Incomparable !

~ Release by Nat King Cole (see all versions of this release, 1 available)

Annotation

Packaged in cardboard clamshell box with three bifold cardboard sleeves and a booklet with an essay by Claude Carrière in French with English translation

Annotation last modified on 2023-04-20 13:02 UTC.

Tracklist

| |
1▼CD: The Voice
#TitleRatingLength
1Unforgettable
celesta and piano:
Buddy Cole (on 1951-08-17)
cello:
Cy Bernard (on 1951-08-17) and Eleanor Slatkin (US cellist, b. Aller) (on 1951-08-17)
congas:
Joe Costanzo (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
drums (drum set):
Nick Fatool (on 1951-08-17)
guitar:
Bob Bain (guitarist) (on 1951-08-17)
harp:
Ann Mason Stockton (American harpist) (on 1951-08-17)
viola:
Paul Robyn (on 1951-08-17) and Dave Sterkin (on 1951-08-17)
violin:
Alex Beller (on 1951-08-17), Harry Bluestone (on 1951-08-17), Walter Edelstein (on 1951-08-17), Henry Hill (Violin player) (on 1951-08-17), Dan Lube (on 1951-08-17), Erno Neufeld (on 1951-08-17), Mischa Russell (violinist) (on 1951-08-17) and Marshall Sosson (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (on 1951-08-17)
conductor:
Nelson Riddle (on 1951-08-17)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
43:14
2Nature Boy
recorded in:
New York, New York, United States (on 1947-08-22)
additional guitar:
Oscar Moore (on 1947-08-22)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-22)
piano:
Nat King Cole (on 1947-08-22)
violin:
Harry Bluestone (on 1947-08-22)
vocals:
Nat King Cole (on 1947-08-22)
orchestra:
Frank De Vol Orchestra (on 1947-08-22)
recording of:
Nature Boy (on 1947-08-22)
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:40
3Orange Colored Sky
bass and double bass:
Joe Comfort (on 1950-08-16)
bongos and congas:
Jack Costanzo (on 1950-08-16)
guitar:
Irving Ashby (on 1950-08-16)
piano:
Nat King Cole (on 1950-08-16)
vocals:
Nat King Cole (on 1950-08-16)
orchestra:
Stan Kenton and His Orchestra (on 1950-08-16)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1950-08-16)
recording of:
Orange Colored Sky (on 1950-08-16)
writer:
Milton DeLugg and William Stein
publisher:
Amy Dee Music Corp.
3.52:36
4Mona Lisa
producer:
Lee Gillette
bass:
Joe Comfort (on 1950-03-11)
bongos:
Jack Costanzo (on 1950-03-11)
cello:
Cy Bernard (on 1950-03-11) and Eleanor Slatkin (US cellist, b. Aller) (on 1950-03-11)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1950-03-11)
guitar:
Irving Ashby (on 1950-03-11)
piano:
Buddy Cole (on 1950-03-11)
viola:
Allan Harshman (violist) (on 1950-03-11) and Dave Sterkin (on 1950-03-11)
violin:
Sam Cytron (on 1950-03-11), David Frisina (on 1950-03-11), Murray Kellner (on 1950-03-11), Mark Levant (on 1950-03-11), Dan Lube (on 1950-03-11), Lou Raderman (on 1950-03-11), Paul Shure (on 1950-03-11) and Felix Slatkin (on 1950-03-11)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-03-11)
vocals:
Nat King Cole (on 1950-03-11)
orchestra:
Les Baxter and His Orchestra (on 1950-03-11)
conductor:
Les Baxter (on 1950-03-11)
arranger:
Nelson Riddle (on 1950-03-11)
cover recording of:
Mona Lisa (on 1950-03-11)
lyricist:
Raymond B. Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
part of:
The 23rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1950 winner)
43:16
5Too Young
bass:
Joe Comfort (on 1951-02-06) and Milton Kestenbaum (on 1951-02-06)
cello:
Armand Kaproff (on 1951-02-06) and Eleanor Slatkin (US cellist, b. Aller) (on 1951-02-06)
double bass:
Joe Comfort (on 1951-02-02)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1951-02-06)
guitar:
Irving Ashby (on 1951-02-02, on 1951-02-06)
harp:
Kathryn Julye (on 1951-02-06)
piano:
Nat King Cole (on 1951-02-02) and Buddy Cole (on 1951-02-06)
viola:
Joseph DiFiore (on 1951-02-06) and Lou Kievman (violist) (on 1951-02-06)
violin:
Harry Bluestone (on 1951-02-06), Benny Gill (on 1951-02-06), Seymour Kramer (on 1951-02-06), Dan Lube (on 1951-02-06), William Miller (violinist) (on 1951-02-06), Misha Russell (on 1951-02-06), Jack Shulman (on 1951-02-06), Robert Sushel (on 1951-02-06) and Gerald Vinci (American violinist and strings conductor) (on 1951-02-06)
vocals:
Nat King Cole (on 1951-02-06)
orchestra:
Les Baxter and His Orchestra (on 1951-02-06)
conductor:
Les Baxter (on 1951-02-06)
performer:
Les Baxter and His Orchestra (on 1951-02-02)
arranger:
Nelson Riddle
