The Best Late Night Moods Album in the World… Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

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(As of 2025-10-23).

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Anmerkung zuletzt geändert am 2025-10-23 20:59 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Ain’t No Sunshine
recording engineer und Mix:
Phil Bodger (engineer)
Programmierung:
Gota Yashiki
Produzent(in):
Tim Laws und Paul Tucker
Bass:
Wayne Stobbart
Gitarre:
Mark Jalmes
Klavier:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Hintergrundgesang:
Lawrence Johnson und Priscilla-Mae Jones
Saiteninstrumente arranger:
Wil Malone
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Ain’t No Sunshine
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Lighthouse Family3:42
2Everybody Plays the Fool
Hintergrundgesang:
Arnold McCuller und Aaron Neville
whistling:
Linda Ronstadt
cover recording of:
Everybody Plays the Fool
Verfasser(in):
J.R. Bailey (singer and songwriter), Rudy Clark (US songwriter) und Ken Williams (songwriter)
publisher:
Trio Music Company, Alley Music Corp. (in 1991) und Trio Music Co., Inc. (in 1991)
Aaron Neville4:26
3The Look of Love
recording of:
The Look of Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
Dusty Springfield3:34
4Fooled Around and Fell in Love
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1975)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 22) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 32)
recording of:
Fooled Around and Fell in Love
Texter und Komponist(in):
Elvin Bishop
Elvin Bishop3.654:37
5Every Kinda People
Produzent(in):
Robert Palmer (English singer‐songwriter)
recording of:
Every Kinda People
Texter und Komponist(in):
Andy Fraser (English bassist, member of Free)
publisher:
Island Music (Island Music Ltd.)
Robert Palmer43:23
6Sunrise
recording engineer und Mix:
Jay Newland (producer, engineer and mixer)
A&R-Management:
Chris Cofoni und Eli Wolf
assistierende(r) Techniker(in):
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (sound engineer based in Austin, Texas, previously NYC) und Aya Takemura
Produzent(in):
Norah Jones und Arif Mardin
künstlerische Leitung:
Gordon H Jee
Akustikgitarre und Mandolinenbanjo:
Kevin Breit (von 2003 bis 2004)
Klavier und Sologesang [vocal]:
Norah Jones (von 2003 bis 2004)
Kontrabass [bass]:
Lee Alexander (US bassist, songwriter & producer) (von 2003 bis 2004)
Schlitztrommel:
Andrew Borger (von 2003 bis 2004)
Hintergrundgesang [backup vocal]:
Adam Levy (jazz guitarist) (von 2003 bis 2004) und Daru Oda (von 2003 bis 2004)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
aufgenommen bei:
Allaire Studios, Shokan NY in Bearsville, New York, Vereinigte Staaten, Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten, Sear Sound in New York, New York, Vereinigte Staaten und Sorcerer Sound in New York, New York, Vereinigte Staaten
mixed at:
Sear Sound in New York, New York, Vereinigte Staaten
recording of:
Sunrise (von 2003 bis 2004)
Verfasser(in):
Lee Alexander (US bassist, songwriter & producer) und Norah Jones
gewidmet:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen und George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music und Muthajones Music
Norah Jones3.853:20
7All My Girls Like to Fight
Hope Tala33:52
8The Girl From Ipanema
Gitarre:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (am 1964-10-09)
Kontrabass:
Gene Cherico (am 1964-10-09)
Schlagzeug:
Joe Hunt (drums) (am 1964-10-09)
Tenorsaxophon:
Stan Getz (am 1964-10-09)
Vibraphon:
Gary Burton (jazz vibraphonist and composer) (am 1964-10-09)
vocals:
Astrud Gilberto (am 1964-10-09) und João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (am 1964-10-09)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-10-09)
live recording of:
Garota de Ipanema (am 1964-10-09)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim und Vinicius de Moraes (O poetinha)
publisher:
Universal Duchess Music Corp.
