocals: Joan Sutherland (soprano) tenor vocals [Alfredo]: Carlo Bergonzi (tenor) orchestra: Orchestra del Maggio Musicale Fiorentino conductor: Sir John Pritchard (conductor) partial recording of: La traviata: Atto II (La traviata: Act II) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La traviata	Giuseppe Verdi		4:27
30	Piece fugitive in D major, Op. 15, No 3 - Part 1 piano: Hélène Boschi (pianist) partial recording of: 4 Pièces fugitives, op. 15: No. 3 in D major. Andante espressivo composer: Clara Schumann (German pianist and composer) part of: 4 Pièces fugitives, op. 15	Clara Schumann		1:30
31	Piece fugitive in D major, Op. 15, No 3 - Part 2 piano: Hélène Boschi (pianist) partial recording of: 4 Pièces fugitives, op. 15: No. 3 in D major. Andante espressivo composer: Clara Schumann (German pianist and composer) part of: 4 Pièces fugitives, op. 15	Clara Schumann		1:40
32	Piece fugitive in D major, Op. 15, No 3 - Part 3 piano: Hélène Boschi (pianist) partial recording of: 4 Pièces fugitives, op. 15: No. 3 in D major. Andante espressivo composer: Clara Schumann (German pianist and composer) part of: 4 Pièces fugitives, op. 15	Clara Schumann		2:09

