Cooking with Classical Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Carmen : Couplets « Votre toast, je peux vous le rendre »
bass-baritone vocals [Escamillo]:
Bryn Terfel (bass‐baritone opera singer)
Orchester:
London Symphony Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte II
Georges Bizet3:54
2Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" : Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) und Stefan Flock
Sound-Engineering:
Andrew Wedman (producer and engineer)
Produzent(in):
Dr. Peter Czornyj und Werner Mayer (classical producer)
Editing:
Mark Buecker (engineer of classical recordings)
Klavier:
Андрей Гаврилов (Andrei Gawrilow, pianist) (in 1992-09)
Solo-Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1992-09)
Tonmeister(in):
Andrew Wedman (producer and engineer) (in 1992-09)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
aufgenommen bei:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen, Deutschland (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:51
3Carmen : Habanera
Mezzosoprangesang [Carmen]:
Katherine Jenkins (mezzo-soprano)
Orchester:
The Arcadian Ensemble
conductor:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions)
arranger:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions) und Juliette Pochin
phonographisches Urheberrecht (℗) von:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2004)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
basiert auf:
El arreglito
Teil von:
Carmen : Acte I
Georges Bizet2:48
4Giulio Cesare in Egitto HWV 17 : No.32 Aria "Piangerò la sorte mia"
Mezzosoprangesang:
Magdalena Kožená (Czech mezzo-soprano) (in 2002-11)
Orchester:
Les Musiciens du Louvre (in 2002-11)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2002-11)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2003)
aufgenommen bei:
Konzerthaus: Großer Saal in Landstraße, Wien, Österreich (in 2002-11)
live recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra) (in 2002-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1724)
Librettist:
Nicola Francesco Haym
Teil von:
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel6:04
5Nocturnes, Op. 32: No. 1 in B Major
Klavier:
Adam Harasiewicz (pianist)
recording of:
Nocturne no. 9 in B major, op. 32 no. 1: Andantino sostenuto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 116)
Teil von:
Nocturnes, op. 32
Frédéric Chopin4:33
6Champagne Polka
Orchester:
Wiener Philharmoniker (von 1957-12-04 bis 1957-12-06)
conductor:
Willi Boskovsky (violinist and conductor) (von 1957-12-04 bis 1957-12-06)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (von 1957-12-04 bis 1957-12-06)
recording of:
Champagner Polka, op. 211 (von 1957-12-04 bis 1957-12-06)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 211)
Johann Strauss II2:06
7Nocturnes, Op. 32: No. 2 in A-Flat Major
Klavier:
Adam Harasiewicz (pianist)
recording of:
Nocturne no. 10 in A‐flat major, op. 32 no. 2: Lento
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 117)
Teil von:
Nocturnes, op. 32
Frédéric Chopin4:47
8Concerto No. 5 in A Major for Violin and Orchestra, K. 219: II. Adagio
Geige / Violine:
Henryk Szeryng (violinist) (in 1966-04)
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) und New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-04)
conductor:
Sir Alexander Gibson (conductor) (in 1966-04)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1966-04)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio (in 1966-04)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1775-04 bis 1775-12)
Teil von:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
Wolfgang Amadeus Mozart9:25
9Piano Sonata No.11 In A, K.331 -"Alla Turca" : 1. Tema (Andante grazioso) con variazioni
Techniker(in):
Arthur Lilley (engineer)
Produzent(in):
Michael Haas (classical music producer)
Klavier:
András Schiff (pianist) (in 1980-02)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1981)
aufgenommen bei:
Decca Studios: Studio 3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1980-02)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso (in 1980-02)
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
recording of:
Sonata for Violin and Piano no. 1 in D major, op. 12 no. 1: II. Tema con Variazioni. Andante con moto
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Sonata for Violin and Piano no. 1 in D major, op. 12 no. 1
Wolfgang Amadeus Mozart13:46
10Vide cor meum (from the film "Hannibal") : Vide cor meum
Techniker(in) und Mix:
Pete Schwier (producer, mixing and recording engineer) und Leon Zervos (audio engineer)
Produzent(in):
Nick Patrick
Akustikgitarre:
Bryan Adams (Canadian singer/songwriter)
Cello:
Adrian Bradbury (British cellist)
Chorgesang:
The National Youth Choir of Wales
