John Williams - At the Movies

~ Veröffentlichung von John Williams (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2024 UMG Recordings, Inc.»

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Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Fawkes the Phoenix - From “Harry Potter and the Chamber of Secrets” / Live at Suntory Hall, Tokyo / 2023
Orchester:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (am 2023-09-05)
conductor:
John Williams (American score composer and conductor) (am 2023-09-05)
aufgenommen bei:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (am 2023-09-05)
live recording of:
Fawkes the Phoenix (Harry Potter and the Chamber of Secrets)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
Teil von:
Harry Potter and the Chamber of Secrets (2002 film score)
John Williams & サイトウ・キネン・オーケストラ3:58
2The Imperial March - From “Star Wars: The Empire Strikes Back” / Live at Suntory Hall, Tokyo / 2023
Orchester:
Saito Kinen Orchestra (am 2023-09-05)
conductor:
John Williams (American score composer and conductor) (am 2023-09-05)
aufgenommen bei:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (am 2023-09-05)
live recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & サイトウ・キネン・オーケストラ3:10
3Nimbus 2000 - From “Harry Potter and the Philosopher’s Stone”
Assistent recording engineer:
Johannes Hartmuth (in 2021-10) und Jupp Wegner (engineer) (in 2021-10)
Produzent(in):
Christoph Franke (engineer/producer)
Mix:
René Möller
Editing:
Erik Brauer
Orchester:
Berliner Philharmoniker (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
Tonmeister(in):
René Möller (in 2021-10)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
aufgenommen bei:
Philharmonie in Mitte, Berlin, Deutschland (in 2021-10)
Bearbeitung von:
Nimbus 2000 (From Harry Potter and the Philosopher’s Stone) (with applause) von Berliner Philharmoniker, John Williams (American score composer and conductor)
live recording of:
Nimbus 2000 (Harry Potter and the Sorcerer’s Stone) (in 2021-10)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
John Williams & Berliner Philharmoniker2:16
4The Empire Strikes Back: Yoda’s Theme
Produzent(in):
George Korngold (producer)
Orchester:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1980-06)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (in 1980-06)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & Boston Pops Orchestra3:22
5Hedwig’s Theme - From “Harry Potter and the Philosopher’s Stone” / Live at Suntory Hall, Tokyo / 2023
Orchester:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (am 2023-09-05)
conductor:
John Williams (American score composer and conductor) (am 2023-09-05)
aufgenommen bei:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (am 2023-09-05)
live recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
Teil von:
Harry Potter and the Philosopher’s Stone (Harry Potter und der Stein der Weisen, 2001 film score)
John Williams & サイトウ・キネン・オーケストラ4:57
6Moonlight Serenade
Techniker(in):
Stanley Goodall (engineer) und John Newton (editor, engineer mixer)
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer and conductor) (in 1984-05)
arranger:
Richard Hayman
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1984-05)
cover recording of:
Moonlight Serenade (original instrumental version) (in 1984-05)
Komponist(in) und arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Moonlight Serenade (original instrumental version)
Komponist(in) und arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller, John Williams & Boston Pops Orchestra3:47
7March of the Resistance - From “Star Wars: The Force Awakens”
Orchester:
Wiener Philharmoniker (von 2022-03-12 bis 2022-03-13)
conductor:
John Williams (American score composer and conductor) (von 2022-03-12 bis 2022-03-13)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 2022-03-12 bis 2022-03-13)
live recording of:
March of the Resistance (Star Wars: The Force Awakens) (von 2022-03-12 bis 2022-03-13)
Komponist(in):
John Williams (American score composer and conductor) (von 2014-12 bis 2015-11)
publisher:
Utapau Music
Teil von:
Star Wars, Episode VII: The Force Awakens (2015 film score)
Teil von:
Star Wars: The Force Awakens (Suite for Orchestra)
John Williams & Wiener Philharmoniker2:34
8Superman March - From “Superman” / Live at Suntory Hall, Tokyo / 2023
Orchester:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (am 2023-09-05)
conductor:
John Williams (American score composer and conductor) (am 2023-09-05)
aufgenommen bei:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (am 2023-09-05)
live recording of:
Main Theme (Superman: The Movie)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Superman: The Movie (1978 film soundtrack)