3▼CD
#	Title	Artist	Rating	Length
1	Vltava (The Moldau) from Má Vlast - Part 1 orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: James Levine (US conductor and pianist) partial recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		1:03
2	Vltava (The Moldau) from Má Vlast - Part 2 orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: James Levine (US conductor and pianist) partial recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		1:45
3	Vltava (The Moldau) from Má Vlast - Part 3 orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: James Levine (US conductor and pianist) recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland) partial recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		0:50
4	Vltava (The Moldau) from Má Vlast - Part 4 orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: James Levine (US conductor and pianist) recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland) partial recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		1:33
5	Vltava (The Moldau) from Má Vlast - Part 5 orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: James Levine (US conductor and pianist) recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland) partial recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		2:48
6	Vltava (The Moldau) from Má Vlast - Part 6 orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: James Levine (US conductor and pianist) recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland) partial recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		0:50
7	Vltava (The Moldau) from Má Vlast - Part 7 orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: James Levine (US conductor and pianist) recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland) partial recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		1:42
8	Vltava (The Moldau) from Má Vlast - Part 8 orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: James Levine (US conductor and pianist) recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland) partial recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		1:32
9	A German Requiem - from III, Herr, lehre doch mich: Fugue, Der gerechten Seelen choir vocals: Chicago Symphony Chorus orchestra: Chicago Symphony Orchestra conductor: Sir Georg Solti (conductor) chorus master: Margaret Hillis (chorus master) partial recording of: Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) composer: Johannes Brahms (German composer) part of: Ein deutsches Requiem, op. 45	Johannes Brahms		3:14
10	A German Requiem - IV, Wie lieblich sind deine Wohnungen choir vocals: Chicago Symphony Chorus orchestra: Chicago Symphony Orchestra conductor: Sir Georg Solti (conductor) chorus master: Margaret Hillis (chorus master) recording of: Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) composer: Johannes Brahms (German composer) part of: Ein deutsches Requiem, op. 45	Johannes Brahms		5:53
11	La bohème, Finale of Act I - Part 1 baritone vocals [Marcello]: Ettore Bastianini (baritone) bass vocals [Colline]: Cesare Siepi (operatic bass) bass-baritone vocals [Schaunard]: Renato Cesari (bass-baritone) soprano vocals [Mimì]: Renata Tebaldi (soprano) tenor vocals [Rodolfo]: Carlo Bergonzi (tenor) orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) conductor: Tullio Serafin (conductor) partial recording of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème (Puccini)	Giacomo Puccini		4:51
12	La bohème, Finale of Act I - Part 2 producer: Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist) baritone vocals [Marcello]: Ettore Bastianini (baritone) (in 1959-08) baritone vocals [Schaunard] and bass-baritone vocals [Schaunard]: Renato Cesari (bass-baritone) bass vocals: Renato Cesari (bass-baritone) (in 1959-08) bass vocals [Colline]: Cesare Siepi (operatic bass) (in 1959-08) soprano vocals [Mimì]: Renata Tebaldi (soprano) (in 1959-08) tenor vocals [Rodolfo]: Carlo Bergonzi (tenor) (in 1959-08) orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08) conductor: Tullio Serafin (conductor) (in 1959-08) balance engineer: Peter Attwood (in 1959-08) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959) recorded at: Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08) recording of: La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1959-08) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini) recording of: La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (in 1959-08) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini) partial recording of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème (Puccini)	Giacomo Puccini		6:14
13	La bohème, Finale of Act I - Part 3 baritone vocals [Marcello]: Ettore Bastianini (baritone) bass vocals [Colline]: Cesare Siepi (operatic bass) bass-baritone vocals [Schaunard]: Renato Cesari (bass-baritone) soprano vocals [Mimì]: Renata Tebaldi (soprano) tenor vocals [Rodolfo]: Carlo Bergonzi (tenor) orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) conductor: Tullio Serafin (conductor) partial recording of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème (Puccini)	Giacomo Puccini		4:02
14	Prelude to "The Afternoon of a Faun" - Part 1 orchestra: London Symphony Orchestra conductor: Pierre Monteux (conductor) partial recording of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) composer: Claude Debussy (French composer) (from 1891 until 1894-09) dedicated to: Raymond Bonheur (composer, 1861-1939) premiered at: [concert] (1894-12-22) publisher: Eugène Fromont (in 1895-10) part of: Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)	Claude Debussy		3:20
15	Prelude to "The Afternoon of a Faun" - Part 2 orchestra: London Symphony Orchestra conductor: Pierre Monteux (conductor) partial recording of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) composer: Claude Debussy (French composer) (from 1891 until 1894-09) dedicated to: Raymond Bonheur (composer, 1861-1939) premiered at: [concert] (1894-12-22) publisher: Eugène Fromont (in 1895-10) part of: Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)	Claude Debussy		1:13
16	Prelude to "The Afternoon of a Faun" - Part 3 orchestra: London Symphony Orchestra conductor: Pierre Monteux (conductor) partial recording of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) composer: Claude Debussy (French composer) (from 1891 until 1894-09) dedicated to: Raymond Bonheur (composer, 1861-1939) premiered at: [concert] (1894-12-22) publisher: Eugène Fromont (in 1895-10) part of: Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)	Claude Debussy		1:38
17	Prelude to "The Afternoon of a Faun" - Part 4 orchestra: London Symphony Orchestra conductor: Pierre Monteux (conductor) partial recording of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) composer: Claude Debussy (French composer) (from 1891 until 1894-09) dedicated to: Raymond Bonheur (composer, 1861-1939) premiered at: [concert] (1894-12-22) publisher: Eugène Fromont (in 1895-10) part of: Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)	Claude Debussy		3:13
18	Pierrot lunaire - No. 18, "Der Mondfleck" vocals: Mary Thomas (British soprano) orchestra: London Sinfonietta conductor: David Atherton (conductor) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		1:01
19	Pierrot lunaire - No. 21, "O alter Duft" vocals: Mary Thomas (British soprano) orchestra: London Sinfonietta conductor: David Atherton (conductor) recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 21. „O alter Duft“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		1:54
20	Symphony No. 2 - IV, Lento maestoso orchestra: London Symphony Orchestra conductor: Bernard Herrmann (composer) recording of: Symphony no. 2, S. 2: IV. Lento maestoso composer: Charles Ives (American composer) (from 1899 until 1909) part of: Symphony no. 2, S. 2	Charles Ives		2:51
21	Symphony No. 2 - V, Allegro molto vivace - Part 1 orchestra: London Symphony Orchestra conductor: Bernard Herrmann (composer) partial recording of: Symphony no. 2, S. 2: V. Allegro molto vivace composer: Charles Ives (American composer) (from 1899 until 1909) part of: Symphony no. 2, S. 2	Charles Ives		2:02
22	Symphony No. 2 - V, Allegro molto vivace - Part 2 orchestra: London Symphony Orchestra conductor: Bernard Herrmann (composer) partial recording of: Symphony no. 2, S. 2: V. Allegro molto vivace composer: Charles Ives (American composer) (from 1899 until 1909) part of: Symphony no. 2, S. 2	Charles Ives		0:43
23	Symphony No. 2 - V, Allegro molto vivace - Part 3 orchestra: London Symphony Orchestra conductor: Bernard Herrmann (composer) partial recording of: Symphony no. 2, S. 2: V. Allegro molto vivace composer: Charles Ives (American composer) (from 1899 until 1909) part of: Symphony no. 2, S. 2	Charles Ives		3:38
24	Symphony No. 2 - V, Allegro molto vivace - Part 4 orchestra: London Symphony Orchestra conductor: Bernard Herrmann (composer) partial recording of: Symphony no. 2, S. 2: V. Allegro molto vivace composer: Charles Ives (American composer) (from 1899 until 1909) part of: Symphony no. 2, S. 2	Charles Ives		5:19
25	Music for Strings, Percussion, and Celesta - IV - Part 1 orchestra: London Symphony Orchestra conductor: Sir Georg Solti (conductor) partial recording of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto composer: Bartók Béla (Béla Bartók, composer) (in 1936) part of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114	Béla Bartók		0:28
26	Music for Strings, Percussion, and Celesta - IV - Part 2 orchestra: London Symphony Orchestra conductor: Sir Georg Solti (conductor) partial recording of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto composer: Bartók Béla (Béla Bartók, composer) (in 1936) part of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114	Béla Bartók		1:01
27	Music for Strings, Percussion, and Celesta - IV - Part 3 orchestra: London Symphony Orchestra conductor: Sir Georg Solti (conductor) partial recording of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto composer: Bartók Béla (Béla Bartók, composer) (in 1936) part of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114	Béla Bartók		1:52
28	Music for Strings, Percussion, and Celesta - IV - Part 4 orchestra: London Symphony Orchestra conductor: Sir Georg Solti (conductor) partial recording of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto composer: Bartók Béla (Béla Bartók, composer) (in 1936) part of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114	Béla Bartók		3:15

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part of:	Basic Recordings for The Enjoyment of Music, Sixth Edition, and The Norton Scores, Fifth Edition (number: 1) (order: 2) The Norton Recordings (order: 2)

Basic Recordings for The Enjoyment of Music, Sixth Edition, and The Norton Scores, Fifth Edition, Album II: Romantic to Contemporary

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