cover recording of:
Too Young (on 1951-02-06)
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
3:14
6Darling, Je vous aime beaucoup
bass:
Charlie Harris (jazz bassist) (on 1953-08-24)
bass trombone:
George Roberts (american bass trombone) (on 1953-08-24)
cello:
Cy Bernard (on 1953-08-24), Armand Kaproff (on 1953-08-24) and Eleanor Slatkin (US cellist, b. Aller) (on 1953-08-24)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-08-24)
flute:
Jules Kinsler (on 1953-08-24), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-08-24) and Harry Steinfeld (on 1953-08-24)
French horn:
Vincent DeRosa (on 1953-08-24) and John Graas (on 1953-08-24)
guitar:
John Collins (US jazz guitarist) (on 1953-08-24)
harp:
Ann Mason Stockton (American harpist) (on 1953-08-24)
piano:
Buddy Cole (on 1953-08-24)
trombone:
Milt Bernhart (on 1953-08-24) and Joe Howard (american trombone player) (on 1953-08-24)
viola:
Lou Kievman (violist) (on 1953-08-24), Stanley Spiegelman (on 1953-08-24) and Dave Sterkin (on 1953-08-24)
violin:
Victor Bay (on 1953-08-24), Alex Beller (on 1953-08-24), Harry Bluestone (on 1953-08-24), Walter Edelstein (on 1953-08-24), Henry Hill (Violin player) (on 1953-08-24), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1953-08-24), Mischa Russell (violinist) (on 1953-08-24), Paul Shure (on 1953-08-24), Felix Slatkin (on 1953-08-24) and Gerald Vinci (American violinist and strings conductor) (on 1953-08-24)
vocals:
Nat King Cole (on 1953-08-24)
orchestra:
Nelson Riddle Orchestra & Chorus (on 1953-08-24)
conductor:
Nelson Riddle (on 1953-08-24)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-24)
cover recording of:
Darling, je vous aime beaucoup (on 1953-08-24)
lyricist and composer:
Anna Sosenko (in 1935)
publisher:
Chappell & Co., Inc. (USA) and Francis Day S.A.
medley of:
La Vie en rose (French original)
2:52
7Almost Like Being in Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (jazz bassist) (on 1953-01-28)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-28)
guitar:
John Collins (US jazz guitarist) (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-01-28)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
1:55
8The Christmas Song
bass trombone:
George Roberts (american bass trombone) (on 1953-08-24)
cello:
Cy Bernard (on 1953-08-24), Armand Kaproff (on 1953-08-24) and Eleanor Slatkin (US cellist, b. Aller) (on 1953-08-24)
double bass:
Charlie Harris (jazz bassist) (on 1953-08-24)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-08-24)
flute:
Jules Kinsler (on 1953-08-24), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-08-24) and Harry Steinfeld (on 1953-08-24)
French horn:
Vincent DeRosa (on 1953-08-24) and John Graas (on 1953-08-24)
guitar:
John Collins (US jazz guitarist) (on 1953-08-24)
harp:
Ann Mason Stockton (American harpist) (on 1953-08-24)
piano:
Buddy Cole (on 1953-08-24) and Nat King Cole (on 1953-08-24)
trombone:
Milt Bernhart (on 1953-08-24) and Joe Howard (american trombone player) (on 1953-08-24)
viola:
Lou Kievman (violist) (on 1953-08-24), Stanley Spiegelman (on 1953-08-24) and Dave Sterkin (on 1953-08-24)
violin:
Victor Bay (on 1953-08-24), Alex Beller (on 1953-08-24), Harry Bluestone (on 1953-08-24), Walter Edelstein (on 1953-08-24), Henry Hill (Violin player) (on 1953-08-24), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1953-08-24), Mischa Russell (violinist) (on 1953-08-24), Paul Shure (on 1953-08-24), Felix Slatkin (on 1953-08-24) and Gerald Vinci (American violinist and strings conductor) (on 1953-08-24)
vocals:
Nat King Cole (on 1953-08-24)
orchestra:
Nelson Riddle and His Orchestra (on 1953-08-24)
conductor:
Nelson Riddle (on 1953-08-24)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-24)
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire) (on 1953-08-24)
lyricist:
Robert Wells (songwriter) (in 1945-07) and Mel Tormé (“The Velvet Fog”) (in 1945-07)
composer:
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
3:19
9Blue Gardenia
bass:
Charlie Harris (jazz bassist) (on 1953-01-20)
celesta and piano:
Buddy Cole (on 1953-01-20)
cello:
James Arkatov (American cellist and photographer) (on 1953-01-20) and Armand Kaproff (on 1953-01-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-20)
flute:
Harry Klee (on 1953-01-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-20) and James Williamson (Saxophone player) (on 1953-01-20)
