Tracklist

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1CD
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1Der Rosenkavalier, Op. 59: Aufzug I. Einleitung
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (The Rose-knight, Act 1: Introduction) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:37
2Der Rosenkavalier, Op. 59: Aufzug I. "Wie du warst! Wie du bist!" (Octavian, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:05
3Der Rosenkavalier, Op. 59: Aufzug I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:49
4Der Rosenkavalier, Op. 59: Aufzug I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:08
5Der Rosenkavalier, Op. 59: Aufzug I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
tenor vocals [Der Haushofmeister bei der Feldmarschallin]:
Ferry Gruber (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:53
6Der Rosenkavalier, Op. 59: Aufzug I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
tenor vocals [Der Haushofmeister bei der Feldmarschallin]:
Ferry Gruber (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss8:32
7Der Rosenkavalier, Op. 59: Aufzug I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss0:56
8Der Rosenkavalier, Op. 59: Aufzug I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:45
9Der Rosenkavalier, Op. 59: Aufzug I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:42
10Der Rosenkavalier, Op. 59: Aufzug I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:23
11Der Rosenkavalier, Op. 59: Aufzug I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:27
12Der Rosenkavalier, Op. 59: Aufzug I. "Die swarze Seitung!" (Valzacchi, Marschallin, Octavian, Die drei Waisen)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
tenor vocals [Valzacchi]:
Graham Clark (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:41
13Der Rosenkavalier, Op. 59: Aufzug I. "Di rigori armato il seno" (Ein Sänger)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
tenor vocals [Ein Sänger]:
Richard Leech (operatic tenor) (in 1990-08)
tenor vocals [Ein Wirt]:
Heinz Zednik (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:08
14Der Rosenkavalier, Op. 59: Aufzug I. "Als Morgengabe ganz separatim jedoch" (Baron, Notar)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
bass vocals [Ein Notar]:
Alfred Šramek (bass-baritone) (in 1990-08)
tenor vocals [Der Haushofmeister bei der Feldmarschallin]:
Ferry Gruber (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:04
15Der Rosenkavalier, Op. 59: Aufzug I. "Ma si caro è I mio tormento" (Ein Sänger, Notar, Baron)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
bass vocals [Ein Notar]:
Alfred Šramek (bass-baritone) (in 1990-08)
tenor vocals [Der Haushofmeister bei der Feldmarschallin]:
Ferry Gruber (tenor) (in 1990-08)
tenor vocals [Ein Sänger]:
Richard Leech (operatic tenor) (in 1990-08)
tenor vocals [Ein Wirt]:
Heinz Zednik (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:12
16Der Rosenkavalier, Op. 59: Aufzug I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
alto vocals [Annina]:
Claire Powell (mezzo-soprano) (in 1990-08)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
tenor vocals [Valzacchi]:
Graham Clark (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:44
17Der Rosenkavalier, Op. 59: Aufzug I. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:21
18Der Rosenkavalier, Op. 59: Aufzug I. "Ach, du bist wieder da!" (Marschallin, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:46
19Der Rosenkavalier, Op. 59: Aufzug I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:32
20Der Rosenkavalier, Op. 59: Aufzug I. "Mein schöner Schatz" (Octavian, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein schöner Schatz" (Octavian, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:24
21Der Rosenkavalier, Op. 59: Aufzug I. "Ich werd' jetzt in die Kirchen geh'n" (Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:03
22Der Rosenkavalier, Op. 59: Aufzug I. "Wie Sie befiehlt, Bichette!" (Octavian, Marschallin, Lakaien)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:11
23Der Rosenkavalier, Op. 59: Aufzug I. "Es ist gut. Geht nur wieder" (Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:14
2CD
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Aufzug II. Einleitung
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. Einleitung (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss0:43
2Der Rosenkavalier, Op. 59: Aufzug II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
baritone vocals [Herr von Faninal]:
Franz Grundheber (baritone) (in 1990-08)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Julia Faulkner (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss1:16
3Der Rosenkavalier, Op. 59: Aufzug II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Julia Faulkner (soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:54
4Der Rosenkavalier, Op. 59: Aufzug II. "Mir ist die Ehre widerfahren" (Octavian, Sophie)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss7:24
5Der Rosenkavalier, Op. 59: Aufzug II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:01
6Der Rosenkavalier, Op. 59: Aufzug II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
baritone vocals [Herr von Faninal]:
Franz Grundheber (baritone) (in 1990-08)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Julia Faulkner (soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:02
