Les Indispensables du classique

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Les Quatre Saisons: Le Printemps. Allegro
Techniker(in):
Peter Willemoës
Solo-Geige / Violine:
Piero Toso (violinist) (in 1971-04)
Orchester:
I Solisti Veneti (in 1971-04)
conductor:
Claudio Scimone (conductor) (in 1971-04)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro) (in 1971-04)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:34
2Le Beau Danube bleu, op. 314
Orchester:
Sinfonieorchester Basel
conductor:
Armin Jordan (conductor)
Bearbeitung von:
An der schönen blauen Donau op. 314 von Basler Sinfonie Orchester, Armin Jordan (conductor)
recording of:
An der schönen blauen Donau, op. 314
Premiere in:
Wien, Österreich (am 1867-02-15)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 314)
Johann Strauss1:33
3L’Or et l’Argent, valse, op. 79
Orchester:
Sinfonieorchester Basel
conductor:
Armin Jordan (conductor)
Bearbeitung von:
Gold und Silber op. 79 von Basler Sinfonie Orchester, Armin Jordan (conductor)
recording of:
Gold und Silber-Walzer, op. 79
Komponist(in):
Franz Lehár (composer)
Franz Lehár3:22
4L’Arnaque
Sound-Engineering:
Jacques Doll und Roland Guillotel
Produzent(in) und Editing:
Roland Guillotel
Solo-Klavier:
Michel Legrand
aufgenommen bei:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich (von 1994-05-23 bis 1994-05-27)
recording of:
The Entertainer
Komponist(in):
Scott Joplin (composer and pianist) (in 1902)
publisher:
Chappell, EMI Music Publishing (do not use as a release label!) und Multimood Music (publisher)
Teil von:
Classic 100: Piano (2025) (Nummer: 25)
Scott Joplin4:31
5Paillasse: Vesti la giubba
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Nello Santi (conductor)
Bearbeitung von:
Pagliacci: Atto I. "Recitar" ... "Vesti la giubba" (Canio) von Plácido Domingo (tenor), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Nello Santi (conductor)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:54
6Toccata et fugue en ré mineur
Orgel:
Marie‐Claire Alain (organist)
Bearbeitung von:
Toccata and Fugue in D Minor, BWV 565 von Marie‐Claire Alain (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 565) und Bach Compendium (Nummer: BC J 37)
Johann Sebastian Bach2:33
7Adagio pour orgue et cordes
Orchester:
Orchestre de chambre Jean‐François Paillard
conductor:
Jean‐François Paillard (French conductor)
arranger:
Remo Giazotto
Bearbeitung von:
Albinoni: Adagio von Orchestre de chambre Jean‐François Paillard & Jean‐François Paillard (French conductor)
recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni2:58
8Canon en ré majeur
Orchester:
Orchestre de chambre Jean‐François Paillard
conductor:
Jean‐François Paillard (French conductor)
arranger:
Jean‐François Paillard (French conductor)
Bearbeitung von:
Pachelbel: Canon von Orchestre de chambre Jean‐François Paillard & Jean‐François Paillard (French conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel3:21
9Concerto pour piano n°21 en do majeur: Andante
Klavier:
Maria João Pires (pianist)
Orchester:
Orquestra Gulbenkian (The Gulbenkian Orchestra)
conductor:
Theodor Guschlbauer (conductor)
Bearbeitung von:
Piano Concerto in C major No. 21, K. 467 "Elvira Madigan": II. Andante von Maria João Pires (pianist), Orchestre de chambre de la Gulbenkian (The Gulbenkian Orchestra), Theodor Guschlbauer (conductor)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart3:38
10Entrée des gladiateurs, op. 68
Orchester:
Česká filharmonie (Tschechische Philharmonie, formerly Czech Philharmonic Orchestra)
conductor:
Václav Neumann (Czech conductor)
Bearbeitung von:
Einzug der Gladiatoren, op. 68 von Česká filharmonie (Tschechische Philharmonie, formerly Czech Philharmonic Orchestra), Václav Neumann (Czech conductor)
recording of:
Vjezd gladiátorů, op. 68 (Einzug der Gladiatoren)
Komponist(in):
Julius Fučík (Czech composer) (in 1897)
Julius Fučík1:18
11Le Trouvère: Vedi le fosche
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Rizzi (conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:45
12Aida: Marche triomphale
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Rizzi (conductor)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
Giuseppe Verdi1:19
13Nabucco: Chœur des Hébreux
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Rizzi (conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:34
14Valse n°6, op. 64, n°1 « Valse minute »
Klavier:
Michèle Boegner
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (Walzer Nr. 6 Des-Dur "Minutenwalter", op. 64 Nr.1, BI. 164 Nr. 1)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1846 bis 1847)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 212)
Teil von:
Waltzes, op. 64
Fryderyk Chopin1:44
15Valse n°7, op. 64, n°2
Klavier:
Michèle Boegner
recording of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1846 bis 1847)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 213)
Teil von:
Waltzes, op. 64
Fryderyk Chopin3:20
16Concerto pour piano n°1 en si bémol mineur, op. 23: Allegro non troppo e molto maestoso
Klavier:
Alexei Sultanov (pianist)
Orchester:
London Symphony Orchestra
conductor:
Maxim Shostakovich (Maxim Dmitrievich Shostakovich, conductor and pianist, son of the composer)
Bearbeitung von:
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso von Alexei Sultanov (pianist), London Symphony Orchestra, Maxim Dmitrievich Shostakovich (conductor and pianist, son of the composer)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Piotr Ilyich Tchaïkovski3:03
17Concerto pour piano n°2 en do mineur, op. 18: Moderato
Klavier:
Alexei Sultanov (pianist) (in 1989-11)
Orchester:
London Symphony Orchestra (in 1989-11)
conductor:
Maxim Dmitrievich Shostakovich (conductor and pianist, son of the composer) (in 1989-11)
aufgenommen bei:
Snape Maltings in Suffolk, England, Vereinigtes Königreich (in 1989-11)
Bearbeitung von:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato von Alexei Sultanov (pianist), London Symphony Orchestra, Maxim Dmitrievich Shostakovich (conductor and pianist, son of the composer)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
Premiere in:
Moscow (Moskau), Russland (am 1900-12-15)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1900 bis 1901-04)
Teil von:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov4:05
18Le Messie: Allelujah
Chorgesang:
English Chamber Choir (in 1974)
Orchester:
English Chamber Orchestra (in 1974)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974)
chorus master:
Terry Edwards (British choir director) (in 1974)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1974)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel4:01
19Sonate au clair de lune: Adagio sostenuto
Klavier:
Pierre Barbizet (pianist)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
enthalten in:
end of starchild (video game soundtrack)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven3:04
20Symphonie n°6 en fa majeur op. 68 « Pastorale »: Allegro – Allegro – Allegretto
Orchester:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Theodor Guschlbauer (conductor)
Bearbeitung von:
Symphonie nr. 6 "Pastorale" op. 68: III. Allegro von New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), Theodor Guschlbauer (conductor), Symphonie nr. 6 "Pastorale" op. 68: IV. Allegro von New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), Theodor Guschlbauer (conductor) und Symphonie nr. 6 "Pastorale" op. 68: V. Allegretto von New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), Theodor Guschlbauer (conductor)
teilweise recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
gewidmet:
Joseph Franz von Lobkowitz und Андрей Разумовский (Russian diplomat)
Premiere bei:
Ludwig van Beethoven at Theater an der Wien (1808-12-22)
Premiere bei:
Theater an der Wien in Mariahilf, Wien, Österreich (am 1808-12-22)
Teil von:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (Nummer: 453), ABC Classic 100 (2001) (Nummer: 6) und Works of Ludwig van Beethoven by opus number (Nummer: op. 68)
Ludwig van Beethoven2:36
21Dimanche des rameaux: Agnus Dei
vocals:
Chœur grégorien de Paris
chorus master:
Xavier Chancerelle
Chant Grégorien0:56
22Jeudi Saint: Dominus Iesus
vocals:
Chœur grégorien de Paris
chorus master:
Xavier Chancerelle
Chant Grégorien0:56
23Concerto pour violon n°1 en sol mineur, op. 26
Geige / Violine:
Joan Field (violinist)
Orchester:
Berliner Sinfoniker (West Berlin, 1949–1967, renamed Symphonisches Orchester Berlin in 1967)
conductor:
Rudolf Albert (conductor)
Bearbeitung von:
Konzert für Violine und Orchester Nr. 1 g-moll, op. 26: 2. Satz: Adagio von Joan Field (violinist), Berliner Sinfoniker (West Berlin, 1949–1967, renamed Symphonisches Orchester Berlin in 1967), Rudolf Albert (conductor)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:03
24Così fan tutte: Soave sia il vento
Bass-Gesang:
Jules Bastin (Belgian 20th century operatic bass)
Mezzosoprangesang:
Frederica von Stade (mezzo-soprano)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
Orchestre philharmonique de Strasbourg (Philharmonieorchester Straßburg)
conductor:
Alain Lombard (conductor)
phonographisches Urheberrecht (℗) von:
Erato Classics snc (not for release label use! for copyrights use only) (in 1978)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:05
25Ouverture 1812
Orchester:
Israël Philarmonic Orchestra (Israel Philharmonic Orchestra, Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
Premiere in:
Moscow (Moskau), Russland (am 1882-08-20)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-09 bis 1880-11)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 46) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 49)
basiert auf:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Piotr Ilyich Tchaïkovski3:41
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