John Williams - At the Movies

~ Release by John Williams (see all versions of this release, 1 available)

Annotation

℗ & © «2024 UMG Recordings, Inc.»

Countries excluded (Spotify)

(As of 2025-11-26).

  • Central America: 🇧🇿 Belize (bz)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇧🇧 Barbados (bb) 🇧🇸 Bahamas (bs) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇭🇹 Haiti (ht) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇱🇨 Saint Lucia (lc) 🇻🇨 Saint Vincent and Grenadines (vc)
  • South America: 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇲🇩 Moldova (md)
  • Western Asia: 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo)
  • South-Eastern Asia: 🇧🇳 Brunei (bn) 🇱🇦 Laos (la) 🇹🇱 Timor-Leste (tl)
  • Polynesia: 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Federated States of Micronesia (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
Annotation last modified on 2025-11-26 14:40 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Fawkes the Phoenix - From “Harry Potter and the Chamber of Secrets” / Live at Suntory Hall, Tokyo / 2023
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (on 2023-09-05)
conductor:
John Williams (American score composer and conductor) (on 2023-09-05)
recorded at:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (on 2023-09-05)
live recording of:
Fawkes the Phoenix (Harry Potter and the Chamber of Secrets)
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
part of:
Harry Potter and the Chamber of Secrets (2002 film score)
John Williams & サイトウ・キネン・オーケストラ3:58
2The Imperial March - From “Star Wars: The Empire Strikes Back” / Live at Suntory Hall, Tokyo / 2023
orchestra:
Saito Kinen Orchestra (on 2023-09-05)
conductor:
John Williams (American score composer and conductor) (on 2023-09-05)
recorded at:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (on 2023-09-05)
live recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & サイトウ・キネン・オーケストラ3:10
3Nimbus 2000 - From “Harry Potter and the Philosopher’s Stone”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Nimbus 2000 (From Harry Potter and the Philosopher’s Stone) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Nimbus 2000 (Harry Potter and the Sorcerer’s Stone) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
John Williams & Berliner Philharmoniker2:16
4The Empire Strikes Back: Yoda’s Theme
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (in 1980-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & Boston Pops Orchestra3:22
5Hedwig’s Theme - From “Harry Potter and the Philosopher’s Stone” / Live at Suntory Hall, Tokyo / 2023
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (on 2023-09-05)
conductor:
John Williams (American score composer and conductor) (on 2023-09-05)
recorded at:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (on 2023-09-05)
live recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
John Williams & サイトウ・キネン・オーケストラ4:57
6Moonlight Serenade
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer and conductor) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
cover recording of:
Moonlight Serenade (original instrumental version) (in 1984-05)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller, John Williams & Boston Pops Orchestra3:47
7March of the Resistance - From “Star Wars: The Force Awakens”
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2022-03-12 until 2022-03-13)
conductor:
John Williams (American score composer and conductor) (from 2022-03-12 until 2022-03-13)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2022-03-12 until 2022-03-13)
live recording of:
March of the Resistance (Star Wars: The Force Awakens) (from 2022-03-12 until 2022-03-13)
composer:
John Williams (American score composer and conductor) (from 2014-12 until 2015-11)
publisher:
Utapau Music
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars: The Force Awakens (Suite for Orchestra)
John Williams & Wiener Philharmoniker2:34
8Superman March - From “Superman” / Live at Suntory Hall, Tokyo / 2023
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (on 2023-09-05)
conductor:
John Williams (American score composer and conductor) (on 2023-09-05)
recorded at:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (on 2023-09-05)
live recording of:
Main Theme (Superman: The Movie)
composer:
John Williams (American score composer and conductor)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams & サイトウ・キネン・オーケストラ4:36
9Love Theme - From “A Summer Place”
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer and conductor) (in 1987-06)
arranger:
Lee Holdridge
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Theme from “A Summer Place” (original instrumental version) (in 1987-06)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
Max Steiner, John Williams & Boston Pops Orchestra2:38
10E.T.: Flying Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
composer:
John Williams (American score composer and conductor) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Boston Pops Orchestra3:45
11Theme - From “Jurassic Park”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Theme (From Jurassic Park) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Theme From Jurassic Park (Jurassic Park) (in 2021-10)
composer:
John Williams (American score composer and conductor) (in 1993)
part of:
Jurassic Park (1993 film score)
John Williams & Berliner Philharmoniker5:37