John Williams & サイトウ・キネン・オーケストラ4:36
9Love Theme - From “A Summer Place”
recording engineer:
John Newton (editor, engineer mixer)
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer and conductor) (in 1987-06)
arranger:
Lee Holdridge
Tonmeister(in):
Onno Scholtze (sound engineer)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1987-06)
recording of:
Theme from “A Summer Place” (original instrumental version) (in 1987-06)
Komponist(in):
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Max Steiner, John Williams & Boston Pops Orchestra2:38
10E.T.: Flying Theme
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
Komponist(in):
John Williams (American score composer and conductor) (in 1982)
Teil von:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Boston Pops Orchestra3:45
11Theme - From “Jurassic Park”
Assistent recording engineer:
Johannes Hartmuth (in 2021-10) und Jupp Wegner (engineer) (in 2021-10)
Produzent(in):
Christoph Franke (engineer/producer)
Mix:
René Möller
Editing:
Erik Brauer
Orchester:
Berliner Philharmoniker (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
Tonmeister(in):
René Möller (in 2021-10)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
aufgenommen bei:
Philharmonie in Mitte, Berlin, Deutschland (in 2021-10)
Bearbeitung von:
Theme (From Jurassic Park) (with applause) von Berliner Philharmoniker, John Williams (American score composer and conductor)
live recording of:
Theme From Jurassic Park (Jurassic Park) (in 2021-10)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
Teil von:
Jurassic Park (1993 film score)
John Williams & Berliner Philharmoniker5:37
12Theme - From “Schindler’s List” / Live at Suntory Hall, Tokyo / 2023
Geige / Violine:
豊嶋泰嗣 (violinist/violist) (am 2023-09-05)
Orchester:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (am 2023-09-05)
conductor:
John Williams (American score composer and conductor) (am 2023-09-05)
aufgenommen bei:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (am 2023-09-05)
live recording of:
Main Theme (Schindler’s List)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
John Williams & サイトウ・キネン・オーケストラ4:07
13Rey’s Theme - From “Star Wars: The Force Awakens”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Wolfgang Schiefermair
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Rey’s Theme (Star Wars: The Force Awakens) (in 2019-04)
Komponist(in):
John Williams (American score composer and conductor) (von 2014-12 bis 2015-11)
publisher:
Utapau Music
Teil von:
Star Wars, Episode VII: The Force Awakens (2015 film score)
Teil von:
Star Wars: The Force Awakens (Suite for Orchestra)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles3:17
14Main Title And First Victim - From “Jaws” Soundtrack
recording of:
Main Theme (Jaws)
Komponist(in):
John Williams (American score composer and conductor)
enthalten in:
Trail Mix‐Up
Teil von:
Jaws (Der weiße Hai, 1975 film score)
John Williams3.53:23
15Donnybrook Fair - Based On “Blowing Off Steam” From “Far And Away”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Donnybrook Fair (Based On "Blowing Off Steam" from "Far And Away") (in 2019-04)
Komponist(in):
John Williams (American score composer and conductor)
basiert auf:
Blowing Off Steam
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles3:53
16Superman: Superman: Love Theme
Produzent(in):
George Korngold (producer)
Orchester:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1980-06)
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1980-06)
Texter:
Leslie Bricusse
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Version von:
Flying Part III (Superman: The Movie)
Teil von:
Superman: The Movie (1978 film soundtrack)
John Williams & Boston Pops Orchestra4:48
17Scherzo for Motorcycle and Orchestra - From “Indiana Jones and the Last Crusade”
Assistent recording engineer:
Johannes Hartmuth (in 2021-10) und Jupp Wegner (engineer) (in 2021-10)
Produzent(in):
Christoph Franke (engineer/producer)
Mix:
René Möller
Editing:
Erik Brauer
Orchester:
Berliner Philharmoniker (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
Tonmeister(in):
René Möller (in 2021-10)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
aufgenommen bei:
Philharmonie in Mitte, Berlin, Deutschland (in 2021-10)
Bearbeitung von:
Scherzo for Motorcycle and Orchestra (From Indiana Jones and the Last Crusade) (with applause) von Berliner Philharmoniker, John Williams (American score composer and conductor)
live recording of:
Scherzo for Motorcycle and Orchestra (Indiana Jones and the Last Crusade) (in 2021-10)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Indiana Jones and the Last Crusade
John Williams & Berliner Philharmoniker3:36
