Piramo e Tisbe

~ Pubblicazione di Johann Adolf Hasse; Anett Fritsch, Roberta Mameli, Jeremy Ovenden, Akademie für Alte Musik Berlin, Bernhard Forck (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶Supporto digitale
2▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Piramo e Tisbe, Act II, Scene 1: Recitativo. Son pur giunta una volta
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Recitativo. “Son pur giunta una volta” (Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:08
2Piramo e Tisbe, Act II, Scene 1: Aria. Infelice! in tanto orrore
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Aria. “Infelice! in tanto orrore” (Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse1:22
3Piramo e Tisbe, Act II, Scene 1: Un poco lento una poco ad andantino. Freddo il sangue
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Un poco lento una poco ad andantino. “Freddo il sangue” (Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse1:07
4Piramo e Tisbe, Act II, Scene 1: Andantino come prima ed amoroso. Infelice! In tanto orrore
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Andantino come prima ed amoroso. “Infelice! In tanto orrore” (Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse0:55
5Piramo e Tisbe, Act II, Scene 1: Recitativo. Misera! ancor non viene
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Recitativo. “Misera! ancor non viene” (Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:06
6Piramo e Tisbe, Act II, Scene 1: Aria. Rendete, eterni Dei
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Aria. “Rendete, eterni Dei” (Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse4:03
7Piramo e Tisbe, Act II, Scene 1: Lento. Son pieni i voti miei
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Lento. “Son pieni i voti miei” (Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse1:55
8Piramo e Tisbe, Act II, Scene 1: Tempo di prima, da capo. Rendete, eterni Dei
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Tempo di prima, da capo. “Rendete, eterni Dei” (Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse3:21
9Piramo e Tisbe, Act II, Scene 1: Recitativo. Ma che sento - Sinfonia per la comparsa del leone: No. 1, Coll' istessa prestezza
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Recitativo. “Ma che sento” (Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Sinfonia per la comparsa del leone: No. 1, Coll' istessa prestezza (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse0:58
10Piramo e Tisbe, Act II, Scene 1: Sinfonia per la comparsa del leone: No. 2, Un poco lento
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 1: Sinfonia per la comparsa del leone: No. 2, Un poco lento (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse0:29
11Piramo e Tisbe, Act II, Scene 2: Recitativo. Grazie al ciel
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Piramo]:
Anett Fritsch (soprano) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 2: Recitativo. “Grazie al ciel” (Piramo) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse0:57
12Piramo e Tisbe, Act II, Scene 2: Andantino amoroso. Arioso. Che puro ciel!
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Piramo]:
Anett Fritsch (soprano) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 2: Andantino amoroso. Arioso. “Che puro ciel!” (Piramo) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:04
13Piramo e Tisbe, Act II, Scene 2: Aria. Così tranquilla, e cheta serena notte
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Piramo]:
Anett Fritsch (soprano) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 2: Aria. “Così tranquilla, e cheta serena notte” (Piramo) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse3:01
14Piramo e Tisbe, Act II, Scene 2: Allegretto. Così d'Ida selvosa
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Piramo]:
Anett Fritsch (soprano) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 2: Allegretto. “Così d'Ida selvosa” (Piramo) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse0:38
15Piramo e Tisbe, Act II, Scene 2: Tempo di prima, da capo. Così tranquilla
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Piramo]:
Anett Fritsch (soprano) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 2: Tempo di prima, da capo. “Così tranquilla” (Piramo) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse1:57
16Piramo e Tisbe, Act II, Scene 2: Recitativo. Ma s'avanza la notte
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Piramo]:
Anett Fritsch (soprano) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 2: Recitativo. “Ma s’avanza la notte” (Piramo) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse5:31
17Piramo e Tisbe, Act II, Scene 2: Aria. Già la sento
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Piramo]:
Anett Fritsch (soprano) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 2: Aria. “Già la sento” (Piramo) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:27
18Piramo e Tisbe, Act II, Scene 2: Largo. Non sdegnarti bell'ombra diletta
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Piramo]:
Anett Fritsch (soprano) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 2: Largo. “Non sdegnarti bell’ombra diletta” (Piramo) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:34
19Piramo e Tisbe, Act II, Scene 3: Recitativo. Misera! Ove m'inoltro!
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Piramo]:
Anett Fritsch (soprano) (nel 2024-05)
voce di soprano [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 3: Recitativo. “Misera! Ove m’inoltro!” (Tisbe, Piramo) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse3:45
20Piramo e Tisbe, Act II, Scene 3: Duetto. Ah, che mirar degg'io!
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di soprano [Piramo]:
Anett Fritsch (soprano) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 3: Duetto. “Ah, che mirar degg’io!” (Piramo, Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse3:21
21Piramo e Tisbe, Act II, Scene 4: Recitativo. Non m'inganna lo sguardo
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di tenore [Il padre di Tisbe]:
Jeremy Ovenden (tenor) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 4: Recitativo. “Non m’inganna lo sguardo” (Il padre di Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:33
22Piramo e Tisbe, Act II, Scene 4: Aria. Nella nera ombra di morte
tecnico di registrazione:
Martin Kistner (engineer)
direzione artistica e editor:
Philipp Nedel
tecnico di missaggio:
Martin Kistner (engineer) (incarico: Dolby Atmos mixing) e Philipp Nedel
clavicembalo :
Raphael Alpermann (keyboard instrumentalist) (nel 2024-05)
contrabbasso :
Walter Rumer (double bassist) (nel 2024-05)
corno :
Miroslav Rovensky (nel 2024-05) e Erwin Wieringa (Dutch horn player) (nel 2024-05)
fagotto :
Karin Gemeinhardt (bassoonist) (nel 2024-05) e Luise Manske (nel 2024-05)
flauto :
Gergely Bodoky (nel 2024-05) e Andrea Theinert (flautist) (nel 2024-05)
oboe :
Michael Bosch (oboe) (nel 2024-05) e Eleonora Trivella (oboist) (nel 2024-05)
strumenti:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (nel 2024-05)
viola :
Monika Grimm (nel 2024-05) e Clemens-Maria Nuszbaumer (nel 2024-05)
violino [I] :
Emmanuelle Bernard (violinist and violist) (nel 2024-05), Gudrun Engelhardt (nel 2024-05), Bernhard Forck (conductor/violinist) (nel 2024-05), Thomas Graewe (violinist) (nel 2024-05) e Katharina Grossmann (violinist) (nel 2024-05)
violino [II] :
Erik Dorset (violinist and liner notes translator) (nel 2024-05), Edburg Forck (violinist) (nel 2024-05), Edi Kotlyar (nel 2024-05) e Dörte Wetzel (violinist) (nel 2024-05)
violoncello :
Antje Geusen (nel 2024-05) e Katharina Litschig (cellist) (nel 2024-05)
voce di tenore [Il padre di Tisbe]:
Jeremy Ovenden (tenor) (nel 2024-05)
primo violino:
Bernhard Forck (conductor/violinist) (nel 2024-05)
registrata presso:
Studio b‐sharp in Berlin, Germania (nel 2024-05)
registrazione di:
Piramo e Tisbe, Act II, Scene 4: Aria. “Nella nera ombra di morte” (Il padre di Tisbe) (nel 2024-05)
compositore:
Johann Adolf Hasse (composer)
librettista:
Marco Coltellini (Italian librettist)
parte di:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:54