Mastermix Classic Cuts: The Sixties Box 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleArtistRatingLength
1Don’t Stop the Carnival
Alan Price Set2:26
2Dock of the Bay
recording of:
(Sittin’ on) the Dock of the Bay
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding2:45
3Bachelor Boy
recording of:
Bachelor Boy
writer:
Cliff Richard and Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard & The Shadows2:03
4Honky Tonk Women
recording of:
Honky Tonk Women
written in:
Mato Grosso, Brazil (in 1968-12)
writer:
M. Vickery, Mick Jagger (The Rolling Stones) (in 1968-12) and Keith Richards (Rolling Stones guitarist) (in 1968-12)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
The Rolling Stones3:03
5Not Fade Away
recording of:
Not Fade Away
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
The Rolling Stones1:52
6Lily the Pink
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Lily the Pink
writer:
[traditional] (special purpose artist), John Gorman (UK comedian) and Roger McGough (poet)
publisher:
Campbell Connelly (Australia) P/L
The Scaffold4.54:21
7Long Live Love
vocals:
Sandie Shaw (in 1965)
phonographic copyright (℗) by:
Glissando Music Ltd. (in 1965)
recording of:
Long Live Love (in 1965)
lyricist and composer:
Chris Andrews (UK singer-songwriter)
publisher:
PolyGram Music Publishing
Sandie Shaw2:41
8Mrs Robinson
recording engineer:
Roy Halee (on 1968-02-02)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 270)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:00
9Strangers in the Night
recorded in:
Hollywood, Los Angeles, California, United States (on 1966-04-11)
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter) (on 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-04-11)
arranger:
Ernie Freeman (on 1966-04-11)
phonographic copyright (℗) by:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (on 1966-04-11)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.12:38
10Dance to the Music
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 223)
recording of:
Dance to the Music
lyricist, writer and composer:
Sylvester Stewart
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
included in:
Dance for Me
Sly & the Family Stone43:02
11Lazy Sunday
recording of:
Lazy Sunday
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
United Partnership Music Ltd. (ended) and EMI United Partnership Ltd.
Small Faces3:08
12Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:29
13Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:31
14Matthew and Son
recording engineer:
Vic Smith (on 1966-12-01)
producer:
Mike Hurst (musician and record producer from London, England)
arranger:
Mike Hurst (musician and record producer from London, England) and Alan Tew (British composer and arranger)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1966) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1966-12-01)
recording of:
Matthew and Son (on 1966-12-01)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd.
Cat Stevens3.32:43
15Get Ready
producer:
Smokey Robinson
instruments:
The Funk Brothers (from 1965-12-05 until 1965-12-29)
background vocals:
Melvin Franklin (from 1965-12-05 until 1965-12-29), David Ruffin (soul singer, member of The Temptations) (from 1965-12-05 until 1965-12-29), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1965-12-05 until 1965-12-29) and Paul Williams (member of The Temptations) (from 1965-12-05 until 1965-12-29)
lead vocals:
Melvin Franklin (from 1965-12-05 until 1965-12-29) and Eddie Kendricks (from 1965-12-05 until 1965-12-29)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1965-12-05 until 1965-12-29)
recording of:
Get Ready (from 1965-12-05 until 1965-12-29)
lyricist and composer:
William “Smokey” Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations42:38
16Hole in My Shoe
recording of:
Hole in My Shoe
writer:
Dave Mason (co‐founder of Traffic)
Traffic2:52
17Even the Bad Times Are Good
The Tremeloes2:39
18River Deep Mountain High
engineer:
Larry Levine
producer:
Phil Spector and Ike Turner
lead vocals:
Tina Turner
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1966-03)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 33) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 221)
recording of:
River Deep – Mountain High (in 1966-03)
writer:
Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3.53:41
19Excerpt From a Teenage Opera
recording of:
Theme From “A Teenage Opera”
lyricist and composer:
Keith Hopkins and Mark Wirtz
Keith West4:30
20Pinball Wizard
recorded in:
England, United Kingdom
engineer:
Damon Lyon-Shaw
executive producer:
Chris Stamp
producer:
Kit Lambert
guitar:
Pete Townshend (of The Who) (on 1969-02-07)
lead vocals:
Roger Daltrey (on 1969-02-07) and Pete Townshend (of The Who) (on 1969-02-07)
performer:
The Who
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1969) and Track Records Production (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom and Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1969-02-07)
recording of:
Pinball Wizard (on 1969-02-07)
lyricist:
Pete Townshend (of The Who)
composer:
Pete Townshend (of The Who) (in 1969)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Towser Tunes, Inc.
The Who4.353:02
21Substitute
producer:
Shel Talmy and The Who
bass:
John Entwistle (on 1966-02-12)
drums (drum set):
Keith Moon (drummer) (on 1966-02-12)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1966)
recorded at:
Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom (on 1966-02-12)
recording of:
Substitute (on 1966-02-12)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who3.653:50
22Music to Watch Girls By
recording of:
Music to Watch Girls By
writer:
Sid Ramin and Tony Velona
publisher:
Sidray Enterprises Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams2:34
23Uptight (Everything’s Alright)
producer:
Henry Cosby and William Stevenson (Motown songwriter)
lead vocals:
Stevie Wonder (in 1965)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
lyricist and composer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music and Stone Agate Music
Stevie Wonder4.72:56
24Groovin’
recording of:
Groovin’
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:32
25She’s Lost You
The Zephyrs2:31