Les Indispensables du classique

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Les Quatre Saisons: Le Printemps. Allegro
engineer:
Peter Willemoës
solo violin:
Piero Toso (violinist) (in 1971-04)
orchestra:
I Solisti Veneti (in 1971-04)
conductor:
Claudio Scimone (conductor) (in 1971-04)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1971-04)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:34
2Le Beau Danube bleu, op. 314
orchestra:
Sinfonieorchester Basel
conductor:
Armin Jordan (conductor)
edit of:
An der schönen blauen Donau op. 314 by Basler Sinfonie Orchester, Armin Jordan (conductor)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss1:33
3L’Or et l’Argent, valse, op. 79
orchestra:
Sinfonieorchester Basel
conductor:
Armin Jordan (conductor)
edit of:
Gold und Silber op. 79 by Basler Sinfonie Orchester, Armin Jordan (conductor)
recording of:
Gold und Silber-Walzer, op. 79
composer:
Franz Lehár (composer)
Franz Lehár3:22
4L’Arnaque
sound engineer:
Jacques Doll and Roland Guillotel
producer and editor:
Roland Guillotel
solo piano:
Michel Legrand
recorded at:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (from 1994-05-23 until 1994-05-27)
recording of:
The Entertainer
composer:
Scott Joplin (composer and pianist) (in 1902)
publisher:
Chappell, EMI Music Publishing (do not use as a release label!) and Multimood Music (publisher)
part of:
Classic 100: Piano (2025) (number: 25)
Scott Joplin4:31
5Paillasse: Vesti la giubba
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Nello Santi (conductor)
edit of:
Pagliacci: Atto I. "Recitar" ... "Vesti la giubba" (Canio) by Plácido Domingo (tenor), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Nello Santi (conductor)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:54
6Toccata et fugue en ré mineur
organ:
Marie‐Claire Alain (organist)
edit of:
Toccata and Fugue in D Minor, BWV 565 by Marie‐Claire Alain (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach2:33
7Adagio pour orgue et cordes
orchestra:
Orchestre de chambre Jean‐François Paillard
conductor:
Jean‐François Paillard (French conductor)
arranger:
Remo Giazotto
edit of:
Albinoni: Adagio by Orchestre de chambre Jean‐François Paillard & Jean‐François Paillard (French conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni2:58
8Canon en ré majeur
orchestra:
Orchestre de chambre Jean‐François Paillard
conductor:
Jean‐François Paillard (French conductor)
arranger:
Jean‐François Paillard (French conductor)
edit of:
Pachelbel: Canon by Orchestre de chambre Jean‐François Paillard & Jean‐François Paillard (French conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:21
9Concerto pour piano n°21 en do majeur: Andante
piano:
Maria João Pires (pianist)
orchestra:
Orquestra Gulbenkian (The Gulbenkian Orchestra)
conductor:
Theodor Guschlbauer (conductor)
edit of:
Piano Concerto in C major No. 21, K. 467 "Elvira Madigan": II. Andante by Maria João Pires (pianist), Orchestre de chambre de la Gulbenkian (The Gulbenkian Orchestra), Theodor Guschlbauer (conductor)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart3:38
10Entrée des gladiateurs, op. 68
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra)
conductor:
Václav Neumann (Czech conductor)
edit of:
Einzug der Gladiatoren, op. 68 by Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra), Václav Neumann (Czech conductor)
recording of:
Vjezd gladiátorů, op. 68 (Entry of the Gladiators)
composer:
Julius Fučík (Czech composer) (in 1897)
Julius Fučík1:18
11Le Trouvère: Vedi le fosche
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Rizzi (conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:45
12Aida: Marche triomphale
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Rizzi (conductor)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:19
13Nabucco: Chœur des Hébreux
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Rizzi (conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:34
14Valse n°6, op. 64, n°1 « Valse minute »
piano:
Michèle Boegner
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 212)
part of:
Waltzes, op. 64
Fryderyk Chopin1:44
15Valse n°7, op. 64, n°2
piano:
Michèle Boegner
recording of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 213)
