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To do: Add Performers and Works for disc 4 from back cover art

Annotation last modified on 2024-02-17 21:25 UTC.

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1Vltava (The Moldau) from Má Vlast - Part 1
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana1:03
2Vltava (The Moldau) from Má Vlast - Part 2
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana1:45
3Vltava (The Moldau) from Má Vlast - Part 3
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana0:50
4Vltava (The Moldau) from Má Vlast - Part 4
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana1:33
5Vltava (The Moldau) from Má Vlast - Part 5
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana2:48
6Vltava (The Moldau) from Má Vlast - Part 6
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana0:50
7Vltava (The Moldau) from Má Vlast - Part 7
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana1:42
8Vltava (The Moldau) from Má Vlast - Part 8
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana1:32
9A German Requiem - from III, Herr, lehre doch mich: Fugue, Der gerechten SeelenJohannes Brahms3:14
10A German Requiem - IV, Wie lieblich sind deine WohnungenJohannes Brahms5:53
11La bohème, Finale of Act I - Part 1
baritone vocals [Marcello]:
Ettore Bastianini (baritone)
bass vocals [Colline]:
Cesare Siepi (operatic bass)
bass-baritone vocals [Schaunard]:
Renato Cesari (bass-baritone)
soprano vocals [Mimì]:
Renata Tebaldi (soprano)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Tullio Serafin (conductor)
partial recording of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème (Puccini)
Giacomo Puccini4:51
12La bohème, Finale of Act I - Part 2
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
baritone vocals [Schaunard] and bass-baritone vocals [Schaunard]:
Renato Cesari (bass-baritone)
bass vocals:
Renato Cesari (bass-baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
partial recording of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème (Puccini)
Giacomo Puccini6:14
13La bohème, Finale of Act I - Part 3
baritone vocals [Marcello]:
Ettore Bastianini (baritone)
bass vocals [Colline]:
Cesare Siepi (operatic bass)
bass-baritone vocals [Schaunard]:
Renato Cesari (bass-baritone)
soprano vocals [Mimì]:
Renata Tebaldi (soprano)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Tullio Serafin (conductor)
partial recording of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème (Puccini)
Giacomo Puccini4:02
14Prelude to "The Afternoon of a Faun" - Part 1
orchestra:
London Symphony Orchestra
conductor:
Pierre Monteux (conductor)
partial recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy3:20
15Prelude to "The Afternoon of a Faun" - Part 2
orchestra:
London Symphony Orchestra
conductor:
Pierre Monteux (conductor)
partial recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy1:13
16Prelude to "The Afternoon of a Faun" - Part 3
orchestra:
London Symphony Orchestra
conductor:
Pierre Monteux (conductor)
partial recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy1:38
17Prelude to "The Afternoon of a Faun" - Part 4
orchestra:
London Symphony Orchestra
conductor:
Pierre Monteux (conductor)
partial recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy3:13
18Pierrot lunaire - No. 18, "Der Mondfleck"
vocals:
Mary Thomas (British soprano)
orchestra:
London Sinfonietta
conductor:
David Atherton (conductor)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg1:01
19Pierrot lunaire - No. 21, "O alter Duft"
vocals:
Mary Thomas (British soprano)
orchestra:
London Sinfonietta
conductor:
David Atherton (conductor)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 21. „O alter Duft“
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil
Arnold Schönberg1:54
20Symphony No. 2 - IV, Lento maestoso
orchestra:
London Symphony Orchestra
conductor:
Bernard Herrmann (composer)
recording of:
Symphony no. 2, S. 2: IV. Lento maestoso
composer:
Charles Ives (American composer) (from 1899 until 1909)
part of:
Symphony no. 2, S. 2
Charles Ives2:51
21Symphony No. 2 - V, Allegro molto vivace - Part 1
orchestra:
London Symphony Orchestra
conductor:
Bernard Herrmann (composer)
partial recording of:
Symphony no. 2, S. 2: V. Allegro molto vivace
composer:
Charles Ives (American composer) (from 1899 until 1909)
part of:
Symphony no. 2, S. 2
Charles Ives2:02
22Symphony No. 2 - V, Allegro molto vivace - Part 2
orchestra:
London Symphony Orchestra
conductor:
Bernard Herrmann (composer)
partial recording of:
Symphony no. 2, S. 2: V. Allegro molto vivace
composer:
Charles Ives (American composer) (from 1899 until 1909)
part of:
Symphony no. 2, S. 2
Charles Ives0:43
23Symphony No. 2 - V, Allegro molto vivace - Part 3
orchestra:
London Symphony Orchestra
conductor:
Bernard Herrmann (composer)
partial recording of:
Symphony no. 2, S. 2: V. Allegro molto vivace
composer:
Charles Ives (American composer) (from 1899 until 1909)
part of:
Symphony no. 2, S. 2
Charles Ives3:38
24Symphony No. 2 - V, Allegro molto vivace - Part 4
orchestra:
London Symphony Orchestra
conductor:
Bernard Herrmann (composer)
partial recording of:
Symphony no. 2, S. 2: V. Allegro molto vivace
composer:
Charles Ives (American composer) (from 1899 until 1909)
part of:
Symphony no. 2, S. 2
Charles Ives5:19
25Music for Strings, Percussion, and Celesta - IV - Part 1Béla Bartók0:28
26Music for Strings, Percussion, and Celesta - IV - Part 2Béla Bartók1:01
27Music for Strings, Percussion, and Celesta - IV - Part 3Béla Bartók1:52
28Music for Strings, Percussion, and Celesta - IV - Part 4Béla Bartók3:15
4CD