183. The Return [Jane Eyre]
recording engineer und Techniker(in):
Erdo Groot (sound engineer for recordings of classical music)
Produzent(in):
George Korngold (producer) und John McClure (recording engineer and record producer)
Editing:
Amelia Rogers
Orchester:
Boston Pops Orchestra (in 1987-05)
conductor:
John Williams (American score composer and conductor) (in 1987-05)
Tonmeister(in):
Onno Scholtze (sound engineer)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1987-05)
recording of:
Jane Eyre: III. The Return (in 1987-05)
Komponist(in):
John Williams (American score composer and conductor)
John Williams & Boston Pops Orchestra6:06
19Return Of The Jedi: Jabba The Hutt
Produzent(in):
John McClure (recording engineer and record producer)
Tuba:
Chester Schmitz (tubist) (in 1983-06)
Orchester:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer and conductor) (in 1983-06)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1983-06)
recording of:
Jabba the Hutt (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
Komponist(in):
John Williams (American score composer and conductor)
John Williams & Boston Pops Orchestra3:34
20More - From “Mondo Cane”
recording engineer:
John Newton (editor, engineer mixer)
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer and conductor) (in 1987-06)
arranger:
Richard Hayman
Tonmeister(in):
Onno Scholtze (sound engineer)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1987-06)
recording of:
Ti guarderò nel cuore (in 1987-06)
Texter:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
Komponist(in):
Nino Oliviero (Italian musician and composer) und Riz Ortolani (songwriter, film music composer and music director)
Riz Ortolani, Gaetano Oliviero, Norman Newell, Richard Hayman, John Williams & Boston Pops Orchestra3:31
21Fawkes the Phoenix - From “Harry Potter and the Chamber of Secrets”
Orchester:
Wiener Philharmoniker (von 2022-03-12 bis 2022-03-13)
conductor:
John Williams (American score composer and conductor) (von 2022-03-12 bis 2022-03-13)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 2022-03-12 bis 2022-03-13)
live recording of:
Fawkes the Phoenix (Harry Potter and the Chamber of Secrets) (von 2022-03-12 bis 2022-03-13)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
Teil von:
Harry Potter and the Chamber of Secrets (2002 film score)
John Williams & Wiener Philharmoniker3:56
22Theme - From “Sabrina”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Theme From Sabrina (in 2019-04)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Sabrina (1995 film score)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:59
23The Empire Strikes Back: The Imperial March
Produzent(in):
George Korngold (producer)
Orchester:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1980-06)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (in 1980-06)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & Boston Pops Orchestra3:07
24Theme From Schindler’s List - From “Schindler’s List” Soundtrack
assistierende(r) Techniker(in):
Andrew Bass und Greg Denon
Produzent(in):
John Williams (American score composer and conductor)
Mix:
Shawn Murphy (producer/engineer)
Editing:
Kenneth Wannberg
Geige / Violine:
Itzhak Perlman (violinist and conductor)
Orchester:
Boston Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
aufgenommen bei:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten und Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten
recording of:
Main Theme (Schindler’s List)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
John Williams, Itzhak Perlman & Boston Symphony Orchestra3.54:15
25Marion’s Theme - From “Indiana Jones and the Raiders of the Lost Ark”
recording engineer:
Tobias Lehmann (in 2020-01)
assistierende(r) Techniker(in):
Wolfgang Schiefermair (in 2020-01)
Produzent(in), Mix und Editing:
Bernhard Güttler (engineer)
Orchester:
Wiener Philharmoniker (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
aufgenommen bei:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien, Österreich (in 2020-01)
live recording of:
Marion’s Theme (Raiders of the Lost Ark) (in 2020-01)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music
John Williams & Wiener Philharmoniker4:02
26The Duel - From “The Adventures Of Tintin”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
The Duel (from "The Adventures Of Tintin") (in 2019-04)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
The Adventures of Tintin: The Secret of the Unicorn
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:24
27Star Wars: Princess Leia
recorded in:
Boston, Massachusetts, Vereinigte Staaten (in 1980-06)
Produzent(in):
George Korngold (producer)
Orchester:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1980-06)
