Spirit of Cool Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1I Walk the Line
cover recording of:
I Walk the Line
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Norah Jones & Joel Harrison5:01
2My Sweet Darling
Melody Gardot & Seth Kallen3:00
3High & Dry
cover recording of:
High and Dry
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
publisher:
Warner Chappell Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
50/50
Jamie Cullum4:51
4My Name Is Carnival
assistant engineer:
Michael Dahlvid
executive producer:
Jae Jin In
producer:
Lars Danielsson (Swedish jazz bassist, composer and producer) and Axel Matignon
mixer:
Lars Nilsson (engineer) (from 2010-05-03 until 2010-05-05)
lead vocals:
나윤선 (Youn Sun Nah) (from 2010-04-07 until 2010-04-09)
arranger:
Ulf Wakenius
phonographic copyright (℗) by:
ACT Music + Vision GmbH + Co. KG (in 2010) and HUB MUSIC (in 2010)
recorded at:
Nilento Studio in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (from 2010-04-07 until 2010-04-09)
cover recording of:
My Name Is Carnival
lyricist and composer:
Jackson C. Frank
publisher:
PIAS (for company credits using PIAS without brackets; do not use as release label!) (in 2025)
나윤선 (Youn Sun Nah)33:59
5Body and Soul
piano:
Diana Krall (in 1992-10)
vocals:
Diana Krall (in 1992-10)
cover recording of:
Body and Soul (in 1992-10)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Krall5:30
6Over the Rainbow
recorded at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Anne Ducros3:58
7Silenzio
Aldo Romano4:43
8State of Mind
Marcus Miller feat. Raul Midón3:23
9Why
Michel Petrucciani3:38
10As Lovely Lovers Do
Alex Pangman3:26
11Honeysuckle Rose
cover recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
Susie Arioli2:18
12Then We’ll Be Home
David Linx & Brussels Jazz Orchestra4:08
13Where Is My Mind
recording engineer:
Julien Bassères
piano:
Maxence Cyrin
piano arranger:
Maxence Cyrin
recorded at:
Studio de Meudon in Meudon, Hauts-de-Seine, Île-de-France, France
instrumental cover recording of:
Where Is My Mind?
lyricist and composer:
Black Francis (US singer, songwriter & guitarist)
publisher:
Rice and Beans Music (published Pixies songs), Songs of Universal, Inc. (BMI), Universal Music Publishing France (not for release label use!) and Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
Maxence Cyrin42:44
14Also on a Tuesday
Ayoe Angelica3:01
15Ain’t Got No / I Got Life
cover recording of:
Ain’t Got No, I Got Life
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
recording of:
Ain’t Got No, I Got Life
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
Kellylee Evans2:47
16Better Way
Lucy Dixon feat. Le Professeur Inlassable, Sébastien Gastine & Arnaud Biscay3:59
17Remembering
recording engineer and mixer:
Bernie Kirsh (from 2004-04-14 until 2004-04-20)
producer:
Avishai Cohen (Israeli jazz bassist)
bass [acoustic bass]:
Avishai Cohen (Israeli jazz bassist) (from 2004-04-14 until 2004-04-20)
piano:
Sam Barsh (from 2004-04-14 until 2004-04-20)
recorded at and mixed at:
BearTracks Studios in New York, United States (from 2004-04-14 until 2004-04-20)
recording of:
Remembering (from 2004-04-14 until 2004-04-20)
composer:
Avishai Cohen (Israeli jazz bassist)
Avishai Cohen5:15
18Two Girls
recording of:
Two Girls
composer:
Rémi Panossian
Rémi Panossian trio4:04
19You’re My Thrill
cover recording of:
You’re My Thrill
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Elisabeth Kontomanou3:27
20Get Away
Tok Tok Tok5:00
2CD
#TitleArtistRatingLength
1O caminho
programming:
Marius de Vries and Alexis Smith (producer, songwriter & programmer)
berimbau [galactic berimbau] and harmonica:
Carlinhos Brown
brushes, cymbal, shakers, talking drum and udu [moringa]:
Marcos Suzano
double bass:
Jorge Helder (Brazilian bass player)
piano:
Carlinhos Brown and João Donato
vocals:
Bebel Gilberto
Bebel Gilberto32:58
2Throw It Away
cover recording of:
Throw It Away
lyricist and composer:
Abbey Lincoln
publisher:
Moseka Music
Laïka Fatien3:47
3Heart Shaped Box
sound engineer:
Åke Linton (from 2010-06-10 until 2010-06-12)
assistant engineer:
Renaud Van Welden (French sound engineer) (from 2010-08-02 until 2010-08-06)
producer:
Christophe Deghelt and Yaron Herman (pianist)
mixer:
Philippe Gaillot (multi-instrumentalist, arranger, producer and sound engineer) (from 2010-08-02 until 2010-08-06)
recorded at:
FWL Studios Leipzig in Leipzig, Sachsen (Saxony), Germany (from 2010-06-10 until 2010-06-12)
mixed at:
Recall Studio in Pompignan, Gard, Occitanie (Occitania), France (from 2010-08-02 until 2010-08-06)
instrumental cover recording of:
Heart‐Shaped Box
lyricist and composer:
Kurt Cobain (lead singer and guitarist for Nirvana)
publisher:
EMI‐Virgin Songs, Inc. and The End of Music
recording of:
Heart‐Shaped Box
lyricist and composer:
Kurt Cobain (lead singer and guitarist for Nirvana)
publisher:
EMI‐Virgin Songs, Inc. and The End of Music
Yaron Herman4:36
4Here Comes the Rain Again
recording engineer:
Lars Nilsson (engineer) (from 2006-11-01 until 2006-11-21)
producer:
Nils Landgren (Swedish trombonist and singer)
mixer:
Lars Nilsson (engineer)
grand piano:
Jan Lundgren (Swedish jazz pianist and composer) (from 2006-11-01 until 2006-11-21)
vocals:
Ida Sand (from 2006-11-01 until 2006-11-21)
arranger:
Ida Sand
recorded at:
Nilento Studio in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (from 2006-11-01 until 2006-11-21)
mixed at:
Nilento Studio in Gothenburg, Västra Götaland (Västra Götaland county), Sweden
cover recording of:
Here Comes the Rain Again (from 2006-11-01 until 2006-11-21)
writer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Music Publishing Ltd. and D’n’A Ltd.
Ida Sand4:00
5Birds of a Feather
producer:
Renaud Letang and Mocky
mixer:
Renaud Letang
bass:
Mocky and Taylor Savvy
bell, drums (drum set), guitar, percussion, Rhodes piano, synthesizer and whistle:
Mocky
congas and shakers:
Taylor Savvy
electric piano:
Gonzales (Canadian musician Jason Charles Beck)
handclaps:
Gonzales (Canadian musician Jason Charles Beck) and Taylor Savvy
keyboard bass:
Chilly Gonzales (Canadian musician Jason Charles Beck)
background vocals:
Joel Gibb
vocals:
Mocky
recording of:
Birds of a Feather (Written by Mocky, covered by Vulfpeck)
composer:
Mocky
recording of:
Birds of a Feather
composer:
Mocky
Mocky4:21
6Hurry
Jessica Pilnäs feat. Johan Norberg & Dan Berglund3:56
7Is It a Crime
recording engineer:
Jan Ugand (from 2003-01 until 2003-04)
producer:
Nils Landgren (Swedish trombonist and singer)
mixer:
Jan Ugand
bass:
Lars Danielsson (Swedish jazz bassist, composer and producer) (from 2003-01 until 2003-04)
drums (drum set):
Wolfgang Haffner (from 2003-01 until 2003-04)
piano:
Roberto Di Gioia (jazz pianist) (from 2003-01 until 2003-04)
trombone:
Nils Landgren (Swedish trombonist and singer) (from 2003-01 until 2003-04)
vocals:
Rigmor Gustafsson (from 2003-01 until 2003-04)
phonographic copyright (℗) by:
ACT Music + Vision GmbH & Co. KG
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 2003-01 until 2003-04)
cover recording of:
Is It a Crime (from 2003-01 until 2003-04)
lyricist:
Sade Adu
composer:
Sade Adu, Andrew Hale (keyboardist/composer) and Stuart Matthewman
publisher:
Angel Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Rigmor Gustafsson4:11
8Killing Me Softly
cover recording of:
Killing Me Softly With His Song
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC and Fox-Gimbel Productions Inc. (in 1972)
Nils Landgren3:47
9Rikki Don’t Lose That Number
cover recording of:
Rikki Don’t Lose That Number
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group, Universal/MCA Music Ltd. (not for release label use!) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974)
Muriel Zoe4:05
10The End of the Line
recording engineer:
Christoph Beyerlein (from 2006-03 until 2006-04)
mixer:
Christoph Beyerlein (in 2006-05)
bass:
Marco Kühnl
drums (drum set):
Christoph Huber (drums, Germany)
guitar:
Torsten Goods
vocals:
Torsten Goods
performer:
The NBG Horns
recorded at:
Separate Sound Studios in Nürnberg (Nuremberg), Bayern (Bavaria), Germany (from 2006-03 until 2006-04)
mixed at:
Separate Sound Studios in Nürnberg (Nuremberg), Bayern (Bavaria), Germany (in 2006-05)
Torsten Goods3:57
11Women of Santiago
producer:
Lars Danielsson (Swedish jazz bassist, composer and producer) and Cæcilie Norby (Danish jazz and rock singer)
mixer:
Lars Nilsson (engineer)
vocals:
Cæcilie Norby (Danish jazz and rock singer)
mixed at:
Nilento Studio in Gothenburg, Västra Götaland (Västra Götaland county), Sweden
recording of:
Women of Santiago
lyricist:
Cæcilie Norby (Danish jazz and rock singer)
composer:
Lars Danielsson (Swedish jazz bassist, composer and producer)
Cæcilie Norby3:38
12It Never Entered My Mind
cover recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jessica Pilnäs3:39
13Faith, Trust and Pixiedust
Solveig Slettahjell & Slow Motion Orchestra3:10
14Absentee
Viktoria Tolstoy4:17
