Original Album Classics

~ Release by Starship (see all versions of this release, 1 available)

Tracklist

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1▼CD: Knee Deep in the Hoopla
#TitleRatingLength
1We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.94:57
2Sara
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Sara (in 1985)
writer:
Ina Wolf and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Songs, Inc., Careers–BMG Music Publishing, Inc., Kikiko Music and Petwolf Music
4.44:52
3Tomorrow Doesn’t Matter Tonight
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
additional background vocals:
Peter Beckett (lead singer of Player), J.C. Crowley, Siedah Garrett and Ina Wolf
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Tomorrow Doesn’t Matter Tonight
writer:
Steven Cristol and Robin Randall (songwriter)
publisher:
Trademarc Music, Inc. (ASCAP-affiliated)
3.53:43
4Rock Myself to Sleep
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
additional vocals:
Kevin DuBrow
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
cover recording of:
Rock Myself to Sleep
writer:
Vince de la Cruz and Kimberley Rew
publisher:
Screen Gems–EMI Music Ltd.
2.653:28
5Desperate Heart
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
additional background vocals:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
cover recording of:
Desperate Heart
writer:
Michael Bolton and Randy Goodrum
publisher:
EMI Blackwood Music Inc., Is Hot Music Ltd., Round Hill Songs / Randy Goodrum Music, April Music Inc. (from 1984 to ????), Emboe Music, Inc. (from 1984 to ????) and Random Notes (publisher) (from 1984 to ????)
34:06
6Private Room
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Private Room
writer:
Craig Chaquico and Mickey Thomas (of Jefferson Starship)
publisher:
Lunatunes
34:52
7Before I Go
recording of:
Before I Go
lyricist and composer:
David Roberts (Canadian singer‐songwriter)
publisher:
Canadiana Music, David Roberts Music and Unichappell Music, Inc.
45:16
8Hearts of the World (Will Understand)
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Hearts of the World (Will Understand)
writer:
Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton) and Arthur Stead
publisher:
Jobete Music Co., Inc.
3.54:25
9Love Rusts
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
additional background vocals:
Peter Beckett (lead singer of Player), Simon Climie, J.C. Crowley, Siedah Garrett, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist), Lorraine Devon, Martin Page, Chris Sutton (80s artist), Oren Waters and Ina Wolf
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Love Rusts
writer:
Martin Page and Bernie Taupin
publisher:
Intersong Music, Little Mole Music, Zomba Enterprises (ASCAP-affiliated) and Zomba Music Pub. Ltd.
34:57
2▼CD: No Protection
#TitleRatingLength
1Beat Patrol
recording of:
Beat Patrol
writer:
Johnny Warman
34:27
2Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
3.754:30
3It’s Not Over (’til It’s Over)
recording of:
It’s Not Over (’til It’s Over)
writer:
Phil Galdston, Robbie Nevil and John Van Tongeren
44:19
4Girls Like You
recording of:
Girls Like You
writer:
Craig Chaquico, Steve Diamond (songwriter, musician and producer) and Mickey Thomas (of Jefferson Starship)
44:17
5Wings of a Lie
recording of:
Wings of a Lie
writer:
Ina Wolf and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
45:01
6The Children
recording of:
The Children
writer:
Clif Magness and Martin Page
35:43
7I Don’t Know Why
recording of:
I Don't Know Why
writer:
Michael Luna, Jeff Pennig (songwriter) and Grace Slick
44:09
8Transatlantic
recording of:
Transatlantic
writer:
Anton Fig and Phil Galdston
34:19
9Say When
recording of:
Say When
writer:
David Roberts (Canadian singer‐songwriter)
44:25
10Babylon
recording of:
Babylon
writer:
Tommy Funderburk, Grace Slick and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
44:39
11Set the Night to Music
recording of:
Set the Night to Music
writer:
Diane Warren (US songwriter)
44:45
3▼CD: Love Among the Cannibals
#TitleRatingLength
1The Burn
engineer, producer and mixer:
Mike Shipley (audio engineer, mixer, producer)
additional guitar [rhythm guitar]:
Mike Landau
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics]:
Peter Woodruffe
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
additional background vocals:
Tommy Funderburk
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
arranger:
Larry Klein
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States, Studio 55 in Los Angeles, California, United States and The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
recording of:
The Burn
writer:
Martin Page and Bernie Taupin
publisher:
Little Mole Music (in 1989) and Martin Page Music (in 1989)
44:26
2It’s Not Enough
synthesizer [Fairlight] programming:
Larry Klein
engineer and mixer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Larry Klein and Mike Shipley (audio engineer, mixer, producer)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
additional background vocals:
Tommy Funderburk
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
arranger:
Larry Klein
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States and The Kiva (Joni Mitchell's studio) in Bel Air, Los Angeles, California, United States
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
It’s Not Enough
writer:
Tommy Funderburk and Martin Page
publisher:
DJO Publishing (in 1989), Emotional Rex Music (in 1989) and Martin Page Music (in 1989)
