Work Song: 1960-1969

~ Veröffentlichung von Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1Work Song
recording of:
Work Song (original instrumental)
Verfasser(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Nat Adderley
5:53
2Dat Dere
recorded in:
New York, New York, Vereinigte Staaten (am 1960-02-01)
alto saxophone:
Cannonball Adderley (am 1960-02-01)
Klavier:
Bobby Timmons (am 1960-02-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1960-02-01)
Kornett:
Nat Adderley (am 1960-02-01)
Schlagzeug:
Louis Hayes (am 1960-02-01)
recording of:
Dat Dere
Texter:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Bobby Timmons
5:31
3African Waltz
recorded in:
New York, New York, Vereinigte Staaten (am 1961-02-28)
alto saxophone:
Cannonball Adderley (am 1961-02-28)
alto saxophone und flute:
George Dorsey (am 1961-02-28)
baritone saxophone:
Arthur Clarke (baritone saxophonist) (am 1961-02-28)
Bassposaune:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1961-02-28)
Bongos und Conga:
Michael Olatuja (UK electric and acoustic bassist/composer, based in New York) (am 1961-02-28)
flute und Tenorsaxophon:
Oliver Nelson (saxophone, arranger, composer) (am 1961-02-28)
flute, Piccoloflöte und Tenorsaxophon:
Jerome Richardson (am 1961-02-28)
Klavier:
Wynton Kelly (am 1961-02-28)
Kontrabass:
Sam Jones (US jazz bassist) (am 1961-02-28)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1961-02-28), George Matthews (trombone) (am 1961-02-28) und Arnett Sparrow (am 1961-02-28)
Schlagzeug:
Charlie Persip (American jazz drummer) (am 1961-02-28)
Trompete:
Nat Adderley (am 1961-02-28), Joe Newman (US jazz trumpeter) (am 1961-02-28), Ernie Royal (am 1961-02-28) und Clark Terry (American swing trumpeter) (am 1961-02-28)
Tuba:
Don Butterfield (am 1961-02-28)
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Mastercorp Pty Ltd (in 2011) und Kendal (in 2014)
2:12
4Blue Brass Groove
alto saxophone:
Cannonball Adderley
alto saxophone und flute:
George Dorsey
baritone saxophone:
Arthur Clarke (baritone saxophonist)
Bass:
Sam Jones (US jazz bassist)
Bassposaune:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.)
Bongos und Conga:
Michael Olatuja (UK electric and acoustic bassist/composer, based in New York)
Conga:
Ray Barretto
flute und Tenorsaxophon:
Oliver Nelson (saxophone, arranger, composer) und Jerome Richardson
Klavier:
Wynton Kelly
Posaune:
Jimmy Cleveland (US jazz trombonist), Melba Liston (US jazz trombonist), George Matthews (trombone) und Arnett Sparrow
Schlagzeug:
Louis Hayes und Charlie Persip (American jazz drummer)
Trompete:
Nat Adderley, Joe Newman (US jazz trumpeter), Ernie Royal, Clark Terry (American swing trumpeter) und Nick Travis
Tuba:
Don Butterfield
Ventilposaune:
Bob Brookmeyer
arranger:
Ernie Wilkins
phonographisches Urheberrecht (℗) von:
Mastercorp Pty Ltd (in 2011) und Kendal (in 2014)
4:53
5Who Cares?