Mezzosoprangesang:
Katherine Jenkins (mezzo-soprano)
Tenor-Gesang:
Rhys Meirion (welsh tenor)
Orchester:
The Czech Film Orchestra
chorus master:
David Rowland (chorus master)
Orchestrator(in):
James Banbury
phonographisches Urheberrecht (℗) von:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2004)
recording of:
Vide cor meum
Orchestrator(in):
Paul Bateman (conductor)
Komponist(in):
Patrick Cassidy (Irish composer)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Patrick Cassidy24:02
11Rigoletto: La donna è mobile
Techniker(in):
Lars C Bruun
Produzent(in), Mix und Editing:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions) und Juliette Pochin
Orchester:
Danish National Chamber Orchestra
conductor:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions)
instrumental recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi1:41
12A Midsummer Night's Dream, Op. 61 Incidental Music : No. 5 Intermezzo
Techniker(in):
Cyril Windebank (in 1957-02) und Kenneth Wilkinson (engineer) (in 1957-02)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orchester:
London Symphony Orchestra (in 1957-02)
conductor:
Peter Maag (conductor) (in 1957-02)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1957-02)
recording of:
Ein Sommernachtstraum, op. 61: 5. Intermezzo. Allegro appassionato (in 1957-02)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1842)
Teil von:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn3:31
13Préludes - Book 1 : 10. La cathédrale engloutie
Produzent(in):
Tony D’Amato
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1965-09-11)
conductor:
Leopold Stokowski (conductor) (am 1965-09-11)
Tonmeister(in):
Arthur Lilley (engineer)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-09-11)
recording of:
La Cathédrale engloutie (orch. Stokowski) (am 1965-09-11)
Orchestrator(in):
Leopold Stokowski (conductor)
Komponist(in):
Claude Debussy (French composer) (von 1909-12 bis 1910-02)
Orchestrierung von:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
Claude Debussy6:36
14Aida: “Qui Radames verrà!” … “O patria mia“
recording engineer:
Simon Eadon (classical music engineer)
Techniker(in):
Stanley Goodall (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Andrew Cornall (engineer / producer) und Ray Minshull (record producer)
Editing:
Matthew Hutchinson (engineer / editor)
Soprangesang [Aida]:
Maria Chiara (soprano) (von 1985-12 bis 1986-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1985-12 bis 1986-01)
conductor:
Lorin Maazel (conductor) (von 1985-12 bis 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (von 1985-12 bis 1986-01)
aufgenommen bei:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italien (von 1985-12 bis 1986-01)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (von 1985-12 bis 1986-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto III
Giuseppe Verdi6:56
15Rinaldo, HWV 7a : Aria: Lascia ch'io pianga
Produzent(in):
Chris Sayers (producer)
Mezzosoprangesang und Mezzosoprangesang [Almirena]:
Cecilia Bartoli (mezzo‐soprano) (von 1999-11-19 bis 1999-11-27)
Orchester:
Academy of Ancient Music (von 1999-11-19 bis 1999-11-27)
conductor:
Christopher Hogwood (conductor, harpsichordist) (von 1999-11-19 bis 1999-11-27)
Interpret(in):
Cecilia Bartoli (mezzo‐soprano)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1999-11-19 bis 1999-11-27)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) (von 1999-11-19 bis 1999-11-27)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1711)
Librettist:
Giacomo Rossi
Teil von:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4.54:49
16Piano Quartet No. 2 in E Flat, K. 493 : 2. Larghetto
Bratsche / Viola:
Bruno Giuranna (violist) (in 1983-01)
Cello:
Bernard Greenhouse (cellist) (in 1983-01)
Geige / Violine:
Isidore Cohen (violinist) (in 1983-01)
Klavier:
Menahem Pressler (pianist) (in 1983-01)
Klaviertrio:
Beaux Arts Trio
aufgenommen bei:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Kanton Neuenburg), Schweiz (in 1983-01)
recording of:
Quartet for Piano no. 2 in E-flat major, K. 493: II. Larghetto (in 1983-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Quartet for Piano no. 2 in E-flat major, K. 493
Wolfgang Amadeus Mozart9:07
17Liebeslieder, Op. 114
Orchester:
Wiener Philharmoniker (von 1957-12-04 bis 1957-12-06)
conductor:
Willy Boskovsky (violinist and conductor) (von 1957-12-04 bis 1957-12-06)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (von 1957-12-04 bis 1957-12-06)
live recording of:
Liebeslieder, op. 114 (Liebeslieder, Op. 114) (von 1957-12-04 bis 1957-12-06)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 114)
recording of:
Liebeslieder, op. 114 (Liebeslieder, Op. 114) (von 1957-12-04 bis 1957-12-06)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 114)