12Theme - From “Schindler’s List” / Live at Suntory Hall, Tokyo / 2023
violin:
豊嶋泰嗣 (violinist/violist) (on 2023-09-05)
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (on 2023-09-05)
conductor:
John Williams (American score composer and conductor) (on 2023-09-05)
recorded at:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (on 2023-09-05)
live recording of:
Main Theme (Schindler’s List)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams & サイトウ・キネン・オーケストラ4:07
13Rey’s Theme - From “Star Wars: The Force Awakens”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Wolfgang Schiefermair
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Rey’s Theme (Star Wars: The Force Awakens) (in 2019-04)
composer:
John Williams (American score composer and conductor) (from 2014-12 until 2015-11)
publisher:
Utapau Music
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars: The Force Awakens (Suite for Orchestra)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles3:17
14Main Title And First Victim - From “Jaws” Soundtrack
recording of:
Main Theme (Jaws)
composer:
John Williams (American score composer and conductor)
included in:
Trail Mix‐Up
part of:
Jaws (1975 film score)
John Williams3.53:23
15Donnybrook Fair - Based On “Blowing Off Steam” From “Far And Away”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Donnybrook Fair (Based On "Blowing Off Steam" from "Far And Away") (in 2019-04)
composer:
John Williams (American score composer and conductor)
is based on:
Blowing Off Steam
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles3:53
16Superman: Superman: Love Theme
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1980-06)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams & Boston Pops Orchestra4:48
17Scherzo for Motorcycle and Orchestra - From “Indiana Jones and the Last Crusade”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Scherzo for Motorcycle and Orchestra (From Indiana Jones and the Last Crusade) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Scherzo for Motorcycle and Orchestra (Indiana Jones and the Last Crusade) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Indiana Jones and the Last Crusade
John Williams & Berliner Philharmoniker3:36
183. The Return [Jane Eyre]
recording engineer and engineer:
Erdo Groot (sound engineer for recordings of classical music)
producer:
George Korngold (producer) and John McClure (recording engineer and record producer)
editor:
Amelia Rogers
orchestra:
Boston Pops Orchestra (in 1987-05)
conductor:
John Williams (American score composer and conductor) (in 1987-05)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-05)
recording of:
Jane Eyre: III. The Return (in 1987-05)
composer:
John Williams (American score composer and conductor)
John Williams & Boston Pops Orchestra6:06
19Return Of The Jedi: Jabba The Hutt
producer:
John McClure (recording engineer and record producer)
tuba:
Chester Schmitz (tubist) (in 1983-06)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer and conductor) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Jabba the Hutt (Star Wars, Episode VI: Return of the Jedi) (in 1983-06)
composer:
John Williams (American score composer and conductor)
John Williams & Boston Pops Orchestra3:34
20More - From “Mondo Cane”
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer and conductor) (in 1987-06)
arranger:
Richard Hayman
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Ti guarderò nel cuore (in 1987-06)
lyricist:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani (songwriter, film music composer and music director)
Riz Ortolani, Gaetano Oliviero, Norman Newell, Richard Hayman, John Williams & Boston Pops Orchestra3:31
21Fawkes the Phoenix - From “Harry Potter and the Chamber of Secrets”
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2022-03-12 until 2022-03-13)
conductor:
John Williams (American score composer and conductor) (from 2022-03-12 until 2022-03-13)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2022-03-12 until 2022-03-13)
live recording of:
Fawkes the Phoenix (Harry Potter and the Chamber of Secrets) (from 2022-03-12 until 2022-03-13)
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
part of:
Harry Potter and the Chamber of Secrets (2002 film score)
John Williams & Wiener Philharmoniker3:56
22Theme - From “Sabrina”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Theme From Sabrina (in 2019-04)
composer:
John Williams (American score composer and conductor)
part of:
Sabrina (1995 film score)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:59
23The Empire Strikes Back: The Imperial March
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (in 1980-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams & Boston Pops Orchestra3:07
24Theme From Schindler’s List - From “Schindler’s List” Soundtrack
assistant engineer:
Andrew Bass and Greg Denon
producer:
John Williams (American score composer and conductor)
mixer:
Shawn Murphy (producer/engineer)
editor:
Kenneth Wannberg
violin:
Itzhak Perlman (violinist and conductor)
orchestra:
Boston Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
recorded at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Main Theme (Schindler’s List)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams, Itzhak Perlman & Boston Symphony Orchestra3.54:15
25Marion’s Theme - From “Indiana Jones and the Raiders of the Lost Ark”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Marion’s Theme (Raiders of the Lost Ark) (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
