Greatest Hits of the Millennium: 80’s, Volume 3

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Angel Eyes (Home and Away)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1987)
registrazione di:
Angel Eyes (Home & Away)
autore:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell e Marti Pellow
Wet Wet Wet45:16
2I Lie and I Cheat
diritti fonografici (℗) detenuti da:
Antler Records (nel 1987)
registrazione di:
I Lie and I Cheat
autore:
Biesemans (Belgian bass guitarist) e Timmermans
Won Ton Ton54:00
3Tribute (Right One)
registrazione di:
Tribute (Right On)
autore:
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan e Pete Wingfield (keyboardist, singer, producer, songwriter)
editore:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988) e Island Music Ltd. (nel 1988)
The Pasadenas4:22
4Stop Loving You
tecnico di registrazione:
Bill Payne, George Massenburg e Toto (US rock group)
programmazione:
Steve Porcaro
assistente tecnico:
Duane Seykora (incarico: assistant engineer), Greg Dennen (incarico: assistant engineer), Ken Fowler (incarico: assistant engineer), Mark McKenna (engineer) (incarico: assistant engineer), Paul Dieter (American sound engineer and producer.) (incarico: assistant engineer) e Scott Symington (incarico: assistant engineer)
tecnico aggiunto:
John Jessel (incarico: additional engineering by), Sharon Rice (Los Angeles sound engineer) (incarico: additional engineering by) e Steve Porcaro (incarico: additional engineering by)
produttore:
Ivy Skoff, George Massenburg, Bill Payne e Toto (US rock group)
tecnico di missaggio:
George Massenburg
basso :
Mike Porcaro
batteria :
Jeff Porcaro
chitarra [lead and rhythm guitars] :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Mike Porcaro
corno :
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass), Gary Herbig, James Pankow, Jerry Hey, Jim Horn (saxophonist, hornist, flutist and oboist) e Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
ottoni [horns] :
Chuck Findley (trumpet, trombone, horn player), Gary Grant (brass), Gary Herbig, Jerry Hey e James Pankow
percussione :
Michael G. Fisher (percussionist) e Jeff Porcaro
sassofono [brass] :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sintetizzatore :
David Paich, Bill Payne e Steve Porcaro
tastiera :
Bill Payne, David Paich e Steve Porcaro
voce:
Jon Anderson (Yes/Jon & Vangelis), David Paich, Joseph Williams (vocalist for Toto, son of composer John Williams), Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich e Joseph Williams (vocalist for Toto, son of composer John Williams)
voce di accompagnamento aggiuntiva:
Jon Anderson (Yes/Jon & Vangelis)
voce principale:
Jean-Michel Byron e Joseph Williams (vocalist for Toto, son of composer John Williams)
arrangiatore ottoni [horns] :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
arrangiatore:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) e Toto (US rock group)
registrazione di:
Stop Loving You
autore:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) e David Paich
editore:
BMG Songs, Hudmar Publishing Co. Inc., Inactive e Rehtakul Veets Music
Toto3.454:30
5Wonderful Tonight
produttore:
Glyn Johns
batteria :
Jamie Oldaker (il 1977-05-02)
chitarra :
Eric Clapton (il 1977-05-02) e George Terry (guitar player with Clapton in 70's) (il 1977-05-02)
chitarra basso :
Carl Radle (il 1977-05-02)
organo elettrico :
Dick Sims (il 1977-05-02)
voce di accompagnamento:
Yvonne Elliman (il 1977-05-02) e Marcy Levy (il 1977-05-02)
voce principale:
Eric Clapton (il 1977-05-02)
diritti fonografici (℗) detenuti da:
RSO Records Ltd. (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1977-05-02)
registrazione di:
Wonderful Tonight (il 1977-05-02)
paroliere e compositore:
Eric Clapton
editore:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Throat Music Ltd., Unichappell Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton4.33:39
6Yé Ké Yé Ké
registrazione di:
Yé Ké Yé Ké
paroliere:
Mory Kanté
compositore:
Mory Kante
editore:
EMI Music Publishing Germany (GmbH & Co. KG), PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mory Kanté4.53:59
7Tell It to My Heart
produttore:
Ric Wake
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e Arista Records, LLC (holding company - file NO releases here!) (nel 1987)
registrazione di:
Tell It to My Heart
autore:
Ernie Gold e Seth Swirsky
editore:
Chappell Music, Inc. (publisher), Goldpoint e Intersong Music
Taylor Dayne3.753:38
8Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:35