15I Love to See You Smile
cover recording of:
I Love to See You Smile
orchestrator:
Jack Hayes (American composer & orchestrator)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Twice as Nice Music
part of:
The 62nd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1989 nominee)
Matthieu Boré2:38
16Knockin’ on Heaven’s Door
cover recording of:
Knockin’ on Heaven’s Door
additional lyricist:
Bob Dylan (on 1975-03-23)
lyricist and composer:
Bob Dylan
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Ram’s Horn Music (in 1973)
Ben Sidran3:50
17Circle Song
Cécilia Bertolini3:38
18The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”) (from 2002-03-25 until 2002-03-30)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Clare Teal4:14
19Arabesque
Ahmad Jamal3:57
20Dans mon île
recording of:
Dans mon île
lyricist:
Maurice Pon (lyricist)
composer:
Henri Salvador
Sara Lazarus5:06
3CD
#TitleArtistRatingLength
1A Foggy Day in London Town
double bass:
Gene Ramey (on 1951-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-03-08)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-03-08)
tenor saxophone:
Lester Young (saxophonist) (on 1951-03-08)
instrumental recording of:
A Foggy Day (in London Town) (on 1951-03-08)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Lester Young2:52
2Don’t Explain
cover recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Helen Merrill5:15
3Blue Moon
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald3:12
4Caravan
producer:
Bob Shad
alto saxophone:
Anthony Ortega (jazz saxophonist) (from 1956-12-04 until 1956-12-06)
baritone saxophone:
Danny Bank (reeds) (from 1956-12-04 until 1956-12-06)
bass:
Milton Hinton (from 1956-12-04 until 1956-12-06)
bass trombone:
Tommy Mitchell (US jazz trombonist) (from 1956-12-04 until 1956-12-06)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (from 1956-12-04 until 1956-12-06)
guitar:
Barry Galbraith (from 1956-12-04 until 1956-12-06)
keyboard [piano, celesta]:
Sleepy Anderson (from 1956-12-04 until 1956-12-06)
reeds [tenor saxophone, clarinet]:
Jerome Richardson (from 1956-12-04 until 1956-12-06) and Lucky Thompson (from 1956-12-04 until 1956-12-06)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1956-12-04 until 1956-12-06), Urbie Green (from 1956-12-04 until 1956-12-06) and Quentin Jackson (from 1956-12-04 until 1956-12-06)
trumpet:
Ernie Royal (from 1956-12-04 until 1956-12-06), Charlie Shavers (from 1956-12-04 until 1956-12-06), Clark Terry (American swing trumpeter) (from 1956-12-04 until 1956-12-06) and Joe Wilder (from 1956-12-04 until 1956-12-06)
woodwind [alto saxophone, flute]:
Hal McKusick (from 1956-12-04 until 1956-12-06)
vocals:
Dinah Washington (from 1956-12-04 until 1956-12-06)
conductor:
Quincy Jones (from 1956-12-04 until 1956-12-06)
arranger:
Quincy Jones
cover recording of:
Caravan (from 1956-12-04 until 1956-12-06)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Quincy Jones & Dinah Washington2:40
5Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:55
6It’s All Right With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Jeri Southern4:46
7Fever
double bass [bass]:
Joe Mondragon (on 1958-05-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-05-19)
finger snaps:
Peggy Lee (jazz vocalist) (on 1958-05-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (on 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1958-05-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (on 1958-05-19)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.23:19
8Hallelujah I Love Her So
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (on 1955-11-30)
double bass [bass]:
Paul West (bass) (on 1955-11-30)
drums (drum set):
David "Panama" Francis (US swing jazz drummer) (on 1955-11-30)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1955-11-30)
solo tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1955-11-30)
trumpet:
Joe Bridgewater (on 1955-11-30) and Joshua "Jack" Willis (trumpet) (on 1955-11-30)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1955-11-30)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-11-30)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Hallelujah, I Love Her So (on 1955-11-30)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
Ray Charles3.352:34
9He Needs Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
lyricist and composer:
Arthur Hamilton
publisher:
Warner Chappell North America
Nina Simone52:28
10Hey There
vocals:
Sammy Davis Jr.