John Williams & Wiener Philharmoniker4:02
26The Duel - From “The Adventures Of Tintin”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
The Duel (from "The Adventures Of Tintin") (in 2019-04)
composer:
John Williams (American score composer and conductor)
part of:
The Adventures of Tintin: The Secret of the Unicorn
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:24
27Star Wars: Princess Leia
recorded in:
Boston, Massachusetts, United States (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Princess Leia’s Theme (Star Wars, Episode IV: A New Hope) (in 1980-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams & Boston Pops Orchestra4:06
28The Flight to Neverland - From “Hook”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Flight to Neverland (Hook) (in 2020-01)
composer:
John Williams (American score composer and conductor)
part of:
Hook
John Williams & Wiener Philharmoniker5:13
29Luke & Leia - From “Star Wars: Return of the Jedi”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams & Wiener Philharmoniker4:06
30The Chairman’s Waltz - From “Memoirs Of A Geisha”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
cello:
Lynn Harrell (cellist) (in 2019-04)
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
The Chairman's Waltz (Memoirs of a Geisha) (in 2019-04)
composer:
John Williams (American score composer and conductor)
part of:
Memoirs of a Geisha (2005 film score)
John Williams, Anne‐Sophie Mutter, Lynn Harrell & Recording Arts Orchestra of Los Angeles4:00
31The Rebellion is Reborn - From “Star Wars: The Last Jedi” / Live at Suntory Hall, Tokyo / 2023
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (on 2023-09-05)
conductor:
John Williams (American score composer and conductor) (on 2023-09-05)
recorded at:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (on 2023-09-05)
live recording of:
The Rebellion Is Reborn
composer:
John Williams (American score composer and conductor)
publisher:
Utapau Music
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
John Williams & サイトウ・キネン・オーケストラ4:11
32Olympic Fanfare and Theme
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Olympic Fanfare and Theme (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Olympic Fanfare and Theme (1984 version) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Official Songs of the Olympic Games (number: 1984)
John Williams & Berliner Philharmoniker4:16
33The Adventures of Han - From “Solo: A Star Wars Story”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
The Adventures of Han (From Solo: A Star Wars Story) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
The Adventures of Han (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Solo: A Star Wars Story
John Williams & Berliner Philharmoniker4:16
34Night Journeys - From “Dracula”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Night Journeys (Dracula) (in 2019-04)
composer:
John Williams (American score composer and conductor)
part of:
Dracula (1979 film score)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles5:38
35Sayuri’s Theme - From “Memoirs Of A Geisha”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Sayuri's Theme (Memoirs of a Geisha) (in 2019-04)
composer:
John Williams (American score composer and conductor)
part of:
Memoirs of a Geisha (2005 film score)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:44
36Harry’s Wondrous World - From “Harry Potter and the Philosopher’s Stone” / Live at Suntory Hall, Tokyo / 2023
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (on 2023-09-05)
conductor:
John Williams (American score composer and conductor) (on 2023-09-05)
recorded at:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (on 2023-09-05)
live recording of:
Harry’s Wondrous World (Harry's Wondrous World, Harry Potter and the Sorcerer’s Stone)
publisher:
Hal Leonard
composer:
John Williams (American score composer and conductor)
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
part of:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
John Williams & サイトウ・キネン・オーケストラ4:55
37Suite - From “Jaws”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws) (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
USI B Music Publishing
part of:
Suite From Jaws (Jaws)
John Williams & Wiener Philharmoniker5:08
38Han Solo and the Princess - From “Star Wars: The Empire Strikes Back”
violin:
Anne‐Sophie Mutter (violinist) (from 2021-09 until 2021-10)
orchestra:
Boston Symphony Orchestra (from 2021-09 until 2021-10)
conductor:
John Williams (American score composer and conductor) (from 2021-09 until 2021-10)
recording of:
Han Solo and the Princess (Star Wars, Episode V: The Empire Strikes Back) (from 2021-09 until 2021-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra5:27
39Nice to Be Around - From “Cinderella Liberty”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Nice to Be Around (in 2019-04)
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
John Williams (American score composer and conductor)
part of:
The 46th Academy Award for Best Original Song (number: 2)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles4:02
40Across the Stars (Love Theme) - From “Star Wars: Attack Of The Clones”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Wolfgang Schiefermair
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme) (in 2019-04)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles5:18