French horn:
John Cave (french horn) (on 1953-01-20) and Vincent DeRosa (on 1953-01-20)
guitar:
John Collins (US jazz guitarist) (on 1953-01-20)
harp:
Katherina Julyie (on 1953-01-20)
trombone:
Milt Bernhart (on 1953-01-20) and Paul Tanner (on 1953-01-20)
viola:
Albert Barr (on 1953-01-20) and Stanley Harris (US big band viola player) (on 1953-01-20)
violin:
Victor Bay (on 1953-01-20), Alex Beller (on 1953-01-20), Harry Bluestone (on 1953-01-20), Walter Edelstein (on 1953-01-20), Anatol Kaminsky (on 1953-01-20), Nathan Ross (on 1953-01-20), Mischa Russell (violinist) (on 1953-01-20), Olcott Vail (on 1953-01-20) and Gerald Vinci (American violinist and strings conductor) (on 1953-01-20)
vocals:
Nat King Cole (on 1953-01-20)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-20)
conductor:
Nelson Riddle (on 1953-01-20)
arranger:
Nelson Riddle
recording of:
Blue Gardenia (on 1953-01-20)
writer:
Lester Lee and Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Harms, Inc., Harrison Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:01
10Lover, Come Back to Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (US jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Lover, Come Back to Me (from "The New Moon") (on 1953-01-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:31
11Smile
producer:
Lee Gillette
bass:
Charlie Harris (jazz bassist) (on 1954-07-27)
bass trombone:
George Roberts (american bass trombone) (on 1954-07-27)
cello:
Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (US cellist, b. Aller) (on 1954-07-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-07-27)
French horn:
Vincent DeRosa (on 1954-07-27) and William Hinshaw (American horn player) (on 1954-07-27)
guitar:
John Collins (US jazz guitarist) (on 1954-07-27)
percussion:
Louis Singer (percussionist) (on 1954-07-27)
piano:
Bill Miller (pianist) (on 1954-07-27)
reeds:
John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
trombone:
Francis Howard (trombone) (on 1954-07-27)
viola:
Stanley Harris (US big band viola player) (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
violin:
Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (violinist) (on 1954-07-27), Eudice Shapiro (Violinist) (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (American violinist and strings conductor) (on 1954-07-27)
vocals:
Nat King Cole (on 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (on 1954-07-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (on 1954-07-27)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
2:57
12Love Is a Many Splendored Thing
bass:
Charlie Harris (jazz bassist) (on 1955-08-25)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-25)
cello:
Victor Gottlieb (on 1955-08-25), Kurt Reher (cellist) (on 1955-08-25) and Joseph Saxon (on 1955-08-25)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-25)
French horn:
Jack Cave (on 1955-08-25) and Vincent DeRosa (on 1955-08-25)
guitar:
John Collins (US jazz guitarist) (on 1955-08-25)
harp:
Kathryn Julye (on 1955-08-25)
piano:
Nat King Cole (on 1955-08-25) and Bill Miller (pianist) (on 1955-08-25)
reeds:
Harry Klee (on 1955-08-25), Wilbur Schwartz (on 1955-08-25) and Champ Webb (on 1955-08-25)
trombone:
Ed Kusby (on 1955-08-25)
valve trombone:
Juan Tizol (on 1955-08-25)
viola:
Alvin Dinkin (on 1955-08-25) and Stanley Spiegelman (on 1955-08-25)
violin:
Victor Bay (on 1955-08-25), Alex Beller (on 1955-08-25), Erno Neufeld (on 1955-08-25), Nathan Ross (on 1955-08-25), Paul Shure (on 1955-08-25), Felix Slatkin (on 1955-08-25), Marshall Sosson (on 1955-08-25) and Gerald Vinci (American violinist and strings conductor) (on 1955-08-25)
vocals:
Nat King Cole (on 1955-08-25)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-25)
conductor:
Nelson Riddle (on 1955-08-25)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-08-25)
cover recording of:
Love Is a Many‐Splendored Thing (on 1955-08-25)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1955 winner)
2:43
13Ballerina
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-19)
bass:
Charlie Harris (jazz bassist) (on 1956-09-19)
bass trombone:
George Roberts (american bass trombone) (on 1956-09-19)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-19)
guitar:
John Collins (US jazz guitarist) (on 1956-09-19)
harp:
Kathryn Julye (on 1956-09-19)
percussion:
Louis Singer (percussionist) (on 1956-09-19)
piano:
Jimmy Rowles (on 1956-09-19)
saxophone:
Joe Koch (on 1956-09-19), Irving “Babe” Russin (on 1956-09-19), Wilbur Schwartz (on 1956-09-19) and Buck Skalak (on 1956-09-19)
trombone:
Joe Howard (american trombone player) (on 1956-09-19) and Jimmy Priddy (on 1956-09-19)
trumpet:
Conrad Gozzo (on 1956-09-19), Cappy Lewis (on 1956-09-19), Vito N. Mangano (on 1956-09-19) and Shorty Sherock (on 1956-09-19)
valve trombone:
Juan Tizol (on 1956-09-19)
vocals:
Nat King Cole (on 1956-09-19)
orchestra:
Nelson Riddle and His Orchestra (on 1956-09-19)
conductor:
Nelson Riddle (on 1956-09-19)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-19)
cover recording of:
Ballerina (on 1956-09-19)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
2:52
14Welcome to the Club
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (jazz trombonist) (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (jazz trombonist) (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (jazz trumpeter) (on 1958-07-01), Thad Jones (American jazz trumpeter) (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
recording of:
Welcome to the Club (on 1958-07-01)
writer:
Noel Sherman and Dick Wolf
2:48
15Chantez-les bas
vocals:
Nat King Cole (on 1958-01-29)
orchestra:
Nelson Riddle and His Orchestra (on 1958-01-29)
conductor:
Nelson Riddle (on 1958-01-29)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1958-01-29)
cover recording of:
Chantez-les bas (Sing 'em Low) (on 1958-01-29)
lyricist and composer:
William Christopher Handy
2:37
16Wild Is Love
alto saxophone:
Benny Carter (on 1960-03-01)
bass:
Charlie Harris (jazz bassist) (on 1960-03-01)
cello:
Ossip Giskin (cellist) (on 1960-03-01), Ray Kramer (on 1960-03-01) and Joseph Saxon (on 1960-03-01)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1960-03-01)
guitar:
John Collins (US jazz guitarist) (on 1960-03-01)
percussion:
Emil Richards (on 1960-03-01)
piano:
Lou Levy (on 1960-03-01)
saxophone:
Harry Klee (on 1960-03-01), Joe Koch (on 1960-03-01) and Buck Skalak (on 1960-03-01)
tenor saxophone:
Plas Johnson (on 1960-03-01)
trombone:
Russ Brown (on 1960-03-01), Pullman “Tommy” Pederson (on 1960-03-01) and Tommy Shepard (trombonist) (on 1960-03-01)
trumpet:
Irving R. Bush (trumpeter) (on 1960-03-01), Pete Candoli (on 1960-03-01), Conrad Gozzo (on 1960-03-01), Cappy Lewis (on 1960-03-01) and Shorty Sherock (on 1960-03-01)
tuba:
Red Callender (on 1960-03-01)
valve trombone:
Juan Tizol (on 1960-03-01)
viola:
Paul Robyn (on 1960-03-01) and Barbara Simons (on 1960-03-01)
violin:
Victor Bay (on 1960-03-01), Alex Beller (on 1960-03-01), Jacques Gasselin (on 1960-03-01), Dan Lube (on 1960-03-01), Nathan Ross (on 1960-03-01), Mischa Russell (violinist) (on 1960-03-01) and Marshall Sosson (on 1960-03-01)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1960-03-01)
vocals:
Nat King Cole (on 1960-03-01)
orchestra:
Nelson Riddle and His Orchestra (on 1960-03-01)
conductor:
Nelson Riddle (on 1960-03-01)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-03-01)
recording of:
Wild Is Love (on 1960-03-01)
writer:
Raymond Rasch and Dottie Wayne
2:23
17There’s a Lull in My Life
bass:
Al McKibbon (double bassist) (on 1961-12-22)
bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-22)
cello:
Hyman Gold (cellist) (on 1961-12-22), Armand Kaproff (on 1961-12-22), Kurt Reher (cellist) (on 1961-12-22) and Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-22)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-22)
guitar:
Al Hendrickson (on 1961-12-22)
piano:
George Shearing (British jazz pianist) (on 1961-12-22)
vibraphone:
Emil Richards (on 1961-12-22)
viola:
Alvin Dinkin (on 1961-12-22), Allan Harshman (violist) (on 1961-12-22), Virginia Majewski (violist) (on 1961-12-22) and Paul Robyn (on 1961-12-22)
violin:
Victor Arno (on 1961-12-22), Israel Baker (American violinist) (on 1961-12-22), Harold Dicterow (on 1961-12-22), David Frisina (on 1961-12-22), Jacques Gasselin (on 1961-12-22), James Getzoff (American concertmaster and violinist) (on 1961-12-22), Erno Neufeld (on 1961-12-22), Isadore Roman (violin) (on 1961-12-22), Felix Slatkin (on 1961-12-22), Albert Steinberg (on 1961-12-22) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-22)
vocals:
Nat King Cole (on 1961-12-22)