recording of:
Princess Leia’s Theme (Star Wars, Episode IV: A New Hope) (in 1980-06)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & Boston Pops Orchestra4:06
28The Flight to Neverland - From “Hook”
recording engineer:
Tobias Lehmann (in 2020-01)
assistierende(r) Techniker(in):
Wolfgang Schiefermair (in 2020-01)
Produzent(in), Mix und Editing:
Bernhard Güttler (engineer)
Orchester:
Wiener Philharmoniker (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
aufgenommen bei:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien, Österreich (in 2020-01)
live recording of:
Flight to Neverland (Hook) (in 2020-01)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Hook
John Williams & Wiener Philharmoniker5:13
29Luke & Leia - From “Star Wars: Return of the Jedi”
recording engineer:
Tobias Lehmann (in 2020-01)
assistierende(r) Techniker(in):
Wolfgang Schiefermair (in 2020-01)
Produzent(in), Mix und Editing:
Bernhard Güttler (engineer)
Orchester:
Wiener Philharmoniker (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
aufgenommen bei:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien, Österreich (in 2020-01)
live recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (in 2020-01)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
Teil von:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams & Wiener Philharmoniker4:06
30The Chairman’s Waltz - From “Memoirs Of A Geisha”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Cello:
Lynn Harrell (cellist) (in 2019-04)
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
The Chairman's Waltz (Memoirs of a Geisha) (in 2019-04)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Memoirs of a Geisha (2005 film score)
John Williams, Anne‐Sophie Mutter, Lynn Harrell & Recording Arts Orchestra of Los Angeles4:00
31The Rebellion is Reborn - From “Star Wars: The Last Jedi” / Live at Suntory Hall, Tokyo / 2023
Orchester:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (am 2023-09-05)
conductor:
John Williams (American score composer and conductor) (am 2023-09-05)
aufgenommen bei:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (am 2023-09-05)
live recording of:
The Rebellion Is Reborn
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Utapau Music
Teil von:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams & サイトウ・キネン・オーケストラ4:11
32Olympic Fanfare and Theme
Assistent recording engineer:
Johannes Hartmuth (in 2021-10) und Jupp Wegner (engineer) (in 2021-10)
Produzent(in):
Christoph Franke (engineer/producer)
Mix:
René Möller
Editing:
Erik Brauer
Orchester:
Berliner Philharmoniker (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
Tonmeister(in):
René Möller (in 2021-10)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
aufgenommen bei:
Philharmonie in Mitte, Berlin, Deutschland (in 2021-10)
Bearbeitung von:
Olympic Fanfare and Theme (with applause) von Berliner Philharmoniker, John Williams (American score composer and conductor)
live recording of:
Olympic Fanfare and Theme (1984 version) (in 2021-10)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Official Songs of the Olympic Games (Nummer: 1984)
John Williams & Berliner Philharmoniker4:16
33The Adventures of Han - From “Solo: A Star Wars Story”
Assistent recording engineer:
Johannes Hartmuth (in 2021-10) und Jupp Wegner (engineer) (in 2021-10)
Produzent(in):
Christoph Franke (engineer/producer)
Mix:
René Möller
Editing:
Erik Brauer
Orchester:
Berliner Philharmoniker (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
Tonmeister(in):
René Möller (in 2021-10)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
aufgenommen bei:
Philharmonie in Mitte, Berlin, Deutschland (in 2021-10)
Bearbeitung von:
The Adventures of Han (From Solo: A Star Wars Story) (with applause) von Berliner Philharmoniker, John Williams (American score composer and conductor)
live recording of:
The Adventures of Han (in 2021-10)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Solo: A Star Wars Story
John Williams & Berliner Philharmoniker4:16
34Night Journeys - From “Dracula”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Night Journeys (Dracula) (in 2019-04)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Dracula (1979 film score)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles5:38
35Sayuri’s Theme - From “Memoirs Of A Geisha”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Sayuri's Theme (Memoirs of a Geisha) (in 2019-04)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Memoirs of a Geisha (2005 film score)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:44
36Harry’s Wondrous World - From “Harry Potter and the Philosopher’s Stone” / Live at Suntory Hall, Tokyo / 2023
