Bravo Pavarotti

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Tracklist

| |
1▼12" Vinyl
#TitleArtistRatingLength
A1Lucia di Lammermoor: “Chi mi frena?” (Sextet)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Ryland Davies (tenor) and Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (in 1972)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:41
A2Lucia di Lammermoor: “Tu che a Dio”
bass vocals:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (in 1972)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:48
A3La bohème: “In un coupé.?” … “O Mimì, tu più non torni.”
baritone vocals:
Rolando Panerai (baritone)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1973)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (in 1973)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini4:41
A4Der Rosenkavalier: “Di rigori armato”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (in 1969)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:04
A5Un ballo in maschera: Leggere vi piacia” … “La rivedrà nell’estasi”
bass vocals:
Leonardo Monreale (operatic bass)
bass-baritone vocals:
Nicolas Christou (Belgian Bass-Baritone)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Bruno Bartoletti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro) (in 1971)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:37
A6Un ballo in maschera: “È scherzo od è follia”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
bass-baritone vocals:
Nicolas Christou (Belgian Bass-Baritone)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
mezzo-soprano vocals [Ulrica]:
Regina Resnik (soprano, mezzo-soprano, alto) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (in 1971)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:37
B1La Fille du régiment: “Ah! Mes amis”
bass vocals:
Eric Garrett (English Bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti6:48
B2La Fille du régiment: “Ecoutez‐moi, de grâce” … “Pour me rapprocher de Marie”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
La Fille du régiment : Acte II, Scène 11. “Écoutez-moi de grâce ” – Romance “Pour me rapprocher de Marie” (Tonio) (in 1968)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti3:37
B3L’elisir d’amore: “Chiedi all’aura lusinghiera”
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recording of:
L’elisir d’amore: Atto I. Duetto “Chiedi all’aura lusinghiera” (Adina, Nemorino)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:15
B4Louisa Miller: “O! Fede negar potessi … Quando le sere al placido”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1976)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi5:43
2▼12" Vinyl
#TitleArtistRatingLength
C1La traviata: “Libiamo, libiamo ne’ lieti calici” (Brindisi)
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (James Locke, engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1977)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:57
C2La traviata: “Un dì, felice”
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (in 1977)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:22
C3Requiem: Ingemisco
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (in 1968)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:32
C4Rigoletto: “Ella mi fu rapita! … Parmi veder le lagrime”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II. “Parmi veder le lagrime” (Duca)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi4:42
C5Rigoletto: “La donna è mobile … Bella figlia dell’amore” (Quartet)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Martti Talvela (operatic bass)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi8:32
D1I puritani: “A te, o cara”
bass vocals:
Nicolaï Ghiaurov (operatic bass) and Giancarlo Luccardi (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recording of:
I Puritani: Atto I, scena 3. N°7 “A te, o cara, amor talora” (Arturo, Giorgio, Walton, Elvira, Coro) (in 1975)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini6:29
D2Turandot: “Non piangere, Liù!”
bass vocals:
Nicolaï Ghiaurov (operatic bass)
soprano vocals:
Montserrat Caballé (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zubin Mehta (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur) (in 1973)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:17
D3Tosca: “E lucevan le stelle”
tenor vocals:
Luciano Pavarotti (tenor) (in 1972-04)
orchestra:
Royal Philharmonic Orchestra (in 1972-04)
conductor:
Leone Magiera (conductor, pianist) (in 1972-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1972-04)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (ended)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:10
D4Il trovatore: “Se m’ami ancor” … “Ai nostri monti”
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (in 1977)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:21
D5La favorita: “Favorita del re! … Spirto gentil”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recording of:
La favorita: Atto IV, Scena 3. “Favorita del re!” (Baldassarre, Fernando) (in 1978)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
Gaetano Donizetti4:42

Credits

Release

copyrighted (©) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)