conductor:
Ralph Carmichael (on 1961-12-22)
arranger:
Ralph Carmichael
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-22)
cover recording of:
There’s a Lull in My Life (on 1961-12-22)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
2:28
18Quizás, quizás, quizás
background vocals [chorus vocal]:
The Facundo Rivero Four (on 1958-02-20)
vocals:
Nat King Cole (on 1958-02-20)
orchestra:
Orquesta Cubana de Música Moderna (on 1958-02-20)
recorded at:
Panart Studios in La Habana (Havana), Cuba (on 1958-02-20)
cover recording of:
Quizás, quizás, quizás (on 1958-02-20)
lyricist and composer:
Osvaldo Farrés
publisher:
Peer International Corporation (BMI)
42:45
19Maria Helena
background vocals [chorus vocals]:
The Facundo Rivero Four (on 1958-02-17)
vocals:
Nat King Cole (on 1958-02-17)
orchestra:
Orquesta Cubana de Música Moderna (on 1958-02-17)
cover recording of:
Maria Elena (Spanish original) (on 1958-02-17)
lyricist and composer:
Lorenzo Barcelata
2:42
20Cachito
bass:
Joe Comfort (on 1958-06-09)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-06-09)
guitar:
John Collins (US jazz guitarist) (on 1958-06-09), Charles Gonzales (guitarist, Armando Romeu's orchestra) (on 1958-06-09), Fred Hernandez (guitarist, Armando Romeu's orchestra) (on 1958-06-09) and Joe Nieto (on 1958-06-09)
percussion:
Chico Guerrero (on 1958-06-09), Joe Guerrero (on 1958-06-09), Armando Mesa (on 1958-06-09) and Carlos Vidal (Cuban percussionist) (on 1958-06-09)
piano:
René Touzet (Cuban-born American composer, pianist and bandleader) (on 1958-06-09)
trumpet:
Manny Klein (on 1958-06-09), Rudy Loera (on 1958-06-09), Henry Miranda (on 1958-06-09) and Alberto Rojo (on 1958-06-09)
vocals:
Nat King Cole (on 1958-06-09)
conductor:
Armando Romeu, Jr.
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-06-09)
cover recording of:
Cachito (on 1958-06-09)
lyricist and composer:
Consuelo Velázquez (in 1957)
2:52
21Perfidia
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (from 1959-04-13 until 1959-04-16)
bass:
Charlie Harris (jazz bassist) (from 1959-04-13 until 1959-04-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (from 1959-04-13 until 1959-04-16)
guitar:
John Collins (US jazz guitarist) (from 1959-04-13 until 1959-04-16)
vocals:
Nat King Cole (from 1959-04-13 until 1959-04-16)
conductor:
Dave Cavanaugh (from 1959-04-13 until 1959-04-16)
instruments arranger:
Dave Cavanaugh (in 1959)
cover recording of:
Perfidia (from 1959-04-13 until 1959-04-16)
lyricist and composer:
Alberto Domínguez
2:25
2▼CD: The Trio
#TitleArtistRatingLength
1Straighten Up and Fly Right
double bass and double bass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
performer:
The Nat King Cole Trio (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Straighten Up and Fly Right (on 1943-11-30)
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30)
The Nat King Cole Trio52:29
2Sweet Lorraine
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
cover recording of:
Sweet Lorraine (on 1943-12-15)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
The Nat King Cole Trio3:15
3I’m an Errand Boy for Rhythm
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-18)
guitar:
Oscar Moore (on 1945-10-18)
piano:
Nat King Cole (on 1945-10-18)
vocals:
Nat King Cole (on 1945-10-18)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-10-18)
recording of:
I'm an Errand Boy for Rhythm (on 1945-10-18)
lyricist and composer:
Nat King Cole
The Nat King Cole Trio2:24
4When I Take My Sugar to Tea
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-06)
guitar:
Oscar Moore (on 1947-08-06)
piano:
Nat King Cole (on 1947-08-06)
vocals:
Nat King Cole (on 1947-08-06)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1947-08-06)
recording of:
When I Take My Sugar to Tea (on 1947-08-06)
composer:
Pierre Norman Connor, Sammy Fain and Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
The Nat King Cole Trio2:26
5Makin’ Whoopee
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-07)
guitar:
Oscar Moore (on 1947-08-07)
piano:
Nat King Cole (on 1947-08-07)
vocals:
Nat King Cole (on 1947-08-07)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1947-08-07)
recording of:
Makin’ Whoopee! (on 1947-08-07)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
The Nat King Cole Trio2:33
6Dream a Little Dream of Me
recorded in:
