Bravo Pavarotti

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Tracklist

112" Vinyl
212" Vinyl
#TitleArtistRatingLength
C1La traviata: “Libiamo, libiamo ne’ lieti calici” (Brindisi)
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (James Locke, engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1977)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:57
C2La traviata: “Un dì, felice”
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (in 1977)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:22
C3Requiem: Ingemisco
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (in 1968)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:32
C4Rigoletto: “Ella mi fu rapita! … Parmi veder le lagrime”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II. “Parmi veder le lagrime” (Duca)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi4:42
C5Rigoletto: “La donna è mobile … Bella figlia dell’amore” (Quartet)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Martti Talvela (operatic bass)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi8:32
D1I puritani: “A te, o cara”
bass vocals:
Nicolaï Ghiaurov (operatic bass) and Giancarlo Luccardi (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recording of:
I Puritani: Atto I, scena 3. N°7 “A te, o cara, amor talora” (Arturo, Giorgio, Walton, Elvira, Coro) (in 1975)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini6:29
D2Turandot: “Non piangere, Liù!”
bass vocals:
Nicolaï Ghiaurov (operatic bass)
soprano vocals:
Montserrat Caballé (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zubin Mehta (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur) (in 1973)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:17
D3Tosca: “E lucevan le stelle”
tenor vocals:
Luciano Pavarotti (tenor) (in 1972-04)
orchestra:
Royal Philharmonic Orchestra (in 1972-04)
conductor:
Leone Magiera (conductor, pianist) (in 1972-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1972-04)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (ended)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:10
D4Il trovatore: “Se m’ami ancor” … “Ai nostri monti”
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (in 1977)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:21
D5La favorita: “Favorita del re! … Spirto gentil”Gaetano Donizetti4:42

Credits

Release

copyrighted (©) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)