Astrud Gilberto6:35
9Fool If You Think It’s Over
vocals:
Elkie Brooks
cover recording of:
Fool (If You Think It’s Over)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Elkie Brooks4:57
10I’ll Never Fall in Love Again
cover recording of:
I’ll Never Fall in Love Again (Promises, Promises)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Rondor, Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Bobbie Gentry2:54
11I Love Paris
Peter Cincotti3:48
12Trav’lin Light
vocals:
Billie Holiday (in 1942)
Orchester:
Paul Whiteman and His Orchestra (in 1942)
recording of:
Trav’lin’ Light
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Jimmy Mundy (in 1942) und Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) und WB Music Corp. (1929–2019)
Billie Holiday3:08
13Hit the Road Jack
cover recording of:
Hit the Road Jack
Texter und Komponist(in):
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Shirley Horn3:11
14Get Here
Produzent(in):
David Bascombe und Roland Orzabal (UK musician, songwriter and producer)
Bass:
Pino Palladino
Keyboard und Klavier:
Oleta Adams
Perkussion:
Luís Jardim
Schlagzeug:
John Cushon
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (in 1990) und Mercury Records Ltd. (London) (for copyrights use only) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 191)
cover recording of:
Get Here
Texter und Komponist(in):
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Oleta Adams44:38
15Let’s Fall in Love
Produzent(in):
Tommy LiPuma und Johnny Mandel (American composer and arranger)
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
John Clayton (US jazz and classical double bassist)
Schlagzeug:
Jeff Hamilton (jazz drummer)
Vibraphon:
Larry Bunker
conductor:
Eddie Karam und Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Let’s Fall in Love
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
Diana Krall4:19
16Cheek to Cheek
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1956-08-16)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Ella Fitzgerald4.155:53
17At Last
Produzent(in):
Leonard Chess, Phil Chess und Leonard and Phil Chess (legendary US production duo)
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographisches Urheberrecht (℗) von:
Windswept Pacific Music Ltd.
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 115) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 356)
cover recording of:
At Last (in 1960-10)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Etta James4.53:02
18Your Song
recording engineer und Mix:
Matt Lawrence
Produzent(in):
Ben Lovett (member of Mumford & Sons)
Akustikgitarre:
Ellie Goulding
Cello:
Ruth de Turberville
große Trommel [kick drum] und Klavier:
Ben Lovett (member of Mumford & Sons)
Pauke:
Matt Wiggins (engineer, producer)
Hintergrundgesang:
Ben Lovett (member of Mumford & Sons) und Ruth de Turberville
vocals:
Ellie Goulding
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2010)
aufgenommen bei:
The Pool in Southwark, London (Greater London), England, Vereinigtes Königreich und The Square (London)
cover recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ellie Goulding3.353:12
19Cry Me a River
cover recording of:
Cry Me a River
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Dinah Washington2:47
20Do You Know Where You Are Going To
Dinah Shore3:25
21Misty Blue
cover recording of:
Misty Blue
Texter und Komponist(in):
Bob Montgomery (USA)
publisher:
Reservoir One America und Talmont Music (publisher) (vom 1966 bis heute)
Ella Fitzgerald2:28
22Imagine
cover recording of:
Imagine
Texter:
John Lennon (The Beatles) und Yoko Ono (Japanese‐American musician and artist)
Komponist(in):
John Lennon (The Beatles)
publisher:
Downtown DMP Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!) und Lenono Music
sub-publisher:
フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Emeli Sandé3:10
23Time After Time
recording engineer:
Danny Kopelson (von 1998-05 bis 1998-09)
Akustikgitarre:
Marvin Sewell (von 1998-05 bis 1998-09)
Bouzouki und E-Gitarre:
Kevin Breit (von 1998-05 bis 1998-09)
Kontrabass:
Lonnie Plaxico (von 1998-05 bis 1998-09)
Perkussion:
Jeffrey Haynes (US hip hop artist Jeffrey Haynes) (von 1998-05 bis 1998-09)
vocals:
Cassandra Wilson (von 1998-05 bis 1998-09)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1998-05 bis 1998-09)
cover recording of:
Time After Time (von 1998-05 bis 1998-09)
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cassandra Wilson4:07
24Love and Affection
Techniker(in) und Produzent(in):
Glyn Johns
Akustikgitarre und Sologesang:
Joan Armatrading
Bassgitarre:
Dave Markee
Saxophon:
Jimmy Jewell
Schlagzeug:
Dave Mattacks
zwölfsaitige Gitarre:
Jerry Donahue
Hintergrundgesang:
Joan Armatrading, Leroy Champaign und Pete Clarke (US actor/singer)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Love and Affection
Texter und Komponist(in):
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading44:30
25Dance Me to the End of Love
assistierende(r) Techniker(in):
Ricky Chao und Nicholas Fournier
Techniker(in) und Mix:
Helik Hadar
Produzent(in):
Larry Klein
Akustikgitarre:
Madeleine Peyroux (US jazz singer & songwriter)
Bass:
David Piltch
Keyboard [piano, wurlitzer piano, organ, celesta]:
Larry Goldings
Perkussion [drums, percussion]:
Jay Bellerose (american drummer and percussionist)
