Spirit of Cool Jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1A Foggy Day in London Town
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1951-03-08)
Kontrabass:
Gene Ramey (am 1951-03-08)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1951-03-08)
Tenorsaxophon:
Lester Young (saxophonist) (am 1951-03-08)
instrumental recording of:
A Foggy Day (in London Town) (am 1951-03-08)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Lester Young2:52
2Don’t Explain
cover recording of:
Don’t Explain
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Helen Merrill5:15
3Blue Moon
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald3:12
4Caravan
Produzent(in):
Bob Shad
alto saxophone:
Anthony Ortega (jazz saxophonist) (von 1956-12-04 bis 1956-12-06)
baritone saxophone:
Danny Bank (reeds) (von 1956-12-04 bis 1956-12-06)
Bass:
Milton Hinton (von 1956-12-04 bis 1956-12-06)
Bassposaune:
Tommy Mitchell (US jazz trombonist) (von 1956-12-04 bis 1956-12-06)
Gitarre:
Barry Galbraith (von 1956-12-04 bis 1956-12-06)
Holzblasinstrumente [alto saxophone, flute]:
Hal McKusick (von 1956-12-04 bis 1956-12-06)
Keyboard [piano, celesta]:
Sleepy Anderson (von 1956-12-04 bis 1956-12-06)
Posaune:
Jimmy Cleveland (US jazz trombonist) (von 1956-12-04 bis 1956-12-06), Urbie Green (von 1956-12-04 bis 1956-12-06) und Quentin Jackson (von 1956-12-04 bis 1956-12-06)
Rohrblattinstrumente [tenor saxophone, clarinet]:
Jerome Richardson (von 1956-12-04 bis 1956-12-06) und Lucky Thompson (von 1956-12-04 bis 1956-12-06)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (von 1956-12-04 bis 1956-12-06)
Trompete:
Ernie Royal (von 1956-12-04 bis 1956-12-06), Charlie Shavers (von 1956-12-04 bis 1956-12-06), Clark Terry (American swing trumpeter) (von 1956-12-04 bis 1956-12-06) und Joe Wilder (von 1956-12-04 bis 1956-12-06)
vocals:
Dinah Washington (von 1956-12-04 bis 1956-12-06)
conductor:
Quincy Jones (von 1956-12-04 bis 1956-12-06)
arranger:
Quincy Jones
cover recording of:
Caravan (von 1956-12-04 bis 1956-12-06)
Texter:
Irving Mills (in 1937)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) und Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
Quincy Jones & Dinah Washington2:40
5Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:55
6It’s All Right With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Jeri Southern4:46
7Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:19
8Hallelujah I Love Her So
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (am 1955-11-30)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1955-11-30)
Kontrabass [bass]:
Paul West (bass) (am 1955-11-30)
Schlagzeug:
David "Panama" Francis (US swing jazz drummer) (am 1955-11-30)
Solo-Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1955-11-30)
Trompete:
Joe Bridgewater (am 1955-11-30) und Joshua "Jack" Willis (trumpet) (am 1955-11-30)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1955-11-30)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-11-30)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Hallelujah, I Love Her So (am 1955-11-30)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music und Unichappell Music, Inc.
Ray Charles3.352:34
9He Needs Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Warner Chappell North America
Nina Simone52:28
10Hey There
vocals:
Sammy Davis Jr.