New York, New York, United States (on 1947-10-28)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-10-28)
guitar:
Irving Ashby (on 1947-10-28)
instruments and performer:
The Nat King Cole Trio (on 1947-10-28)
piano:
Nat King Cole (on 1947-10-28)
vocals:
Nat King Cole (on 1947-10-28)
cover recording of:
Dream a Little Dream of Me (on 1947-10-28)
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music and Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, volume I)
The Nat King Cole Trio2:52
7Little Girl
recorded in:
New York, New York, United States (on 1947-11-03)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-11-03)
guitar:
Irving Ashby (on 1947-11-03)
piano:
Nat King Cole (on 1947-11-03)
vocals:
Nat King Cole (on 1947-11-03)
recording of:
Little Girl (1931 song) (on 1947-11-03)
writer:
Francis Henry (in 1931) and Madeline Hyde (in 1931)
The Nat King Cole Trio2:30
8I’ve Got a Way With Women
recorded in:
New York, New York, United States (on 1947-11-24)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-11-24)
guitar:
Irving Ashby (on 1947-11-24)
piano:
Nat King Cole (on 1947-11-24)
vocals:
Nat King Cole (on 1947-11-24)
recording of:
I’ve Got a Way With Women (on 1947-11-24)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer), Abner Silver and Fred Wise
The Nat King Cole Trio2:49
9Yes Sir, That’s My Baby
bongos and congas:
Jack Costanzo (on 1949-03-29)
double bass:
Joe Comfort (on 1949-03-29)
guitar:
Irving Ashby (on 1949-03-29)
piano:
Nat King Cole (on 1949-03-29)
vocals:
Nat King Cole (on 1949-03-29)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-29)
recording of:
Yes Sir, That’s My Baby (on 1949-03-29)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Bourne Co. (not for release label use, this is a music publisher), Donaldson Publishing Co., EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem) and J. Albert & Son P/L
The Nat King Cole Trio2:33
10Exactly Like You
recorded in:
Los Angeles, California, United States (on 1949-07-26)
bongos and congas and membranophone:
Jack Costanzo (on 1949-07-26)
double bass:
Joe Comfort (on 1949-07-26)
guitar:
Irving Ashby (on 1949-07-26)
instruments:
The Nat King Cole Trio (in 1949)
piano:
Nat King Cole (on 1949-07-26)
vocals:
Nat King Cole (on 1949-07-26)
recording of:
Exactly Like You (on 1949-07-26)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
The Nat King Cole Trio2:45
11For All We Know
double bass:
Joe Comfort (on 1949-03-22)
guitar:
Irving Ashby (on 1949-03-22)
piano:
Nat King Cole (on 1949-03-22)
vocals:
Nat King Cole (on 1949-03-22)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-22)
cover recording of:
For All We Know (1934 song) (on 1949-03-22)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
The Nat King Cole Trio3:05
12Calypso Blues
bongos and congas and membranophone:
Jack Costanzo (on 1949-09-09)
piano:
Nat King Cole (on 1949-09-09)
vocals:
Nat King Cole (on 1949-09-09)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1949-09-09)
recording of:
Calypso Blues (on 1949-09-09)
lyricist:
Don George (US songwriter/composer, 1909–1987)
composer:
Nat King Cole
The Nat King Cole Trio3:06
13’Tis Autumn
double bass:
Joe Comfort (on 1949-03-29)
guitar:
Irving Ashby (on 1949-03-29)
piano:
Nat King Cole (on 1949-03-29)
vocals:
Nat King Cole (on 1949-03-29)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-29)
cover recording of:
’Tis Autumn (on 1949-03-29)
lyricist and composer:
Henry Nemo
The Nat King Cole Trio3:10
14It’s Only a Paper Moon
double bass:
Charlie Harris (jazz bassist) (on 1956-08-15)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-08-15)
guitar:
John Collins (US jazz guitarist) (on 1956-08-15)
piano:
Nat King Cole (on 1956-08-15)
trumpet:
Harry “Sweets” Edison (on 1956-08-15)
vocals:
Nat King Cole (on 1956-08-15)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-15)
recording of:
It’s Only a Paper Moon (on 1956-08-15)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
The Nat King Cole Trio3:08
15(Get Your Kicks on) Route 66
double bass:
Charlie Harris (jazz bassist) (on 1956-08-15)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-08-15)
guest trumpet:
Harry Edison (on 1956-08-15)
guitar:
John Collins (US jazz guitarist) (on 1956-08-15)
piano:
Nat King Cole (on 1956-08-15)
vocals:
Nat King Cole (on 1956-08-15)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-15)
