Piramo e Tisbe

~ Release by Johann Adolf Hasse; Anett Fritsch, Roberta Mameli, Jeremy Ovenden, Akademie für Alte Musik Berlin, Bernhard Forck (see all versions of this release, 1 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Piramo e Tisbe, Act II, Scene 1: Recitativo. Son pur giunta una volta
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 1: Recitativo. “Son pur giunta una volta” (Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:08
2Piramo e Tisbe, Act II, Scene 1: Aria. Infelice! in tanto orrore
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 1: Aria. “Infelice! in tanto orrore” (Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse1:22
3Piramo e Tisbe, Act II, Scene 1: Un poco lento una poco ad andantino. Freddo il sangue
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 1: Un poco lento una poco ad andantino. “Freddo il sangue” (Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse1:07
4Piramo e Tisbe, Act II, Scene 1: Andantino come prima ed amoroso. Infelice! In tanto orrore
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 1: Andantino come prima ed amoroso. “Infelice! In tanto orrore” (Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse0:55
5Piramo e Tisbe, Act II, Scene 1: Recitativo. Misera! ancor non viene
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 1: Recitativo. “Misera! ancor non viene” (Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:06
6Piramo e Tisbe, Act II, Scene 1: Aria. Rendete, eterni Dei
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 1: Aria. “Rendete, eterni Dei” (Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse4:03
7Piramo e Tisbe, Act II, Scene 1: Lento. Son pieni i voti miei
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 1: Lento. “Son pieni i voti miei” (Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse1:55
8Piramo e Tisbe, Act II, Scene 1: Tempo di prima, da capo. Rendete, eterni Dei
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 1: Tempo di prima, da capo. “Rendete, eterni Dei” (Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse3:21
9Piramo e Tisbe, Act II, Scene 1: Recitativo. Ma che sento - Sinfonia per la comparsa del leone: No. 1, Coll' istessa prestezza
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 1: Recitativo. “Ma che sento” (Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
recording of:
Piramo e Tisbe, Act II, Scene 1: Sinfonia per la comparsa del leone: No. 1, Coll' istessa prestezza (in 2024-05)
composer:
Johann Adolf Hasse (composer)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse0:58
10Piramo e Tisbe, Act II, Scene 1: Sinfonia per la comparsa del leone: No. 2, Un poco lento
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 1: Sinfonia per la comparsa del leone: No. 2, Un poco lento (in 2024-05)
composer:
Johann Adolf Hasse (composer)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse0:29
11Piramo e Tisbe, Act II, Scene 2: Recitativo. Grazie al ciel
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Piramo]:
Anett Fritsch (soprano) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 2: Recitativo. “Grazie al ciel” (Piramo) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse0:57
12Piramo e Tisbe, Act II, Scene 2: Andantino amoroso. Arioso. Che puro ciel!
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Piramo]:
Anett Fritsch (soprano) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 2: Andantino amoroso. Arioso. “Che puro ciel!” (Piramo) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:04
13Piramo e Tisbe, Act II, Scene 2: Aria. Così tranquilla, e cheta serena notte
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Piramo]:
Anett Fritsch (soprano) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 2: Aria. “Così tranquilla, e cheta serena notte” (Piramo) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse3:01
14Piramo e Tisbe, Act II, Scene 2: Allegretto. Così d'Ida selvosa
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Piramo]:
Anett Fritsch (soprano) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 2: Allegretto. “Così d'Ida selvosa” (Piramo) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse0:38
15Piramo e Tisbe, Act II, Scene 2: Tempo di prima, da capo. Così tranquilla
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Piramo]:
Anett Fritsch (soprano) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 2: Tempo di prima, da capo. “Così tranquilla” (Piramo) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse1:57
16Piramo e Tisbe, Act II, Scene 2: Recitativo. Ma s'avanza la notte
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Piramo]:
Anett Fritsch (soprano) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 2: Recitativo. “Ma s’avanza la notte” (Piramo) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse5:31
17Piramo e Tisbe, Act II, Scene 2: Aria. Già la sento
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Piramo]:
Anett Fritsch (soprano) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 2: Aria. “Già la sento” (Piramo) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:27
18Piramo e Tisbe, Act II, Scene 2: Largo. Non sdegnarti bell'ombra diletta
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Piramo]:
Anett Fritsch (soprano) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 2: Largo. “Non sdegnarti bell’ombra diletta” (Piramo) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:34
19Piramo e Tisbe, Act II, Scene 3: Recitativo. Misera! Ove m'inoltro!
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Piramo]:
Anett Fritsch (soprano) (in 2024-05)
soprano vocals [Tisbe]:
Roberta Mameli (Italian soprano opera singer) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 3: Recitativo. “Misera! Ove m’inoltro!” (Tisbe, Piramo) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse3:45
20Piramo e Tisbe, Act II, Scene 3: Duetto. Ah, che mirar degg'io!
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
soprano vocals [Piramo]:
Anett Fritsch (soprano) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 3: Duetto. “Ah, che mirar degg’io!” (Piramo, Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse3:21
21Piramo e Tisbe, Act II, Scene 4: Recitativo. Non m'inganna lo sguardo
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
tenor vocals [Il padre di Tisbe]:
Jeremy Ovenden (tenor) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 4: Recitativo. “Non m’inganna lo sguardo” (Il padre di Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:33
22Piramo e Tisbe, Act II, Scene 4: Aria. Nella nera ombra di morte
recording engineer:
Martin Kistner (engineer)
art direction and editor:
Philipp Nedel
mixer:
Martin Kistner (engineer) (task: Dolby Atmos mixing) and Philipp Nedel
bassoon:
Karin Gemeinhardt (bassoonist) (in 2024-05) and Luise Manske (in 2024-05)
cello:
Antje Geusen (in 2024-05) and Katharina Litschig (cellist) (in 2024-05)
double bass:
Walter Rumer (double bassist) (in 2024-05)
flute:
Gergely Bodoky (in 2024-05) and Andrea Theinert (flautist) (in 2024-05)
harpsichord:
Raphael Alpermann (keyboard instrumentalist) (in 2024-05)
horn:
Miroslav Rovensky (in 2024-05) and Erwin Wieringa (Dutch horn player) (in 2024-05)
instruments:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2024-05)
oboe:
Michael Bosch (oboe) (in 2024-05) and Eleonora Trivella (oboist) (in 2024-05)
viola:
Monika Grimm (in 2024-05) and Clemens-Maria Nuszbaumer (in 2024-05)
violin [I]:
Emmanuelle Bernard (violinist and violist) (in 2024-05), Gudrun Engelhardt (in 2024-05), Bernhard Forck (conductor/violinist) (in 2024-05), Thomas Graewe (violinist) (in 2024-05) and Katharina Grossmann (violinist) (in 2024-05)
violin [II]:
Erik Dorset (violinist and liner notes translator) (in 2024-05), Edburg Forck (violinist) (in 2024-05), Edi Kotlyar (in 2024-05) and Dörte Wetzel (violinist) (in 2024-05)
tenor vocals [Il padre di Tisbe]:
Jeremy Ovenden (tenor) (in 2024-05)
concertmaster:
Bernhard Forck (conductor/violinist) (in 2024-05)
recorded at:
Studio b‐sharp in Berlin, Germany (in 2024-05)
recording of:
Piramo e Tisbe, Act II, Scene 4: Aria. “Nella nera ombra di morte” (Il padre di Tisbe) (in 2024-05)
composer:
Johann Adolf Hasse (composer)
librettist:
Marco Coltellini (Italian librettist)
part of:
Piramo e Tisbe: Atto II
Johann Adolf Hasse2:54