vocals:
Madeleine Peyroux (US jazz singer & songwriter)
phonographisches Urheberrecht (℗) von:
Rounder Records Corp. (not for release label use!) und Rounder Records (a division of Concord Music Group, Inc., not for release label use!) (in 2004)
cover recording of:
Dance Me to the End of Love
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Madeleine Peyroux4.353:57
26Easy
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977), Motown Records (not for label use; use “Motown” instead) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 93)
recording of:
Easy
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.754:16
27Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:19
28You Don’t Own Me
Brenna Whitaker2:54
29Dream a Little Dream
Techniker(in):
John Brough
Produzent(in):
Jon Kelly (engineer at Air London Studios) und The Magic Pumpkin (Producer)
Mix:
John Brough, Jon Kelly (engineer at Air London Studios) und The Magic Pumpkin (Producer)
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
The Beautiful South3:34
30What a Difference a Day Made
Bass:
Geoff Gascoyne
Gitarre:
John Parricelli
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
Perkussion:
Francis Fuster
vocals:
Jamie Cullum (pianist, jazz‐pop artist)
Horn und Saiteninstrumente arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
What a Diff’rence a Day Made
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Jamie Cullum45:09
31Strangers in the Night (remastered 2008)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-04-11)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) (am 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-04-11)
arranger:
Ernie Freeman (am 1966-04-11)
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (am 1966-04-11)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.12:45
32She
recording engineer:
Gareth Cousins und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Paul Hicks
Produzent(in):
Trevor Jones (South African score composer)
Mix:
Gareth Cousins
Bassgitarre:
Trevor Barry
Instrumente:
Clem Clempson
Klavier:
Dave Hartley (pianist)
Schlagzeug:
Paul Clarvis (percussionist)
Vibraphon:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
Orchester:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
She (Seven Faces of Woman)
Texter:
Herbert Kretzmer
Komponist(in):
Charles Aznavour
publisher:
Essex Music International, Inc. und Standard Music Publishing Ltd.
übersetzte Version von:
Tous les visages de l’amour
Elvis Costello2.53:06
33La Vie en rose (single version)
recorded in:
New York, New York, Vereinigte Staaten (am 1950-06-26)
alto saxophone:
Hymie Schertzer (am 1950-06-26) und Milt Yaner (am 1950-06-26)
Gitarre:
Everett Barksdale (am 1950-06-26)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1950-06-26)
Kontrabass:
George Duvivier (am 1950-06-26)
Posaune:
Morton Bullman (am 1950-06-26)
Schlagzeug:
Johnny Blowers (am 1950-06-26)
Tenorsaxophon:
Art Drelinger (am 1950-06-26) und Bill Holcombe (US composer and flutist) (am 1950-06-26)
Trompete:
Louis Armstrong (am 1950-06-26), Melvin Solomon (am 1950-06-26), Bernie Privin (am 1950-06-26) und Paul Webster (trumpet, jazz musician) (am 1950-06-26)
vocals:
Louis Armstrong (am 1950-06-26)
Orchester:
Sy Oliver’s Orchestra (am 1950-06-26)
conductor:
Sy Oliver (am 1950-06-26)
arranger:
Sy Oliver
cover recording of:
La Vie en rose (English translation) (am 1950-06-26)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
übersetzte Version von:
La Vie en rose (French original)
Louis Armstrong43:26
34Baby I’m a Fool
Bass:
Ken Pendergast (bass player, vocalist)
Bratsche / Viola:
Alma Fernandez, Samuel Formicola (violist), Roland Kato und Dave Walther (Musician - Viola Player)
Cello:
Larry Corbett, Christina Soule (cello) und Cécilia Tsan (cellist)
Geige / Violine:
Darius Campo, Roberto Cani (violinist), Kevin Connolly (violinist), Joel Derouin, Miran H. Kojian, Natalie Leggett, Liane Mautner, Robin Olson, Katia Popov und Audrey Solomon
Harfe:
Amy Shulma (Musican - Harp Player)
Kontrabass:
Nico Abandolo (Musician - Bass Player) und Drew Dembowski
Schlagzeug:
Charlie Patterno (Musician - Drummer)
vocals:
Melody Gardot
recording of:
Baby I'm a Fool
Texter und Komponist(in):
Melody Gardot
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Melody Gardot3.653:30
35Don’t Let Me Be Misunderstood
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Nina Simone4.052:46
36When I Fall in Love (2003 Digital remaster; 24 bit Mastering)
vocals:
Nat King Cole (in 1956)
Interpret(in):
Gordon Jenkins and His Orchestra (in 1956)
cover recording of:
When I Fall in Love (in 1956)
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole3:12
37Ev’ry Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Lady Gaga3:10
38Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:55
39My Funny Valentine
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) und Blue Note (in 1989)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1954-02-15)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker22:19
40Crazy (single version)
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (am 1961-08-21)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline & The Jordanaires4.152:41
41Lovin’ You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.53:23