Johann Strauss II6:42
18Cavalleria rusticana: Intermezzo sinfonico
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor) (in 1990)
recording of:
Cavalleria rusticana: Intermezzo (in 1990)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni4:16
19'O sole mio
Tenor-Gesang:
Russell Watson (tenor)
Orchester:
Royal Philharmonic Orchestra
conductor:
Nicholas Dodd (conductor)
recording of:
’O sole mio
Texter:
Giovanni Capurro (in 1898)
Komponist(in):
Eduardo Di Capua (in 1898) und Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) und Gennarelli Casa Editrice
Alfredo Mazzucchi3:33
20Lieder ohne Worte, Op.85 : No. 4. Andante sostenuto in D "Elegy"
recording engineer:
Joachim Niss
leitende(r) Produzent(in):
Günther Breest (producer for classical music)
Produzent(in):
Cord Garben (pianist and conductor)
Klavier:
Daniel Barenboim (pianist and conductor) (in 1973-12)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (in 1973-12)
aufgenommen bei:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1973-12)
recording of:
Lied ohne Worte D-Dur, op. 85 Nr. 4 „Elegie” (Song Without Words in D major, Op. 85 No. 4) (in 1973-12)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1834 bis 1845)
Teil von:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (Nummer: MWV U 192)
Teil von:
Lieder ohne Worte, op. 85 (Songs Without Words, op. 85)
Felix Mendelssohn2:51
21Die Zauberflöte, K.620 : "Der Hölle Rache kocht in meinem Herze"
Produzent(in):
Michael Haas (classical music producer)
Soprangesang [Königin der Nacht]:
Sumi Jo (soprano)
Sprecher [Monostatos]:
Heinz Zednik (tenor)
Sprecher [Pamina]:
Ruth Ziesak (soprano)
Sprecher [Sarastro]:
Kurt Moll (operatic bass)
Orchester:
Wiener Philharmoniker (von 1990-05 bis 1990-12)
conductor:
Sir Georg Solti (conductor) (von 1990-05 bis 1990-12)
Tonmeister(in):
John Pellowe (audio engineer) (von 1990-05 bis 1990-12)
aufgenommen bei:
Konzerthaus: Großer Saal in Landstraße, Wien, Österreich (von 1990-05 bis 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (von 1990-05 bis 1990-12)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
22Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1
Klavier:
Claudio Arrau (pianist) (in 1978-03)
phonographisches Urheberrecht (℗) von:
Philips Classics (See annotation to check it's really this label.) (in 1978, in 1997)
aufgenommen bei:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1978-03)
recording of:
Nocturne no. 1 in B‐flat minor, op. 9 no. 1: Larghetto (in 1978-03)
Komponist(in):
Frédéric Chopin (composer) (von 1830 bis 1832)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 108)
Teil von:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin5:44
23Nocturne No. 2 in E Flat, Op. 9 No. 2
Klavier:
Claudio Arrau (pianist) (in 1978-03)
phonographisches Urheberrecht (℗) von:
Philips Classics (See annotation to check it's really this label.) (in 1978, in 1997)
aufgenommen bei:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1978-03)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (in 1978-03)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830 bis 1832)
Teil von:
Classic 100: Piano (2025) (Nummer: 3), Classic 100: Piano (2004) (Nummer: 18) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 109)
Teil von:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin4:45
24Le nozze di Figaro, K.492 : "Voi che sapete"
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Karl-August Naegler (balance engineer)
Mezzosoprangesang [Cherubino]:
Anne Sofie von Otter (mezzo-soprano) (in 1995-01)
Orchester:
The English Concert (in 1995-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1995-01)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1995-01)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1995-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:40
25William Tell: Overture
Orchester:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Hippolyte Louis-Florent Bis (librettist) und Étienne de Jouy
Teil von:
Guglielmo Tell (italian version by Calisto Bassi)
Teil von:
Guillaume Tell
Gioachino Rossini11:56
26Clarinet Concerto in A Major, K. 622: II. Adagio
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
Produzent(in):
Mike Bremner (producer/engineer)
Klarinette:
Karl Leister (German clarinetist) (in 1988-09)
Orchester:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
Tonmeister(in):
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Konzert für Klarinette und Orchester A-Dur, KV 622: II. Adagio) (in 1988-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1791-09-28 bis 1791-10-07)
Teil von:
Concerto for Clarinet in A major, K. 622 (Konzert für Klarinette und Orchester A-Dur, KV 622)
Wolfgang Amadeus Mozart7:43
27Turandot : "Nessun dorma!"