cover recording of:
Hey There (The Pajama Game)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
Sammy Davis Jr.2:47
11I’m a Fool to Want You
bass:
Milt Hinton (on 1958-02-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-20)
cello:
Maurice Brown (jazz cellist) (on 1958-02-20) and David Soyer (on 1958-02-20)
drums (drum set):
Osie Johnson (on 1958-02-20)
flute:
Danny Bank (reeds) (on 1958-02-20), Phil Bodner (Woodwind player) (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
guitar:
Barry Galbraith (on 1958-02-20)
harp:
Janet Putnam (harpist) (on 1958-02-20)
piano:
Mal Waldron (American jazz pianist) (on 1958-02-20)
solo trombone:
Urbie Green (on 1958-02-20)
trombone:
Jack Green (on 1958-02-20) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-20)
trumpet:
Billy Butterfield (on 1958-02-20), Mel Davis (US jazz trumpeter) (on 1958-02-20) and Bernie Glow (on 1958-02-20)
viola:
Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
violin:
Emmanual Green (on 1958-02-20), Harry Hoffman (violinist) (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (violinist) (on 1958-02-20)
background vocals:
Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
lead vocals:
Billie Holiday (on 1958-02-20)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-20)
cover recording of:
I’m a Fool to Want You (on 1958-02-20)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billie Holiday43:25
12Invisible Lady
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1961-11-06)
trombone:
Jimmy Knepper (trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
recording of:
Invisible Lady (instrumental) (on 1961-11-06)
composer:
Charles Mingus
Charles Mingus4:51
13It Takes Two to Tango
orchestra:
Don Redman and His Orchestra
recording of:
Takes Two to Tango
writer:
Al Hoffman (in 1952) and Dick Manning (American songwriter) (in 1952)
Pearl Bailey3:02
14It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole2:55
15Chicago
recorded in:
Hollywood, Los Angeles, California, United States (on 1957-08-13)
producer:
Dave Cavanaugh, Voyle Gilmore and Bill Miller (US producer at Capitol Records)
cello:
Cy Bernard, Armand Kaproff and Edgar Lustgarten
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Skeets Herfurt, Harry Klee, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) and Champ Webb
trombone:
Russell Brown (Swing trombonist), Pullman “Tommy” Pederson and Jimmy Priddy
trumpet:
Pete Candoli, Harry “Sweets” Edison, Conrad Gozzo and George Seaberg
valve trombone:
Juan Tizol
viola:
Maxine Johnson and Barbara Simons
violin:
Victor Bay, Alex Beller, Harry Bluestone, Jacques Gasselin, Dan Lube, Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Erno Neufeld, Mischa Russell (violinist) and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-08-13)
orchestra:
The Nelson Riddle Orchestra (on 1957-08-13)
conductor:
Nelson Riddle (on 1957-08-13)
arranger:
Nelson Riddle
recording of:
Chicago (That Toddlin’ Town) (on 1957-08-13)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
Frank Sinatra32:12
16Just a Gigolo
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19) and Lou Sineaux (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (on 1956-04-19)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
Louis Prima44:43
17My Funny Valentine
bass:
Jimmy Bond
celesta:
Russ Freeman (pianist)
double bass:
Carson Smith (on 1954-02-15)
drums (drum set):
Peter Littman, Lawrence Marable and Bob Neel (on 1954-02-15)
piano:
Russ Freeman (pianist) (on 1954-02-15)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (on 1954-02-15)
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:19
18My Heart Belongs to Daddy
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental cover recording of:
My Heart Belongs to Daddy (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. and Chappell Music Ltd.
