Celebrate the 90’s (2017 edition)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▼CD
Nr.TitelKünstlerBewertungLänge
1Dromen zijn bedrog
recording of:
Dromen zijn bedrog
Texter:
Riccardo Fogli und Guido Morra
Komponist(in):
Maurizio Fabrizio (singer, guitar and mandolin player, composer)
Übersetzer:
Leo Driessen und Han Kooreneef
übersetzte Version von:
Storie di tutti i giorni
Marco Borsato4:02
2We Like to Party
Produzent(in):
Danski und DJ Delmundo
phonographisches Urheberrecht (℗) von:
Breakin' Records (Dutch eurodance/trance label) (in 1998), Violent Music BV (in 1998) und Violent Music UK BV. (in 1998)
recording of:
We Like to Party! (The Vengabus)
Komponist(in):
Danski und DJ Delmundo
publisher:
Violent Publishing
Vengaboys3.13:43
35, 6, 7, 8
assistierende(r) Techniker(in):
Bradlee Spreadborough und Al Unsworth
Techniker(in):
Chris McDonnell (engineer)
Produzent(in):
Mark Topham, Karl Twigg und Pete Waterman
Mix:
Les Sharma
Banjo:
Sean Lyons
Geige / Violine:
Chris Haigh (violinist)
Gitarre [guitars]:
Mark Topham und Barry Upton (songwriter, arranger, musician, record producer)
Keyboard [keyboards]:
Karl Twigg
Schlagzeug [drums]:
Chris McDonnell (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1997)
aufgenommen bei und mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Vereinigtes Königreich und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
5, 6, 7, 8
Verfasser(in):
Steve Crosby (record producer, songwriter, music manager) und Barry Upton (songwriter, arranger, musician, record producer)
publisher:
All Boys Music Ltd. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Steps3.353:22
4Lift U Up
2 Fabiola3:28
5Believe
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:56
6Blue (Da Ba Dee)
recording of:
Blue (Da Ba Dee)
Texter:
Massimo Gabutti und Maurizio Lobina
Komponist(in):
Maurizio Lobina und Gianfranco Randone (Italian vocalist Jeffrey Jey)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und GZ2538 Publishing
Eiffel 653.53:41
7Maria
Produzent(in):
Ian Blake (pseudonym of Robi Rosa, associated with Ricky Martin) und K.C. Porter (record producer, songwriter, musician and singer)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 159)
recording of:
María
Verfasser(in):
Luis Gómez Escolar, K.C. Porter (record producer, songwriter, musician and singer) und Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
publisher:
Olinga Music, Draco Cornelius Music (vom 1995 bis heute), Mundo Nuevo Music (vom 1995 bis heute), Música Calaca S.L. (vom 1995 bis heute), Para-sac Music Corporation (vom 1995 bis heute) und Sony/ATV Latin Music Publishing (vom 1995 bis heute)
sub-publisher:
ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ricky Martin44:30
8Waiting for Tonight
zusätzliche Programmierung:
Richie Jones und “Young” Dave Scheuer
assistierende(r) Techniker(in):
Juan Bohorquez und Robb Williams
Techniker(in):
Franklyn Grant (Sound engineer and producer), “Young” Dave Scheuer und Thomas R. Yezzi
Produzent(in):
Ric Wake
zusätzliche(r) Produzent(in):
Richie Jones
Mix:
Dan Hetzel
Keyboard [keyboards]:
Eric Kupper
Perkussion und Schlagzeug:
Richie Jones
Hintergrundgesang:
Jane Barrett, Margaret Dorn und Maria Christiansen (songwriter, singer)
remixer:
Richie Jones
arranger:
Richie Jones und Ric Wake
zusätzlich arranger:
Richie Jones und “Young” Dave Scheuer
aufgenommen bei:
Cove City Sound Studios in Glen Cove, New York, Vereinigte Staaten, Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Cove City Sound Studios in Glen Cove, New York, Vereinigte Staaten
a cappella versions:
Waiting for Tonight (A cappella) von Jennifer Lopez (American singer and actress aka J.Lo)
instrumental versions:
Waiting for Tonight (Instrumental) von Jennifer Lopez (American singer and actress aka J.Lo)
recording of:
Waiting for Tonight
Texter und Komponist(in):
Maria Christensen (songwriter, singer), Michael Garvin (Nashville songwriter and producer) und Phil Temple (songwriter)
adaptations:
Una noche más
Jennifer Lopez3.54:07
9The Bad Touch
recording of:
The Bad Touch
Texter und Komponist(in):
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (vom 2000 bis ????), Hey Rudy Music Publishing (publishing company for rock band Bloodhound Gang) (vom 2000 bis heute) und The Jimmy Franks Publishing Company (vom 2000 bis heute)
Bloodhound Gang54:04
10Zombie
Produzent(in):
Stephen Street (famous producer, songwriter)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994)
recording of:
Zombie
Texter und Komponist(in):
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) und Universal–Songs of PolyGram International, Inc.