9First Time
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1988) e The Coca-Cola Company (nel 1988)
video musicali:
First Time ("concept" version) di Robin Beck e First Time (band version) di Robin Beck
registrazione di:
First Time
paroliere:
Tom Anthony (wrote "First Time") e Terry Boyle
compositore:
Gavin Spencer
editore:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Music Publishing Scandinavia AB
Robin Beck33:17
10Teardrops
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack5:04
11The Only Way Is Up
produttore:
Coldcut (Matt Black & Jonathan More)
diritti fonografici (℗) detenuti da:
Big Life (UK indie/dance) (nel 1988)
è stato produttore per:
Ahead Of Our Time Productions
registrazione cover di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz & The Plastic Population2.653:56
12Never Trust a Stranger
programmazione:
Tony Swain (songwriter, producer) e Ricky Wilde
tecnico:
James Richards (engineer)
produttore:
Ricky Wilde
tecnico di missaggio:
Richard Lengyel
chitarra :
Steve Byrd e Ricky Wilde
tastiera :
Tony Swain (songwriter, producer) e Ricky Wilde
voce di accompagnamento:
Junior Giscombe (Norman Washington Giscombe, Jr.) e Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001)
è stato produttore per:
Big M Productions (British record and publishing company)
registrata presso e mixata presso:
Select Sound Studios in Knebworth, Hertfordshire, England, Regno Unito
registrazione di:
Never Trust a Stranger
autore:
Kim Wilde e Ricky Wilde
Kim Wilde54:05
13Stop
voce:
Sam Brown (UK singer/songwriter)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1988)
registrazione di:
Stop
autore:
Bruce Brody, Sam Brown (UK singer/songwriter) e Gregg Sutton
editore:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) e WayBlue Ltd. (publisher)
Sam Brown4.354:56
14Mannish Boy
produttore:
Johnny Winter (American blues/rock musician)
armonica (a bocca) :
James Cotton (US blues harmonica player, singer & songwriter) (nel 1976-10)
batteria :
Willie “Big Eyes” Smith (nel 1976-10)
chitarra :
Bob Margolin (nel 1976-10), Muddy Waters (blues musician) (nel 1976-10) e Johnny Winter (American blues/rock musician) (nel 1976-10)
chitarra basso :
Charles Calmese (nel 1976-10)
pianoforte :
Pinetop Perkins (nel 1976-10)
altra voce:
Johnny Winter (American blues/rock musician)
voce:
Muddy Waters (blues musician) (nel 1976-10)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 425)
registrazione di:
Mannish Boy (nel 1976-10)
autore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London e McKinley Morganfield (blues musician)
editore:
Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd. e Tristan Music Ltd.
parte di:
Risky Business (film soundtrack)
Muddy Waters35:24
15Lovely Day (88 remix)
produttore:
Clarence McDonald
remixer:
Ben Liebrand
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1988) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
remix di:
Lovely Day di Bill Withers
registrazione di:
Lovely Day
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers3.54:07
16I Owe You Nothing
tecnico di registrazione:
John Brand (engineer), Simon Humphrey e Robin Sellers
assistente tecnico:
Richard Edwards (sound engineer) e Alex Osman
tecnico:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
produttore e tecnico di missaggio:
Nicky Graham
produttore aggiunto:
Ric Wake
remixer:
Bob Cadway e Ric Wake
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1988)
registrata presso:
Hot Nights Studio in London (Greater London), England, Regno Unito
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
I Owe You Nothing
autore:
Nicky Graham e Thomas Watkins
editore:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (nel 1988), Intersong Music Ltd. (nel 1988) e Virgin Music (Publishers) Ltd. (nel 1988)
Bros3:41
17Play It Cool
registrazione di:
Play It Cool
autore:
Richard Palmer‐James (guitarist and lyricist), Aron Strobel e Stefan Zauner (pop vocalist and keyboardist)
editore:
Mambo Musikverlag
Freiheit3:38
18Get Outta My Dreams, Get Into My Car
produttore:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1988)
edit di:
Get Outta My Dreams, Get Into My Car di Billy Ocean
registrazione di:
Get Outta My Dreams, Get Into My Car (nel 1987)
autore:
Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd e Zomba Music Publishing Ltd.
Billy Ocean2.354:37
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parte di:Greatest Hits of the Millennium (numero: 80.3) (ordine: 9)