7Der Rosenkavalier, Op. 59: Aufzug II. "Brav, Faninal, er weiss, was sich gehört" (Baron, Octavian, Sophie, Faninal, Marianne)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
baritone vocals [Herr von Faninal]:
Franz Grundheber (baritone) (in 1990-08)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Julia Faulkner (soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Brav, Faninal, er weiss, was sich gehört" (Baron, Octavian, Sophie, Faninal, Marianne) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:38
8Der Rosenkavalier, Op. 59: Aufzug II. "Wird kommen über Nacht" (Baron, Octavian, Marianne, Faninal)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
baritone vocals [Herr von Faninal]:
Franz Grundheber (baritone) (in 1990-08)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Julia Faulkner (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Wird kommen über Nacht" (Baron, Octavian, Marianne, Faninal) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:27
9Der Rosenkavalier, Op. 59: Aufzug II. "Hab' nichts dawider" (Baron, Octavian, Sophie, Faninals Haushofmeister, Marianne)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Julia Faulkner (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Hab' nichts dawider" (Baron, Octavian, Sophie, Faninals Haushofmeister, Marianne) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:49
10Der Rosenkavalier, Op. 59: Aufzug II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:21
11Der Rosenkavalier, Op. 59: Aufzug II. "Herr Baron von Lerchenau!" (Valzacchi, Annina)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
alto vocals [Annina]:
Claire Powell (mezzo-soprano) (in 1990-08)
tenor vocals [Valzacchi]:
Graham Clark (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss0:36
12Der Rosenkavalier, Op. 59: Aufzug II. "Eh bien, Mamsell, was hat Sie mir zu sagen" (Baron, Sophie, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:41
13Der Rosenkavalier, Op. 59: Aufzug II. "Ich hoff', er kommt vielmehr" (Baron, Octavian, Sophie)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss1:38
14Der Rosenkavalier, Op. 59: Aufzug II. "Mord! Mord! Mein Blut! Zu Hilfe" (Baron, Die Lerchenauschen, Annina, Faninals Dienerschaft, Sophie, Octavian, Duenna, Faninal))
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
alto vocals [Annina]:
Claire Powell (mezzo-soprano) (in 1990-08)
baritone vocals [Herr von Faninal]:
Franz Grundheber (baritone) (in 1990-08)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1990-08) and Dresdner Kreuzchor (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
chorus master:
Hans-Dieter Pflüger (chorus master) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mord! Mord! Mein Blut!" (in 1990-08)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:34
15Der Rosenkavalier, Op. 59: Aufzug II. "Er muss mich pardonieren" (Octavian, Faninal, Sophie)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
baritone vocals [Herr von Faninal]:
Franz Grundheber (baritone) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt II. "Er muss mich pardonieren" (Octavian, Faninal, Sophie, Marianne, Baron) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:23
16Der Rosenkavalier, Op. 59: Aufzug II. "Sie heirat' ihn!" (Faninal, Sophie, Octavian, Duenna, Baron)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
baritone vocals [Herr von Faninal]:
Franz Grundheber (baritone) (in 1990-08)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt II. "Er muss mich pardonieren" (Octavian, Faninal, Sophie, Marianne, Baron) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:35
17Der Rosenkavalier, Op. 59: Aufzug II. "Da lieg' ich!" (Baron, Die Lerchenauschen)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss5:15
18Der Rosenkavalier, Op. 59: Aufzug II. "Ohne mich, ohne mich" (Baron, Anina)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ohne mich, ohne mich jeder Tag dir so bang" (in 1990-08)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss1:34
19Der Rosenkavalier, Op. 59: Aufzug II. "Herr Cavalier! Den Morgigen Abent hätt'i frei" (Annina, Baron)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
alto vocals [Annina]:
Claire Powell (mezzo-soprano) (in 1990-08)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Da" … "Herr Cavalier" (Baron, Annina) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:50
3CD
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Aufzug III. Einleitung und Pantomime
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. Einleitung und Pantomime (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss7:14
2Der Rosenkavalier, Op. 59: Aufzug III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
tenor vocals [Ein Wirt]:
Heinz Zednik (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:39
3Der Rosenkavalier, Op. 59: Aufzug III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:31
4Der Rosenkavalier, Op. 59: Aufzug III. "Ach, lass Sie schon einmal das fade Wort!" (Baron, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ach, lass Sie schon einmal das fade Wort!" (Baron, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:17
5Der Rosenkavalier, Op. 59: Aufzug III. "Die schöne Musi!" (Octavian, Baron)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt III. "Die schöne Musi!" (Octavian, Baron) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:43
