| # | Title | Artist | Rating | Length |
|---|
| 1 | Nutbush City Limits- producer:
- Ike Turner
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1973), EMI Records USA (in 1973), United Artists (in 1973) and EMI Records Ltd. (in 2004)
- recording of:
- Nutbush City Limits
- lyricist and composer:
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
| Ike & Tina Turner | 3.75 | 2:59 |
| 2 | Can the Can | Suzi Quatro | 4.15 | 3:34 |
| 3 | You Took the Words Right Out of My Mouth (Hot Summer Night) | Meat Loaf | 4 | 4:15 |
| 4 | Red Light (Spells Danger) | Billy Ocean | | 3:32 |
| 5 | Lucille | Kenny Rogers | 3 | 3:41 |
| 6 | It’s a Heartache- producer:
- Dave Mackay , David Mackay , Ronnie Scott and Steve Wolfe
- acoustic guitar and background vocals:
- Steve Wolfe
- bass:
- Kevin Dunne
- drums (drum set) and percussion:
- Micky Gibbins
- vocals:
- Bonnie Tyler
- phonographic copyright (℗) by:
- Castle Copyrights Ltd. (in 1977), RCA Ltd. (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (in 1977), Soundbarrier Ltd. (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (in 1995), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- produced for:
- Soundbarrier Ltd.
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 24)
- recording of:
- It’s a Heartache
- writer:
- Ronnie Scott and Steve Wolfe
- publisher:
- BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (in 1977) and RAK Publishing (in 1977)
| Bonnie Tyler | 3.8 | 3:31 |
| 7 | Save Your Kisses for Me | Brotherhood of Man | | 3:04 |
| 8 | Rose Garden | Lynn Anderson | | 2:55 |
| 9 | Maggie May- producer:
- Rod Stewart
- 12 string guitar, bass guitar and electric guitar:
- Ronnie Wood (in 1971)
- acoustic guitar:
- Martin Quittenton (in 1971)
- celesta:
- Pete Sears (in 1971)
- cymbal and membranophone:
- Micky Waller (in 1971)
- Hammond organ:
- Ian McLagan (in 1971)
- mandolin:
- Ray Jackson (in 1971) and David Lindley (in 1971)
- lead vocals:
- Rod Stewart (in 1971)
- phonographic copyright (℗) by:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) and UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 4.2 | 5:13 |
| 10 | Stumblin’ In | Chris Norman & Suzi Quatro | 4.65 | 3:58 |
| 11 | Under the Moon of Love | Showaddywaddy | | 3:01 |
| 12 | One Way Wind | The Cats | | 3:43 |
| 13 | Baker Street- recording engineer:
- Barry Hammond
- producer:
- Hugh Murphy and Gerry Rafferty
- mixer:
- Declan O’Doherty
- bass:
- Gary Taylor
- drums (drum set):
- Henry Spinetti
- electric guitar:
- Hugh Burns and Nigel Jenkins
- Moog and keyboard:
- Tommy Eyre
- percussion:
- Glen LeFleur
- saxophone:
- Raphael Ravenscroft
- lead vocals:
- Gerry Rafferty
- strings arranger:
- Graham Preskett
- phonographic copyright (℗) by:
- EMI Records USA (in 1977), EMI (in 1978), EMI Records Ltd. (in 1978), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 26) and Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 89)
- recording of:
- Baker Street
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 3.75 | 6:08 |
| 14 | I’m a Train | Albert Hammond | 2 | 3:19 |
| 15 | Dancing in the City | Marshall Hain | | 3:47 |
| 16 | You’re the First, the Last, My Everything- engineer:
- Frank Kejmar
- producer:
- Barry White
- arranger:
- Gene Page and Barry White
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1974)
- recording of:
- You’re the First, the Last, My Everything
- writer:
- Peter Sterling Radcliffe, Tony Sepe and Barry White
- publisher:
- Chappell & Co., Inc. , January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
| Barry White | 4 | 3:25 |
| 17 | Oh Boy | Mud | 2 | 2:54 |
| 18 | Don’t Let Me Be Misunderstood | Santa Esmeralda | | 3:27 |
| 19 | When You’re in Love With a Beautiful Woman | Dr. Hook | 4 | 3:00 |
| 20 | Follow Me | Amanda Lear | 4 | 3:50 |
Play on ListenBrainz