41Dartmoor, 1912 - From “War Horse”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Dartmoor (War Horse) (in 2020-01)
composer:
John Williams (American score composer and conductor)
part of:
War Horse (2011 film score)
John Williams & Wiener Philharmoniker6:37
42Raiders March - From “Indiana Jones and the Raiders of the Lost Ark” / Live at Suntory Hall, Tokyo / 2023
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (on 2023-09-05)
conductor:
John Williams (American score composer and conductor) (on 2023-09-05)
recorded at:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (on 2023-09-05)
live recording of:
The Raiders March (Raiders of the Lost Ark)
composer:
John Williams (American score composer and conductor)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams & サイトウ・キネン・オーケストラ5:29
43Devil’s Dance - From “The Witches of Eastwick”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
violin:
Anne‐Sophie Mutter (violinist) (in 2020-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
The Devil’s Dance (The Witches of Eastwick) (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
arrangement of:
Dance of the Witches (The Witches of Eastwick)
part of:
The Witches of Eastwick
John Williams, Anne‐Sophie Mutter & Wiener Philharmoniker5:51
44Theme - From “The Long Goodbye”
violin:
Anne‐Sophie Mutter (violinist) (from 2021-09 until 2021-10)
orchestra:
Boston Symphony Orchestra (from 2021-09 until 2021-10)
conductor:
John Williams (American score composer and conductor) (from 2021-09 until 2021-10)
recording of:
The Long Goodbye (from 2021-09 until 2021-10)
composer:
John Williams (American score composer and conductor)
John Williams, Anne‐Sophie Mutter & Boston Symphony Orchestra5:55
45E.T.: Adventures On Earth
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer and conductor) (in 1983-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (in 1983-06)
composer:
John Williams (American score composer and conductor) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Boston Pops Orchestra9:14
46Luke and Leia - From “Star Wars: Return Of The Jedi”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (in 2019-04)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles5:01
47Remembrances - From “Schindler’s List”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Remembrances (Schindler’s List) (in 2019-04)
composer:
John Williams (American score composer and conductor)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams, Anne‐Sophie Mutter & Recording Arts Orchestra of Los Angeles6:17
48Throne Room & Finale - From “Star Wars: A New Hope” / Live at Suntory Hall, Tokyo / 2023
orchestra:
サイトウ・キネン・オーケストラ (Saito Kinen Orchestra) (on 2023-09-05)
conductor:
John Williams (American score composer and conductor) (on 2023-09-05)
recorded at:
サントリーホール (Suntory Hall) in Akasaka, Minato (Minato-ku), Tokyo, Japan (on 2023-09-05)
live recording of:
Throne Room / Finale (Star Wars, published suite with extensions)
composer:
John Williams (American score composer and conductor)
is based on:
End Title (Star Wars, Episode IV: A New Hope)
is based on:
The Throne Room (Star Wars, Episode IV: A New Hope)
John Williams & サイトウ・キネン・オーケストラ7:59
49Suite - From “Far and Away”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Suite (From Far and Away) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Suite From Far and Away (in 2021-10)
composer:
John Williams (American score composer and conductor)
publisher:
USI B Music Publishing
is based on:
Far and Away (1992 film score)
John Williams & Berliner Philharmoniker8:03
50Close Encounters Of The Third Kind - Suite
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Close Encounters of the Third Kind: Suite (in 1980-06)
composer:
John Williams (American score composer and conductor)
publisher:
EMI Music Publishing (do not use as a release label!)
John Williams & Boston Pops Orchestra10:07
51Adventures on Earth - From “E.T. the Extra‐Terrestrial”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (in 2020-01)
composer:
John Williams (American score composer and conductor) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams & Wiener Philharmoniker10:09
52The Cowboys: Overture
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981-06)
conductor:
John Williams (American score composer and conductor) (in 1981-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981-06)
recording of:
The Cowboys (in 1981-06)
composer:
John Williams (American score composer and conductor)
recording of:
The Cowboys Overture (The Cowboys)
composer:
John Williams (American score composer and conductor)
John Williams & Boston Pops Orchestra8:52
53Somewhere Out There (From “An American Tale”)
orchestra:
Boston Pops Orchestra (on 1988-05-18, on 1988-06-04)
conductor:
John Williams (American score composer and conductor) (on 1988-05-18, on 1988-06-04)
arranger:
Glenn Osser
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
recording of:
Somewhere Out There (An American Tail) (from 1988-05-18 until 1988-06-04)
lyricist:
Cynthia Weil
composer:
James Horner (American score composer) and Barry Mann
publisher:
MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), USI A Music Publishing, USI B Music Publishing, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
part of:
An American Tail (1986 animated film)
James Horner, Boston Pops Orchestra & John Williams3:42