recorded in:
New York, New York, Vereinigte Staaten (am 1961-01-27)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1961-01-27)
Bass und Kontrabass:
Percy Heath (am 1961-01-27)
Klavier:
Bill Evans (pianist) (am 1961-01-27)
Schlagzeug:
Connie Kay (am 1961-01-27)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012) und Vantage Music (in 2012)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-01-27)
instrumental recording of:
Who Cares? (Of Thee I Sing) (am 1961-01-27)
Texter:
Ira Gershwin (in 1931)
Komponist(in):
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Of Thee I Sing: Act II
cover recording of:
Who Cares? (Of Thee I Sing) (am 1961-01-27)
Texter:
Ira Gershwin (in 1931)
Komponist(in):
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Of Thee I Sing: Act II
instrumental cover recording of:
Who Cares? (Of Thee I Sing) (am 1961-01-27)
Texter:
Ira Gershwin (in 1931)
Komponist(in):
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Of Thee I Sing: Act II
5:57
6Toy
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-21)
Produzent(in):
Orrin Keepnews (in 1961-02)
alto saxophone:
Cannonball Adderley (am 1961-02-21)
Klavier:
Bill Evans (pianist) (am 1961-02-21)
Kontrabass und Kontrabass [bass]:
Percy Heath (am 1961-02-21)
Schlagzeug:
Connie Kay (am 1961-02-21)
phonographisches Urheberrecht (℗) von:
HHO Licensing (in 2005, in 2008), Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Xelon Productions (in 2010), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) und Count Records (in 2013)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-21)
recording of:
Toy (am 1961-02-21)
Komponist(in):
Clifford Jordan (jazz saxophonist)
publisher:
Upam Music Co.
5:10
7Venice
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1961-03-13)
Klavier:
Bill Evans (pianist) (am 1961-03-13)
Kontrabass:
Percy Heath (am 1961-03-13)
Schlagzeug:
Connie Kay (am 1961-03-13)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) und Count Records (in 2013)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-03-13)
recording of:
Venice (am 1961-03-13)
Komponist(in):
John Lewis (pianist, member of Modern Jazz Quartet)
publisher:
MJQ Music, Inc. und Rayven Music
2:55
8Why Am I Treated So Bad
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-03-06)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991)
7:02
9The Jive Samba
alto saxophone:
Cannonball Adderley (von 1962-09-22 bis 1962-09-23)
flute, Oboe und Tenorsaxophon:
Yusef Lateef (von 1962-09-22 bis 1962-09-23)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (von 1962-09-22 bis 1962-09-23)
Kontrabass:
Sam Jones (US jazz bassist) (von 1962-09-22 bis 1962-09-23)
Kornett:
Nat Adderley (von 1962-09-22 bis 1962-09-23)
Schlagzeug:
Louis Hayes (von 1962-09-22 bis 1962-09-23)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
aufgenommen bei:
The Jazz Workshop in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1962-09-22 bis 1962-09-23)
live recording of:
The Jive Samba (in 1962-09)
Komponist(in):
Nat Adderley
11:01
10Primitivo
alto saxophone:
Cannonball Adderley (von 1962-09-22 bis 1962-09-23)
flute, Oboe und Tenorsaxophon:
Yusef Lateef (von 1962-09-22 bis 1962-09-23)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (von 1962-09-22 bis 1962-09-23)
Kontrabass:
Sam Jones (US jazz bassist) (von 1962-09-22 bis 1962-09-23)
Kornett:
Nat Adderley (von 1962-09-22 bis 1962-09-23)
Schlagzeug:
Louis Hayes (von 1962-09-22 bis 1962-09-23)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
aufgenommen bei:
The Jazz Workshop in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1962-09-22 bis 1962-09-23)
live recording of:
Primitivo (in 1962-09)
Komponist(in):
Julian Edwin Adderley
9:15
11Country Preacher
alto saxophone:
Cannonball Adderley (in 1975)
Bass:
Walter Booker (in 1975)
Conga:
Airto Moreira (percussionist) (in 1975)
Keyboard:
Michael Wolff (American jazz pianist) (in 1975)
Kornett:
Nat Adderley (in 1975)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1975)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991)
recording of:
Country Preacher (in 1975)
Komponist(in):
Joe Zawinul (jazz and fusion keyboard player)
4:35
12Mercy Mercy Mercy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-10-20)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991, in 1997) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004)
Teil von:
The Downloader’s Music Source Book (Nummer: 201)
live recording of:
Mercy, Mercy, Mercy
Komponist(in):
Josef Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
5:11