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini53:01
28Piano Concerto No. 1 in C Major, Op. 15 : 1. Allegro con brio
Klavier:
Stephen Kovacevich (classical pianist, aka Stephen Bishop)
Orchester:
BBC Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
Komponist(in):
Ludwig van Beethoven (German composer) (von 1796 bis 1797)
Teil von:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven17:47
29Piano Concerto No. 1 in C Major, Op. 15: II. Largo
Klavier:
Stephen Kovacevich (classical pianist, aka Stephen Bishop)
Orchester:
BBC Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
Komponist(in):
Ludwig van Beethoven (German composer) (von 1796 bis 1797)
Teil von:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven10:24
30String Quartet No.10 in E flat major, Op.51 - B.92 : 3. Romanze. Andante con moto
Produzent(in):
Franz Christian Wulff
Bratsche / Viola:
Lubomír Malý (in 1975-01)
Cello:
Jan Širc (cellist, Czech String Trio) (in 1975-01)
Geige / Violine:
Břetislav Novotný (Czech violinist) (in 1975-01) und Karel Přibyl (violinist) (in 1975-01)
Streichquartett:
Prague String Quartet (in 1975-01)
Tonmeister(in):
Karl-August Naegler (balance engineer)
aufgenommen bei:
Narodní dům (Žižkov) in Praha (Prague), Tschechien (in 1975-01)
recording of:
String Quartet no. 10 in E-flat major, op. 51, B. 92: III. Romanza: andante con moto (in 1975-01)
Komponist(in):
Antonín Dvořák (composer) (von 1878-12-25 bis 1879-03-28)
Teil von:
String Quartet no. 10 in E-flat major, op. 51, B. 92
Antonín Dvořák6:40
31Gianni Schicchi : "O, mio babbino caro"
Soprangesang und Soprangesang [Lauretta]:
Kiri Te Kanawa (soprano)
Orchester:
London Symphony Orchestra
conductor:
Stephen Barlow (British conductor)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:32
32Pagliacci : "Recitar!" - "Vesti la giubba"
Tenor-Gesang und Tenor-Gesang [Canio]:
Luciano Pavarotti (tenor)
Orchester:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:35
33Symphony No. 85 in B-Flat Major, Hob. I:85, "La Reine": II. Romance: Allegretto
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Symphony no. 85 in B-flat major, Hob. I:85 "La Reine": II. Romance. Allegretto
Komponist(in):
Joseph Haydn (composer)
Teil von:
Symphony no. 85 in B‐flat major, Hob. I:85 “La Reine”
Franz Joseph Haydn7:24
34Schön Rosmarin
recorded in:
New York, New York, Vereinigte Staaten (in 1961-09)
Geige / Violine:
Ruggiero Ricci (violinist) (in 1961-09)
Klavier:
Brooks Smith (piano) (in 1961-09)
recording of:
Schön Rosmarin (for violin and piano) (in 1961-09)
Komponist(in):
Fritz Kreisler (Austrian‐American violinist and composer)
Teil von:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler1:53
35Sonata in f minor (Andante moderato) K466
Klavier:
Yuja Wang (pianist)
recording of:
Sonata in F minor, K 466, L 118: Andante moderato
Komponist(in):
Domenico Scarlatti (composer)
Teil von:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (Nummer: 118) und Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (Nummer: 466)
Domenico Scarlatti5:45
36Les contes d'Hoffmann, Act 2: "Belle nuit, ô nuit d'amour" (Barcarolle)
Koproduzent(in):
Claudia Hamann
leitende(r) Produzent(in):
Cord Garben (pianist and conductor)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Chœur de Radio France (von 1986-05 bis 1986-06)
Mezzosoprangesang [Nicklausse]:
Claudia Eder (German mezzo-soprano) (von 1986-05 bis 1986-06)
Soprangesang [Giulietta]:
Edita Gruberová (soprano) (von 1986-05 bis 1986-06)
Orchester:
Orchestre national de France (Französisches Nationalorchester, RTF / ORTF / Radio France) (von 1986-05 bis 1986-06)
conductor:
Seiji Ozawa (conductor and composer) (von 1986-05 bis 1986-06)
chorus master:
Jacques Jouineau (chorus master) (von 1986-05 bis 1986-06)