Orchester:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (am 2023-09-05)
conductor:
John Williams (American score composer and conductor) (am 2023-09-05)
aufgenommen bei:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (am 2023-09-05)
live recording of:
Harry’s Wondrous World (Harry's Wondrous World, Harry Potter and the Sorcerer’s Stone)
publisher:
Hal Leonard
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Harry Potter and the Philosopher’s Stone (Harry Potter und der Stein der Weisen, 2001 film score)
Teil von:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
John Williams & サイトウ・キネン・オーケストラ4:55
37Suite - From “Jaws”
recording engineer:
Tobias Lehmann (in 2020-01)
assistierende(r) Techniker(in):
Wolfgang Schiefermair (in 2020-01)
Produzent(in), Mix und Editing:
Bernhard Güttler (engineer)
Orchester:
Wiener Philharmoniker (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
aufgenommen bei:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien, Österreich (in 2020-01)
live recording of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws) (in 2020-01)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
USI B Music Publishing
Teil von:
Suite From Jaws (Jaws)
John Williams & Wiener Philharmoniker5:08
38Han Solo and the Princess - From “Star Wars: The Empire Strikes Back”
Geige / Violine:
Anne‐Sophie Mutter (violinist) (von 2021-09 bis 2021-10)
Orchester:
Boston Symphony Orchestra (von 2021-09 bis 2021-10)
conductor:
John Williams (American score composer and conductor) (von 2021-09 bis 2021-10)
recording of:
Han Solo and the Princess (Star Wars, Episode V: The Empire Strikes Back) (von 2021-09 bis 2021-10)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra5:27
39Nice to Be Around - From “Cinderella Liberty”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Nice to Be Around (in 2019-04)
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
The 46th Academy Award for Best Original Song (Nummer: 2)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:02
40Across the Stars (Love Theme) - From “Star Wars: Attack Of The Clones”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Wolfgang Schiefermair
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme) (in 2019-04)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music
Teil von:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles5:18
41Dartmoor, 1912 - From “War Horse”
recording engineer:
Tobias Lehmann (in 2020-01)
assistierende(r) Techniker(in):
Wolfgang Schiefermair (in 2020-01)
Produzent(in), Mix und Editing:
Bernhard Güttler (engineer)
Orchester:
Wiener Philharmoniker (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
aufgenommen bei:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien, Österreich (in 2020-01)
live recording of:
Dartmoor (War Horse) (in 2020-01)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
War Horse (2011 film score)
John Williams & Wiener Philharmoniker6:37
42Raiders March - From “Indiana Jones and the Raiders of the Lost Ark” / Live at Suntory Hall, Tokyo / 2023
Orchester:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (am 2023-09-05)
conductor:
John Williams (American score composer and conductor) (am 2023-09-05)
aufgenommen bei:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (am 2023-09-05)
live recording of:
The Raiders March (Raiders of the Lost Ark)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
BMG Music
Teil von:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams & サイトウ・キネン・オーケストラ5:29
43Devil’s Dance - From “The Witches of Eastwick”
recording engineer:
Tobias Lehmann (in 2020-01)
assistierende(r) Techniker(in):
Wolfgang Schiefermair (in 2020-01)
Produzent(in), Mix und Editing:
Bernhard Güttler (engineer)
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2020-01)
Orchester:
Wiener Philharmoniker (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
aufgenommen bei:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien, Österreich (in 2020-01)
live recording of:
The Devil’s Dance (The Witches of Eastwick) (in 2020-01)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
Arrangement von:
Dance of the Witches (The Witches of Eastwick)
Teil von:
The Witches of Eastwick
John Williams, Anne‐Sophie Mutter & Wiener Philharmoniker5:51
44Theme - From “The Long Goodbye”
Geige / Violine:
Anne‐Sophie Mutter (violinist) (von 2021-09 bis 2021-10)
Orchester:
Boston Symphony Orchestra (von 2021-09 bis 2021-10)
conductor:
John Williams (American score composer and conductor) (von 2021-09 bis 2021-10)
recording of:
The Long Goodbye (von 2021-09 bis 2021-10)
Komponist(in):
John Williams (American score composer and conductor)
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra5:55
45E.T.: Adventures On Earth