part of:
Waltzes, op. 64
Fryderyk Chopin3:20
16Concerto pour piano n°1 en si bémol mineur, op. 23: Allegro non troppo e molto maestoso
piano:
Alexei Sultanov (pianist)
orchestra:
London Symphony Orchestra
conductor:
Maxim Shostakovich (Maxim Dmitrievich Shostakovich, conductor and pianist, son of the composer)
edit of:
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso by Alexei Sultanov (pianist), London Symphony Orchestra, Maxim Dmitrievich Shostakovich (conductor and pianist, son of the composer)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Piotr Ilyich Tchaïkovski3:03
17Concerto pour piano n°2 en do mineur, op. 18: Moderato
piano:
Alexei Sultanov (pianist) (in 1989-11)
orchestra:
London Symphony Orchestra (in 1989-11)
conductor:
Maxim Dmitrievich Shostakovich (conductor and pianist, son of the composer) (in 1989-11)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1989-11)
edit of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato by Alexei Sultanov (pianist), London Symphony Orchestra, Maxim Dmitrievich Shostakovich (conductor and pianist, son of the composer)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov4:05
18Le Messie: Allelujah
choir vocals:
English Chamber Choir (in 1974)
orchestra:
English Chamber Orchestra (in 1974)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974)
chorus master:
Terry Edwards (British choir director) (in 1974)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1974)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:01
19Sonate au clair de lune: Adagio sostenuto
piano:
Pierre Barbizet (pianist)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
included in:
end of starchild (video game soundtrack)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven3:04
20Symphonie n°6 en fa majeur op. 68 « Pastorale »: Allegro – Allegro – Allegretto
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Theodor Guschlbauer (conductor)
edit of:
Symphonie nr. 6 "Pastorale" op. 68: III. Allegro by New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), Theodor Guschlbauer (conductor), Symphonie nr. 6 "Pastorale" op. 68: IV. Allegro by New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), Theodor Guschlbauer (conductor) and Symphonie nr. 6 "Pastorale" op. 68: V. Allegretto by New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), Theodor Guschlbauer (conductor)
partial recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”
composer:
Ludwig van Beethoven (German composer) (in 1808)
dedicated to:
Joseph Franz von Lobkowitz and Андрей Разумовский (Russian diplomat)
premiered at:
Ludwig van Beethoven at Theater an der Wien (1808-12-22)
premiered at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (on 1808-12-22)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: 453), ABC Classic 100 (2001) (number: 6) and Works of Ludwig van Beethoven by opus number (number: op. 68)
Ludwig van Beethoven2:36
21Dimanche des rameaux: Agnus Dei
vocals:
Chœur grégorien de Paris
chorus master:
Xavier Chancerelle
Chant Grégorien0:56
22Jeudi Saint: Dominus Iesus
vocals:
Chœur grégorien de Paris
chorus master:
Xavier Chancerelle
Chant Grégorien0:56
23Concerto pour violon n°1 en sol mineur, op. 26
violin:
Joan Field (violinist)
orchestra:
Berliner Sinfoniker (West Berlin, 1949–1967, renamed Symphonisches Orchester Berlin in 1967)
conductor:
Rudolf Albert (conductor)
edit of:
Konzert für Violine und Orchester Nr. 1 g-moll, op. 26: 2. Satz: Adagio by Joan Field (violinist), Berliner Sinfoniker (West Berlin, 1949–1967, renamed Symphonisches Orchester Berlin in 1967), Rudolf Albert (conductor)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:03
24Così fan tutte: Soave sia il vento
bass vocals:
Jules Bastin (Belgian 20th century operatic bass)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra)
conductor:
Alain Lombard (conductor)
phonographic copyright (℗) by:
Erato Classics snc (not for release label use! for copyrights use only) (in 1978)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:05
25Ouverture 1812
orchestra:
Israël Philarmonic Orchestra (Israel Philharmonic Orchestra, Israeli orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Piotr Ilyich Tchaïkovski3:41
2▶CD