Mastermix Classic Cuts: The Sixties Box 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Don’t Stop the Carnival
Alan Price Set2:26
2Dock of the Bay
registrazione di:
(Sittin’ on) the Dock of the Bay
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding2:45
3Bachelor Boy
registrazione di:
Bachelor Boy
autore:
Cliff Richard e Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard & The Shadows2:03
4Honky Tonk Women
registrazione di:
Honky Tonk Women
scritta a:
Mato Grosso, Brasile (nel 1968-12)
autore:
M. Vickery, Mick Jagger (The Rolling Stones) (nel 1968-12) e Keith Richards (Rolling Stones guitarist) (nel 1968-12)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Westminster Music Ltd.
The Rolling Stones3:03
5Not Fade Away
registrazione di:
Not Fade Away
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
The Rolling Stones1:52
6Lily the Pink
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Lily the Pink
autore:
[traditional] (special purpose artist), John Gorman (UK comedian) e Roger McGough (poet)
editore:
Campbell Connelly (Australia) P/L
The Scaffold4.54:21
7Long Live Love
voce:
Sandie Shaw (nel 1965)
diritti fonografici (℗) detenuti da:
Glissando Music Ltd. (nel 1965)
registrazione di:
Long Live Love (nel 1965)
paroliere e compositore:
Chris Andrews (UK singer-songwriter)
editore:
PolyGram Music Publishing
Sandie Shaw2:41
8Mrs Robinson
tecnico di registrazione:
Roy Halee (il 1968-02-02)
assistente produttore:
Bob Johnston (US record producer and early rockebilly singer)
produttore:
Art Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1968-02-02)
chitarra :
Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
voce:
Art Garfunkel (il 1968-02-02) e Paul Simon (of Simon & Garfunkel) (il 1968-02-02)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1968) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 270)
registrazione di:
Mrs. Robinson (il 1968-02-02)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:00
9Strangers in the Night
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1966-04-11)
produttore:
Jimmy Bowen (producer, rockabilly musician and songwriter) (il 1966-04-11)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1966-04-11)
arrangiatore:
Ernie Freeman (il 1966-04-11)
diritti fonografici (℗) detenuti da:
Frank Sinatra Enterprises, LLC (nel 1966, nel 2009) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1966)
registrazione di:
Strangers in the Night (il 1966-04-11)
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
sub-editore:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.12:38
10Dance to the Music
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 223)
registrazione di:
Dance to the Music
paroliere, autore e compositore:
Sylvester Stewart
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
compresa in:
Dance for Me
Sly & the Family Stone43:02
11Lazy Sunday
registrazione di:
Lazy Sunday
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
United Partnership Music Ltd. (conclusa) e EMI United Partnership Ltd.
Small Faces3:08
12Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:29
13Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:31
14Matthew and Son
tecnico di registrazione:
Vic Smith (il 1966-12-01)
produttore:
Mike Hurst (musician and record producer from London, England)
arrangiatore:
Mike Hurst (musician and record producer from London, England) e Alan Tew (British composer and arranger)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1966) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1966)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1966-12-01)
registrazione di:
Matthew and Son (il 1966-12-01)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd.
Cat Stevens3.32:43
15Get Ready
produttore:
Smokey Robinson
strumenti:
The Funk Brothers (dal 1965-12-05 al 1965-12-29)
voce di accompagnamento:
Melvin Franklin (dal 1965-12-05 al 1965-12-29), David Ruffin (soul singer, member of The Temptations) (dal 1965-12-05 al 1965-12-29), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1965-12-05 al 1965-12-29) e Paul Williams (member of The Temptations) (dal 1965-12-05 al 1965-12-29)
voce principale:
Melvin Franklin (dal 1965-12-05 al 1965-12-29) e Eddie Kendricks (dal 1965-12-05 al 1965-12-29)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1965-12-05 al 1965-12-29)
registrazione di:
Get Ready (dal 1965-12-05 al 1965-12-29)
paroliere e compositore:
William “Smokey” Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations42:38
16Hole in My Shoe
registrazione di:
Hole in My Shoe
autore:
Dave Mason (co‐founder of Traffic)
Traffic2:52
17Even the Bad Times Are Good
The Tremeloes2:39
18River Deep Mountain High
tecnico:
Larry Levine
produttore:
Phil Spector e Ike Turner
voce principale:
Tina Turner
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1966-03)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 221)
registrazione di:
River Deep – Mountain High (nel 1966-03)
autore:
Jeff Barry (nel 1966), Ellie Greenwich (nel 1966) e Phil Spector (nel 1966)
editore:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3.53:41
19Excerpt From a Teenage Opera
registrazione di:
Theme From “A Teenage Opera”
paroliere e compositore:
Keith Hopkins e Mark Wirtz
Keith West4:30
20Pinball Wizard
registrata a:
England, Regno Unito
tecnico:
Damon Lyon-Shaw
produttore:
Kit Lambert
produttore esecutivo:
Chris Stamp
chitarra :
Pete Townshend (of The Who) (il 1969-02-07)
voce principale:
Roger Daltrey (il 1969-02-07) e Pete Townshend (of The Who) (il 1969-02-07)
esecutore:
The Who
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1969) e Track Records Production (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito e Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (il 1969-02-07)
registrazione di:
Pinball Wizard (il 1969-02-07)
paroliere:
Pete Townshend (of The Who)
compositore:
Pete Townshend (of The Who) (nel 1969)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Towser Tunes, Inc.
The Who4.353:02
21Substitute
produttore:
Shel Talmy e The Who
basso :
John Entwistle (il 1966-02-12)
batteria :
Keith Moon (drummer) (il 1966-02-12)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1966)
registrata presso:
Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, Regno Unito (il 1966-02-12)
registrazione di:
Substitute (il 1966-02-12)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who3.653:50
22Music to Watch Girls By
registrazione di:
Music to Watch Girls By
autore:
Sid Ramin e Tony Velona
editore:
Sidray Enterprises Ltd. e Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams2:34
23Uptight (Everything’s Alright)
produttore:
Henry Cosby e William Stevenson (Motown songwriter)
voce principale:
Stevie Wonder (nel 1965)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1965)
registrazione di:
Uptight (Everything’s Alright) (nel 1965)
paroliere e compositore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music e Stone Agate Music
Stevie Wonder4.72:56
24Groovin’
registrazione di:
Groovin’
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Slacsar
The Young Rascals2:32
25She’s Lost You
The Zephyrs2:31