Tonmeister(in):
Michel Lepage (engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
aufgenommen bei:
Studio 104, Radio France in Paris, Île-de-France, Frankreich (von 1986-05 bis 1986-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (von 1986-05 bis 1986-06)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:46
37Piano Trio in B-Flat Major, Op. 97, "Archduke": III. Andante cantabile, ma però con moto - Poco più adagio
Klavier:
Sviatoslav Richter (Swjatoslaw Teofilowitsch Richter, pianist)
Streichquartett:
Borodin Quartet
recording of:
Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 "Archduke": III. Andante cantabile ma però con moto
Komponist(in):
Ludwig van Beethoven (German composer) (von 1810 bis 1811)
Teil von:
Trio for Piano, Violin, and Cello no. 7 in B-flat major, op. 97 “Archduke”
Ludwig van Beethoven13:05
38Rigoletto : "Questa o quella" (Ballata)
Tenor-Gesang [Duca]:
Luciano Pavarotti (tenor)
Orchester:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi1:48
39Don Giovanni, ossia Il dissoluto punito, K.527 : "Dalla sua pace"
Tenor-Gesang [Don Ottavio]:
Uwe Heilmann (tenor)
Orchester:
Chamber Orchestra of Europe
conductor:
Claudio Abbado (conductor)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 540a)
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:22
40Alt-Wiener Tanzweisen (Old Viennese Melodies): I. Liebesleid (Love's Sorrow)
Produzent(in):
Wolfgang Stengel
Geige / Violine:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
Klavier:
Clifford Benson (piano accompanist) (in 1980-06)
Tonmeister(in):
Wolfgang Mitlehner (in 1980-06)
aufgenommen bei:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
Liebesleid (for violin and piano) (in 1980-06)
Komponist(in):
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) und ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
Teil von:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:56
41Miniatures, Op. 75a: Romanza
Orchester:
Budapest Festival Orchestra
conductor:
Iván Fischer (conductor)
recording of:
Miniatures, op. 75a, B. 149: III. Romanza. Allegro (for 2 violins and viola)
Komponist(in):
Antonín Dvořák (composer) (in 1887-01)
Teil von:
Miniatures, op. 75a, B. 149 (for 2 violins and viola)
Antonín Dvořák2:47
42La gazza ladra : Overture
Orchester:
Los Angeles Philharmonic
conductor:
Gustavo Dudamel (conductor and violinist)
recording of:
La gazza ladra: Ouverture (Die diebische Elster: Ouvertüre)
Komponist(in):
Gioachino Rossini (composer) (in 1817)
Librettist:
Giovanni Gherardini
Teil von:
La gazza ladra
Teil von:
The Thieving Magpie (English version by Sams)
Gioachino Rossini9:45
43Lieder ohne Worte, Op.19 : No. 1 in E (Andante con moto) "Sweet Remembrance"
recording engineer:
Hans‐Rudolf Müller (engineer)
leitende(r) Produzent(in):
Günther Breest (producer for classical music)
Produzent(in):
Cord Garben (pianist and conductor)
Klavier:
Daniel Barenboim (pianist and conductor) (in 1973-06)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (in 1973-06)
aufgenommen bei:
Studio Europa Sonor in Paris, Île-de-France, Frankreich (in 1973-06)
recording of:
Lied ohne Worte E-Dur, op. 19b Nr. 1 (Song Without Words in E major, Op. 19b No. 1) (in 1973-06)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1829 bis 1830)
Teil von:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (Nummer: MWV U 86)
Teil von:
Lieder ohne Worte, op. 19b (Songs Without Words, op. 19b)
Felix Mendelssohn3:06
44Piano Trio No.5 in D, Op.70 No.1 - "Geistertrio" : 2. Largo assai ed espressivo
Instrumente:
Beaux Arts Trio
recording of:
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”
Ludwig van Beethoven10:26
45Symphony No.9 in D minor, Op.125 - "Choral" : 2. Molto vivace