cover recording of:
(Get Your Kicks on) Route 66 (on 1956-08-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
The Nat King Cole Trio3:44
16Don’t Let It Go to Your Head
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-14)
double bass:
Charlie Harris (jazz bassist) (on 1956-09-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-14)
guitar:
John Collins (US jazz guitarist) (on 1956-09-14)
piano:
Nat King Cole (on 1956-09-14)
vocals:
Nat King Cole (on 1956-09-14)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-14)
The Nat King Cole Trio3:13
17Just You, Just Me
double bass:
Charlie Harris (jazz bassist) (on 1956-09-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-14)
guest alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-14)
guitar:
John Collins (US jazz guitarist) (on 1956-09-14)
piano:
Nat King Cole (on 1956-09-14)
vocals:
Nat King Cole (on 1956-09-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09) and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-14)
cover recording of:
Just You, Just Me (on 1956-09-14)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
The Nat King Cole Trio3:03
18Blame It on My Youth
double bass:
Charlie Harris (jazz bassist) (on 1956-09-21)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-21)
guitar:
John Collins (US jazz guitarist) (on 1956-09-21)
piano:
Nat King Cole (on 1956-09-21)
valve trombone:
Juan Tizol (on 1956-09-21)
vocals:
Nat King Cole (on 1956-09-21)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-21)
recording of:
Blame It on My Youth (on 1956-09-21)
lyricist:
Edward Heyman
composer:
Oscar Levant
publisher:
Oscar Levant Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Nat King Cole Trio4:12
19Sometimes I’m Happy
double bass:
Charlie Harris (jazz bassist) (on 1956-09-24)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-24)
guitar:
John Collins (US jazz guitarist) (on 1956-09-24)
piano:
Nat King Cole (on 1956-09-24)
violin:
Stuff Smith (jazz violinist) (on 1956-09-24)
vocals:
Nat King Cole (on 1956-09-24)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-24)
recording of:
Sometimes I’m Happy (on 1956-09-24)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
The Nat King Cole Trio4:12
20I Know That You Know
double bass:
Charlie Harris (jazz bassist) (on 1956-09-24)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-24)
guitar:
John Collins (US jazz guitarist) (on 1956-09-24)
piano:
Nat King Cole (on 1956-09-24)
violin:
Stuff Smith (jazz violinist) (on 1956-09-24)
vocals:
Nat King Cole (on 1956-09-24)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-24)
recording of:
I Know That You Know (Caldwell & Youmans) (on 1956-09-24)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
The Nat King Cole Trio2:31
21(I Love You) For Sentimental Reasons
producer:
Lee Gillette
double bass:
Charlie Harris (jazz bassist) (on 1961-03-23)
guitar:
John Collins (US jazz guitarist) (on 1961-03-23)
piano:
Nat King Cole (on 1961-03-23)
vocals:
Nat King Cole (on 1961-03-23)
recorded at:
Capitol Studios (New York City) in New York, New York, United States
cover recording of:
(I Love You) for Sentimental Reasons (on 1961-03-23)
lyricist:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
The Nat King Cole Trio43:07
3▼CD: The Piano
#TitleArtistRatingLength
1Cole Capers
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-13)
guitar:
Oscar Moore (on 1947-08-13)
piano:
Nat King Cole (on 1947-08-13)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (on 1947-08-13)
recording of:
Cole Capers (on 1947-08-13)
composer:
Nat King Cole
publisher:
Chappell
The Nat King Cole Trio1:59
2Blues in My Shower
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-13)
guitar:
Oscar Moore (on 1947-08-13)
piano:
Nat King Cole (on 1947-08-13)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1947-08-13)
recording of:
Blues in My Shower (on 1947-08-13)
composer:
Nat King Cole
publisher:
Chappell
The Nat King Cole Trio2:52
3Three Little Words
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-13)
guitar:
Oscar Moore (on 1947-08-13)
piano:
Nat King Cole (on 1947-08-13)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1947-08-13)
instrumental recording of:
Three Little Words (on 1947-08-13)
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell and MPL Music Publishing Inc.
