Der Rosenkavalier

~ Release by Richard Strauss; Kiri Te Kanawa, Anne Sofie von Otter, Barbara Hendricks, Kurt Rydl, Richard Leech, Franz Grundheber,Staatskapelle Dresden, Bernard Haitink (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Aufzug I. Einleitung
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (The Rose-knight, Act 1: Introduction) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:37
2Der Rosenkavalier, Op. 59: Aufzug I. "Wie du warst! Wie du bist!" (Octavian, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:05
3Der Rosenkavalier, Op. 59: Aufzug I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:49
4Der Rosenkavalier, Op. 59: Aufzug I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:08
5Der Rosenkavalier, Op. 59: Aufzug I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
tenor vocals [Der Haushofmeister bei der Feldmarschallin]:
Ferry Gruber (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:53
6Der Rosenkavalier, Op. 59: Aufzug I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
tenor vocals [Der Haushofmeister bei der Feldmarschallin]:
Ferry Gruber (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss8:32
7Der Rosenkavalier, Op. 59: Aufzug I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss0:56
8Der Rosenkavalier, Op. 59: Aufzug I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:45
9Der Rosenkavalier, Op. 59: Aufzug I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:42
10Der Rosenkavalier, Op. 59: Aufzug I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:23
11Der Rosenkavalier, Op. 59: Aufzug I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:27
12Der Rosenkavalier, Op. 59: Aufzug I. "Die swarze Seitung!" (Valzacchi, Marschallin, Octavian, Die drei Waisen)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
tenor vocals [Valzacchi]:
Graham Clark (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:41
13Der Rosenkavalier, Op. 59: Aufzug I. "Di rigori armato il seno" (Ein Sänger)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
tenor vocals [Ein Sänger]:
Richard Leech (operatic tenor) (in 1990-08)
tenor vocals [Ein Wirt]:
Heinz Zednik (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:08
14Der Rosenkavalier, Op. 59: Aufzug I. "Als Morgengabe ganz separatim jedoch" (Baron, Notar)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
bass vocals [Ein Notar]:
Alfred Šramek (bass-baritone) (in 1990-08)
tenor vocals [Der Haushofmeister bei der Feldmarschallin]:
Ferry Gruber (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:04
15Der Rosenkavalier, Op. 59: Aufzug I. "Ma si caro è I mio tormento" (Ein Sänger, Notar, Baron)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
bass vocals [Ein Notar]:
Alfred Šramek (bass-baritone) (in 1990-08)
tenor vocals [Der Haushofmeister bei der Feldmarschallin]:
Ferry Gruber (tenor) (in 1990-08)
tenor vocals [Ein Sänger]:
Richard Leech (operatic tenor) (in 1990-08)
tenor vocals [Ein Wirt]:
Heinz Zednik (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:12
16Der Rosenkavalier, Op. 59: Aufzug I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
alto vocals [Annina]:
Claire Powell (mezzo-soprano) (in 1990-08)
bass vocals [Der Baron Ochs auf Lerchenau]:
Kurt Rydl (operatic bass) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
tenor vocals [Valzacchi]:
Graham Clark (tenor) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:44
17Der Rosenkavalier, Op. 59: Aufzug I. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:21
18Der Rosenkavalier, Op. 59: Aufzug I. "Ach, du bist wieder da!" (Marschallin, Octavian)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:46
19Der Rosenkavalier, Op. 59: Aufzug I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:32
20Der Rosenkavalier, Op. 59: Aufzug I. "Mein schöner Schatz" (Octavian, Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein schöner Schatz" (Octavian, Marschallin) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:24
21Der Rosenkavalier, Op. 59: Aufzug I. "Ich werd' jetzt in die Kirchen geh'n" (Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:03
22Der Rosenkavalier, Op. 59: Aufzug I. "Wie Sie befiehlt, Bichette!" (Octavian, Marschallin, Lakaien)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
mezzo-soprano vocals [Octavian]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-08)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:11
23Der Rosenkavalier, Op. 59: Aufzug I. "Es ist gut. Geht nur wieder" (Marschallin)
engineer:
Mark Vigars (engineer)
executive producer:
Peter Alward (EMI producer)
producer:
John Fraser (UK producer)
soprano vocals [Die Feldmarschallin]:
Kiri Te Kanawa (soprano) (in 1990-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990-08)
conductor:
Bernard Haitink (conductor) (in 1990-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1990-08)
partial recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (in 1990-08)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:14
2▶CD
3▶CD

Credits

Release

manufactured in:Germany
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
Discogs:https://www.discogs.com/release/8924254 [info]
ASIN:DE: B000002RS8 [info]