Charlie Parker3:21
19Naïma
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Naima (original instrumental version) (on 1959-12-02)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
John Coltrane44:22
20New Blowtop Blues
recorded in:
New York, New York, United States (on 1951-09-24)
drums (drum set):
Gus Johnson (drums) (on 1951-09-24)
piano:
Wynton Kelly (on 1951-09-24)
tenor saxophone:
Paul Quinichette (on 1951-09-24)
vocals:
Dinah Washington (on 1951-09-24)
orchestra:
Nook Shrier and his Orchestra (on 1951-09-24)
recording of:
New Blowtop Blues (on 1951-09-24)
writer:
Jane Feather and Leonard Feather
cover recording of:
New Blowtop Blues
writer:
Jane Feather and Leonard Feather
Dinah Washington2:36
4CD
#TitleArtistRatingLength
1Nuages
double bass:
Pierre Michelot (in 1953-03)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (in 1953-03)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1953-03)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1953-03)
recording of:
Nuages (instrumental) (in 1953-03)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
recording of:
Nuages (with lyrics)
lyricist:
Jacques Larue (French lyricist)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
Colgems-EMI Music Inc.
version of:
Nuages (instrumental)
Django Reinhardt33:17
2Petite Fleur
recording of:
Petite Fleur (original instrumental)
composer:
Sidney Bechet
Sidney Bechet3:19
3’Round Midnight
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:11
4Sing Sing Sing
vocals:
The Andrews Sisters
cover recording of:
Sing, Sing, Sing (With a Swing)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
The Andrews Sisters2:37
5So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, volume I)
Miles Davis4.29:23
6St. Louis Blues
Gil Evans4:51
7Summertime
vocals:
Sarah Vaughan (on 1949-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1949-12-21)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:17
8Sway
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (on 1954-04-22)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Dean Martin42:43
9Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, volume I)
Dave Brubeck4.355:24
10Take the “A” Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington2:52
11The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Oscar Peterson2:54
12Them There Eyes
alto saxophone:
George Dorsey (on 1949-08-29) and Johnny Mince (on 1949-08-29)
double bass:
George Duvivier (on 1949-08-29)
drums (drum set):
Cozy Cole (on 1949-08-29)
guitar:
Everett Barksdale (on 1949-08-29)
piano:
Horace Henderson (on 1949-08-29)
reeds:
Eddie Barefield (on 1949-08-29)
tenor saxophone:
Budd Johnson (on 1949-08-29) and Freddie Williams (on 1949-08-29)
trombone:
Mort Bullman (on 1949-08-29) and Henderson Chambers (on 1949-08-29)
trumpet:
Tony Faso (on 1949-08-29), Bernie Privin (on 1949-08-29) and Dick Vance (US jazz trumpeter and arranger) (on 1949-08-29)
vocals:
Billie Holiday (on 1949-08-29)
conductor:
Sy Oliver (on 1949-08-29)
arranger:
Sy Oliver (on 1949-08-29)
recording of:
Them There Eyes (on 1949-08-29)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
Billie Holiday42:50
13Tom’s Thumb
Kenny Burrell4:37
14What’s My Name?
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1958-07-10)
drums (drum set):
Charles “Specs” Wright (on 1958-07-10)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1958-07-10)
recorded at:
Beltone Studios in New York, New York, United States (on 1958-07-10)
cover recording of:
What’s My Name (on 1958-07-10)
writer:
David Saxon and Robert Wells (songwriter)
Sonny Rollins3:50
15When You’re Smiling
cover recording of:
When You’re Smiling (the Whole World Smiles With You)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Louis Armstrong4:03
16Yesterdays
cover recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Carmen McRae2:35
17You Make Me Feel So Young
recording of:
You Make Me Feel So Young
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
E bi eit barn med deg
Rosemary Clooney2:53
18Mack the Knife
producer:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (number: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:08
19The Way You Look Tonight
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Teddy Wilson3:05
20Louisiana
cover recording of:
Louisiana (on 1940-03-19)
lyricist:
Andy Razaf and Bob Schafer
composer:
J.C. Johnson
Count Basie2:27

Credits

Release

ASIN:FR: B008RA3LXS [info]