6Der Rosenkavalier, Op. 59: Aufzug III. "Es ist ja eh als eins" (Octavian, Baron)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt III. "Die schöne Musi!" (Octavian, Baron) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:04
7Der Rosenkavalier, Op. 59: Aufzug III. "Wie die Stund' hengeht" (Octavian, Baron)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt III. "Wie die Stund' hengeht" (Octavian, Baron, Annina, Wirt, Vier Kinder, Kellner, Valzacchi) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:44
8Der Rosenkavalier, Op. 59: Aufzug III. "Er ist es! Er ist mein Mann!" (Annina, Baron, Octavian, Wirt, Kellner, Kinder, Valzacchi)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
alto vocals [Annina]:
Claire Powell (mezzo-soprano) (in 1990-08)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
tenor vocals [Ein Wirt]:
Heinz Zednik (tenor) (in 1990-08)
tenor vocals [Valzacchi]:
Graham Clark (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt III. "Wie die Stund' hengeht" (Octavian, Baron, Annina, Wirt, Vier Kinder, Kellner, Valzacchi) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:10
9Der Rosenkavalier, Op. 59: Aufzug III. "Halt! Keiner rührt sich!" (Kommissarius, Valzacchi, Octavian, Baron, Wirt)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
bass vocals [Kommissarius]:
Bodo Schwanbeck (german operatic bass-bariton) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
tenor vocals [Ein Wirt]:
Heinz Zednik (tenor) (in 1990-08)
tenor vocals [Valzacchi]:
Graham Clark (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Oh weh, was maken wir?" … "Halt! Keiner rührt sich!" (Valzacchi, Kommissarius, Octavian, Baron, Wirt, Faninal, Vier Kinder) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:32
10Der Rosenkavalier, Op. 59: Aufzug III. "Zur Stelle. Was wird von mir gewünscht?" (Faninal, Baron, Kommissarius, Wirt, Kinder, Chor, Sophie)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
baritone vocals [Herr von Faninal]:
Franz Grundheber (baritone) (in 1990-08)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
bass vocals [Kommissarius]:
Bodo Schwanbeck (german operatic bass-bariton) (in 1990-08)
choir vocals:
Knaben des Dresdener Kreuzchores (in 1990-08) and Staatsopernchor Dresden (Dresden State Opera Chorus) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
tenor vocals [Ein Wirt]:
Heinz Zednik (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
chorus master:
Hans Dieter Pflueger (chorus master) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Zur Stelle! Was wird von mir gewünscht?" (in 1990-08)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:40
11Der Rosenkavalier, Op. 59: Aufzug III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
bass vocals [Kommissarius]:
Bodo Schwanbeck (german operatic bass-bariton) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:16
12Der Rosenkavalier, Op. 59: Aufzug III. "Muss jetzt partout zu ihr!" (Baron, Wirt, Octavian, Kommissarius, Marschallin, Sophie)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
bass vocals [Kommissarius]:
Bodo Schwanbeck (german operatic bass-bariton) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
tenor vocals [Ein Wirt]:
Heinz Zednik (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt III. "Muss jetzt partout zu ihr!" … "Ihre hochfürstliche Gnaden" (Baron, Wirt, Octavian, Kommissarius, Marschallin, Sophie) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss7:56
13Der Rosenkavalier, Op. 59: Aufzug III. "War anders abgemacht" (Octavian, Sophie, Baron, Marschallin, Kommisarius), "Bin von so viel Finesse charmeirt (Baron, Marschallin, Sophie)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
bass vocals [Kommissarius]:
Bodo Schwanbeck (german operatic bass-bariton) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt III. "Muss jetzt partout zu ihr!" … "Ihre hochfürstliche Gnaden" (Baron, Wirt, Octavian, Kommissarius, Marschallin, Sophie) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:16
14Der Rosenkavalier, Op. 59: Aufzug III. "Leopold, wir gängen" (Baron, Anina, Kinder, Kellner, Wirtz, Valzacchi, Musikanten, Kutscher, Hausknecht)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
tenor vocals [Ein Wirt]:
Heinz Zednik (tenor) (in 1990-08)
tenor vocals [Valzacchi]:
Graham Clark (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist halt vorbei" (Marschallin, Sophie, Baron, Annina, Die Kinder, Kellner, Wirt, Valzacchi, Die Musikanten, Die Kutscher, Hausknecht) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:58
15Der Rosenkavalier, Op. 59: Aufzug III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:13
16Der Rosenkavalier, Op. 59: Aufzug III. "Hat Sie kein freundlich Wort für mich?" (Octavian, Sophie)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:08
17Der Rosenkavalier, Op. 59: Aufzug III. "Heut' oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Heut oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss4:44
18Der Rosenkavalier, Op. 59: Aufzug III. "Marie Theres'!" … "Hab'mir's gelobt" (Octavian, Marschallin, Sophie)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:57
19Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:21
20Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Sophie]:
Barbara Hendricks (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:04

Credits

Release

manufactured in:Germany
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
Discogs:https://www.discogs.com/release/8924254 [info]
ASIN:DE: B000002RS8 [info]