The Cranberries44:12
11One of Us
recording of:
One of Us
Texter und Komponist(in):
Eric Bazilian
Joan Osborne44:15
12Never Ever
recording of:
Never Ever
Verfasser(in):
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis und Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. und STL Songs Ltd.
All Saints3:59
13Finally
CeCe Peniston3:44
14The Bomb (These Sounds Fall Into My Mind)
Interpret(in):
Kenny “Dope” Gonzalez
phonographisches Urheberrecht (℗) von:
Henry Street Music (in 1995)
recording of:
The Bomb! (These Sounds Fall Into My Mind)
Verfasser(in):
Kenny “Dope” Gonzalez, Danny Seraphine und David “Hawk” Wolinski
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Fairwood Music Ltd.
quotes music from:
Street Player
The Bucketheads43:24
15Breakfast at Tiffany’s
Deep Blue Something4:15
16You Get What You Give
Produzent(in):
Gregg Alexander
Bass:
John Pierce (US session bassist)
Gitarre:
Gregg Alexander und Rusty Anderson
Klavier:
Rick Nowels
membranophone:
Gary Ferguson (Session drummer)
Perkussion:
Juliet Prater
arranger:
Gregg Alexander
zusätzlich vocals arranger:
Richard Podolor
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 390) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 453)
recording of:
You Get What You Give
Verfasser(in):
Gregg Alexander und Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. und Grosse Point Harlem
New Radicals4.654:58
17Tom’s Diner
Suzanne Vega remixed by DNA3:49
18When You Say Nothing at All
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.754:13
19Het is een nacht (Levensecht)
Guus Meeuwis & Vagant3:24
20My Heart Will Go On
recording engineer:
Humberto Gatica und David Gleeson
sonstige Unterstützung:
Emilie Charlap (Aufgabe: orchestratra contractor) und Dan Shea (Aufgabe: sound design)
drum machine [drum and rhythm]-Programmierung:
Walter Afanasieff
Programmierung:
Dan Shea
zusätzliche drum machine [drum and rhythm]-Programmierung:
Dan Shea
assistierende(r) Techniker(in):
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer und Greg Thompson (engineer, mixer)
Techniker(in):
Humberto Gatica (Sologesang) und Dan Shea
Koproduzent(in):
James Horner (American score composer)
Produzent(in):
Walter Afanasieff
Mix:
Humberto Gatica
Bass-Synthesizer [synth bass], Hammond-Orgel [Hammond B-3 organ] und Keyboard:
Walter Afanasieff
Fiddle [Irish fiddle]:
Paul Peabody (violinist)
Gitarre:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
zusätzlich Keyboard:
Dan Shea
Hintergrundgesang:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens und Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
Orchestrator(in):
William Ross (composer, orchestrator, arranger, conductor)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
My Heart Will Go On (love theme from Titanic) von Céline Dion
a cappella versions:
The music from that movie about the boat von David Thorne (designer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 279)
recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
Céline Dion4.354:37

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