| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Nutbush City Limits- Produzent(in):
- Ike Turner
- Sologesang:
- Tina Turner
- phonographisches Urheberrecht (℗) von:
- Capitol Records, LLC (in 1973), EMI Records USA (in 1973), United Artists (in 1973) und EMI Records Ltd. (in 2004)
- recording of:
- Nutbush City Limits
- Texter und Komponist(in):
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
| Ike & Tina Turner | 3.75 | 2:59 |
| 2 | Can the Can | Suzi Quatro | 4.15 | 3:34 |
| 3 | You Took the Words Right Out of My Mouth (Hot Summer Night) | Meat Loaf | 4 | 4:15 |
| 4 | Red Light (Spells Danger) | Billy Ocean | | 3:32 |
| 5 | Lucille | Kenny Rogers | 3 | 3:41 |
| 6 | It’s a Heartache- Produzent(in):
- Dave Mackay , David Mackay , Ronnie Scott und Steve Wolfe
- Akustikgitarre und Hintergrundgesang:
- Steve Wolfe
- Bass:
- Kevin Dunne
- Perkussion und Schlagzeug:
- Micky Gibbins
- vocals:
- Bonnie Tyler
- phonographisches Urheberrecht (℗) von:
- Castle Copyrights Ltd. (in 1977), RCA Ltd. (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (in 1977), Soundbarrier Ltd. (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (in 1995), Union Square Music Ltd. (in 2018) und Universal Music Operations Ltd. (in 2018)
- produced for:
- Soundbarrier Ltd.
- Teil von:
- Billboard Year-End Hot 100 singles of 1978 (Nummer: 24)
- recording of:
- It’s a Heartache
- Verfasser(in):
- Ronnie Scott und Steve Wolfe
- publisher:
- BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (in 1977) und RAK Publishing (in 1977)
| Bonnie Tyler | 3.8 | 3:31 |
| 7 | Save Your Kisses for Me | Brotherhood of Man | | 3:04 |
| 8 | Rose Garden | Lynn Anderson | | 2:55 |
| 9 | Maggie May- Produzent(in):
- Rod Stewart
- Akustikgitarre:
- Martin Quittenton (in 1971)
- Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
- Ronnie Wood (in 1971)
- Becken und membranophone:
- Micky Waller (in 1971)
- Celesta:
- Pete Sears (in 1971)
- Hammond-Orgel:
- Ian McLagan (in 1971)
- Mandoline:
- Ray Jackson (in 1971) und David Lindley (in 1971)
- Sologesang:
- Rod Stewart (in 1971)
- phonographisches Urheberrecht (℗) von:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) und UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- Verfasser(in):
- Mike Peters, Martin Quittenton und Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music
| Rod Stewart | 4.2 | 5:13 |
| 10 | Stumblin’ In | Chris Norman & Suzi Quatro | 4.65 | 3:58 |
| 11 | Under the Moon of Love | Showaddywaddy | | 3:01 |
| 12 | One Way Wind | The Cats | | 3:43 |
| 13 | Baker Street- recording engineer:
- Barry Hammond
- Produzent(in):
- Hugh Murphy und Gerry Rafferty
- Mix:
- Declan O’Doherty
- Bass:
- Gary Taylor
- E-Gitarre:
- Hugh Burns und Nigel Jenkins
- Moog und Keyboard:
- Tommy Eyre
- Perkussion:
- Glen LeFleur
- Saxophon:
- Raphael Ravenscroft
- Schlagzeug:
- Henry Spinetti
- Sologesang:
- Gerry Rafferty
- Saiteninstrumente arranger:
- Graham Preskett
- phonographisches Urheberrecht (℗) von:
- EMI Records USA (in 1977), EMI (in 1978), EMI Records Ltd. (in 1978), Parlophone Records Ltd. (in 1978) und United Artists Music and Records Group, Inc. (in 1978)
- aufgenommen bei:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, Vereinigtes Königreich
- Teil von:
- Billboard Year-End Hot 100 singles of 1978 (Nummer: 26) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (Nummer: 89)
- recording of:
- Baker Street
- Texter und Komponist(in):
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs und Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 3.75 | 6:08 |
| 14 | I’m a Train | Albert Hammond | 2 | 3:19 |
| 15 | Dancing in the City | Marshall Hain | | 3:47 |
| 16 | You’re the First, the Last, My Everything- Techniker(in):
- Frank Kejmar
- Produzent(in):
- Barry White
- arranger:
- Gene Page und Barry White
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1974)
- recording of:
- You’re the First, the Last, My Everything
- Verfasser(in):
- Peter Sterling Radcliffe, Tony Sepe und Barry White
- publisher:
- Chappell & Co., Inc. , January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
| Barry White | 4 | 3:25 |
| 17 | Oh Boy | Mud | 2 | 2:54 |
| 18 | Don’t Let Me Be Misunderstood | Santa Esmeralda | | 3:27 |
| 19 | When You’re in Love With a Beautiful Woman | Dr. Hook | 4 | 3:00 |
| 20 | Follow Me | Amanda Lear | 4 | 3:50 |
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