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer and conductor) (in 1983-06)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1983-06)
recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (in 1983-06)
Komponist(in):
John Williams (American score composer and conductor) (in 1982)
Teil von:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Boston Pops Orchestra9:14
46Luke and Leia - From “Star Wars: Return Of The Jedi”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (in 2019-04)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
Teil von:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles5:01
47Remembrances - From “Schindler’s List”
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Remembrances (Schindler’s List) (in 2019-04)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles6:17
48Throne Room & Finale - From “Star Wars: A New Hope” / Live at Suntory Hall, Tokyo / 2023
Orchester:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (am 2023-09-05)
conductor:
John Williams (American score composer and conductor) (am 2023-09-05)
aufgenommen bei:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (am 2023-09-05)
live recording of:
Throne Room / Finale (Star Wars, published suite with extensions)
Komponist(in):
John Williams (American score composer and conductor)
basiert auf:
End Title (Star Wars, Episode IV: A New Hope)
basiert auf:
The Throne Room (Star Wars, Episode IV: A New Hope)
John Williams & サイトウ・キネン・オーケストラ7:59
49Suite - From “Far and Away”
Assistent recording engineer:
Johannes Hartmuth (in 2021-10) und Jupp Wegner (engineer) (in 2021-10)
Produzent(in):
Christoph Franke (engineer/producer)
Mix:
René Möller
Editing:
Erik Brauer
Orchester:
Berliner Philharmoniker (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
Tonmeister(in):
René Möller (in 2021-10)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
aufgenommen bei:
Philharmonie in Mitte, Berlin, Deutschland (in 2021-10)
Bearbeitung von:
Suite (From Far and Away) (with applause) von Berliner Philharmoniker, John Williams (American score composer and conductor)
live recording of:
Suite From Far and Away (in 2021-10)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
USI B Music Publishing
basiert auf:
Far and Away (1992 film score)
John Williams & Berliner Philharmoniker8:03
50Close Encounters Of The Third Kind - Suite
Produzent(in):
George Korngold (producer)
Orchester:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1980-06)
recording of:
Close Encounters of the Third Kind: Suite (in 1980-06)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
EMI Music Publishing (do not use as a release label!)
John Williams & Boston Pops Orchestra10:07
51Adventures on Earth - From “E.T. the Extra‐Terrestrial”
recording engineer:
Tobias Lehmann (in 2020-01)
assistierende(r) Techniker(in):
Wolfgang Schiefermair (in 2020-01)
Produzent(in), Mix und Editing:
Bernhard Güttler (engineer)
Orchester:
Wiener Philharmoniker (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
aufgenommen bei:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien, Österreich (in 2020-01)
live recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (in 2020-01)
Komponist(in):
John Williams (American score composer and conductor) (in 1982)
Teil von:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Wiener Philharmoniker10:09
52The Cowboys: Overture
Produzent(in):
George Korngold (producer)
Orchester:
Boston Pops Orchestra (in 1981-06)
conductor:
John Williams (American score composer and conductor) (in 1981-06)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1981-06)
recording of:
The Cowboys (in 1981-06)
Komponist(in):
John Williams (American score composer and conductor)
recording of:
The Cowboys Overture (The Cowboys)
Komponist(in):
John Williams (American score composer and conductor)
John Williams & Boston Pops Orchestra8:52
53Somewhere Out There (From “An American Tale”)
Orchester:
Boston Pops Orchestra (am 1988-05-18, am 1988-06-04)
conductor:
John Williams (American score composer and conductor) (am 1988-05-18, am 1988-06-04)
arranger:
Glenn Osser
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1988-05-18, am 1988-06-04)
recording of:
Somewhere Out There (An American Tail) (von 1988-05-18 bis 1988-06-04)
Texter:
Cynthia Weil
Komponist(in):
James Horner (American score composer) und Barry Mann
publisher:
MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), USI A Music Publishing, USI B Music Publishing, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Teil von:
An American Tail (1986 animated film)
James Horner, Boston Pops Orchestra & John Williams3:42

Nennungen

Veröffentlichung

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