44:50
3Trouble in Mind
assistant engineer:
Tom Sadzeck, Michael Semanick and Mark Slagle
engineer and mixer:
Tom Lord‐Alge
producer:
Tom Lord‐Alge and Starship (continuation of Jefferson Starship)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics]:
Collyer Spreen
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Trouble in Mind
writer:
Joel Feeney, Rachel Oldfield and Tim Thorney
publisher:
E.E.G. Music (publisher) (in 1989), E.E.G. Songs (in 1989), Geffen Again Music (in 1989) and Geffen Music (in 1989)
34:35
4I Didn’t Mean to Stay All Night
synthesizer [Fairlight] programming:
Larry Klein
engineer and mixer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Larry Klein and Mike Shipley (audio engineer, mixer, producer)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin, Brett Bloomfield, Tommy Funderburk and Robert John “Mutt” Lange (Robert John Lange)
vocals:
Mickey Thomas (of Jefferson Starship)
arranger:
Robert John “Mutt” Lange (Robert John Lange)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Maison Rouge in London (Greater London), England, United Kingdom and The Kiva (Joni Mitchell's studio) in Bel Air, Los Angeles, California, United States
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
recording of:
I Didn’t Mean to Stay All Night
lyricist and composer:
Robert John “Mutt” Lange (Robert John Lange)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1989)
34:50
5Send a Message
engineer and mixer:
Tom Lord‐Alge
producer:
Tom Lord‐Alge and Starship (continuation of Jefferson Starship)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics]:
Collyer Spreen
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States and Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
Different Fur in San Francisco, California, United States
recording of:
Send a Message
writer:
Steve Diamond (songwriter, musician and producer), Mark Morgan (score composer) and Mickey Thomas (of Jefferson Starship)
publisher:
Jobete Music Co., Inc. (in 1989) and Z-Dog Music (publisher) (in 1989)
44:50
6Wild Again (Special New re‐mix)
recording of:
Wild Again
writer:
John Bettis and Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music (in 1988), John Bettis Music (in 1988), Walt Disney Music Co. (in 1988) and Wonderland Music Co., Inc. (a division of Disney Music Publishing) (in 1988)
4:44
7Love Among the Cannibals
additional engineer:
Rob Beaton
engineer:
Arne Frager
co-producer:
Arne Frager
producer:
Starship (continuation of Jefferson Starship)
mixer:
Paul Lani
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics], synclavier and trumpet:
Greg Shaw (synclavier / trumpet)
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Larrabee Sound (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
recording of:
Love Among the Cannibals
writer:
John Michael Thomas (of Jefferson Starship) and Mark S. Morgan (score composer)
publisher:
Koto West Music (publisher) (in 1989) and Z-Dog Music (publisher) (in 1989)
33:44
8We Dream in Color
additional engineer:
Rob Beaton
engineer:
Arne Frager
co-producer:
Arne Frager
producer:
Starship (continuation of Jefferson Starship)
mixer:
Paul Lani
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
synclavier:
Greg Shaw (synclavier / trumpet)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Larrabee Sound (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
recording of:
Dream Sequence
composer:
Mark Morgan (score composer)
recording of:
We Dream in Color
writer:
Phil Galdston, Mark Morgan (score composer) and Mickey Thomas (of Jefferson Starship)
publisher:
Kazzoom Music Inc. (in 1989), Koto West Music (publisher) (in 1989) and Z-Dog Music (publisher) (in 1989)
46:27
9Healing Waters
assistant engineer:
Tom Sadzeck, Michael Semanick and Mark Slagle
engineer and mixer:
Tom Lord‐Alge
producer:
Tom Lord‐Alge and Starship (continuation of Jefferson Starship)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics]:
Collyer Spreen
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Different Fur in San Francisco, California, United States
recording of:
Healing Waters
lyricist and composer:
Martin Page
publisher:
Martin Page Music (in 1989)
34:58
10Blaze of Love
assistant engineer:
Tom Sadzeck, Michael Semanick and Mark Slagle
engineer and mixer:
Tom Lord‐Alge
producer:
Tom Lord‐Alge and Starship (continuation of Jefferson Starship)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics]:
Collyer Spreen
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Different Fur in San Francisco, California, United States
recording of:
Blaze of Love
writer:
Phil Galdston, Chris Thompson (vocalist with Manfred Mann’s Earth Band) and John Van Tongeren
publisher:
Almo/Irving Music Corp. (founded in 1962 by Herb Alpert and Jerry Moss as the original domestic publishing arm of their newly-formed A&M Records) (in 1989), Kazzoom Music Inc. (in 1989) and Tongerland Music Inc. (publisher) (in 1989)
34:36
11I’ll Be There
assistant engineer:
Michael Semanick and Mark Slagle
engineer and mixer:
Tom Lord‐Alge
producer:
Tom Lord‐Alge and Starship (continuation of Jefferson Starship)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States and Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
I’ll Be There
writer:
Craig Chaquico, Steve Diamond (songwriter, musician and producer) and Mickey Thomas (of Jefferson Starship)
publisher:
Diamond Street Music (in 1989), Jobete Music Co., Inc. (in 1989), Lunatunes (in 1989) and Z-Dog Music (publisher) (in 1989)
45:33