adaptations:
As três palavrinhas
The Nat King Cole Trio2:41
4How High the Moon
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-13)
guitar:
Oscar Moore (on 1947-08-13)
piano:
Nat King Cole (on 1947-08-13)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1947-08-13)
instrumental recording of:
How High the Moon (on 1947-08-13)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Nat King Cole Trio2:43
5Honeysuckle Rose
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-07-02)
guitar:
Oscar Moore (on 1947-07-02)
piano:
Nat King Cole (on 1947-07-02)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1947-07-02)
instrumental cover recording of:
Honeysuckle Rose (on 1947-07-02)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
The Nat King Cole Trio2:41
6Bop-Kick
bongos and congas:
Jack Costanzo (on 1949-03-22)
double bass:
Joe Comfort (on 1949-03-22)
guitar:
Irving Ashby (on 1949-03-22)
piano:
Nat King Cole (on 1949-03-22)
recorded at:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, United States (on 1949-03-22)
recording of:
Bop-Kick (on 1949-03-22)
composer:
Nat King Cole (in 1949)
The Nat King Cole Trio2:41
7Penthouse Serenade
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Penthouse Serenade (on 1952-07-18)
writer:
Val Burton (Isadore Harry Burns) and Will Jason
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Jerry Leiber Music, Range Road Music Inc. and Silver Seahorse Music LLC
The Nat King Cole Trio3:07
8Somebody Loves Me
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Somebody Loves Me (on 1952-07-18)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
The Nat King Cole Trio3:09
9Laura
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set) and membranophone:
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Laura (1945 song) (on 1952-07-18)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
The Nat King Cole Trio2:50
10Down by the Old Mill Stream
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Down by the Old Mill Stream (on 1952-07-18)
lyricist and composer:
“Tell” Taylor (Tin Pan Alley songwriter, 1876–1937) (in 1908)
The Nat King Cole Trio2:24
11If I Should Lose You
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental recording of:
If I Should Lose You (on 1952-07-18)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
The Nat King Cole Trio3:18
12Rose Room
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Rose Room (on 1952-07-18)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
The Nat King Cole Trio2:53
13My Heart Stood Still
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-07)
instrumental cover recording of:
My Heart Stood Still (on 1955-06-07)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
Nat King Cole1:43
14Imagination
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (US cellist, b. Aller) (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (US jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18), Eudice Shapiro (Violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
Imagination (on 1955-08-18)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
Nat King Cole3:29
15Takin’ a Chance on Love
piano:
Nat King Cole (on 1955-06-11)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-11)
conductor:
Nelson Riddle (on 1955-06-11)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-11)
instrumental cover recording of:
Taking a Chance on Love (on 1955-06-11)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
Nat King Cole2:06
16I See Your Face Before Me
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (US cellist, b. Aller) (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (US jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
I See Your Face Before Me (on 1955-08-18)
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
Nat King Cole2:36
17Just One of Those Things
alto saxophone:
Wilbur Schwartz (on 1955-08-27) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-27)
baritone saxophone:
Chuck Gentry (on 1955-08-27)
bass:
Charlie Harris (jazz bassist) (on 1955-08-27)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-27)
guitar:
John Collins (US jazz guitarist) (on 1955-08-27)
piano:
Nat King Cole (on 1955-08-27) and Bill Miller (pianist) (on 1955-08-27)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1955-08-27) and Buck Skalak (on 1955-08-27)
trombone:
Murray McEachern (on 1955-08-27) and Dick Noel (trombone) (on 1955-08-27)
trumpet:
Frank Beach (trombone, trumpet) (on 1955-08-27), Manny Klein (on 1955-08-27), Ray Linn (on 1955-08-27) and Vito N. Mangano (on 1955-08-27)
valve trombone:
Juan Tizol (on 1955-08-27)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-27)
conductor:
Nelson Riddle (on 1955-08-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-08-27)
instrumental cover recording of:
Just One of Those Things (on 1955-08-27)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Nat King Cole3:10
18Don’t Blame Me
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
Don’t Blame Me (on 1955-07-14)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
Nat King Cole3:04
19It Could Happen to You
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental recording of:
It Could Happen to You (on 1955-07-14)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nat King Cole2:49
20I Surrender Dear
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
I Surrender Dear (on 1955-07-14)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
The Nat King Cole Trio3:01
21Little Girl
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
Little Girl (1931 song) (on 1955-07-14)
writer:
Francis Henry (in 1931) and Madeline Hyde (in 1931)
The Nat King Cole Trio1:52
22Where or When
double bass:
Charlie Harris (jazz bassist) (on 1960-06-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1960-06-14)
guitar:
John Collins (US jazz guitarist) (on 1960-06-14)
piano:
Nat King Cole (on 1960-06-14)
conductor:
Anton Morelli (on 1960-06-14)
arranger:
Dave Cavanaugh
recorded at:
Sands Hotel and Casino in Paradise, Nevada, United States (on 1960-06-14)
live instrumental recording of:
Where or When (from “Babes in Arms”) (on 1960-06-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
Nat King Cole3:13
23The Man I Love
instrumental cover recording of:
The Man I Love (from 1946-03 until 1946-04)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
Nat King Cole4:53
24Body and Soul
edit of:
Body and Soul by Nat King Cole
Nat King Cole4:30