Celebrate the 90’s (2017 edition)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Dromen zijn bedrog
registrazione di:
Dromen zijn bedrog
paroliere:
Riccardo Fogli e Guido Morra
compositore:
Maurizio Fabrizio (singer, guitar and mandolin player, composer)
traduttore:
Leo Driessen e Han Kooreneef
versione tradotta di:
Storie di tutti i giorni
Marco Borsato4:02
2We Like to Party
produttore:
Danski e DJ Delmundo
diritti fonografici (℗) detenuti da:
Breakin' Records (Dutch eurodance/trance label) (nel 1998), Violent Music BV (nel 1998) e Violent Music UK BV. (nel 1998)
registrazione di:
We Like to Party! (The Vengabus)
compositore:
Danski e DJ Delmundo
editore:
Violent Publishing
Vengaboys3.13:43
35, 6, 7, 8
assistente tecnico:
Bradlee Spreadborough e Al Unsworth
tecnico:
Chris McDonnell (engineer)
produttore:
Mark Topham, Karl Twigg e Pete Waterman
tecnico di missaggio:
Les Sharma
banjo :
Sean Lyons
batteria [drums] :
Chris McDonnell (engineer)
chitarra [guitars] :
Mark Topham e Barry Upton (songwriter, arranger, musician, record producer)
tastiera [keyboards] :
Karl Twigg
violino :
Chris Haigh (violinist)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1997)
registrata presso e mixata presso:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Regno Unito e PWL Studios (London) in London (Greater London), England, Regno Unito
registrazione di:
5, 6, 7, 8
autore:
Steve Crosby (record producer, songwriter, music manager) e Barry Upton (songwriter, arranger, musician, record producer)
editore:
All Boys Music Ltd. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Steps3.353:22
4Lift U Up
2 Fabiola3:28
5Believe
produttore:
Brian Rawling e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
tecnico di missaggio:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1998)
è stato produttore per:
Metro (production company) e Rive Droite Music Productions
registrata presso e mixata presso:
Dreamhouse Studios in London (Greater London), England, Regno Unito
parte di:
Grammy Award: Best Dance/Electronic Recording nominees (numero: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 337)
registrazione di:
Believe
paroliere:
Brian Higgins (British producer and song writer) e Matt Gray (UK techno DJ/producer, former video game composer)
compositore:
Brian Higgins (British producer and song writer) (nel 1998), Matt Gray (UK techno DJ/producer, former video game composer) (nel 1998), Stuart McLennan (nel 1998), Paul Michael Barry (songwriter/musician) (nel 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (nel 1998) e Steve Torch (nel 1998)
editore:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music e Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:56
6Blue (Da Ba Dee)
registrazione di:
Blue (Da Ba Dee)
paroliere:
Massimo Gabutti e Maurizio Lobina
compositore:
Maurizio Lobina e Gianfranco Randone (Italian vocalist Jeffrey Jey)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e GZ2538 Publishing
Eiffel 653.53:41
7Maria
produttore:
Ian Blake (pseudonym of Robi Rosa, associated with Ricky Martin) e K.C. Porter (record producer, songwriter, musician and singer)
parte di:
Cachitos Nochevieja 2022 (numero: 159)
registrazione di:
María
autore:
Luis Gómez Escolar, K.C. Porter (record producer, songwriter, musician and singer) e Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
editore:
Olinga Music, Draco Cornelius Music (dal 1995 a oggi), Mundo Nuevo Music (dal 1995 a oggi), Música Calaca S.L. (dal 1995 a oggi), Para-sac Music Corporation (dal 1995 a oggi) e Sony/ATV Latin Music Publishing (dal 1995 a oggi)
sub-editore:
ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ricky Martin44:30
8Waiting for Tonight
programmazione aggiuntiva:
Richie Jones e “Young” Dave Scheuer
assistente tecnico:
Juan Bohorquez e Robb Williams
tecnico:
Franklyn Grant (Sound engineer and producer), “Young” Dave Scheuer e Thomas R. Yezzi
produttore:
Ric Wake
produttore aggiunto:
Richie Jones
tecnico di missaggio:
Dan Hetzel
batteria e percussione :
Richie Jones
tastiera [keyboards] :
Eric Kupper
voce di accompagnamento:
Jane Barrett, Margaret Dorn e Maria Christiansen (songwriter, singer)
remixer:
Richie Jones
arrangiatore:
Richie Jones e Ric Wake
arrangiatore aggiunto:
Richie Jones e “Young” Dave Scheuer
registrata presso:
Cove City Sound Studios in Glen Cove, New York, Stati Uniti, Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Stati Uniti e The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Cove City Sound Studios in Glen Cove, New York, Stati Uniti
versioni a cappella:
Waiting for Tonight (A cappella) di Jennifer Lopez (American singer and actress aka J.Lo)
versioni strumentali:
Waiting for Tonight (Instrumental) di Jennifer Lopez (American singer and actress aka J.Lo)
registrazione di:
Waiting for Tonight
paroliere e compositore:
Maria Christensen (songwriter, singer), Michael Garvin (Nashville songwriter and producer) e Phil Temple (songwriter)
adattamenti:
Una noche más
Jennifer Lopez3.54:07
9The Bad Touch
registrazione di:
The Bad Touch
paroliere e compositore:
James Franks
editore:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (dal 2000 al ????), Hey Rudy Music Publishing (publishing company for rock band Bloodhound Gang) (dal 2000 a oggi) e The Jimmy Franks Publishing Company (dal 2000 a oggi)
Bloodhound Gang54:04
10Zombie
produttore:
Stephen Street (famous producer, songwriter)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1994)
registrazione di:
Zombie
paroliere e compositore:
Dolores O’Riordan
editore:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) e Universal–Songs of PolyGram International, Inc.