cover recording of:
Hey There (The Pajama Game)
Texter und Komponist(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (von 1954 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
Teil von:
The Pajama Game (musical)
Sammy Davis Jr.2:47
11I’m a Fool to Want You
Bass:
Milt Hinton (am 1958-02-20)
Bassposaune:
Tom Mitchell (US jazz trombonist) (am 1958-02-20)
Bratsche / Viola:
Sidney Brecher (am 1958-02-20) und Richard Dickler (am 1958-02-20)
Cello:
Maurice Brown (jazz cellist) (am 1958-02-20) und David Soyer (am 1958-02-20)
flute:
Danny Bank (reeds) (am 1958-02-20), Phil Bodner (Woodwind player) (am 1958-02-20), Thomas Parshley (am 1958-02-20) und Romeo Penque (am 1958-02-20)
Geige / Violine:
Emmanual Green (am 1958-02-20), Harry Hoffman (violinist) (am 1958-02-20), Harry Katzman (am 1958-02-20), Leo Kruczek (am 1958-02-20), Milton Lomask (am 1958-02-20), Harry Melnikoff (am 1958-02-20), George Ockner (am 1958-02-20) und Sam Rand (violinist) (am 1958-02-20)
Gitarre:
Barry Galbraith (am 1958-02-20)
Harfe:
Janet Putnam (harpist) (am 1958-02-20)
Klavier:
Mal Waldron (American jazz pianist) (am 1958-02-20)
Posaune:
Jack Green (am 1958-02-20) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1958-02-20)
Schlagzeug:
Osie Johnson (am 1958-02-20)
Solo-Posaune:
Urbie Green (am 1958-02-20)
Trompete:
Billy Butterfield (am 1958-02-20), Mel Davis (US jazz trumpeter) (am 1958-02-20) und Bernie Glow (am 1958-02-20)
Hintergrundgesang:
Elise Bretton (am 1958-02-20) und Miriam Workman (am 1958-02-20)
Sologesang:
Billie Holiday (am 1958-02-20)
Orchester:
Ray Ellis and His Orchestra (am 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1958-02-20)
cover recording of:
I’m a Fool to Want You (am 1958-02-20)
Verfasser(in):
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) und Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billie Holiday43:25
12Invisible Lady
recorded in:
New York, New York, Vereinigte Staaten (am 1961-11-06)
Holzblasinstrumente:
Roland Kirk (am 1961-11-06)
Klavier:
Charles Mingus (am 1961-11-06)
Kontrabass [bass]:
Doug Watkins (am 1961-11-06)
Posaune:
Jimmy Knepper (trombonist) (am 1961-11-06)
Schlagzeug:
Dannie Richmond (drummer) (am 1961-11-06)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1961-11-06)
recording of:
Invisible Lady (instrumental) (am 1961-11-06)
Komponist(in):
Charles Mingus
Charles Mingus4:51
13It Takes Two to Tango
Orchester:
Don Redman and His Orchestra
recording of:
Takes Two to Tango
Verfasser(in):
Al Hoffman (in 1952) und Dick Manning (American songwriter) (in 1952)
Pearl Bailey3:02
14It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole2:55
15Chicago
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Produzent(in):
Dave Cavanaugh, Voyle Gilmore und Bill Miller (US producer at Capitol Records)
Bratsche / Viola:
Maxine Johnson und Barbara Simons
Cello:
Cy Bernard, Armand Kaproff und Edgar Lustgarten
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Jacques Gasselin, Dan Lube, Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Erno Neufeld, Mischa Russell (violinist) und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Skeets Herfurt, Harry Klee, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Russell Brown (Swing trombonist), Pullman “Tommy” Pederson und Jimmy Priddy
Schlagzeug:
Alvin Stoller
Trompete:
Pete Candoli, Harry “Sweets” Edison, Conrad Gozzo und George Seaberg
Ventilposaune:
Juan Tizol
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-08-13)
Orchester:
The Nelson Riddle Orchestra (am 1957-08-13)
conductor:
Nelson Riddle (am 1957-08-13)
arranger:
Nelson Riddle
recording of:
Chicago (That Toddlin’ Town) (am 1957-08-13)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
Frank Sinatra32:12
16Just a Gigolo
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19) und Lou Sineaux (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (am 1956-04-19)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
Louis Prima44:43
17My Funny Valentine
Bass:
Jimmy Bond
Celesta:
Russ Freeman (pianist)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Peter Littman, Lawrence Marable und Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
recording of:
My Funny Valentine (from “Babes in Arms”) (am 1954-02-15)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker2:19
18My Heart Belongs to Daddy
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1954-03-31)
Gitarre:
Jerome Darr (am 1954-03-31)
Klavier:
Walter Bishop (American jazz pianist) (am 1954-03-31)
Kontrabass:
Teddy Kotick (am 1954-03-31)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-03-31)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1954-03-31)
instrumental cover recording of:
My Heart Belongs to Daddy (am 1954-03-31)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Charlie Parker3:21
19Naïma
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Naima (original instrumental version) (am 1959-12-02)
Komponist(in):
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
John Coltrane44:22
20New Blowtop Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1951-09-24)
Klavier:
Wynton Kelly (am 1951-09-24)
Schlagzeug:
Gus Johnson (drums) (am 1951-09-24)
Tenorsaxophon:
Paul Quinichette (am 1951-09-24)
vocals:
Dinah Washington (am 1951-09-24)
Orchester:
Nook Shrier and his Orchestra (am 1951-09-24)
recording of:
New Blowtop Blues (am 1951-09-24)
Verfasser(in):
Jane Feather und Leonard Feather
cover recording of:
New Blowtop Blues
Verfasser(in):
Jane Feather und Leonard Feather
Dinah Washington2:36
4▶CD

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Veröffentlichung

ASIN:FR: B008RA3LXS [Info]