Original Album Classics

~ Release by Starship (see all versions of this release, 1 available)

Tracklist

1CD: Knee Deep in the Hoopla
2CD: No Protection
3CD: Love Among the Cannibals
#TitleRatingLength
1The Burn
engineer, producer and mixer:
Mike Shipley (audio engineer, mixer, producer)
additional guitar [rhythm guitar]:
Mike Landau
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics]:
Peter Woodruffe
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
additional background vocals:
Tommy Funderburk
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
arranger:
Larry Klein
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States, Studio 55 in Los Angeles, California, United States and The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
recording of:
The Burn
writer:
Martin Page and Bernie Taupin
publisher:
Little Mole Music (in 1989) and Martin Page Music (in 1989)
44:26
2It’s Not Enough
synthesizer [Fairlight] programming:
Larry Klein
engineer and mixer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Larry Klein and Mike Shipley (audio engineer, mixer, producer)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
additional background vocals:
Tommy Funderburk
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
arranger:
Larry Klein
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States and The Kiva (Joni Mitchell's studio) in Bel Air, Los Angeles, California, United States
mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
recording of:
It’s Not Enough
writer:
Tommy Funderburk and Martin Page
publisher:
DJO Publishing (in 1989), Emotional Rex Music (in 1989) and Martin Page Music (in 1989)
44:50
3Trouble in Mind
assistant engineer:
Tom Sadzeck, Michael Semanick and Mark Slagle
engineer and mixer:
Tom Lord‐Alge
producer:
Tom Lord‐Alge and Starship (continuation of Jefferson Starship)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics]:
Collyer Spreen
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Trouble in Mind
writer:
Joel Feeney, Rachel Oldfield and Tim Thorney
publisher:
E.E.G. Music (publisher) (in 1989), E.E.G. Songs (in 1989), Geffen Again Music (in 1989) and Geffen Music (in 1989)
34:35
4I Didn’t Mean to Stay All Night
synthesizer [Fairlight] programming:
Larry Klein
engineer and mixer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Larry Klein and Mike Shipley (audio engineer, mixer, producer)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin, Brett Bloomfield, Tommy Funderburk and Robert John “Mutt” Lange (Robert John Lange)
vocals:
Mickey Thomas (of Jefferson Starship)
arranger:
Robert John “Mutt” Lange (Robert John Lange)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Maison Rouge in London (Greater London), England, United Kingdom and The Kiva (Joni Mitchell's studio) in Bel Air, Los Angeles, California, United States
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
recording of:
I Didn’t Mean to Stay All Night
lyricist and composer:
Robert John “Mutt” Lange (Robert John Lange)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1989)
34:50
5Send a Message
engineer and mixer:
Tom Lord‐Alge
producer:
Tom Lord‐Alge and Starship (continuation of Jefferson Starship)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics]:
Collyer Spreen
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States and Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
Different Fur in San Francisco, California, United States
recording of:
Send a Message
writer:
Steve Diamond (songwriter, musician and producer), Mark Morgan (score composer) and Mickey Thomas (of Jefferson Starship)
publisher:
Jobete Music Co., Inc. (in 1989) and Z-Dog Music (publisher) (in 1989)
44:50
6Wild Again (Special New re‐mix)
recording of:
Wild Again
writer:
John Bettis and Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music (in 1988), John Bettis Music (in 1988), Walt Disney Music Co. (in 1988) and Wonderland Music Co., Inc. (a division of Disney Music Publishing) (in 1988)
4:44
7Love Among the Cannibals
additional engineer:
Rob Beaton
engineer:
Arne Frager
co-producer:
Arne Frager
producer:
Starship (continuation of Jefferson Starship)
mixer:
Paul Lani
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics], synclavier and trumpet:
Greg Shaw (synclavier / trumpet)
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Larrabee Sound (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
recording of:
Love Among the Cannibals
writer:
John Michael Thomas (of Jefferson Starship) and Mark S. Morgan (score composer)
publisher:
Koto West Music (publisher) (in 1989) and Z-Dog Music (publisher) (in 1989)
33:44
8We Dream in Color
additional engineer:
Rob Beaton
engineer:
Arne Frager
co-producer:
Arne Frager
producer:
Starship (continuation of Jefferson Starship)
mixer:
Paul Lani
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
synclavier:
Greg Shaw (synclavier / trumpet)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Larrabee Sound (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
recording of:
Dream Sequence
composer:
Mark Morgan (score composer)
recording of:
We Dream in Color
writer:
Phil Galdston, Mark Morgan (score composer) and Mickey Thomas (of Jefferson Starship)
publisher:
Kazzoom Music Inc. (in 1989), Koto West Music (publisher) (in 1989) and Z-Dog Music (publisher) (in 1989)
46:27
9Healing Waters
assistant engineer:
Tom Sadzeck, Michael Semanick and Mark Slagle
engineer and mixer:
Tom Lord‐Alge
producer:
Tom Lord‐Alge and Starship (continuation of Jefferson Starship)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics]:
Collyer Spreen
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Different Fur in San Francisco, California, United States
recording of:
Healing Waters
lyricist and composer:
Martin Page
publisher:
Martin Page Music (in 1989)
34:58
10Blaze of Love
assistant engineer:
Tom Sadzeck, Michael Semanick and Mark Slagle
engineer and mixer:
Tom Lord‐Alge
producer:
Tom Lord‐Alge and Starship (continuation of Jefferson Starship)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
electronic instruments [electronics]:
Collyer Spreen
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and The Plant Recording Studios (1981–2008) in Sausalito, California, United States
mixed at:
Different Fur in San Francisco, California, United States
recording of:
Blaze of Love
writer:
Phil Galdston, Chris Thompson (vocalist with Manfred Mann’s Earth Band) and John Van Tongeren
publisher:
Almo/Irving Music Corp. (founded in 1962 by Herb Alpert and Jerry Moss as the original domestic publishing arm of their newly-formed A&M Records) (in 1989), Kazzoom Music Inc. (in 1989) and Tongerland Music Inc. (publisher) (in 1989)
34:36
11I’ll Be There
assistant engineer:
Michael Semanick and Mark Slagle
engineer and mixer:
Tom Lord‐Alge
producer:
Tom Lord‐Alge and Starship (continuation of Jefferson Starship)
bass guitar:
Brett Bloomfield
drums (drum set):
Donny Baldwin
guitar:
Craig Chaquico
keyboard:
Mark Morgan (score composer)
background vocals:
Donny Baldwin and Brett Bloomfield
vocals:
Mickey Thomas (of Jefferson Starship)
phonographic copyright (℗) by:
BMG Music (in 1989)
recorded at:
Different Fur in San Francisco, California, United States and Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
I’ll Be There
writer:
Craig Chaquico, Steve Diamond (songwriter, musician and producer) and Mickey Thomas (of Jefferson Starship)
publisher:
Diamond Street Music (in 1989), Jobete Music Co., Inc. (in 1989), Lunatunes (in 1989) and Z-Dog Music (publisher) (in 1989)
45:33