The Very Best of Louis Armstrong

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

LC 1056

Anmerkung zuletzt geändert am 2020-11-04 23:53 UTC.

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
3.952:19
2La Vie en rose
recorded in:
New York, New York, Vereinigte Staaten (am 1950-06-26)
alto saxophone:
Hymie Schertzer (am 1950-06-26) und Milt Yaner (am 1950-06-26)
Gitarre:
Everett Barksdale (am 1950-06-26)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1950-06-26)
Kontrabass:
George Duvivier (am 1950-06-26)
Posaune:
Morton Bullman (am 1950-06-26)
Schlagzeug:
Johnny Blowers (am 1950-06-26)
Tenorsaxophon:
Art Drelinger (am 1950-06-26) und Bill Holcombe (US composer and flutist) (am 1950-06-26)
Trompete:
Louis Armstrong (am 1950-06-26), Melvin Solomon (am 1950-06-26), Bernie Privin (am 1950-06-26) und Paul Webster (trumpet, jazz musician) (am 1950-06-26)
vocals:
Louis Armstrong (am 1950-06-26)
Orchester:
Sy Oliver’s Orchestra (am 1950-06-26)
conductor:
Sy Oliver (am 1950-06-26)
arranger:
Sy Oliver
cover recording of:
La Vie en rose (English translation) (am 1950-06-26)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
übersetzte Version von:
La Vie en rose (French original)
43:25
3Hello, Dolly
recorded in:
New York, Vereinigte Staaten (am 1963-12-03)
Produzent(in):
Mickey Kapp
Banjo und Gitarre:
Anthony Gottuso (Tony Gottuso, guitar) (am 1963-12-03)
Bass:
Arvell Shaw (am 1963-12-03)
Klarinette:
Joe Darensbourg (am 1963-12-03)
Klavier:
Billy Kyle (am 1963-12-03)
Kontrabass:
Arvell Shaw
Posaune:
Trummy Young (am 1963-12-03)
Schlagzeug:
Danny Barcelona (am 1963-12-03)
Trompete:
Louis Armstrong
Sologesang:
Louis Armstrong (am 1963-12-03)
vocals:
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (am 1963-12-03)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
42:27
4On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
5:50
5Basin Street Blues
recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
7:19
6Blueberry Hill
Sologesang:
Louis Armstrong (am 1949-09-06)
Orchester:
Gordon Jenkins’ Orchestra and Choir (am 1949-09-06)
conductor:
Gordon Jenkins (am 1949-09-06)
arranger:
Gordon Jenkins
cover recording of:
Blueberry Hill (am 1949-09-06)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
2:55
7C’est si bon
recording of:
C’est si bon (It's So Good, English version)
Texter:
André Hornez (in 1947)
Komponist(in):
Henri Betti (songwriter and pianist) (in 1947)
Übersetzer:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
übersetzte Version von:
C’est si bon (original French version)
3:05
8The Dummy Song
recording of:
The Dummy Song
Verfasser(in):
Lew Brown, Ray Henderson und Billy Rose (lyricist and Broadway producer)
2:21
9Chloe
recording of:
Chloë (Song of the Swamp)
Texter:
Gus Kahn (in 1927)
Komponist(in):
Gus Kahn und Charles N. Daniels (in 1927)
3:06
10I Still Get Jealous
Bass:
Arvell Shaw
Klarinette:
Joe Darensbourg
Klavier:
Billy Kyle
membranophone:
Danny Barcelona
Posaune:
Russell Moore (jazz trombonist)
Trompete:
Louis Armstrong
vocals und Interpret(in):
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
I Still Get Jealous
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
Teil von:
High Button Shoes (1947 musical)
2:12
11When You’re Smiling (The Whole World Smiles With You)
cover recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
4:03
12Kiss of Fire
Klarinette:
Barney Bigard (am 1952-03-19) und Donald Ruffell (am 1952-03-19)
Klavier:
Marty Napoleon (am 1952-03-19)
Kontrabass:
Dale Jones (bass, vocals) (am 1952-03-19)
Posaune:
Russ Phillips (US trombonist) (am 1952-03-19)
Schlagzeug:
Cozy Cole (am 1952-03-19)
Trompete und Sologesang:
Louis Armstrong (am 1952-03-19)
Interpret(in):
Louis Armstrong & His Orchestra (am 1952-03-19)
recording of:
Kiss of Fire (am 1952-03-19)
Texter:
Lester Allen (wrote “Kiss of Fire”) und Robert Hill (wrote “Kiss of Fire”)
Komponist(in):
Ángel Villoldo (Argentinian musician, lyricist and poet)