The Cranberries44:12
11One of Us
registrazione di:
One of Us
paroliere e compositore:
Eric Bazilian
Joan Osborne44:15
12Never Ever
registrazione di:
Never Ever
autore:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis e Sean Mather (US DJ and producer Sean Mather)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. e STL Songs Ltd.
All Saints3:59
13Finally
CeCe Peniston3:44
14The Bomb (These Sounds Fall Into My Mind)
esecutore:
Kenny “Dope” Gonzalez
diritti fonografici (℗) detenuti da:
Henry Street Music (nel 1995)
registrazione di:
The Bomb! (These Sounds Fall Into My Mind)
autore:
Kenny “Dope” Gonzalez, Danny Seraphine e David “Hawk” Wolinski
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Fairwood Music Ltd.
cita la musica di:
Street Player
The Bucketheads43:24
15Breakfast at Tiffany’s
Deep Blue Something4:15
16You Get What You Give
produttore:
Gregg Alexander
basso :
John Pierce (US session bassist)
chitarra :
Gregg Alexander e Rusty Anderson
membranofono :
Gary Ferguson (Session drummer)
percussione :
Juliet Prater
pianoforte :
Rick Nowels
arrangiatore:
Gregg Alexander
arrangiatore voci aggiunto:
Richard Podolor
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1998)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 390) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 453)
registrazione di:
You Get What You Give
autore:
Gregg Alexander e Rick Nowels
editore:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. e Grosse Point Harlem
New Radicals4.654:58
17Tom’s Diner
Suzanne Vega remixed by DNA3:49
18When You Say Nothing at All
programmazione e produttore:
Stephen Lipson
tecnico e tecnico di missaggio:
Heff Moraes
basso :
Stephen Lipson
batteria :
Andy Duncan (UK drummer and producer)
chitarra :
Dominic Miller (guitarist)
fisarmonica e fischietto :
James McNally
tastiera :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Ronan Keating
voce di accompagnamento:
Tessa Niles e Miriam Stockley
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1999) e Polygram Ireland Ltd. (nel 1999)
registrata presso:
Metropolis (London) in London (Greater London), England, Regno Unito e The Aquarium (Studio) in London (Greater London), England, Regno Unito
mixata presso:
The Aquarium (Studio) in London (Greater London), England, Regno Unito
registrazione cover di:
When You Say Nothing at All
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
Ronan Keating2.754:13
19Het is een nacht (Levensecht)
Guus Meeuwis & Vagant3:24
20My Heart Will Go On
tecnico di registrazione:
Humberto Gatica e David Gleeson
supporto a vario titolo:
Emilie Charlap (incarico: orchestratra contractor) e Dan Shea (incarico: sound design)
programmazione:
Dan Shea
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer e Greg Thompson (engineer, mixer)
tecnico:
Humberto Gatica (voce principale) e Dan Shea
co-produttore:
James Horner (American score composer)
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra :
Dann Huff
organo Hammond [Hammond B-3 organ] , sintetizzatore basso [synth bass] e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
tin whistle [pennywhistle/whistles] :
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
violino folk [Irish fiddle] :
Paul Peabody (violinist)
voce di accompagnamento:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens e Jeanie Tracy
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
Walter Afanasieff
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicali:
My Heart Will Go On (love theme from Titanic) di Céline Dion
versioni a cappella:
The music from that movie about the boat di David Thorne (designer)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 279)
registrazione di:
My Heart Will Go On
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1997 winner)
parte di:
Titanic
Céline Dion4.354:37

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