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker) (von 1964-05-08 bis 1964-05-12)
conductor:
Hans Schmidt‐Isserstedt (von 1964-05-08 bis 1964-05-12)
Tonmeister(in):
James Lock (James Locke, engineer) (von 1965-12-08 bis 1965-12-12)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (von 1965-12-08 bis 1965-12-12)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (Symphonie Nr. 9 d-Moll, op. 125 "Ode an die Freude": II. Molto vivace) (von 1964-05-08 bis 1964-05-12)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven10:13
46String Quartet No. 2 in G, Op. 18 No. 2 : 3. Scherzo (Allegro)
Bratsche / Viola:
Piero Farulli (Italian violinist and viola player)
Cello:
Franco Rossi (classical cellist)
Geige / Violine:
Paolo Borciani (violinist) und Elisa Pegreffi (violinist)
Streichquartett:
Quartetto Italiano (Italian Quartet, 1945—1980)
recording of:
String Quartet no. 2 in G major, op. 18 no. 2: III. Scherzo. Allegro
Komponist(in):
Ludwig van Beethoven (German composer) (von 1799 bis 1800)
Teil von:
String Quartet no. 2 in G major, op. 18 no. 2
Ludwig van Beethoven4:24
474 Impromptus Op.142, D.935 : No.3 in B flat: Theme (Andante) with Variations
Produzent(in):
Volker Straus (producer/engineer)
Klavier:
Alfred Brendel (Austrian pianist) (von 1974-06-04 bis 1974-06-08)
aufgenommen bei:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (von 1974-06-04 bis 1974-06-08)
recording of:
Impromptu in B-flat major, D. 935 no. 3. Theme (Andante) with variations (von 1974-06-04 bis 1974-06-08)
Komponist(in):
Franz Schubert (composer) (in 1827)
Teil von:
4 Impromptus, op. 142, D. 935
Franz Schubert11:50
48Concerto No. 4 in E-Flat Major for Horn and Orchestra, K. 495: II. Romanza: Andante
Produzent(in):
Wolf Erichson (engineer/producer) und Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
Horn:
David Jolley (French horn) (in 1987-03)
Orchester:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
Tonmeister(in):
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1988)
aufgenommen bei:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, Vereinigte Staaten (in 1987-03)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile (in 1987-03)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart4:53
49Romance in F Minor for Violin and Orchestra, Op. 11
Geige / Violine:
Pamela Frank (violinist)
Orchester:
Czech Philharmonic Orchestra (Tschechische Philharmonie, formerly Czech Philharmonic Orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Romance in F minor, op. 11, B. 39 (for violin and orchestra)
Premiere in:
Praha (Prague), Tschechien (am 1877-12-09)
Komponist(in):
Antonín Dvořák (composer)
Premiere bei:
Romance in F minor, op. 11, B. 39 (1877-12-09)
publisher:
N. Simrock (in 1879)
Teil von:
Works of Antonín Dvořák by opus number (Nummer: op. 11) und Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematisches Verzeichnis, Burghauser [B.]) (Nummer: B. 39)
basiert auf:
String Quartet no. 5 in F minor, op. 9, B. 37: II. Andante con moto quasi allegretto
Antonín Dvořák10:39
50Salut d'amour, Op. 12
Produzent(in):
Christopher Raeburn (producer)
Geige / Violine:
Kyung Wha Chung (Kyung-Wha Chung, violinist) (in 1985-10)
Klavier:
Phillip Moll (pianist) (in 1985-10)
Tonmeister(in):
Simon Eadon (classical music engineer) (in 1985-10)
aufgenommen bei:
Forde Abbey in Dorset, England, Vereinigtes Königreich (in 1985-10)
recording of:
Salut d’amour, op. 12 (for violin and piano) (in 1985-10)
Komponist(in):
Edward Elgar (composer) (in 1888)
gewidmet:
Alice Elgar (English author, married to Edward Elgar)
publisher:
Schott & Co. Ltd. (in 1889)
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 12)
Edward Elgar2:57

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