Greatest Hits of the Millennium: 80’s, Volume 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Angel Eyes (Home and Away)
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!) (in 1987)
recording of:
Angel Eyes (Home & Away)
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
Wet Wet Wet45:16
2I Lie and I Cheat
phonographic copyright (℗) by:
Antler Records (in 1987)
recording of:
I Lie and I Cheat
writer:
Biesemans (Belgian bass guitarist) and Timmermans
Won Ton Ton54:00
3Tribute (Right One)
recording of:
Tribute (Right On)
writer:
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan and Pete Wingfield (keyboardist, singer, producer, songwriter)
publisher:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988) and Island Music Ltd. (in 1988)
The Pasadenas4:22
4Stop Loving You
recording engineer:
Bill Payne, George Massenburg and Toto (US rock group)
programming:
Steve Porcaro
additional engineer:
John Jessel (task: additional engineering by), Sharon Rice (Los Angeles sound engineer) (task: additional engineering by) and Steve Porcaro (task: additional engineering by)
assistant engineer:
Duane Seykora (task: assistant engineer), Greg Dennen (task: assistant engineer), Ken Fowler (task: assistant engineer), Mark McKenna (engineer) (task: assistant engineer), Paul Dieter (American sound engineer and producer.) (task: assistant engineer) and Scott Symington (task: assistant engineer)
producer:
Ivy Skoff, George Massenburg, Bill Payne and Toto (US rock group)
mixer:
George Massenburg
bass:
Mike Porcaro
bass guitar:
Mike Porcaro
brass [horns]:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass), Gary Herbig, Jerry Hey and James Pankow
drums (drum set):
Jeff Porcaro
guitar [lead and rhythm guitars]:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
horn:
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass), Gary Herbig, James Pankow, Jerry Hey, Jim Horn (saxophonist, hornist, flutist and oboist) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
keyboard:
Bill Payne, David Paich and Steve Porcaro
percussion:
Michael G. Fisher (percussionist) and Jeff Porcaro
saxophone [brass]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
synthesizer:
David Paich, Bill Payne and Steve Porcaro
additional background vocals:
Jon Anderson (Yes/Jon & Vangelis)
background vocals:
Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich and Joseph Williams (vocalist for Toto, son of composer John Williams)
lead vocals:
Jean-Michel Byron and Joseph Williams (vocalist for Toto, son of composer John Williams)
vocals:
Jon Anderson (Yes/Jon & Vangelis), David Paich, Joseph Williams (vocalist for Toto, son of composer John Williams), Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
brass [horns] arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) and Toto (US rock group)
recording of:
Stop Loving You
writer:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) and David Paich
publisher:
BMG Songs, Hudmar Publishing Co. Inc., Inactive and Rehtakul Veets Music
Toto3.454:30
5Wonderful Tonight
producer:
Glyn Johns
bass guitar:
Carl Radle (on 1977-05-02)
drums (drum set):
Jamie Oldaker (on 1977-05-02)
electronic organ:
Dick Sims (on 1977-05-02)
guitar:
Eric Clapton (on 1977-05-02) and George Terry (guitar player with Clapton in 70's) (on 1977-05-02)
background vocals:
Yvonne Elliman (on 1977-05-02) and Marcy Levy (on 1977-05-02)
lead vocals:
Eric Clapton (on 1977-05-02)
phonographic copyright (℗) by:
RSO Records Ltd. (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1977-05-02)
recording of:
Wonderful Tonight (on 1977-05-02)
lyricist and composer:
Eric Clapton
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Throat Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton4.33:39
6Yé Ké Yé Ké
recording of:
Yé Ké Yé Ké
lyricist:
Mory Kanté
composer:
Mory Kante
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mory Kanté4.53:59
7Tell It to My Heart
producer:
Ric Wake
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) and Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
writer:
Ernie Gold and Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint and Intersong Music
Taylor Dayne3.753:38
8Perfect
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
music videos:
Perfect by Fairground Attraction
recording of:
Perfect
lyricist and composer:
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:35
9First Time
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1988) and The Coca-Cola Company (in 1988)
music videos:
First Time ("concept" version) by Robin Beck and First Time (band version) by Robin Beck
recording of:
First Time
lyricist:
Tom Anthony (wrote "First Time") and Terry Boyle
composer:
Gavin Spencer
publisher:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Music Publishing Scandinavia AB
Robin Beck33:17
10Teardrops
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack5:04
11The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population2.653:56
12Never Trust a Stranger
programming:
Tony Swain (songwriter, producer) and Ricky Wilde
engineer:
James Richards (engineer)
producer:
Ricky Wilde
mixer:
Richard Lengyel
guitar:
Steve Byrd and Ricky Wilde
keyboard:
Tony Swain (songwriter, producer) and Ricky Wilde
background vocals:
Junior Giscombe (Norman Washington Giscombe, Jr.) and Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
recorded at and mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom
recording of:
Never Trust a Stranger
writer:
Kim Wilde and Ricky Wilde
Kim Wilde54:05
13Stop
vocals:
Sam Brown (UK singer/songwriter)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1988)
recording of:
Stop
writer:
Bruce Brody, Sam Brown (UK singer/songwriter) and Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) and WayBlue Ltd. (publisher)
Sam Brown4.354:56
14Mannish Boy
producer:
Johnny Winter (American blues/rock musician)
bass guitar:
Charles Calmese (in 1976-10)
drums (drum set):
Willie “Big Eyes” Smith (in 1976-10)
guitar:
Bob Margolin (in 1976-10), Muddy Waters (blues musician) (in 1976-10) and Johnny Winter (American blues/rock musician) (in 1976-10)
harmonica:
James Cotton (US blues harmonica player, singer & songwriter) (in 1976-10)
piano:
Pinetop Perkins (in 1976-10)
other vocals:
Johnny Winter (American blues/rock musician)
vocals:
Muddy Waters (blues musician) (in 1976-10)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 425)
recording of:
Mannish Boy (in 1976-10)
writer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London and McKinley Morganfield (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd. and Tristan Music Ltd.
part of:
Risky Business (film soundtrack)
Muddy Waters35:24
15Lovely Day (88 remix)
producer:
Clarence McDonald
remixer:
Ben Liebrand
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
remix of:
Lovely Day by Bill Withers
recording of:
Lovely Day
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers3.54:07
16I Owe You Nothing
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer:
Ric Wake
producer and mixer:
Nicky Graham
remixer:
Bob Cadway and Ric Wake
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Owe You Nothing
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (in 1988), Intersong Music Ltd. (in 1988) and Virgin Music (Publishers) Ltd. (in 1988)
Bros3:41
17Play It Cool
recording of:
Play It Cool
writer:
Richard Palmer‐James (guitarist and lyricist), Aron Strobel and Stefan Zauner (pop vocalist and keyboardist)
publisher:
Mambo Musikverlag
Freiheit3:38
18Get Outta My Dreams, Get Into My Car
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1988)
edit of:
Get Outta My Dreams, Get Into My Car by Billy Ocean
recording of:
Get Outta My Dreams, Get Into My Car (in 1987)
writer:
Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd and Zomba Music Publishing Ltd.
Billy Ocean2.354:37
3▶CD

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part of:Greatest Hits of the Millennium (number: 80.3) (order: 9)