Version von:
El choclo (Villoldo's original version, written circa 1898–1903)
3:06
13Sittin’ in the Sun
3:01
14A Kiss to Build a Dream On
Bass:
Arvell Shaw
Klarinette:
Joe Darensbourg
Klavier:
Billy Kyle
membranophone:
Danny Barcelona
Posaune:
Russell Moore (jazz trombonist)
Interpret(in):
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
recording of:
A Kiss to Build a Dream On
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Fallout 2: A Post Nuclear Role Playing Game
Teil von:
The Strip (1951 film)
4:30
15High Society
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
Texter:
Walter Melrose
Komponist(in):
Porter Steele (in 1901-04)
basiert auf:
High Society (march composed by Porter Steele in 1901)
3:57
16When It’s Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
3:16
17Takes Two to Tango
recording of:
Takes Two to Tango
Verfasser(in):
Al Hoffman (in 1952) und Dick Manning (American songwriter) (in 1952)
2:56
18Skokiaan
recording of:
Skokiaan
Texter:
Tom Glazer
Komponist(in):
August Msarurgwa
publisher:
Shapiro, Bernstein & Co., Inc.
4:57
19Hello Brother
cover recording of:
Hello Brother
Verfasser(in):
Bob Thiele (producer & songwriter) und George David Weiss
3:30
20La Cucaracha
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
La cucaracha (am 1934-10-03)
Texter und Komponist(in):
[traditional] (special purpose artist)
2:40
2▼CD
Nr.TitelKünstlerBewertungLänge
1Moon River
Bass:
Arvell Shaw
Klarinette:
Joe Darensbourg
Klavier:
Billy Kyle
Posaune:
Russell Moore (jazz trombonist)
Schlagzeug:
Danny Barcelona
Trompete:
Louis Armstrong
vocals:
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Moon River (in 1964)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Louis Armstrong2:59
2Down by the Riverside
Produzent(in):
Milt Gabler
Bass:
Mort Herbert (am 1958-02-06)
Gitarre:
George Barnes (am 1958-02-06)
Klarinette:
Dave McRae (US clarinetist & saxophonist) (am 1958-02-06)
Klavier:
Billy Kyle (am 1958-02-06)
Orgel:
Nickie Tagg (am 1958-02-06)
Posaune:
Trummy Young (am 1958-02-06)
Schlagzeug:
Barrett Deems (am 1958-02-06)
Trompete:
Louis Armstrong (am 1958-02-06)
Chorgesang:
The Sy Oliver Choir (am 1958-02-06)
vocals:
Louis Armstrong (am 1958-02-06)
conductor:
Sy Oliver (am 1958-02-06)
arranger:
Sy Oliver
cover recording of:
Down by the Riverside (am 1958-02-06)
Texter und Komponist(in):
[traditional] (special purpose artist)
Louis Armstrong3:13
3Someday
recording of:
Someday
Komponist(in):
Louis Armstrong
Louis Armstrong3:39
4April in Portugal
cover recording of:
April in Portugal
Texter:
José Galhardo und Jimmy Kennedy (Irish songwriter)
Komponist(in):
Raul Ferrão
übersetzte Version von:
Coimbra
Louis Armstrong2:43
5When the Saints Go Marching In
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-13) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-13)
Gitarre:
Lee Blair (am 1938-05-13)
Klavier:
Luis Russell (am 1938-05-13)
Kontrabass:
George "Pops" Foster (am 1938-05-13)
Posaune:
J.C. Higginbotham (am 1938-05-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-13)
Tenorsaxophon:
Bingie Madison (am 1938-05-13)
Trompete:
Louis Armstrong (am 1938-05-13) und Shelton "Scad" Hemphill (am 1938-05-13)
vocals:
Louis Armstrong (am 1938-05-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (am 1938-05-13)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
Louis Armstrong2:44
6It’s Been a Long, Long Time
recording of:
It’s Been a Long, Long Time
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd.
Louis Armstrong2:20
7Sincerely
cover recording of:
Sincerely
Verfasser(in):
Alan Freed (American disc jockey) (bis 1954-10) und Harvey Fuqua (bis 1954-10)
publisher:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Louis Armstrong2:56
8Cabaret
cover recording of:
Cabaret (title song from the Kander & Ebb musical)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Carlin Music Corp.
Teil von:
Cabaret (musical)
Louis Armstrong2:47
9I Get Ideas
cover recording of:
I Get Ideas
Texter:
Dorcas Cochran (in 1951)
Komponist(in):
Julio César Sanders (Lenny Sanders) (in 1927)
Version von:
Adiós, muchachos (tango)
Louis Armstrong3:27
10Ramona
recorded in:
New York, New York, Vereinigte Staaten (am 1953-04-21)
alto saxophone:
Dick Jacobs (arranger, musician and bandleader) (am 1953-04-21) und Milt Yaner (am 1953-04-21)
Gitarre:
Everett Barksdale (am 1953-04-21)
Klarinette:
Barney Bigard (am 1953-04-21)
Klavier:
Joe Bushkin (am 1953-04-21)
Kontrabass:
Arvell Shaw (am 1953-04-21)
Posaune:
Trummy Young (am 1953-04-21)
Schlagzeug:
Cozy Cole (am 1953-04-21)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1953-04-21)
Trompete:
Louis Armstrong (am 1953-04-21)
vocals:
Louis Armstrong (am 1953-04-21)
recording of:
Ramona (English version) (am 1953-04-21)
Texter:
L. Wolfe Gilbert
Komponist(in):
Mabel Wayne (in 1928)
Louis Armstrong2:46
11Memories of You
recording of:
Memories of You
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Louis Armstrong3:31
12Only You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-08)
alto saxophone:
Arthur Herfurt (am 1955-09-08) und Harry Klee (am 1955-09-08)
Klarinette:
Barney Bigard (am 1955-09-08)
Klavier:
Billy Kyle (am 1955-09-08)
Kontrabass:
Arvell Shaw (am 1955-09-08)
Posaune:
Trummy Young (am 1955-09-08) und Si Zentner (am 1955-09-08)
Schlagzeug:
Barrett Deems (am 1955-09-08)
Tenorsaxophon:
Babe Russin (am 1955-09-08) und Donald Ruffell (am 1955-09-08)
Trompete:
Louis Armstrong (am 1955-09-08), Pete Candoli (am 1955-09-08), Manny Klein (am 1955-09-08) und Vito N. Mangano (am 1955-09-08)
vocals:
Louis Armstrong (am 1955-09-08)
Orchester:
Benny Carter and His Orchestra (am 1955-09-08)
cover recording of:
Only You (am 1955-09-08)
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
Louis Armstrong3:12
13Gone Fishin’
recording of:
Gone Fishin’
Verfasser(in):
Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) und EMI Feist Catalog Inc.
Louis Armstrong2:30
14Mahogany Hall Stomp
recorded in:
New York, New York, Vereinigte Staaten (am 1936-05-18)
Gitarre:
Lee Blair (am 1936-05-18)
Klavier:
Luis Russell (am 1936-05-18)
Kontrabass:
George "Pops" Foster (am 1936-05-18)
Posaune:
Jimmy Archey (am 1936-05-18) und Snub Mosley (am 1936-05-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1936-05-18), Henry “Moon” Jones (swing era reeds) (am 1936-05-18) und Greely Walton (am 1936-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1936-05-18)
Tenorsaxophon:
Bingie Madison (am 1936-05-18)
Trompete:
Gus Aiken (am 1936-05-18), Louis Armstrong (am 1936-05-18), Louis Bacon (am 1936-05-18) und Leonard "Ham" Davis (American jazz trumpeter) (am 1936-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1936-05-18)
recording of:
Mahogany Hall Stomp (am 1936-05-18)
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong2:54
15Otchi-Tchor-Ni-Ya
recording of:
Otchi-Tchor-Ni-Ya
Verfasser(in):
[traditional] (special purpose artist)
basiert auf:
Очи чёрные (Schwarze Augen, original version by Y. Hrebinka)
Louis Armstrong5:32
16Kokomo
Louis Armstrong2:43
17Jeepers Creepers
recording of:
Jeepers Creepers
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Louis Armstrong4:41
18Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong3:15
19Me and Brother Bill
recording of:
Me and Brother Bill
Verfasser(in):
[traditional] (special purpose artist)
Louis Armstrong3:33
20Don’t Fence Me In
recording of:
Don’t Fence Me In
Texter:
Robert Fletcher (US poet) (in 1934) und Cole Porter (composer) (in 1934)
Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong duet with Velma Middleton5:18

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Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Universal Music International Ltd. (not for release label use! copyrights only) (in 1998)

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0001603753 [Info]